@@@§%$†~.,                                          ,.~†$%§@@@
##@§%$†~.,                                          ,.~†$%§@##
§§%$$~,,,,                                          ,,,,~$$%§§
#@§%%$†~.,                                          ,.~†$%%§@#
##@§%$†~.,                                          ,.~†$%§@##
@@%††..,,, delay  delay  d,la#  § $a,  . ,@   ~   . ,,,..††%@@
##@§%$†~.,                                          ,.~†$%§@##
###§%$†~.,                                          ,.~†$%§###
##@§%$†~.,                                          ,.~†$%§@##
#@@§%$†~.,                                          ,.~†$%§@@#
###§%$†~., "delay" means repetiton or likewise,     ,.~†$%§###
#§§$~,,,,, but it's mainly useless without          ,,,,,~$§§#
@§$~~,,,,, feedback,                                ,,,,,~~$§@
##@§%$†~., to allow the delay to eat of it's own    ,.~†$%§@##
§§%%††~,,, tail, like one of those eaty serpents.   ,,,~††%%§§
@%$$†.,,,, thus: it's the serpent effect!           ,,,,.†$$%@
@@@§%$†~.,                                          ,.~†$%§@@@
###§%$†~., it's to be revered as a creator of       ,.~†$%§###
@%††~.,,,, ambience and of space, if you treat it   ,,,,.~††%@
###@%$†~., right. a somewhat more solid and         ,.~†$%@###
##@§%$†~., slippery sibling of reverb.              ,.~†$%§@##
§§$$~.,,,,                                          ,,,,.~$$§§
@§§%%$†~.,                                          ,.~†$%%§§@
@%†.,,,,,,                                          ,,,,,,.†%@
#@@§%$†~.,                                          ,.~†$%§@@#
##@§%$†~.,                                          ,.~†$%§@##