#@@&@*†-^, ,^-†*@&@@#
#@@&@*†-^, ,^-†*@&@@#
&*†-^,,,,, ,,,,,^-†*&
@&&*†^,,,, ,,,,^†*&&@
&&**---,,, ,,,---**&&
@@@&@*†-^, Delay Delay D,La@ & *A, ^ ,@ - ^ ,^-†*@&@@@
#@@&@*†-^, ,^-†*@&@@#
@@@†--^^,, ,,^^--†@@@
##@&@*†-^, ,^-†*@&@##
#@@&@*†-^, ,^-†*@&@@#
@@@&@*†-^, "Delay" Means Repetiton Or Likewise, ,^-†*@&@@@
@@††-,,,,, But It'S Mainly Useless Without ,,,,,-††@@
@@@&@*†-^, Feedback, ,^-†*@&@@@
@@@&@*†-^, To Allow The Delay To Eat Of It'S Own ,^-†*@&@@@
@@†-,,,,,, Tail, Like One Of Those Eaty Serpents. ,,,,,,-†@@
@@@&@*†-^, Thus: It'S The Serpent Effect! ,^-†*@&@@@
@&@@††--^, ,^--††@@&@
@&&@*-^,,, It'S To Be Revered As A Creator Of ,,,^-*@&&@
&**†^,,,,, Ambience And Of Space, If You Treat It ,,,,,^†**&
#@@&@*†-^, Right. A Somewhat More Solid And ,^-†*@&@@#
#@@&@*†-^, Slippery Sibling Of Reverb. ,^-†*@&@@#
#@@&@*†-^, ,^-†*@&@@#
@@@&@*†-^, ,^-†*@&@@@
##@@&@*†-^ ^-†*@&@@##
#@@&@*†-^, ,^-†*@&@@#
@&@@@*†-^, ,^-†*@@@&@