,,.-\†%¤#@ @#¤%†\-.,,
,.-\†%¤#@# #@#¤%†\-.,
,,.-\†%¤#@ @#¤%†\-.,,
,,,.-\†%¤# #¤%†\-.,,,
,,.-\†%¤#@ @#¤%†\-.,,
,.-\†%¤#@# delay delay d,la@ ¤ †a, . ,# - . #@#¤%†\-.,
,,.-\†%¤#@ @#¤%†\-.,,
,,,.-\†%¤# #¤%†\-.,,,
,,.-\†%¤#@ @#¤%†\-.,,
,.-\†%¤#@# #@#¤%†\-.,
,,.-\†%¤#@ "delay" means repetiton or likewise, @#¤%†\-.,,
,,,.-\†%¤# but it's mainly useless without #¤%†\-.,,,
,,.-\†%¤#@ feedback, @#¤%†\-.,,
,.-\†%¤#@# to allow the delay to eat of it's own #@#¤%†\-.,
,,.-\†%¤#@ tail, like one of those eaty serpents. @#¤%†\-.,,
,,,.-\†%¤# thus: it's the serpent effect! #¤%†\-.,,,
,,.-\†%¤#@ @#¤%†\-.,,
,.-\†%¤#@# it's to be revered as a creator of #@#¤%†\-.,
,,.-\†%¤#@ ambience and of space, if you treat it @#¤%†\-.,,
,,,.-\†%¤# right. a somewhat more solid and #¤%†\-.,,,
,,.-\†%¤#@ slippery sibling of reverb. @#¤%†\-.,,
,.-\†%¤#@# #@#¤%†\-.,
,,.-\†%¤#@ @#¤%†\-.,,
,,,.-\†%¤# #¤%†\-.,,,
,,.-\†%¤#@ @#¤%†\-.,,
,.-\†%¤#@# #@#¤%†\-.,