,,,»/^£¤## ##¤£^/»,,,
,,,,»/^£¤# #¤£^/»,,,,
,,,,,»/^£¤ ¤£^/»,,,,,
,,,,,,»/^£ £^/»,,,,,,
,,,,,,,»/^ ^/»,,,,,,,
,,,,,,,,»/ delay delay d,la# ¤ ^a, , ,# » , /»,,,,,,,,
,,,,,,,»/^ ^/»,,,,,,,
,,,,,,»/^£ £^/»,,,,,,
,,,,,»/^£¤ ¤£^/»,,,,,
,,,,»/^£¤# #¤£^/»,,,,
,,,»/^£¤## "delay" means repetiton or likewise, ##¤£^/»,,,
,,»/^£¤### but it's mainly useless without ###¤£^/»,,
,,,»/^£¤## feedback, ##¤£^/»,,,
,,,,»/^£¤# to allow the delay to eat of it's own #¤£^/»,,,,
,,,,,»/^£¤ tail, like one of those eaty serpents. ¤£^/»,,,,,
,,,,,,»/^£ thus: it's the serpent effect! £^/»,,,,,,
,,,,,,,»/^ ^/»,,,,,,,
,,,,,,,,»/ it's to be revered as a creator of /»,,,,,,,,
,,,,,,,»/^ ambience and of space, if you treat it ^/»,,,,,,,
,,,,,,»/^£ right. a somewhat more solid and £^/»,,,,,,
,,,,,»/^£¤ slippery sibling of reverb. ¤£^/»,,,,,
,,,,»/^£¤# #¤£^/»,,,,
,,,»/^£¤## ##¤£^/»,,,
,,»/^£¤### ###¤£^/»,,
,,,»/^£¤## ##¤£^/»,,,
,,,,»/^£¤# #¤£^/»,,,,