§§*\,..... .....,\*§§
#§*-...... ......-*§#
###§¤*\-,. .,-\*¤§###
###§¤*\-,. .,-\*¤§###
#¤\,...... ......,\¤#
#¤¤\\\,... delay delay d.la# § *a. , .# - , ...,\\\¤¤#
§¤***--... ...--***¤§
§*-....... .......-*§
#§*\,,.... ....,,\*§#
###§¤*\-,. .,-\*¤§###
§**\,..... "delay" means repetiton or likewise, .....,\**§
###§¤*\-,. but it's mainly useless without .,-\*¤§###
###§¤*\-,. feedback, .,-\*¤§###
###§¤*\-,. to allow the delay to eat of it's own .,-\*¤§###
###§¤*\-,. tail, like one of those eaty serpents. .,-\*¤§###
#§*\,..... thus: it's the serpent effect! .....,\*§#
##§¤¤*\-,. .,-\*¤¤§##
###§¤*\-,. it's to be revered as a creator of .,-\*¤§###
####¤*\-,. ambience and of space, if you treat it .,-\*¤####
#§*\-,.... right. a somewhat more solid and ....,-\*§#
#§§*\\,... slippery sibling of reverb. ...,\\*§§#
#§*\\\\-,. .,-\\\\*§#
###§¤*\-,. .,-\*¤§###
##¤*\\,... ...,\\*¤##
###§¤*\-,. .,-\*¤§###
###§¤*\-,. .,-\*¤§###