&%=::¨¨¨¨¨ ¨¨¨¨¨::=%&
&&%%\:¨¨¨¨ ¨¨¨¨:\%%&&
#@&%%%\=:¨ ¨:=\%%%&@#
&&&%%%\=:¨ ¨:=\%%%&&&
#@%\====:¨ ¨:====\%@#
@@@&%%\=:¨ delay delay d¨la# & %a¨ : ¨@ = : ¨:=\%%&@@@
@&%%%%\=:¨ ¨:=\%%%%&@
##@&%%\=:¨ ¨:=\%%&@##
#&&&%%\=:¨ ¨:=\%%&&&#
##@&%%\=:¨ ¨:=\%%&@##
##@&%%\=:¨ "delay" means repetiton or likewise, ¨:=\%%&@##
&%\\=:¨¨¨¨ but it's mainly useless without ¨¨¨¨:=\\%&
##@&%%\=:¨ feedback, ¨:=\%%&@##
##@&%%\=:¨ to allow the delay to eat of it's own ¨:=\%%&@##
@%\:¨¨¨¨¨¨ tail, like one of those eaty serpents. ¨¨¨¨¨¨:\%@
#@%%\=¨¨¨¨ thus: it's the serpent effect! ¨¨¨¨=\%%@#
&%\:¨¨¨¨¨¨ ¨¨¨¨¨¨:\%&
#@%\\:¨¨¨¨ it's to be revered as a creator of ¨¨¨¨:\\%@#
##@&%%\=:¨ ambience and of space, if you treat it ¨:=\%%&@##
##@&%%\=:¨ right. a somewhat more solid and ¨:=\%%&@##
@@@&%%\=:¨ slippery sibling of reverb. ¨:=\%%&@@@
#@@&%%\=:¨ ¨:=\%%&@@#
###@%%\=:¨ ¨:=\%%@###
#@&%=¨¨¨¨¨ ¨¨¨¨¨=%&@#
##@&%%\=:¨ ¨:=\%%&@##
@@%%%\:¨¨¨ ¨¨¨:\%%%@@