¤¤¤¤,,¤,¤, ,¤,,,,¤¤,,
,¤¤¤,¤¤,¤, ,¤,,,¤,¤,¤
,,¤¤,,¤,¤, ,¤,,¤¤,¤,¤
,¤,¤,¤¤,¤, ,¤,¤,¤,¤,¤
,¤,¤,,¤,¤, ,¤,¤,¤,¤,¤
,¤,¤,¤¤,¤, delay delay d,la# ¤ $a, . ,# ~ . ,¤,¤,¤,¤,¤
,¤,¤,,¤,¤, ,¤,¤,¤,¤,¤
,¤,¤,¤¤,¤, ,¤,¤,¤,¤,¤
,¤,¤,,¤,¤, ,¤,¤,¤,¤,¤
,¤,¤,¤¤,¤, ,¤,¤,¤,¤,¤
,¤,¤,,¤,¤, "delay" means repetiton or likewise, ,¤,¤,¤,¤,¤
,¤,¤,¤¤,¤, but it's mainly useless without ,¤,¤,¤,¤,¤
,¤,¤,,¤,¤, feedback, ,¤,¤,¤,¤,¤
,¤,¤,¤¤,¤, to allow the delay to eat of it's own ,¤,¤,¤,¤,¤
,¤,¤,,¤,¤, tail, like one of those eaty serpents. ,¤,¤,¤,¤,¤
,¤,¤,¤¤,¤, thus: it's the serpent effect! ,¤,¤,¤,¤,¤
,¤,¤,,¤,¤, ,¤,¤,¤,¤,¤
,¤,¤,¤¤,¤, it's to be revered as a creator of ,¤,¤,¤,¤,¤
,¤,¤,,¤,¤, ambience and of space, if you treat it ,¤,¤,¤,¤,¤
,¤,¤,¤¤,¤, right. a somewhat more solid and ,¤,¤,¤,¤,¤
,¤,¤,,¤,¤, slippery sibling of reverb. ,¤,¤,¤,¤,¤
,¤,¤,¤¤,¤, ,¤,¤,¤,¤,¤
,¤,¤,,¤,¤, ,¤,¤,¤,¤,¤
,¤,¤,¤¤,¤, ,¤,¤,¤,¤,¤
,¤,¤,,¤,¤, ,¤,¤,¤,¤,¤
,¤,¤,¤¤,¤, ,¤,¤,¤,¤,¤