#&£%%^-¨¨¨ ¨¨¨-^%%£&#
##&%«-¨¨¨¨ ¨¨¨¨-«%&##
#£%%^-¨¨¨¨ ¨¨¨¨-^%%£#
#&&&£%^«-¨ ¨-«^%£&&&#
###&£%^«-¨ ¨-«^%£&###
###&£%^«-¨ delay delay d¨la# & %a¨ - ¨# « - ¨-«^%£&###
###&£%^«-¨ ¨-«^%£&###
####&%^«-¨ ¨-«^%&####
&£%«¨¨¨¨¨¨ ¨¨¨¨¨¨«%£&
&&&&£%^«-¨ ¨-«^%£&&&&
&%«-¨¨¨¨¨¨ "delay" means repetiton or likewise, ¨¨¨¨¨¨-«%&
&££%%««¨¨¨ but it's mainly useless without ¨¨¨««%%££&
##££^^«-¨¨ feedback, ¨¨-«^^££##
#&%%««¨¨¨¨ to allow the delay to eat of it's own ¨¨¨¨««%%&#
###&£%^«-¨ tail, like one of those eaty serpents. ¨-«^%£&###
###&£%^«-¨ thus: it's the serpent effect! ¨-«^%£&###
####&£^«-¨ ¨-«^£&####
###&£%^«-¨ it's to be revered as a creator of ¨-«^%£&###
&&&&£%^«-¨ ambience and of space, if you treat it ¨-«^%£&&&&
&£%%«---¨¨ right. a somewhat more solid and ¨¨---«%%£&
###&£%^«-¨ slippery sibling of reverb. ¨-«^%£&###
&&%«¨¨¨¨¨¨ ¨¨¨¨¨¨«%&&
##£%%^«-¨¨ ¨¨-«^%%£##
&%%%^««¨¨¨ ¨¨¨««^%%%&
###&£%^«-¨ ¨-«^%£&###
###&£%^«-¨ ¨-«^%£&###