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¨¨¨~=**&&@ @&&**=~¨¨¨
¨¨¨¨¨¨~:£& &£:~¨¨¨¨¨¨
¨~=:*£&@## ##@&£*:=~¨
¨~=:*£&@## delay delay d¨la# & *a¨ ~ ¨@ = ~ ##@&£*:=~¨
¨~=:***&@# #@&***:=~¨
¨~=:*£## ###&£*:=~¨
¨~=:*£&@## ##@&£*:=~¨
¨~=:*£@### ###@£*:=~¨
¨~=:*£## "delay" means repetiton or likewise, ###&£*:=~¨
¨~=:*£&@## but it's mainly useless without ##@&£*:=~¨
¨¨¨¨~::£@# feedback, #@£::~¨¨¨¨
¨¨¨¨¨~:££@ to allow the delay to eat of it's own @££:~¨¨¨¨¨
¨~=:*£&@## tail, like one of those eaty serpents. ##@&£*:=~¨
¨~=:*£&@## thus: it's the serpent effect! ##@&£*:=~¨
¨¨¨¨=:*£@@ @@£*:=¨¨¨¨
¨~=:*£&@## it's to be revered as a creator of ##@&£*:=~¨
¨~=:*£&@## ambience and of space, if you treat it ##@&£*:=~¨
¨¨~~=:** right. a somewhat more solid and #&**:=~~¨¨
¨¨¨==:*&@@ slippery sibling of reverb. @@&*:==¨¨¨
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¨~=:*£&@## ##@&£*:=~¨
¨~=:*£&@## ##@&£*:=~¨