&.&.&&.&.. &.&.&.&..&
&&&&.&&&.& &&&&&&&.&.
...&&..&&. ......&&&&
..&.&.&.&& .....&...&
.&&&&&&&.. ....&&..&&
&......&.& delay delay d.la# & =a. , .£ = , ...&.&.&.&
&.....&&&. ..&&&&&&&.
&....&..&& .&......&&
&...&&.&.. &&.....&..
&..&.&&&.. .&....&&.&
&.&&&..&.& "delay" means repetiton or likewise, &&...&.&&.
&&..&.&&&. but it's mainly useless without .&..&&&.&&
.&.&&&..&& feedback, &&.&..&&..
&&&..&.&.& to allow the delay to eat of it's own .&&&.&.&..
..&.&&&&&. tail, like one of those eaty serpents. &..&&&&&.&
.&&&....&. thus: it's the serpent effect! &.&....&&&
&..&...&&. &&&...&..&
&.&&..&.&. it's to be revered as a creator of ..&..&&.&.
&&.&.&&&&& ambience and of space, if you treat it .&&.&.&&&&
.&&&&....& right. a somewhat more solid and &.&&&&....
&...&...&& slippery sibling of reverb. &&...&....
&..&&..&.& .&..&&...&
&.&.&.&&&. &&.&.&..&.
&&&&&&..&. .&&&&&.&&&
.....&.&&& &....&&...
....&&&..& &...&.&...