##@&@*:=., ,.=:*@&@##
##@&@*:=., ,.=:*@&@##
@@£&@*:=., ,.=:*@&£@@
£@@@@*:=., ,.=:*@@@@£
&&****:=., ,.=:****&&
££@*::=,,, delay delay d,la@ & *a, . ,£ = . ,,,=::*@££
@@£&@*:=., ,.=:*@&£@@
£££&@*:=., ,.=:*@&£££
££&&@*:=., ,.=:*@&&££
£&@***:=., ,.=:***@&£
@@£&@*:=., "delay" means repetiton or likewise, ,.=:*@&£@@
#@£&@*:=., but it's mainly useless without ,.=:*@&£@#
#@£&@*:=., feedback, ,.=:*@&£@#
@££&@*:=., to allow the delay to eat of it's own ,.=:*@&££@
#@£&@*:=., tail, like one of those eaty serpents. ,.=:*@&£@#
£@@@@*:=., thus: it's the serpent effect! ,.=:*@@@@£
##£&@*:=., ,.=:*@&£##
#@£&@*:=., it's to be revered as a creator of ,.=:*@&£@#
&@@***:=., ambience and of space, if you treat it ,.=:***@@&
£@@:=.,,,, right. a somewhat more solid and ,,,,.=:@@£
£&@*:=.,,, slippery sibling of reverb. ,,,.=:*@&£
£&*==.,,,, ,,,,.==*&£
@££&@*:=., ,.=:*@&££@
#@£&@*:=., ,.=:*@&£@#
&&*==,,,,, ,,,,,==*&&
@£@*::.,,, ,,,.::*@£@