#@¤^--~,,, ,,,~--^¤@#
@@¤\\~~,,, ,,,~~\\¤@@
##¶@¤^\-~, ,~-\^¤@¶##
#¶¶@¤^\-~, ,~-\^¤@¶¶#
##¶@¤^\-~, ,~-\^¤@¶##
##¶@¤^\-~, ^^^^^^^^^^ ,~-\^¤@¶##
###@¤^\-~, ,~-\^¤@###
¶@¤\\-~~,, lyra eight ,,~~-\\¤@¶
##¶@¤^\-~, ,~-\^¤@¶##
#¶¤^^\~~,, ,, ,,~~\^^¤¶#
#¶¶@¤^\-~, ~ ~ ,~-\^¤@¶¶#
##¶@¤^\-~, - - ,~-\^¤@¶##
###¶@^\-~, \ \ ,~-\^@¶###
##¶@¤^\-~, ^ ^ ,~-\^¤@¶##
###¶@¤^\~, ,~\^¤@¶###
@¤^^\~,,,, cave sculpter ,,,,~\^^¤@
##¶@¤^\-~, dream to chord translator ,~-\^¤@¶##
@^^---,,,, ,,,,---^^@
###¶@¤\-~, eight voiced bleeding fortune teller ,~-\¤@¶###
##¶@¤^\-~, ,~-\^¤@¶##
##¶@¤^\-~, dual self-modulating delay line ,~-\^¤@¶##
#¶@^\~,,,, switch for "total feedback" ,,,,~\^@¶#
##¶@¤^\-~, ,~-\^¤@¶##
###@¤^\-~, lick the contact pads ,~-\^¤@###
##¶@¤^\-~, ,~-\^¤@¶##
@@@^^\~,,, ^ ^ ,,,~\^^@@@
##¶@¤^\-~, \ \ ,~-\^¤@¶##
¶@@@¤^\-~, - - ,~-\^¤@@@¶
@^--,,,,,, ~ ~ ,,,,,,--^@
##¶@¤^\-~, ,, ,~-\^¤@¶##
##¶@¤^\-~, ,~-\^¤@¶##
@@¤¤\\\-~, gearlist , another synth ,~-\\\¤¤@@
##¶@¤^\-~, ,~-\^¤@¶##
@^^---,,,, ^^^^^^^^^^^^^^^^^^^^^^^^^ ,,,,---^^@
@¤¤¤^^\-~, ,~-\^^¤¤¤@
##¶@¤^\-~, ,~-\^¤@¶##
#¶¶@¤^\-~, ,~-\^¤@¶¶#
##¶@¤^\-~, ,~-\^¤@¶##
#@¤¤\\-~~, ,~~-\\¤¤@#