#%^,,,,,,,                                          ,,,,,,,^%#
###§%=^=,,                                          ,,=^=%§###
###§%=^=,,                                          ,,=^=%§###
#§==,,,,,,                                          ,,,,,,==§#
§===,,,,,,                                          ,,,,,,===§
§§§%%=^=,, delay  delay  d,la#  § =a,  , ,#   =   , ,,=^=%%§§§
###§%=^=,,                                          ,,=^=%§###
§§§=^,,,,,                                          ,,,,,^=§§§
#§==,,,,,,                                          ,,,,,,==§#
#%====,,,,                                          ,,,,====%#
##%^,,,,,, "delay" means repetiton or likewise,     ,,,,,,^%##
§§=^,,,,,, but it's mainly useless without          ,,,,,,^=§§
###§%=^=,, feedback,                                ,,=^=%§###
#%===,,,,, to allow the delay to eat of it's own    ,,,,,===%#
###§%=^=,, tail, like one of those eaty serpents.   ,,=^=%§###
§§§%^=,,,, thus: it's the serpent effect!           ,,,,=^%§§§
###§%=^=,,                                          ,,=^=%§###
###§%=^=,, it's to be revered as a creator of       ,,=^=%§###
###§%=^=,, ambience and of space, if you treat it   ,,=^=%§###
§%^=,,,,,, right. a somewhat more solid and         ,,,,,,=^%§
#§====^=,, slippery sibling of reverb.              ,,=^====§#
###§%=^=,,                                          ,,=^=%§###
##%%=^^=,,                                          ,,=^^=%%##
###§%=^=,,                                          ,,=^=%§###
##%%^=,,,,                                          ,,,,=^%%##
§%%===,,,,                                          ,,,,===%%§