.~=\*$## ###&$*\=~.
.....~==*& &*==~.....
.~=*$@## ##@#&$*=~.
.~=\*$@# #@#&$*\=~.
.~=\*@## ##@#&*\=~.
...~~\$@ ********** @#&$\~~...
.~=\*$@# #@#&$*\=~.
.~=\*$@# lyra eight #@#&$*\=~.
......=\*& &*\=......
.~=\*$@# .. #@#&$*\=~.
.~\*$@## ~ ~ ##@#&$*\~.
.~=\***& = = #&&***\=~.
.~=\*$#@ \ \ @##&$*\=~.
.~=\*$@# * * #@#&$*\=~.
......~\$& &$\~......
.~=\*$@# cave sculpter #@#&$*\=~.
.~==\**# dream to chord translator ##&**\==~.
.~=\*$@# #@#&$*\=~.
...====\$# eight voiced bleeding fortune teller #$\====...
......=*&& &&*=......
.~==\\\$ dual self-modulating delay line #&$\\\==~.
.~=\*$#@ switch for "total feedback" @##&$*\=~.
.~=\*$@# #@#&$*\=~.
.~=\*$@@ lick the contact pads @@#&$*\=~.
.~=\*$@@ @@#&$*\=~.
.~=\*$@# * * #@#&$*\=~.
.~=\\****& \ \ &****\\=~.
.~=\*$@# = = #@#&$*\=~.
.~=\*$&@## ~ ~ ##@&$*\=~.
......=**& .. &**=......
......=*$& &$*=......
.~=\*$@@ gearlist . another synth @@#&$*\=~.
.~=\*$## ###&$*\=~.
....~\\* ************************* #&*\\~....
.~~~\\$$$# #$$$\\~~~.
.~=\*$## ###&$*\=~.
....~==*&@ @&*==~....
....~=\* #&*\=~....
.....=\*&& &&*\=.....