.~-/%§@### ###@§%/-~.
.~-/%§@@## ##@@§%/-~.
.....~/%§@ @§%/~.....
.~-/%§@@## ##@@§%/-~.
.~-/%§@@## ##@@§%/-~.
.~-/%§@@## %%%%%%%%%% ##@@§%/-~.
.~-/%§@@@# #@@@§%/-~.
......-%@# lyra eight #@%-......
....--%@@@ @@@%--....
....~-%@@@ .. @@@%-~....
.~-/%§@@## ~ ~ ##@@§%/-~.
.~-/%§@@## - - ##@@§%/-~.
...~~~/%%@ / / @%%/~~~...
...~-/%%§@ % % @§%%/-~...
.....~~/§@ @§/~~.....
......-/§@ cave sculpter @§/-......
.~-/%§§@@@ dream to chord translator @@@§§%/-~.
.~-/%§@@@# #@@@§%/-~.
.~-/%§@@## eight voiced bleeding fortune teller ##@@§%/-~.
.~-/%§@@## ##@@§%/-~.
~-/%§@@### dual self-modulating delay line ###@@§%/-~
.~-%§@@### switch for "total feedback" ###@@§%-~.
...~//%%@@ @@%%//~...
.~-/%§@@## lick the contact pads ##@@§%/-~.
.~-/%§§@@# #@@§§%/-~.
..~~~/%§@@ % % @@§%/~~~..
.~-/%§@@@@ / / @@@@§%/-~.
.....~-%§@ - - @§%-~.....
.~-/%§@@@@ ~ ~ @@@@§%/-~.
.~-/%§§@@@ .. @@@§§%/-~.
.~-/%§@@## ##@@§%/-~.
.....~-%%@ gearlist . another synth @%%-~.....
.~-/%§@@## ##@@§%/-~.
.~-/%§@### %%%%%%%%%%%%%%%%%%%%%%%%% ###@§%/-~.
.~-/%§@@@@ @@@@§%/-~.
.....~/§@@ @@§/~.....
.~-/%§@@## ##@@§%/-~.
...~~//§@@ @@§//~~...
.~-/%§@@## ##@@§%/-~.