,.~~==£@@# #@@£==~~.,
,:»†§£## ###&£§†»:,
¨.,~*^$§@# #@§$^*~,.¨
..,~~/%%§¶ ¶§%%/~~,..
¨.,-=§$£## ##£$§=-,.¨
.~~/*¤££## statuette ##££¤*/~~.
,.,«:†£££# #£££†:«,.,
,¨¨:-*§*#@ $@@@£$$*¤££%%£§%-»==»~~~§£$¤%££*£££££%%@ @#*§*-:¨¨,
,,,«/†££## @%¤¤¤*§*% ##££†/«,,,
¨,-;*¤@### ###@¤*;-,¨
..^«†%%@## forests around my childhood home. thick ##@%%†«^..
,..,»=§&£# pine arcades that were planted and #£&§=»,..,
,¨^»\^%#@# forgotten. wild boars roaming #@#%^\»^¨,
,,~:§§£¶## underneath, sniffing at the ground. it ##¶£§§:~,,
¨¨,=:§§#@# is dark and moist, the canopy having #@#§§:=,¨¨
,..,~\†%@# already soaked up all the sun. #@%†\~,..,
.,,-*†%¤@# #@¤%†*-,,.
¨,==†%#£## there's a river passing by, from east ##£#%†==,¨
,¨,»^=%§@# to west, getting broader and deeper and #@§%=^»,¨,
¨¨¨:»†=%£# slower as it goes. equisetum grow just #£%=†»:¨¨¨
¨¨^~/$%¤@# where the pine hands start to let #@¤%$/~^¨¨
¨,=^†$@¶## through light, horsemint on the rocky ##¶@$†^=,¨
¨¨.~/§$&@# river bed. #@&$§/~.¨¨
,..,=/†*@@ @@*†/=,..,
.,.~:%*£## = ##£*%:~.,.
,,~\§*§£## ##£§*§\~,,
¨.:»**@@## the riverbanks reek of magic. tonight ##@@**»:.¨
¨¨,~-;^£#@ they had been a swampworld with sylvan @#£^;-~,¨¨
,,~~*%&@£# water, stone rings and floating moss. #£@&%*~~,,
¨,-=%@§### you could've found me wallowing around ###§@%=-,¨
¨.:»=†£§¶# on the southern shores until i got #¶§£†=»:.¨
,..--=†¤@# bitten. #@¤†=--..,
.,--==*¤## ##¤*==--,.
¨,»†%&@@## but now i'm further back, on solid ##@@&%†»,¨
¨,^~†=%£## ground, in shoulder-high grass, with an ##£%=†~^,¨
¨¨¨.~/=§ orange tin radio and a translucent #&§=/~.¨¨¨
.,,~;$@&@# umbrella which i'm sitting on. #@&@$;~,,.
.,»***§### ###§***»,.
¨,~=:$£¤## / ##¤£$:=~,¨
.¨,,»†^%&£ £&%^†»,,¨.
¨¨:»:§@@## somethings moving in the grass. it's ##@@§:»:¨¨
,-~†*$## invisible to my eyes but i can feel ###&$*†~-,
,..=^%%§@# through the ground just how large it is. #@§%%^=..,
.¨¨.-†%$## ##$%†-.¨¨.
.,.~=†*#@# the soil is muddy. i slip when trying #@#*†=~.,.
.~«=$%¤@## to get up, still looking at the ##@¤%$=«~.
.¨,~\=&£## direction of sound rather than at my ##£&=\~,¨.
.,.^«*†¤£@ hands, who are busy putting things in @£¤†*«^.,.
,.~~\^*£## my pockets. ##£*^\~~.,
¨,»/%¤@### ###@¤%/»,¨
¨,,«:†&¤## then i run east toward my home. ##¤&†:«,,¨
.,.^~==%#@ @#%==~^.,.
,¨~=\*&# ^ ##&&*\=~¨,
.^~:*£§¶## ##¶§£*:~^.
..^~\^$££# i am not followed, and slow down in the #££$^\~^..
¨¨.^~:*£@@ clearing where you at first can spot @@£*:~^.¨¨
.,~=;†¤### the house, not yet really in the ###¤†;=~,.
¨,-*%&@### backyard. from my pockets i retrieve my ###@&%*-,¨
,,^-;§§&£# radio (now dented) but also a small #£&§§;-^,,
..,~~*%§&£ clay figure i've never seen before. it £&§%*~~,..
.,:~*%*£@# must have been laying in the wet dirt, #@£*%*~:,.
,~==%%£¶## and i must've picked it up with my ##¶£%%==~,
,..»/†%£@# other belongings. #@£%†/»..,
,,¨:~\*&¤@ @¤&*\~:¨,,
¨,:«;%¤££# it's a statuette of a girl laying naked #££¤%;«:,¨
.,=†*$¤@## on her stomach, feet in the air, ##@¤$*†=,.
¨¨.»=^%#¶# roughly seven centimeters long. it's #¶#%^=».¨¨
..¨~»;=$§# freshly made, not yet completely dried. #§$=;»~¨..
¨.,~=†@#¶# #¶#@†=~,.¨
,,«;%¤££## my mom is here now. i ask her for some ##££¤%;«,,
.,,~*^%£@# particle board for it to dry on, but #@£%^*~,,.
,¨.:-:*££@ she is worried and wants me to @££*:-:.¨,
,..=;§%### throw it away. ###%§;=..,
,:«**@§£## ##£§@**«:,
,¨,=:%¤¤£# #£¤¤%:=,¨,
¨,¨:»=§§&£ £&§§=»:¨,¨
,¨:~\$%&@# #@&%$\~:¨,
¨,-/%@## ###&@%/-,¨
¨,~~†§§#¶# #¶#§§†~~,¨