.#.##..###                                          #.#.#..#.#
.#..#.#.##                                          #.#.#.##.#
.#.##.#..#                                          #.#.#..#.#
.#..#.#.#.                                          #.#.#.##.#
.#.##.#.#.                                          #.#.#..#.#
.#..#.#.#.         ART SCHOOL HOUSE DREAM.          #.#.#.##.#
.#.##.#.#.                                          #.#.#..#.#
.#..#.#.#.        #------------------------#        #.#.#.##.#
.#.##.#.#.                                          #.#.#..#.#
.#..#.#.#. SLIGHTLY UPTOWN ON A GRASSY HILL  LIES A #.#.#.##.#
.#.##.#.#.    LARGE REPURPOSED INSTITUTION. IT'S    #.#.#..#.#
.#..#.#.#. SEVERAL  FLOORS,  A  FEW  HUNDRED METERS #.#.#.##.#
.#.##.#.#.       WIDE. MADE OF YELLOW BRICKS.       #.#.#..#.#
.#..#.#.#.                                          #.#.#.##.#
.#.##.#.#.  COMBINED NIGHTCLUB, CAFE, GALLERY, ART  #.#.#..#.#
.#..#.#.#. SCHOOL. IT'S  ALWAYS OPEN,  PEOPLE  COME #.#.#.##.#
.#.##.#.#. AND GO. THE BASEMENT IS DEEPER THAN  YOU #.#.#..#.#
.#..#.#.#.               WOULD GUESS.               #.#.#.##.#
.#.##.#.#.                                          #.#.#..#.#
.#..#.#.#. IT'S  MESSY. I'VE SPREAD  MY THINGS OVER #.#.#.##.#
.#.##.#.#.              SEVERAL FLOORS,             #.#.#..#.#
.#..#.#.#.                                          #.#.#.##.#
.#.##.#.#. AND DUE TO  A  FEW MANY  BEERS  AND SOME #.#.#..#.#
.#..#.#.#. SECRET  RIVALRIES,  I  DECIDE  I  SHOULD #.#.#.##.#
.#.##.#.#. LEAVE.  BUT   WHERE   ARE  MY   SHOES... #.#.#..#.#
.#..#.#.#.                                          #.#.#.##.#
.#.##.#.#.       #--- (LOOKING FOR SHOES) ---#      #.#.#..#.#
.#..#.#.#.                                          #.#.#.##.#
.#.##.#.#. AFTER A  WHILE  THEY APPEAR ON  MY FEET. #.#.#..#.#
.#..#.#.#.                   OK.                    #.#.#.##.#
.#.##.#.#.                                          #.#.#..#.#
.#..#.#.#. I'M CRYING  OF JOY, I HUG  A FRIEND  AND #.#.#.##.#
.#.##.#.#. IT'S  GOOD,  WE'RE  CLOSE  NOW,  HE  CAN #.#.#..#.#
.#..#.#.#. SMELL   ME   (ALL  ACCORDING  TO  PLAN). #.#.#.##.#
.#.##.#.#.                                          #.#.#..#.#
.#..#.#.#. I FIND OUT  WHO RUINED MY PAINTINGS  AND #.#.#.##.#
.#.##.#.#. I  PULL  HER HAIR.  SHE CRIES  FROM PAIN #.#.#..#.#
.#..#.#.#.      BUT DOES NOT BEG FORGIVENESS.       #.#.#.##.#
.#.##.#.#.                                          #.#.#..#.#
.#..#.#.#.       #--- (IN THE BACKGROUND) ---#      #.#.#.##.#
.#.##.#.#.                                          #.#.#..#.#
.#..#.#.#. SUNSET,  ORANGE  AND  PINK,  CITY  IS  A #.#.#.##.#
.#.##.#.#.      BLACK CUTOUT. THERE'S FIRES AND     #.#.#..#.#
.#..#.#.#.        EXPLOSIONS ON THE GROUND.         #.#.#.##.#
.#.##.#.#.                                          #.#.#..#.#
.#..#.#.#. "THE  NEW  WAY OF SHIPPING  IRON  - WITH #.#.#.##.#
.#.##.#.#. THE RAILGUN.  THE IRON SLAG IS  SHOT  AT #.#.#..#.#
.#..#.#.#. THREE HUNDRED  AND  THIRTY THREE  METERS #.#.#.##.#
.#.##.#.#. PER SECOND,  AND AT THE RECEIVING END AN #.#.#..#.#
.#..#.#.#. EIGHT  SQUARE   METER  WOODEN   CUBE  IS #.#.#.##.#
.#.##.#.#.        LAUNCHED TO INTERCEPT IT."        #.#.#..#.#
.#..#.#.#.                                          #.#.#.##.#
.#.##.#.#. IT  LOOKS  LIKE  INTERSTELLAR  WAR.  THE #.#.#..#.#
.#..#.#.#. WOODEN  BLOCK SHATTER  INTO HUNDREDS  OF #.#.#.##.#
.#.##.#.#.                  WANDS.                  #.#.#..#.#
.#..#.#.#.                                          #.#.#.##.#
.#.##.#.#.        #------------------------#        #.#.#..#.#
.#..#.#.#.                                          #.#.#.##.#
.#.##.#.#. # HOUSE DREAM ^ RAILGUN  ^  STRUCTURE  # #.#.#..#.#
.#..#.#.#.          # INSTITUTION ^ MAZE #          #.#.#.##.#
.#.##.#.#.                                          #.#.#..#.#
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