,,,,--«†&& &&†«--,,,,
,,-«««†££& &££†«««-,,
,-«††£&@@# #@@&£††«-,
,-«††£&@@@ @@@&£††«-,
,-«††£&@@# #@@&£††«-,
,,,,-††£@@ train dream @@£††-,,,,
,-«††£££@@ ######,,,,-«--,,##################### @@£££††«-,
,,,,,«†£&@ ††† @&£†«,,,,,
,-«††£&@@# « #@@&£††«-,
,,,,,««††& « &††««,,,,,
,-«††&@@## ##@@&††«-,
,-«††£&@@@ (situation) @@@&£††«-,
,-«††£&@@@ @@@&£††«-,
,-«††£&@@@ you find yourself in a rift - a @@@&£††«-,
,,,,,-«††& clearing, narrow but immeasurably long. &††«-,,,,,
,-«††£&&&& to your sides are walls made of trees, &&&&£††«-,
,-«††£&@@# thick and ready to swallow you. the sun #@@&£††«-,
,-«††£&@## is nowhere to be seen, but nontheless ##@&£††«-,
,-«††£&@@# it is very bright - the air feels light #@@&£††«-,
,,,,,-««†& blue, almost white. &†««-,,,,,
,,,,,-««†& &†««-,,,,,
,-«††£&@@# along the span of the clearing lay two #@@&£††«-,
,-«††£&@@@ parallel silvery lines, dark hard @@@&£††«-,
,,,,,«††&@ metal. somehow you can see how heavy @&††«,,,,,
,-«††£&@@# they are. #@@&£††«-,
,-«†£&@@## ##@@&£†«-,
,-«†£&@@## they emit a high pitched whine... ##@@&£†«-,
,-«††£&@@# #@@&£††«-,
,-«††£&@@# « #@@&£††«-,
,-«††£&@@# ,,†,, #@@&£††«-,
,-«††£&&&@ « @&&&£††«-,
,-«††£&@@# #@@&£††«-,
,,,,,-«†&@ (situation) @&†«-,,,,,
,-«††£&@@@ @@@&£††«-,
,,,,«†£££@ youre at the train station, on a @£££†«,,,,
,,,,,,«††& catwalk above the rails. your train is &††«,,,,,,
,-«††£&@@# late, or you are late to the train. #@@&£††«-,
,,,,,«†££@ it's a summer afternoon and the station @££†«,,,,,
,-«††£@@## is busy, full of relaxed confidence. ##@@£††«-,
,,-««††£@@ @@£††««-,,
,-«††£&@## you're in high spirits, although a bit ##@&£††«-,
,-«††£&@@# stressed about the time, while moving #@@&£††«-,
,-«†††£&&@ up the stairs to your platform. the @&&£†††«-,
,,---«††&@ station is in several levels, all @&††«---,,
,-«†††£&&@ placed within eachother by some @&&£†††«-,
,-«††£&@@# intelligent designer, and full of #@@&£††«-,
,-«†††††£@ stairs, elevators, shortcuts, @£†††††«-,
,-«††£&@@# bazaars... you sight your train through #@@&£††«-,
,-«††£&@@# some glass windows. it's... not where #@@&£††«-,
,-«††£&@## it's supposed to be? ##@&£††«-,
,,,,,,-«†& &†«-,,,,,,
,,,,,,-†£& « &£†-,,,,,,
,,,,,,«††& --£-- &††«,,,,,,
,-««††††&@ « @&††††««-,
,-«††£&@@# #@@&£††«-,
,,,,,-«†£& (situation) &£†«-,,,,,
,-«††£&@@# #@@&£††«-,
,-«††£&@@# you're finally entering the city. while #@@&£††«-,
,,,,,««††& it is indeed a very high speed train &††««,,,,,
,-«††£&@@# you're traveling in, the journey has #@@&£††«-,
,,,,,««††& been long. but it's about to end! &††««,,,,,
,-«††£&@@@ @@@&£††«-,
,,,,,-†††& society is growing denser around you, &†††-,,,,,
,-«††£&@@# through the windows you see first small #@@&£††«-,
,,,,-«†£@@ shacks, built of metal and stone, then @@£†«-,,,,
,,,-††††£@ proper houses with mortar to keep them @£††††-,,,
,-«††£&@@# together... who in turn make way for #@@&£††«-,
,-«††£&@## the industrial buildings, the urban ##@&£††«-,
,,,,,-«†£& maze, protective walls, jungle &£†«-,,,,,
,,,,,«†††& network... &†††«,,,,,
,,,,,-«†&@ @&†«-,,,,,
,,,,,«†££& the tracks leave the ground, which is &££†«,,,,,
,,,,-†††£@ needed for other purposes. you are @£†††-,,,,
,,,,««†††& carried gently, curving upwards until &†††««,,,,
,-«††£&@@# you're moving upward along the wall of #@@&£††«-,
,-«††£&@@# a building. it's made of slabby stone, #@@&£††«-,
,-«††£&@@@ with great glassless window holes @@@&£††«-,
,,,,,«††&@ looking out the way you came. it is @&††«,,,,,
,,,,,-««†& pitch black inside. &†««-,,,,,
,-«††£&@@# #@@&£††«-,
,-«††£&@@# #@@&£††«-,
,,,,-««††& &††««-,,,,
,-«††£&@@# #@@&£††«-,
,-«††£&@@@ @@@&£††«-,