##..#.#.#.                                          .#.##.#.#.
.#.##.#.#.                                          ##..#.#.#.
##..#.#.#.                                          .#.##.#.#.
.#.##.#.#.                                          .#..#.#.#.
##..#.#.#.                                          .#.##.#.#.
.#.##.#.#.             @ DREAM PALACE @             .#..#.#.#.
##..#.#.#.             , ----- ------ ,             .#.##.#.#.
.#.##.#.#.             @ ..... ...... @             .#..#.#.#.
##..#.#.#.             = ..... ...... =             .#.##.#.#.
.#.##.#.#.             , ..... ...... ,             .#..#.#.#.
##..#.#.#.             , ..... ...... ,             .#.##.#.#.
.#.##.#.#.             . ..... ...... .             .#..#.#.#.
##..#.#.#.                                          .#.##.#.#.
.#.##.#.#.                                          .#..#.#.#.
##..#.#.#. NOT ACTUALLY A PALACE. A  COTTAGE IN THE .#.##.#.#.
.#.##.#.#.  WOODS (TEMPERATE CLIMATE, RAINS EVERY   .#..#.#.#.
##..#.#.#. OTHER  DAY,  SPRINGS  AND  STREAMS   AND .#.##.#.#.
.#.##.#.#.   MYSTERIOUS IRON AND STONE ARTIFACTS,   .#..#.#.#.
##..#.#.#.     BIRDLAND-ISH ETERNAL SPRING (LATE    .#.##.#.#.
.#.##.#.#.                 SPRING))                 .#..#.#.#.
##..#.#.#.                                          .#.##.#.#.
.#.##.#.#.                     =                    .#..#.#.#.
##..#.#.#.                                          .#.##.#.#.
.#.##.#.#. I  WAKE UP EVERY MORNING AT SIX AM. IT'S .#..#.#.#.
##..#.#.#. DARK, AND  THE  STARS  ARE OUT, BUT  THE .#.##.#.#.
.#.##.#.#. SUN IS  ABOUT TO  RISE. ITS  A LONG DAY, .#..#.#.#.
##..#.#.#. BEFORE  IT  FADES  TO  NIGHT AGAIN,  AND .#.##.#.#.
.#.##.#.#. THEN IT STAYS SO UNTIL  I  FALL  ASLEEP. .#..#.#.#.
##..#.#.#. IT  DOESN'T  RISE  UNLESS  I'VE  HAD  MY .#.##.#.#.
.#.##.#.#.                  DREAMS.                 .#..#.#.#.
##..#.#.#.                                          .#.##.#.#.
.#.##.#.#.                     §                    .#..#.#.#.
##..#.#.#.                                          .#.##.#.#.
.#.##.#.#. IN THIS COTTAGE  THERE'S A  LOT OF RADIO .#..#.#.#.
##..#.#.#.   EQUIPMENT, SOUND STUFF, SYNTHS, TAPE   .#.##.#.#.
.#.##.#.#. PLAYERS. PEN  AND PAPER, BOOKS, CAMERAS, .#..#.#.#.
##..#.#.#. MIRRORS, PRISMS, AND VARIOUS  THINGS  TO .#.##.#.#.
.#.##.#.#. DO  ART WITH. THE FRIDGE  IS FILLED WITH .#..#.#.#.
##..#.#.#. DIFFERET FOODS,  ALL OF THEM INTRIGUING, .#.##.#.#.
.#.##.#.#.              SLIGHTLY WEIRD.             .#..#.#.#.
##..#.#.#.                                          .#.##.#.#.
.#.##.#.#.                    #                     .#..#.#.#.
##..#.#.#.                                          .#.##.#.#.
.#.##.#.#. I HAVE FRIENDS  - THERE'S A  CAT,  AND A .#..#.#.#.
##..#.#.#. DOG  (WHO  IS   RIDICOLOUSLY  LARGE  AND .#.##.#.#.
.#.##.#.#. WANTS TO BE THE BIG SPOON). I LISTEN  TO .#..#.#.#.
##..#.#.#. THE SHORTWAVE RADIO,  AND TRANSMIT A BIT .#.##.#.#.
.#.##.#.#. MYSELF,  SONGS  AND  POETRY,  AND  FOUND .#..#.#.#.
##..#.#.#. SOUNDS FROM THE  FOREST. THE OTHERS TELL .#.##.#.#.
.#.##.#.#. OF THEIR LIVES, PLAY THE  GUITAR FOR ME, .#..#.#.#.
##..#.#.#. AND  TELL TALES  OF  THE  OLD  WORLD.  I .#.##.#.#.
.#.##.#.#.      CONSIDER THEM FRIENDS AS WELL.      .#..#.#.#.
##..#.#.#.                                          .#.##.#.#.
.#.##.#.#.                    @                     .#..#.#.#.
##..#.#.#.                                          .#.##.#.#.
.#.##.#.#. MOST IMPORTANTLY, THERE'S  A TWO  SQUARE .#..#.#.#.
##..#.#.#. METER AREA  ON THE  FLOOR  WHERE  I  CAN .#.##.#.#.
.#.##.#.#. "SAVE"  THINGS. WHATEVER I  PUT  IN HERE .#..#.#.#.
##..#.#.#. WILL  NOT  BE AFFECTED  BY  THE  NIGHTLY .#.##.#.#.
.#.##.#.#.    RESET. EVERYTHING ELSE, HOWEVER, IS   .#..#.#.#.
##..#.#.#.    COMPLETELY RESET OVERNIGHT: SYNTH     .#.##.#.#.
.#.##.#.#.  PATCHES REMOVED, FOOD UNEATEN, WOUNDS   .#..#.#.#.
##..#.#.#. HEALED, AND WHEREVER  AND  WHENEVER  I'D .#.##.#.#.
.#.##.#.#. FALL  ASLEEP  I'D ALWAYS  WAKE  UP FULLY .#..#.#.#.
##..#.#.#. RESTED  IN  MY  BED.  SOMETIMES  THERE'S .#.##.#.#.
.#.##.#.#. ACCIDENTS   WHERE  I   LOSE   STUFF   BY .#..#.#.#.
##..#.#.#. FORGETTING TO  PUT  THEM IN THE  SQUARE. .#.##.#.#.
.#.##.#.#.                                          .#..#.#.#.
##..#.#.#.                    .                     .#.##.#.#.
.#.##.#.#.                                          .#..#.#.#.
##..#.#.#. AT  NIGHT,  I  HAVE   DEMI-LUCID  DREAMS .#.##.#.#.
.#.##.#.#. WHERE THE  SPIRITS OF THE  FOREST AROUND .#..#.#.#.
##..#.#.#. THE  COTTAGE TRIES TO COMMUNICATE. HERE, .#.##.#.#.
.#.##.#.#. IT'S  NOT  ENDLESS  BUT  CONNECTED  TO A .#..#.#.#.
##..#.#.#. LARGE  SPRAWLING  CITY,  WHERE MY  RADIO .#.##.#.#.
.#.##.#.#. FRIENDS LIVE.  WE GO EXPLORING  TOGETHER .#..#.#.#.
##..#.#.#. - THINGS ARE DEEP AND DARK -  BUT UNLIKE .#.##.#.#.
.#.##.#.#. ME, THEY NEVER REMEMBER DURING  THE DAY. .#..#.#.#.
##..#.#.#. THIS  IS  A  MYSTERY WE  OFTEN  DISCUSS. .#.##.#.#.
.#.##.#.#.                                          .#..#.#.#.
##..#.#.#.                                          .#.##.#.#.
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