,-~\*£#£ £#£#&*\~-,
,:»\§$@#@# #@#@$§\»:,
¨,«^*§¤¶## ##¶¤§*^«,¨
.,¨~~*$$£¶ ¶£$$*~~¨,.
,,=^†£§£## ##£§£†^=,,
,.~=^*#@## statuette ##@#*^=~.,
.,»:*¤&@## ##@&¤*:»,.
,~~=*%## $¤¤§%%¤££&$*@£$¤~-==~«»»@**@%%§$$&*$$%£¤ ###&%*=~~,
.~»;=$££@# @¤§§%$%$& #@££$=;»~.
,-~=†$=@## ##@=$†=~-,
,-«*†&§¤£# forests around my childhood home. thick #£¤§&†*«-,
,¨.¨¨¨.«=§ pine arcades that were planted and §=«.¨¨¨.¨,
.,»*†\^*§& forgotten. wild boars roaming &§*^\†*»,.
,^~:*%¤¶## underneath, sniffing at the ground. it ##¶¤%*:~^,
.,,,~«~=$# is dark and moist, the canopy having #$=~«~,,,.
.,~:*$¤#@# already soaked up all the sun. #@#¤$*:~,.
¨,¨¨,::$@# #@$::,¨¨,¨
,^»^*£§@## there's a river passing by, from east ##@§£*^»^,
..»==¤£#£# to west, getting broader and deeper and #£#£¤==»..
.,=^@£¶### slower as it goes. equisetum grow just ###¶£@^=,.
..-†%£££@¶ where the pine hands start to let ¶@£££%†-..
,,,¨.^;§%¤ through light, horsemint on the rocky ¤%§;^.¨,,,
.^~^&@£### river bed. ###£@&^~^.
,,~^*$@£## ##£@$*^~,,
.,.--^=»=§ ^ §=»=^--.,.
¨~~†*@#@@@ @@@#@*†~~¨
,,»«~^£&¤# the riverbanks reek of magic. tonight #¤&£^~«»,,
..¨.~/;§%& they had been a swampworld with sylvan &%§;/~.¨..
¨^«^%%§§§@ water, stone rings and floating moss. @§§§%%^«^¨
..=\$@@# you could've found me wallowing around #@@#&$\=..
,¨..«*=%@£ on the southern shores until i got £@%=*«..¨,
.~==*£§£## bitten. ##£§£*==~.
,^«==@&£## ##£&@==«^,
.--;†£%%#@ but now i'm further back, on solid @#%%£†;--.
,,.¨~«=%$¤ ground, in shoulder-high grass, with an ¤$%=«~¨.,,
....^:^/£# orange tin radio and a translucent #£/^:^....
.-=:*%#### umbrella which i'm sitting on. ####%*:=-.
,,-*§%¤£@# #@£¤%§*-,,
,-~^%¤%#¤£ * £¤#%¤%^~-,
,,,.=%*££@ @££*%=.,,,
.^~/%$&@## somethings moving in the grass. it's ##@&$%/~^.
,:-:^;/=££ invisible to my eyes but i can feel ££=/;^:-:,
¨..,.^./$§ through the ground just how large it is. §$/.^.,..¨
.,~/†%£@## ##@£%†/~,.
,,»==$&¶## the soil is muddy. i slip when trying ##¶&$==»,,
...:»»;%§@ to get up, still looking at the @§%;»»:...
.~~;%$#£## direction of sound rather than at my ##£#$%;~~.
¨:»:%$¤@## hands, who are busy putting things in ##@¤$%:»:¨
¨^~%¤@## my pockets. ##@#&¤%~^¨
.:~:*&¤@## ##@¤&*:~:.
¨:«***§@@# then i run east toward my home. #@@§***«:¨
.,.~««~**@ @**~««~.,.
,,,,¨«%%%¤ † ¤%%%«¨,,,,
....¨»§@$# #$@§»¨....
.,.,,,;/*£ i am not followed, and slow down in the £*/;,,,.,.
,-=:/†*@#£ clearing where you at first can spot £#@*†/:=-,
.-~\$££¤§# the house, not yet really in the #§¤££$\~-.
¨^=:^%¤¶## backyard. from my pockets i retrieve my ##¶¤%^:=^¨
.,~=^%$@## radio (now dented) but also a small ##@$%^=~,.
.,»†$¤£### clay figure i've never seen before. it ###£¤$†»,.
¨,»/^$§@## must have been laying in the wet dirt, ##@§$^/»,¨
,.,.,¨~=¤# and i must've picked it up with my #¤=~¨,.,.,
,,-/=%#### other belongings. ####%=/-,,
¨,~;†%¤#@# #@#¤%†;~,¨
¨^=;%$#### it's a statuette of a girl laying naked ####$%;=^¨
,,-~-^=§¤& on her stomach, feet in the air, &¤§=^-~-,,
,:-*§&@### roughly seven centimeters long. it's ###@&§*-:,
.,,.,.»/%@ freshly made, not yet completely dried. @%/».,.,,.
,.,..,=†#@ @#†=,..,.,
,,†*@#£### my mom is here now. i ask her for some ###£#@*†,,
¨.«/%£&@## particle board for it to dry on, but ##@&£%/«.¨
...~-;§#¶# she is worried and wants me to #¶#§;-~...
¨,,.^:^%@¶ throw it away. ¶@%^:^.,,¨
,.,.,~=$¤¤ ¤¤$=~,.,.,
,.~^=£#@## ##@#£=^~.,
,.,..~††#& ††~..,.,
,:~^=£#@@# #@@#£=^~:,
..»:§%@### ###@%§:»..
.,.~-†;^£# #£^;†-~.,.