,-~^%%@£@@ @@£@%%^~-,
,,,,,-~~%£ £%~~-,,,,,
,-~^%@£@@# #@@£@%^~-,
,-~^%@£@@# #@@£@%^~-,
,---~^%££@ @££%^~---,
,-~^%@£££@ train dream @£££@%^~-,
,,,,,~^^%£ ######,,,,-~--,,##################### £%^^~,,,,,
,-~^%@£@## ^^^ ##@£@%^~-,
,,,,-~~%£@ ~ @£%~~-,,,,
,-~^%@£@@@ ~ @@@£@%^~-,
,,,-~%@£££ £££@%~-,,,
,,,,,~%@£@ (situation) @£@%~,,,,,
,-~^%@£@@# #@@£@%^~-,
,,,,,~^@@@ you find yourself in a rift - a @@@^~,,,,,
,--~~^%£££ clearing, narrow but immeasurably long. £££%^~~--,
,-~^%@@@## to your sides are walls made of trees, ##@@@%^~-,
,-~^%@£@## thick and ready to swallow you. the sun ##@£@%^~-,
,-~^%@£@@# is nowhere to be seen, but nontheless #@@£@%^~-,
,,,,,-^@£@ it is very bright - the air feels light @£@^-,,,,,
,,,,,~~%££ blue, almost white. ££%~~,,,,,
,,-~^%%£@@ @@£%%^~-,,
,-~^%@£££@ along the span of the clearing lay two @£££@%^~-,
,--~~^%@@@ parallel silvery lines, dark hard @@@%^~~--,
,,,,-^^%%£ metal. somehow you can see how heavy £%%^^-,,,,
,-~^%@@@## they are. ##@@@%^~-,
,,,,,~^%@£ £@%^~,,,,,
,-~^^^%@££ they emit a high pitched whine... ££@%^^^~-,
,-~^%@£@@# #@@£@%^~-,
,,,~^^%%@£ ~ £@%%^^~,,,
,,,,--^@£@ ,,%,, @£@^--,,,,
,,,,-~~%£@ ~ @£%~~-,,,,
,-~^%@£@@@ @@@£@%^~-,
,-~^%@£@@# (situation) #@@£@%^~-,
,-~^%@£@## ##@£@%^~-,
,-~^%@£@@# youre at the train station, on a #@@£@%^~-,
,-~^^^^%@£ catwalk above the rails. your train is £@%^^^^~-,
,-~^%@£@@# late, or you are late to the train. #@@£@%^~-,
,-~^%@£@@# it's a summer afternoon and the station #@@£@%^~-,
,,,,~^^%£@ is busy, full of relaxed confidence. @£%^^~,,,,
,-~^%@££££ ££££@%^~-,
,-~^%%@@@@ you're in high spirits, although a bit @@@@%%^~-,
,-~^%@@££@ stressed about the time, while moving @££@@%^~-,
,,,----^@£ up the stairs to your platform. the £@^----,,,
,,,,-~%££@ station is in several levels, all @££%~-,,,,
,-~^%@£@@@ placed within eachother by some @@@£@%^~-,
,-~^%@£@@@ intelligent designer, and full of @@@£@%^~-,
,-~^%@£@## stairs, elevators, shortcuts, ##@£@%^~-,
,-~^%@£@@# bazaars... you sight your train through #@@£@%^~-,
,-~^%@££@@ some glass windows. it's... not where @@££@%^~-,
,,-~~^^%%£ it's supposed to be? £%%^^~~-,,
,-~^%@£@@# #@@£@%^~-,
,,,,--~^@@ ~ @@^~--,,,,
,,,,-~%££@ --@-- @££%~-,,,,
,-~^%@£@@# ~ #@@£@%^~-,
,,,~^^%@@@ @@@%^^~,,,
,-~^%@£@@# (situation) #@@£@%^~-,
,-~^%@£@@# #@@£@%^~-,
,-~^%@£@@@ you're finally entering the city. while @@@£@%^~-,
,-~^%@£@@# it is indeed a very high speed train #@@£@%^~-,
,-~^%@£@@# you're traveling in, the journey has #@@£@%^~-,
,,,-~~^%££ been long. but it's about to end! ££%^~~-,,,
,-~^%@££@@ @@££@%^~-,
,,,,,,,~%£ society is growing denser around you, £%~,,,,,,,
,-~^%@£@@# through the windows you see first small #@@£@%^~-,
,-~^%@£@@# shacks, built of metal and stone, then #@@£@%^~-,
,,,---^^%£ proper houses with mortar to keep them £%^^---,,,
,-~^%@£@@@ together... who in turn make way for @@@£@%^~-,
,-^%@£@@## the industrial buildings, the urban ##@@£@%^-,
,,,~~~%%@@ maze, protective walls, jungle @@%%~~~,,,
,,,,,~%%@@ network... @@%%~,,,,,
,-~%@£@@## ##@@£@%~-,
,-~~^^^@£@ the tracks leave the ground, which is @£@^^^~~-,
,-~^%%%£@@ needed for other purposes. you are @@£%%%^~-,
,-~^%@@@## carried gently, curving upwards until ##@@@%^~-,
,-~^%@£@@# you're moving upward along the wall of #@@£@%^~-,
,-~^%@£@@# a building. it's made of slabby stone, #@@£@%^~-,
,,,-^^@@£@ with great glassless window holes @£@@^^-,,,
,,,---^@@@ looking out the way you came. it is @@@^---,,,
,-~^%@@@## pitch black inside. ##@@@%^~-,
,-~^%@@£££ £££@@%^~-,
,-~^%@£@@# #@@£@%^~-,
,,,--~~%££ ££%~~--,,,
,-~^%@£@@# #@@£@%^~-,
,,,-~~^^@£ £@^^~~-,,,