.@@@.@...@ ...@@@..@@
@..@@@..@. ..@..@.@.@
@.@..@.@@. .@@.@@@@@.
@@@.@@@.@@ @.@@....@@
..@@..@@.@ @@.@...@..
.@.@.@.@@@ TRAIN DREAM .@@@..@@..
@@@@@@@..@ ######.....~....##################### @..@.@.@..
......@.@@ \\\ @.@@@@@@.@
.....@@@.@ ~ @@.....@@@
....@..@@@ ~ .@....@..@
...@@.@... @@...@@.@@
..@.@@@... (SITUATION) .@..@.@@.@
.@@@..@... @@.@@@.@@@
@..@.@@... YOU FIND YOURSELF IN A RIFT - A .@@..@@..@
@.@@@.@..@ CLEARING, NARROW BUT IMMEASURABLY LONG. @.@.@.@.@.
@@..@@@.@@ TO YOUR SIDES ARE WALLS MADE OF TREES, @@@@@@@@@@
.@.@..@@.@ THICK AND READY TO SWALLOW YOU. THE SUN ..........
@@@@.@.@@@ IS NOWHERE TO BE SEEN, BUT NONTHELESS ..........
...@@@@..@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT .........@
..@...@.@@ BLUE, ALMOST WHITE. ........@@
.@@..@@@.. .......@.@
@.@.@..@.. ALONG THE SPAN OF THE CLEARING LAY TWO ......@@@@
@@@@@.@@.. PARALLEL SILVERY LINES, DARK HARD .....@....
....@@.@.. METAL. SOMEHOW YOU CAN SEE HOW HEAVY ....@@...@
...@.@@@.@ THEY ARE. ...@.@..@@
..@@@..@@. ..@@@@.@.@
.@..@.@.@@ THEY EMIT A HIGH PITCHED WHINE... .@...@@@@@
@@.@@@@@.@ @@..@....@
.@@....@@. ~ .@.@@...@.
@.@...@.@@ ..%.. @@@.@..@@.
@@@..@@@.. ~ ..@@@.@.@@
..@.@..@.. .@..@@@@..
.@@@@.@@.. (SITUATION) @@.@...@..
@...@@.@.@ .@@@..@@..
@..@.@@@@. YOURE AT THE TRAIN STATION, ON A @..@.@.@.@
@.@@@...@@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @.@@@@@@@.
@@..@..@.@ LATE, OR YOU ARE LATE TO THE TRAIN. @@......@@
.@.@@.@@@@ IT'S A SUMMER AFTERNOON AND THE STATION .@.....@..
@@@.@@...@ IS BUSY, FULL OF RELAXED CONFIDENCE. @@....@@..
..@@.@..@. .@...@.@.@
.@.@@@.@@. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @@..@@@@@@
@@@..@@.@. STRESSED ABOUT THE TIME, WHILE MOVING .@.@.....@
..@.@.@@@. UP THE STAIRS TO YOUR PLATFORM. THE @@@@....@.
.@@@@@..@. STATION IS IN SEVERAL LEVELS, ALL ...@...@@.
@....@.@@. PLACED WITHIN EACHOTHER BY SOME ..@@..@.@.
@...@@@.@. INTELLIGENT DESIGNER, AND FULL OF .@.@.@@@@@
@..@..@@@. STAIRS, ELEVATORS, SHORTCUTS, @@@@@.....
@.@@.@..@. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ....@....@
@@.@@@.@@@ SOME GLASS WINDOWS. IT'S... NOT WHERE ...@@...@.
.@@..@@..@ IT'S SUPPOSED TO BE? ..@.@..@@@
@.@.@.@.@. .@@@@.@..@
@@@@@@@@@@ ~ @...@@@.@.
.......... ..%.. @..@..@@@@
.......... ~ @.@@.@...@
.........@ @@.@@@..@@
........@. (SITUATION) .@@..@.@.@
.......@@. @.@.@@@@@@
......@.@@ YOU'RE FINALLY ENTERING THE CITY. WHILE @@@@.....@
.....@@@.. IT IS INDEED A VERY HIGH SPEED TRAIN ...@....@@
....@..@.@ YOU'RE TRAVELING IN, THE JOURNEY HAS ..@@...@.@
...@@.@@@@ BEEN LONG. BUT IT'S ABOUT TO END! .@.@..@@@@
..@.@@.... @@@@.@...@
.@@@.@...@ SOCIETY IS GROWING DENSER AROUND YOU, ...@@@..@@
@..@@@..@. THROUGH THE WINDOWS YOU SEE FIRST SMALL ..@..@.@.@
@.@..@.@@. SHACKS, BUILT OF METAL AND STONE, THEN .@@.@@@@@.
@@@.@@@.@@ PROPER HOUSES WITH MORTAR TO KEEP THEM @.@@....@@
..@@..@@.@ TOGETHER... WHO IN TURN MAKE WAY FOR @@.@...@..
.@.@.@.@@@ THE INDUSTRIAL BUILDINGS, THE URBAN .@@@..@@..
@@@@@@@..@ MAZE, PROTECTIVE WALLS, JUNGLE @..@.@.@..
......@.@@ NETWORK... @.@@@@@@.@
.....@@@.@ @@.....@@@
....@..@@@ THE TRACKS LEAVE THE GROUND, WHICH IS .@....@..@
...@@.@... NEEDED FOR OTHER PURPOSES. YOU ARE @@...@@.@@
..@.@@@... CARRIED GENTLY, CURVING UPWARDS UNTIL .@..@.@@.@
.@@@..@... YOU'RE MOVING UPWARD ALONG THE WALL OF @@.@@@.@@@
@..@.@@... A BUILDING. IT'S MADE OF SLABBY STONE, .@@..@@..@
@.@@@.@..@ WITH GREAT GLASSLESS WINDOW HOLES @.@.@.@.@.
@@..@@@.@@ LOOKING OUT THE WAY YOU CAME. IT IS @@@@@@@@@@
.@.@..@@.@ PITCH BLACK INSIDE. ..........
@@@@.@.@@@ ..........
...@@@@..@ .........@
..@...@.@@ ........@@
.@@..@@@.. .......@.@
@.@.@..@.. ......@@@@