,:-\*@&### ###&@*\-:,
,:-\*@@&## ##&@@*\-:,
,,,,,,:-*& &*-:,,,,,,
,:-\*@&### ###&@*\-:,
,:-\\\@&&# #&&@\\\-:,
,:-\*@&&&# train dream #&&&@*\-:,
,:-\*@&### ######,,,,:-::,,##################### ###&@*\-:,
,,,,,:\@&& \\\ &&@\:,,,,,
,:-\*@&### - ###&@*\-:,
,:-\**@&## - ##&@**\-:,
,,,,,:-*&# #&*-:,,,,,
,:-\*@&### (situation) ###&@*\-:,
,,:--\***& &***\--:,,
,:-\*@&### you find yourself in a rift - a ###&@*\-:,
,:-\*@#### clearing, narrow but immeasurably long. ####@*\-:,
,:-\***&## to your sides are walls made of trees, ##&***\-:,
,:-\*@&### thick and ready to swallow you. the sun ###&@*\-:,
,:-\*@&### is nowhere to be seen, but nontheless ###&@*\-:,
,:-\*@&### it is very bright - the air feels light ###&@*\-:,
,,,,:\\@&# blue, almost white. #&@\\:,,,,
,:-\*@&### ###&@*\-:,
,:-\*@&### along the span of the clearing lay two ###&@*\-:,
,:-\*@&### parallel silvery lines, dark hard ###&@*\-:,
,:-\*@&### metal. somehow you can see how heavy ###&@*\-:,
,:-\*@#### they are. ####@*\-:,
,:-\*@&### ###&@*\-:,
,:-\*@&### they emit a high pitched whine... ###&@*\-:,
,:-\*@&### ###&@*\-:,
,:-\*@&### - ###&@*\-:,
,:-\*@&### ,,*,, ###&@*\-:,
,:-\*@&### - ###&@*\-:,
,::-\\**&& &&**\\-::,
,,:::\\*&# (situation) #&*\\:::,,
,,,:-\\**& &**\\-:,,,
,,,::--\@& youre at the train station, on a &@\--::,,,
,:-\*@&### catwalk above the rails. your train is ###&@*\-:,
,:-\*@&### late, or you are late to the train. ###&@*\-:,
,:-\*@#### it's a summer afternoon and the station ####@*\-:,
,,,,,::\@# is busy, full of relaxed confidence. #@\::,,,,,
,:-\*@&&&& &&&&@*\-:,
,:-\*@&### you're in high spirits, although a bit ###&@*\-:,
,:-\*@&&&& stressed about the time, while moving &&&&@*\-:,
,,,:-***@& up the stairs to your platform. the &@***-:,,,
,,,,,-\*@& station is in several levels, all &@*\-,,,,,
,,,::-\*@& placed within eachother by some &@*\-::,,,
,:-\*@&### intelligent designer, and full of ###&@*\-:,
,,:::-\\*& stairs, elevators, shortcuts, &*\\-:::,,
,,,,:-\*@# bazaars... you sight your train through #@*\-:,,,,
,:-\*@&### some glass windows. it's... not where ###&@*\-:,
,:-\*@&### it's supposed to be? ###&@*\-:,
,:-\*@&### ###&@*\-:,
,:-\*@&### - ###&@*\-:,
,:-\*@&### ::@:: ###&@*\-:,
,:-\*@&### - ###&@*\-:,
,:-\*@&### ###&@*\-:,
,:-\*@&### (situation) ###&@*\-:,
,:-\*@@&&# #&&@@*\-:,
,,,:\**@## you're finally entering the city. while ##@**\:,,,
,,,,,:\@## it is indeed a very high speed train ##@\:,,,,,
,:----\@&& you're traveling in, the journey has &&@\----:,
,:-\*@&### been long. but it's about to end! ###&@*\-:,
,,,,:--\*& &*\--:,,,,
,:-\*@&### society is growing denser around you, ###&@*\-:,
,,,::\*@&& through the windows you see first small &&@*\::,,,
,:-\*@&### shacks, built of metal and stone, then ###&@*\-:,
,,:---*@&# proper houses with mortar to keep them #&@*---:,,
,:-\*@&### together... who in turn make way for ###&@*\-:,
,:-\*@&### the industrial buildings, the urban ###&@*\-:,
,:-\*@&### maze, protective walls, jungle ###&@*\-:,
,,,:::--*& network... &*--:::,,,
,:-\*@&### ###&@*\-:,
,:-\*@@&&& the tracks leave the ground, which is &&&@@*\-:,
,,,,,,-*@# needed for other purposes. you are #@*-,,,,,,
,:-\*@&### carried gently, curving upwards until ###&@*\-:,
,,,,:\\@&& you're moving upward along the wall of &&@\\:,,,,
,,,,,,-*@& a building. it's made of slabby stone, &@*-,,,,,,
,,,,,-**@& with great glassless window holes &@**-,,,,,
,,,,,,-*@& looking out the way you came. it is &@*-,,,,,,
,,,,,:-*&& pitch black inside. &&*-:,,,,,
,:-\*@&### ###&@*\-:,
,:-\*@&### ###&@*\-:,
,,,,--\@@& &@@\--,,,,
,:-\*@&&&# #&&&@*\-:,
,:-\*@&### ###&@*\-:,