@@@...@.@. @@.@@...@@
..@..@@@@@ .@@.@..@..
.@@.@..... @.@@@.@@..
@.@@@....@ @@..@@.@..
@@..@...@@ .@.@.@@@.@
.@.@@..@.. TRAIN DREAM @@@@@..@@.
@@@.@.@@.. ######....,»,,..##################### ....@.@.@.
..@@@@.@.@ ;;; ...@@@@@@@
.@...@@@@@ » ..@......@
@@..@....@ » .@@.....@@
.@.@@...@. @.@....@..
@@@.@..@@. (SITUATION) @@@...@@..
..@@@.@.@@ ..@..@.@.@
.@..@@@@.. YOU FIND YOURSELF IN A RIFT - A .@@.@@@@@@
@@.@...@.@ CLEARING, NARROW BUT IMMEASURABLY LONG. @.@@.....@
.@@@..@@@. TO YOUR SIDES ARE WALLS MADE OF TREES, @@.@....@.
@..@.@..@@ THICK AND READY TO SWALLOW YOU. THE SUN .@@@...@@.
@.@@@@.@.@ IS NOWHERE TO BE SEEN, BUT NONTHELESS @..@..@.@@
@@...@@@@. IT IS VERY BRIGHT - THE AIR FEELS LIGHT @.@@.@@@..
.@..@...@@ BLUE, ALMOST WHITE. @@.@@..@.@
@@.@@..@.. .@@.@.@@@@
.@@.@.@@.@ ALONG THE SPAN OF THE CLEARING LAY TWO @.@@@@....
@.@@@@.@@@ PARALLEL SILVERY LINES, DARK HARD @@...@....
@@...@@..@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY .@..@@...@
.@..@.@.@@ THEY ARE. @@.@.@..@.
@@.@@@@@.@ .@@@@@.@@.
.@@....@@@ THEY EMIT A HIGH PITCHED WHINE... @....@@.@@
@.@...@..@ @...@.@@.@
@@@..@@.@. » @..@@@.@@.
..@.@.@@@@ ..†.. @.@..@@.@@
.@@@@@.... » @@@.@.@@.@
@....@...@ ..@@@@.@@@
@...@@..@. (SITUATION) .@...@@...
@..@.@.@@@ @@..@.@..@
@.@@@@@... YOURE AT THE TRAIN STATION, ON A .@.@@@@.@.
@@....@..@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @@@...@@@@
.@...@@.@@ LATE, OR YOU ARE LATE TO THE TRAIN. ..@..@....
@@..@.@@.. IT'S A SUMMER AFTERNOON AND THE STATION .@@.@@....
.@.@@@.@.@ IS BUSY, FULL OF RELAXED CONFIDENCE. @.@@.@...@
@@@..@@@@@ @@.@@@..@@
..@.@....@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .@@..@.@..
.@@@@...@@ STRESSED ABOUT THE TIME, WHILE MOVING @.@.@@@@..
@...@..@.. UP THE STAIRS TO YOUR PLATFORM. THE @@@@...@..
@..@@.@@.@ STATION IS IN SEVERAL LEVELS, ALL ...@..@@.@
@.@.@@.@@. PLACED WITHIN EACHOTHER BY SOME ..@@.@.@@.
@@@@.@@.@@ INTELLIGENT DESIGNER, AND FULL OF .@.@@@@.@@
...@@.@@.. STAIRS, ELEVATORS, SHORTCUTS, @@@...@@..
..@.@@.@.. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ..@..@.@..
.@@@.@@@.@ SOME GLASS WINDOWS. IT'S... NOT WHERE .@@.@@@@..
@..@@..@@@ IT'S SUPPOSED TO BE? @.@@...@..
@.@.@.@... @@.@..@@.@
@@@@@@@... » .@@@.@.@@.
......@..@ ,,$,, @..@@@@.@@
.....@@.@@ » @.@...@@.@
....@.@@.. @@@..@.@@@
...@@@.@.. (SITUATION) ..@.@@@..@
..@..@@@.@ .@@@..@.@@
.@@.@..@@@ YOU'RE FINALLY ENTERING THE CITY. WHILE @..@.@@@.@
@.@@@.@..@ IT IS INDEED A VERY HIGH SPEED TRAIN @.@@@..@@@
@@..@@@.@. YOU'RE TRAVELING IN, THE JOURNEY HAS @@..@.@...
.@.@..@@@. BEEN LONG. BUT IT'S ABOUT TO END! .@.@@@@..@
@@@@.@..@@ @@@...@.@@
...@@@.@.@ SOCIETY IS GROWING DENSER AROUND YOU, ..@..@@@..
..@..@@@@@ THROUGH THE WINDOWS YOU SEE FIRST SMALL .@@.@..@..
.@@.@..... SHACKS, BUILT OF METAL AND STONE, THEN @.@@@.@@..
@.@@@....@ PROPER HOUSES WITH MORTAR TO KEEP THEM @@..@@.@..
@@..@...@@ TOGETHER... WHO IN TURN MAKE WAY FOR .@.@.@@@.@
.@.@@..@.. THE INDUSTRIAL BUILDINGS, THE URBAN @@@@@..@@.
@@@.@.@@.. MAZE, PROTECTIVE WALLS, JUNGLE ....@.@.@.
..@@@@.@.@ NETWORK... ...@@@@@@@
.@...@@@@@ ..@......@
@@..@....@ THE TRACKS LEAVE THE GROUND, WHICH IS .@@.....@@
.@.@@...@. NEEDED FOR OTHER PURPOSES. YOU ARE @.@....@..
@@@.@..@@. CARRIED GENTLY, CURVING UPWARDS UNTIL @@@...@@..
..@@@.@.@@ YOU'RE MOVING UPWARD ALONG THE WALL OF ..@..@.@.@
.@..@@@@.. A BUILDING. IT'S MADE OF SLABBY STONE, .@@.@@@@@@
@@.@...@.@ WITH GREAT GLASSLESS WINDOW HOLES @.@@.....@
.@@@..@@@. LOOKING OUT THE WAY YOU CAME. IT IS @@.@....@.
@..@.@..@@ PITCH BLACK INSIDE. .@@@...@@.
@.@@@@.@.@ @..@..@.@@
@@...@@@@. @.@@.@@@..
.@..@...@@ @@.@@..@.@
@@.@@..@.. .@@.@.@@@@
.@@.@.@@.@ @.@@@@....