.^«*=¤££££ ££££¤=*«^.
......^*¤£ £¤*^......
....^*=¤¤£ £¤¤=*^....
.....^**¤£ £¤**^.....
.^«*=¤££## ##££¤=*«^.
.^«*=¤££## TRAIN DREAM ##££¤=*«^.
.^«*=¤££## ######....^«^^..##################### ##££¤=*«^.
..^«***¤¤£ *** £¤¤***«^..
...^*===£# « #£===*^...
.^«*=¤££## « ##££¤=*«^.
.^«*¤££### ###££¤*«^.
.^«*=¤££## (SITUATION) ##££¤=*«^.
......^«=£ £=«^......
...^^«=£££ YOU FIND YOURSELF IN A RIFT - A £££=«^^...
....^«=¤££ CLEARING, NARROW BUT IMMEASURABLY LONG. ££¤=«^....
.^«*=¤££## TO YOUR SIDES ARE WALLS MADE OF TREES, ##££¤=*«^.
......««=£ THICK AND READY TO SWALLOW YOU. THE SUN £=««......
.^«*=££### IS NOWHERE TO BE SEEN, BUT NONTHELESS ###££=*«^.
....^^«=£# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #£=«^^....
.^«*=¤££## BLUE, ALMOST WHITE. ##££¤=*«^.
.^«*=¤££## ##££¤=*«^.
....^**¤££ ALONG THE SPAN OF THE CLEARING LAY TWO ££¤**^....
.....«*¤££ PARALLEL SILVERY LINES, DARK HARD ££¤*«.....
.^«*=¤££## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##££¤=*«^.
..^^^^«=¤£ THEY ARE. £¤=«^^^^..
.^«*=¤££££ ££££¤=*«^.
..^^^**=££ THEY EMIT A HIGH PITCHED WHINE... ££=**^^^..
.^«*=¤£££# #£££¤=*«^.
.^«*=¤£### « ###£¤=*«^.
....^^*=¤£ ..=.. £¤=*^^....
.^«*=¤££## « ##££¤=*«^.
...^«*=£££ £££=*«^...
.^«*¤££### (SITUATION) ###££¤*«^.
.^«*=¤££## ##££¤=*«^.
.^«*=¤£### YOURE AT THE TRAIN STATION, ON A ###£¤=*«^.
.^«*=¤££££ CATWALK ABOVE THE RAILS. YOUR TRAIN IS ££££¤=*«^.
.^«*=¤£### LATE, OR YOU ARE LATE TO THE TRAIN. ###£¤=*«^.
.^«*=¤£££# IT'S A SUMMER AFTERNOON AND THE STATION #£££¤=*«^.
....^^^«=£ IS BUSY, FULL OF RELAXED CONFIDENCE. £=«^^^....
..^^^*=£££ £££=*^^^..
.^«*=¤££## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##££¤=*«^.
...^*===££ STRESSED ABOUT THE TIME, WHILE MOVING ££===*^...
.^«*¤££### UP THE STAIRS TO YOUR PLATFORM. THE ###££¤*«^.
.^«*=¤££## STATION IS IN SEVERAL LEVELS, ALL ##££¤=*«^.
.^«*=¤££## PLACED WITHIN EACHOTHER BY SOME ##££¤=*«^.
......««=£ INTELLIGENT DESIGNER, AND FULL OF £=««......
.^«*¤££### STAIRS, ELEVATORS, SHORTCUTS, ###££¤*«^.
.....^*¤£# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #£¤*^.....
....«**=¤£ SOME GLASS WINDOWS. IT'S... NOT WHERE £¤=**«....
....«««*¤£ IT'S SUPPOSED TO BE? £¤*«««....
.^«***¤£££ £££¤***«^.
.^«*=¤££## « ##££¤=*«^.
.^«*=¤££## ^^¤^^ ##££¤=*«^.
....^*=¤¤£ « £¤¤=*^....
....«*¤¤££ ££¤¤*«....
.^«*=¤££## (SITUATION) ##££¤=*«^.
.^«*=¤¤££# #££¤¤=*«^.
.^«*=¤££## YOU'RE FINALLY ENTERING THE CITY. WHILE ##££¤=*«^.
.^«*=¤££## IT IS INDEED A VERY HIGH SPEED TRAIN ##££¤=*«^.
.^«*=¤£### YOU'RE TRAVELING IN, THE JOURNEY HAS ###£¤=*«^.
.....««*¤£ BEEN LONG. BUT IT'S ABOUT TO END! £¤*««.....
....«**¤£# #£¤**«....
.....«««=£ SOCIETY IS GROWING DENSER AROUND YOU, £=«««.....
..^«***¤¤£ THROUGH THE WINDOWS YOU SEE FIRST SMALL £¤¤***«^..
.^«*=¤££## SHACKS, BUILT OF METAL AND STONE, THEN ##££¤=*«^.
.^«*=¤££## PROPER HOUSES WITH MORTAR TO KEEP THEM ##££¤=*«^.
....^*===£ TOGETHER... WHO IN TURN MAKE WAY FOR £===*^....
.^«*=¤££## THE INDUSTRIAL BUILDINGS, THE URBAN ##££¤=*«^.
.^«*==¤¤¤£ MAZE, PROTECTIVE WALLS, JUNGLE £¤¤¤==*«^.
...«*==¤££ NETWORK... ££¤==*«...
.^«*=¤££## ##££¤=*«^.
....^«=££# THE TRACKS LEAVE THE GROUND, WHICH IS #££=«^....
.^«*=¤££££ NEEDED FOR OTHER PURPOSES. YOU ARE ££££¤=*«^.
.^«*=¤££## CARRIED GENTLY, CURVING UPWARDS UNTIL ##££¤=*«^.
.^«*=¤£££# YOU'RE MOVING UPWARD ALONG THE WALL OF #£££¤=*«^.
.^«*=¤££## A BUILDING. IT'S MADE OF SLABBY STONE, ##££¤=*«^.
......^*¤£ WITH GREAT GLASSLESS WINDOW HOLES £¤*^......
.^«*=££### LOOKING OUT THE WAY YOU CAME. IT IS ###££=*«^.
....^*¤£££ PITCH BLACK INSIDE. £££¤*^....
.^«*=¤££## ##££¤=*«^.
....^«*=£# #£=*«^....
...^**=¤££ ££¤=**^...
.....^*¤££ ££¤*^.....
.^«*=¤£### ###£¤=*«^.