.--/%@#@## ##@#@%/--.
.--%@#@### ###@#@%--.
.--/%@#@## ##@#@%/--.
.--/%@#@## ##@#@%/--.
.....-/%%# #%%/-.....
...-//%@@@ TRAIN DREAM @@@%//-...
.--/%@#@## ######....----..##################### ##@#@%/--.
.--//%@@@@ /// @@@@%//--.
.--/%@#@## - ##@#@%/--.
.------%%# - #%%------.
......-%#@ @#%-......
.--/%@@@@# (SITUATION) #@@@@%/--.
.--/%@#@## ##@#@%/--.
.....--%@# YOU FIND YOURSELF IN A RIFT - A #@%--.....
...----%@@ CLEARING, NARROW BUT IMMEASURABLY LONG. @@%----...
...--//%%# TO YOUR SIDES ARE WALLS MADE OF TREES, #%%//--...
.--///@@## THICK AND READY TO SWALLOW YOU. THE SUN ##@@///--.
....-///%# IS NOWHERE TO BE SEEN, BUT NONTHELESS #%///-....
.--/%@##@@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT @@##@%/--.
.....-/@@@ BLUE, ALMOST WHITE. @@@/-.....
.....-/%%# #%%/-.....
.--/%@#@## ALONG THE SPAN OF THE CLEARING LAY TWO ##@#@%/--.
.--/%@#@## PARALLEL SILVERY LINES, DARK HARD ##@#@%/--.
.--///@@#@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @#@@///--.
.--/@#@### THEY ARE. ###@#@/--.
.--/%@#@## ##@#@%/--.
......-/%# THEY EMIT A HIGH PITCHED WHINE... #%/-......
.--/%@#@## ##@#@%/--.
.--/%@#### - ####@%/--.
.--/%@#### ..%.. ####@%/--.
.--/%@#@## - ##@#@%/--.
.--/%@#@## ##@#@%/--.
.--/%@#@## (SITUATION) ##@#@%/--.
.--/%@#@## ##@#@%/--.
.--/%@#@## YOURE AT THE TRAIN STATION, ON A ##@#@%/--.
....-//@## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##@//-....
.--/%@#@## LATE, OR YOU ARE LATE TO THE TRAIN. ##@#@%/--.
.--/%@@@@@ IT'S A SUMMER AFTERNOON AND THE STATION @@@@@%/--.
....-/@@## IS BUSY, FULL OF RELAXED CONFIDENCE. ##@@/-....
......-/%# #%/-......
.....--/@# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #@/--.....
.--/%@#@## STRESSED ABOUT THE TIME, WHILE MOVING ##@#@%/--.
.--/%@#@## UP THE STAIRS TO YOUR PLATFORM. THE ##@#@%/--.
.--/%@@@## STATION IS IN SEVERAL LEVELS, ALL ##@@@%/--.
.--/%@#@## PLACED WITHIN EACHOTHER BY SOME ##@#@%/--.
....--//@@ INTELLIGENT DESIGNER, AND FULL OF @@//--....
.--/%@#@## STAIRS, ELEVATORS, SHORTCUTS, ##@#@%/--.
.....-/%@# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #@%/-.....
.--/%@#@## SOME GLASS WINDOWS. IT'S... NOT WHERE ##@#@%/--.
...-//@@@# IT'S SUPPOSED TO BE? #@@@//-...
.--/%@#@## ##@#@%/--.
.--/%@##@@ - @@##@%/--.
.--/%@#@@@ --@-- @@@#@%/--.
.--/%@#@## - ##@#@%/--.
.....--%#@ @#%--.....
....-/@@## (SITUATION) ##@@/-....
....--/%## ##%/--....
.--/%@#@@# YOU'RE FINALLY ENTERING THE CITY. WHILE #@@#@%/--.
.--/%@#@## IT IS INDEED A VERY HIGH SPEED TRAIN ##@#@%/--.
.--/%@#@## YOU'RE TRAVELING IN, THE JOURNEY HAS ##@#@%/--.
.--/%@#@## BEEN LONG. BUT IT'S ABOUT TO END! ##@#@%/--.
.--/%@#@## ##@#@%/--.
.--/%@#### SOCIETY IS GROWING DENSER AROUND YOU, ####@%/--.
.--/%@#@## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##@#@%/--.
..--/%@@## SHACKS, BUILT OF METAL AND STONE, THEN ##@@%/--..
.--/%@#@## PROPER HOUSES WITH MORTAR TO KEEP THEM ##@#@%/--.
.--/%@#@## TOGETHER... WHO IN TURN MAKE WAY FOR ##@#@%/--.
.--/%%%### THE INDUSTRIAL BUILDINGS, THE URBAN ###%%%/--.
.--/%@#@## MAZE, PROTECTIVE WALLS, JUNGLE ##@#@%/--.
.--/%%@### NETWORK... ###@%%/--.
.--/%@#@## ##@#@%/--.
....-/%@#@ THE TRACKS LEAVE THE GROUND, WHICH IS @#@%/-....
.--/%@#@## NEEDED FOR OTHER PURPOSES. YOU ARE ##@#@%/--.
.--/%@#@## CARRIED GENTLY, CURVING UPWARDS UNTIL ##@#@%/--.
..-----/%# YOU'RE MOVING UPWARD ALONG THE WALL OF #%/-----..
.--/%@#@## A BUILDING. IT'S MADE OF SLABBY STONE, ##@#@%/--.
.--/%@#### WITH GREAT GLASSLESS WINDOW HOLES ####@%/--.
.--/%@#@## LOOKING OUT THE WAY YOU CAME. IT IS ##@#@%/--.
...-///%@# PITCH BLACK INSIDE. #@%///-...
......-/%# #%/-......
.--/%@#@## ##@#@%/--.
--/%@#@### ###@#@%/--
.--/%@#@## ##@#@%/--.
.--////@@@ @@@////--.