,:-*=$@### ###@$=*-:,
,,:-*=$@## ##@$=*-:,,
,,,:-*=$@# #@$=*-:,,,
,,,,:-*=$@ @$=*-:,,,,
,,,:-*=$@# #@$=*-:,,,
,,:-*=$@## train dream ##@$=*-:,,
,:-*=$@### ######,,,,:-::,,##################### ###@$=*-:,
,,:-*=$@## *** ##@$=*-:,,
,,,:-*=$@# - #@$=*-:,,,
,,,,:-*=$@ - @$=*-:,,,,
,,,:-*=$@# #@$=*-:,,,
,,:-*=$@## (situation) ##@$=*-:,,
,:-*=$@### ###@$=*-:,
,,:-*=$@## you find yourself in a rift - a ##@$=*-:,,
,,,:-*=$@# clearing, narrow but immeasurably long. #@$=*-:,,,
,,,,:-*=$@ to your sides are walls made of trees, @$=*-:,,,,
,,,:-*=$@# thick and ready to swallow you. the sun #@$=*-:,,,
,,:-*=$@## is nowhere to be seen, but nontheless ##@$=*-:,,
,:-*=$@### it is very bright - the air feels light ###@$=*-:,
,,:-*=$@## blue, almost white. ##@$=*-:,,
,,,:-*=$@# #@$=*-:,,,
,,,,:-*=$@ along the span of the clearing lay two @$=*-:,,,,
,,,:-*=$@# parallel silvery lines, dark hard #@$=*-:,,,
,,:-*=$@## metal. somehow you can see how heavy ##@$=*-:,,
,:-*=$@### they are. ###@$=*-:,
,,:-*=$@## ##@$=*-:,,
,,,:-*=$@# they emit a high pitched whine... #@$=*-:,,,
,,,,:-*=$@ @$=*-:,,,,
,,,:-*=$@# - #@$=*-:,,,
,,:-*=$@## ,,=,, ##@$=*-:,,
,:-*=$@### - ###@$=*-:,
,,:-*=$@## ##@$=*-:,,
,,,:-*=$@# (situation) #@$=*-:,,,
,,,,:-*=$@ @$=*-:,,,,
,,,:-*=$@# youre at the train station, on a #@$=*-:,,,
,,:-*=$@## catwalk above the rails. your train is ##@$=*-:,,
,:-*=$@### late, or you are late to the train. ###@$=*-:,
,,:-*=$@## it's a summer afternoon and the station ##@$=*-:,,
,,,:-*=$@# is busy, full of relaxed confidence. #@$=*-:,,,
,,,,:-*=$@ @$=*-:,,,,
,,,:-*=$@# you're in high spirits, although a bit #@$=*-:,,,
,,:-*=$@## stressed about the time, while moving ##@$=*-:,,
,:-*=$@### up the stairs to your platform. the ###@$=*-:,
,,:-*=$@## station is in several levels, all ##@$=*-:,,
,,,:-*=$@# placed within eachother by some #@$=*-:,,,
,,,,:-*=$@ intelligent designer, and full of @$=*-:,,,,
,,,:-*=$@# stairs, elevators, shortcuts, #@$=*-:,,,
,,:-*=$@## bazaars... you sight your train through ##@$=*-:,,
,:-*=$@### some glass windows. it's... not where ###@$=*-:,
,,:-*=$@## it's supposed to be? ##@$=*-:,,
,,,:-*=$@# #@$=*-:,,,
,,,,:-*=$@ - @$=*-:,,,,
,,,:-*=$@# ::$:: #@$=*-:,,,
,,:-*=$@## - ##@$=*-:,,
,:-*=$@### ###@$=*-:,
,,:-*=$@## (situation) ##@$=*-:,,
,,,:-*=$@# #@$=*-:,,,
,,,,:-*=$@ you're finally entering the city. while @$=*-:,,,,
,,,:-*=$@# it is indeed a very high speed train #@$=*-:,,,
,,:-*=$@## you're traveling in, the journey has ##@$=*-:,,
,:-*=$@### been long. but it's about to end! ###@$=*-:,
,,:-*=$@## ##@$=*-:,,
,,,:-*=$@# society is growing denser around you, #@$=*-:,,,
,,,,:-*=$@ through the windows you see first small @$=*-:,,,,
,,,:-*=$@# shacks, built of metal and stone, then #@$=*-:,,,
,,:-*=$@## proper houses with mortar to keep them ##@$=*-:,,
,:-*=$@### together... who in turn make way for ###@$=*-:,
,,:-*=$@## the industrial buildings, the urban ##@$=*-:,,
,,,:-*=$@# maze, protective walls, jungle #@$=*-:,,,
,,,,:-*=$@ network... @$=*-:,,,,
,,,:-*=$@# #@$=*-:,,,
,,:-*=$@## the tracks leave the ground, which is ##@$=*-:,,
,:-*=$@### needed for other purposes. you are ###@$=*-:,
,,:-*=$@## carried gently, curving upwards until ##@$=*-:,,
,,,:-*=$@# you're moving upward along the wall of #@$=*-:,,,
,,,,:-*=$@ a building. it's made of slabby stone, @$=*-:,,,,
,,,:-*=$@# with great glassless window holes #@$=*-:,,,
,,:-*=$@## looking out the way you came. it is ##@$=*-:,,
,:-*=$@### pitch black inside. ###@$=*-:,
,,:-*=$@## ##@$=*-:,,
,,,:-*=$@# #@$=*-:,,,
,,,,:-*=$@ @$=*-:,,,,
,,,:-*=$@# #@$=*-:,,,
,,:-*=$@## ##@$=*-:,,