..^«*^*@@# #@@*^*«^..
.^«*^*@@## ##@@*^*«^.
..^«*^*@@# #@@*^*«^..
...^«*^*@@ @@*^*«^...
..^«*^*@@# #@@*^*«^..
.^«*^*@@## TRAIN DREAM ##@@*^*«^.
..^«*^*@@# ######....^«^^..##################### #@@*^*«^..
...^«*^*@@ *** @@*^*«^...
..^«*^*@@# « #@@*^*«^..
.^«*^*@@## « ##@@*^*«^.
..^«*^*@@# #@@*^*«^..
...^«*^*@@ (SITUATION) @@*^*«^...
..^«*^*@@# #@@*^*«^..
.^«*^*@@## YOU FIND YOURSELF IN A RIFT - A ##@@*^*«^.
..^«*^*@@# CLEARING, NARROW BUT IMMEASURABLY LONG. #@@*^*«^..
...^«*^*@@ TO YOUR SIDES ARE WALLS MADE OF TREES, @@*^*«^...
..^«*^*@@# THICK AND READY TO SWALLOW YOU. THE SUN #@@*^*«^..
.^«*^*@@## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##@@*^*«^.
..^«*^*@@# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #@@*^*«^..
...^«*^*@@ BLUE, ALMOST WHITE. @@*^*«^...
..^«*^*@@# #@@*^*«^..
.^«*^*@@## ALONG THE SPAN OF THE CLEARING LAY TWO ##@@*^*«^.
..^«*^*@@# PARALLEL SILVERY LINES, DARK HARD #@@*^*«^..
...^«*^*@@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @@*^*«^...
..^«*^*@@# THEY ARE. #@@*^*«^..
.^«*^*@@## ##@@*^*«^.
..^«*^*@@# THEY EMIT A HIGH PITCHED WHINE... #@@*^*«^..
...^«*^*@@ @@*^*«^...
..^«*^*@@# « #@@*^*«^..
.^«*^*@@## ..^.. ##@@*^*«^.
..^«*^*@@# « #@@*^*«^..
...^«*^*@@ @@*^*«^...
..^«*^*@@# (SITUATION) #@@*^*«^..
.^«*^*@@## ##@@*^*«^.
..^«*^*@@# YOURE AT THE TRAIN STATION, ON A #@@*^*«^..
...^«*^*@@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @@*^*«^...
..^«*^*@@# LATE, OR YOU ARE LATE TO THE TRAIN. #@@*^*«^..
.^«*^*@@## IT'S A SUMMER AFTERNOON AND THE STATION ##@@*^*«^.
..^«*^*@@# IS BUSY, FULL OF RELAXED CONFIDENCE. #@@*^*«^..
...^«*^*@@ @@*^*«^...
..^«*^*@@# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #@@*^*«^..
.^«*^*@@## STRESSED ABOUT THE TIME, WHILE MOVING ##@@*^*«^.
..^«*^*@@# UP THE STAIRS TO YOUR PLATFORM. THE #@@*^*«^..
...^«*^*@@ STATION IS IN SEVERAL LEVELS, ALL @@*^*«^...
..^«*^*@@# PLACED WITHIN EACHOTHER BY SOME #@@*^*«^..
.^«*^*@@## INTELLIGENT DESIGNER, AND FULL OF ##@@*^*«^.
..^«*^*@@# STAIRS, ELEVATORS, SHORTCUTS, #@@*^*«^..
...^«*^*@@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @@*^*«^...
..^«*^*@@# SOME GLASS WINDOWS. IT'S... NOT WHERE #@@*^*«^..
.^«*^*@@## IT'S SUPPOSED TO BE? ##@@*^*«^.
..^«*^*@@# #@@*^*«^..
...^«*^*@@ « @@*^*«^...
..^«*^*@@# ^^*^^ #@@*^*«^..
.^«*^*@@## « ##@@*^*«^.
..^«*^*@@# #@@*^*«^..
...^«*^*@@ (SITUATION) @@*^*«^...
..^«*^*@@# #@@*^*«^..
.^«*^*@@## YOU'RE FINALLY ENTERING THE CITY. WHILE ##@@*^*«^.
..^«*^*@@# IT IS INDEED A VERY HIGH SPEED TRAIN #@@*^*«^..
...^«*^*@@ YOU'RE TRAVELING IN, THE JOURNEY HAS @@*^*«^...
..^«*^*@@# BEEN LONG. BUT IT'S ABOUT TO END! #@@*^*«^..
.^«*^*@@## ##@@*^*«^.
..^«*^*@@# SOCIETY IS GROWING DENSER AROUND YOU, #@@*^*«^..
...^«*^*@@ THROUGH THE WINDOWS YOU SEE FIRST SMALL @@*^*«^...
..^«*^*@@# SHACKS, BUILT OF METAL AND STONE, THEN #@@*^*«^..
.^«*^*@@## PROPER HOUSES WITH MORTAR TO KEEP THEM ##@@*^*«^.
..^«*^*@@# TOGETHER... WHO IN TURN MAKE WAY FOR #@@*^*«^..
...^«*^*@@ THE INDUSTRIAL BUILDINGS, THE URBAN @@*^*«^...
..^«*^*@@# MAZE, PROTECTIVE WALLS, JUNGLE #@@*^*«^..
.^«*^*@@## NETWORK... ##@@*^*«^.
..^«*^*@@# #@@*^*«^..
...^«*^*@@ THE TRACKS LEAVE THE GROUND, WHICH IS @@*^*«^...
..^«*^*@@# NEEDED FOR OTHER PURPOSES. YOU ARE #@@*^*«^..
.^«*^*@@## CARRIED GENTLY, CURVING UPWARDS UNTIL ##@@*^*«^.
..^«*^*@@# YOU'RE MOVING UPWARD ALONG THE WALL OF #@@*^*«^..
...^«*^*@@ A BUILDING. IT'S MADE OF SLABBY STONE, @@*^*«^...
..^«*^*@@# WITH GREAT GLASSLESS WINDOW HOLES #@@*^*«^..
.^«*^*@@## LOOKING OUT THE WAY YOU CAME. IT IS ##@@*^*«^.
..^«*^*@@# PITCH BLACK INSIDE. #@@*^*«^..
...^«*^*@@ @@*^*«^...
..^«*^*@@# #@@*^*«^..
.^«*^*@@## ##@@*^*«^.
..^«*^*@@# #@@*^*«^..
...^«*^*@@ @@*^*«^...