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#¶@¤†;=~,, TRAIN DREAM ,,~=;†¤@¶#
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#¶@¤†;=~,, (SITUATION) ,,~=;†¤@¶#
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#¶@¤†;=~,, YOU FIND YOURSELF IN A RIFT - A ,,~=;†¤@¶#
##¶@¤†;=~, CLEARING, NARROW BUT IMMEASURABLY LONG. ,~=;†¤@¶##
#¶@¤†;=~,, TO YOUR SIDES ARE WALLS MADE OF TREES, ,,~=;†¤@¶#
##¶@¤†;=~, THICK AND READY TO SWALLOW YOU. THE SUN ,~=;†¤@¶##
#¶@¤†;=~,, IS NOWHERE TO BE SEEN, BUT NONTHELESS ,,~=;†¤@¶#
##¶@¤†;=~, IT IS VERY BRIGHT - THE AIR FEELS LIGHT ,~=;†¤@¶##
#¶@¤†;=~,, BLUE, ALMOST WHITE. ,,~=;†¤@¶#
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#¶@¤†;=~,, ALONG THE SPAN OF THE CLEARING LAY TWO ,,~=;†¤@¶#
##¶@¤†;=~, PARALLEL SILVERY LINES, DARK HARD ,~=;†¤@¶##
#¶@¤†;=~,, METAL. SOMEHOW YOU CAN SEE HOW HEAVY ,,~=;†¤@¶#
##¶@¤†;=~, THEY ARE. ,~=;†¤@¶##
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##¶@¤†;=~, THEY EMIT A HIGH PITCHED WHINE... ,~=;†¤@¶##
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##¶@¤†;=~, YOURE AT THE TRAIN STATION, ON A ,~=;†¤@¶##
#¶@¤†;=~,, CATWALK ABOVE THE RAILS. YOUR TRAIN IS ,,~=;†¤@¶#
##¶@¤†;=~, LATE, OR YOU ARE LATE TO THE TRAIN. ,~=;†¤@¶##
#¶@¤†;=~,, IT'S A SUMMER AFTERNOON AND THE STATION ,,~=;†¤@¶#
##¶@¤†;=~, IS BUSY, FULL OF RELAXED CONFIDENCE. ,~=;†¤@¶##
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##¶@¤†;=~, YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ,~=;†¤@¶##
#¶@¤†;=~,, STRESSED ABOUT THE TIME, WHILE MOVING ,,~=;†¤@¶#
##¶@¤†;=~, UP THE STAIRS TO YOUR PLATFORM. THE ,~=;†¤@¶##
#¶@¤†;=~,, STATION IS IN SEVERAL LEVELS, ALL ,,~=;†¤@¶#
##¶@¤†;=~, PLACED WITHIN EACHOTHER BY SOME ,~=;†¤@¶##
#¶@¤†;=~,, INTELLIGENT DESIGNER, AND FULL OF ,,~=;†¤@¶#
##¶@¤†;=~, STAIRS, ELEVATORS, SHORTCUTS, ,~=;†¤@¶##
#¶@¤†;=~,, BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ,,~=;†¤@¶#
##¶@¤†;=~, SOME GLASS WINDOWS. IT'S... NOT WHERE ,~=;†¤@¶##
#¶@¤†;=~,, IT'S SUPPOSED TO BE? ,,~=;†¤@¶#
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#¶@¤†;=~,, YOU'RE FINALLY ENTERING THE CITY. WHILE ,,~=;†¤@¶#
##¶@¤†;=~, IT IS INDEED A VERY HIGH SPEED TRAIN ,~=;†¤@¶##
#¶@¤†;=~,, YOU'RE TRAVELING IN, THE JOURNEY HAS ,,~=;†¤@¶#
##¶@¤†;=~, BEEN LONG. BUT IT'S ABOUT TO END! ,~=;†¤@¶##
#¶@¤†;=~,, ,,~=;†¤@¶#
##¶@¤†;=~, SOCIETY IS GROWING DENSER AROUND YOU, ,~=;†¤@¶##
#¶@¤†;=~,, THROUGH THE WINDOWS YOU SEE FIRST SMALL ,,~=;†¤@¶#
##¶@¤†;=~, SHACKS, BUILT OF METAL AND STONE, THEN ,~=;†¤@¶##
#¶@¤†;=~,, PROPER HOUSES WITH MORTAR TO KEEP THEM ,,~=;†¤@¶#
##¶@¤†;=~, TOGETHER... WHO IN TURN MAKE WAY FOR ,~=;†¤@¶##
#¶@¤†;=~,, THE INDUSTRIAL BUILDINGS, THE URBAN ,,~=;†¤@¶#
##¶@¤†;=~, MAZE, PROTECTIVE WALLS, JUNGLE ,~=;†¤@¶##
#¶@¤†;=~,, NETWORK... ,,~=;†¤@¶#
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#¶@¤†;=~,, THE TRACKS LEAVE THE GROUND, WHICH IS ,,~=;†¤@¶#
##¶@¤†;=~, NEEDED FOR OTHER PURPOSES. YOU ARE ,~=;†¤@¶##
#¶@¤†;=~,, CARRIED GENTLY, CURVING UPWARDS UNTIL ,,~=;†¤@¶#
##¶@¤†;=~, YOU'RE MOVING UPWARD ALONG THE WALL OF ,~=;†¤@¶##
#¶@¤†;=~,, A BUILDING. IT'S MADE OF SLABBY STONE, ,,~=;†¤@¶#
##¶@¤†;=~, WITH GREAT GLASSLESS WINDOW HOLES ,~=;†¤@¶##
#¶@¤†;=~,, LOOKING OUT THE WAY YOU CAME. IT IS ,,~=;†¤@¶#
##¶@¤†;=~, PITCH BLACK INSIDE. ,~=;†¤@¶##
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