,,-=*§¤### ###¤§*=-,,
,,-=*§¤### ###¤§*=-,,
,,-=*§¤@## ##@¤§*=-,,
,,,,--*§@@ @@§*--,,,,
,,-=*§¤@## ##@¤§*=-,,
,,-=*§¤@## train dream ##@¤§*=-,,
,,-=*§¤@## ######,,,,,-,,,,##################### ##@¤§*=-,,
,,-=*§¤@@# === #@@¤§*=-,,
,,-===*§@# - #@§*===-,,
,,-=*§¤@## - ##@¤§*=-,,
,,,,,-*§¤# #¤§*-,,,,,
,,,,,,=§§¤ (situation) ¤§§=,,,,,,
,,-=*§¤@## ##@¤§*=-,,
,,,,--=§§@ you find yourself in a rift - a @§§=--,,,,
,,-===§§¤¤ clearing, narrow but immeasurably long. ¤¤§§===-,,
,,,,,=***¤ to your sides are walls made of trees, ¤***=,,,,,
,,,,,,=**¤ thick and ready to swallow you. the sun ¤**=,,,,,,
,,-=*§¤@## is nowhere to be seen, but nontheless ##@¤§*=-,,
,,-=*§¤@## it is very bright - the air feels light ##@¤§*=-,,
,,-=*§¤@## blue, almost white. ##@¤§*=-,,
,,-=***§@# #@§***=-,,
,,-=*§¤@## along the span of the clearing lay two ##@¤§*=-,,
,,-=*§¤@## parallel silvery lines, dark hard ##@¤§*=-,,
,,-=*§¤@@# metal. somehow you can see how heavy #@@¤§*=-,,
,,-=*§¤@@@ they are. @@@¤§*=-,,
,,,,==*§@# #@§*==,,,,
,,,,,==§¤@ they emit a high pitched whine... @¤§==,,,,,
,,,-==§§§¤ ¤§§§==-,,,
,,-=*§¤@## - ##@¤§*=-,,
,,-=*§¤@## ,,*,, ##@¤§*=-,,
,,-=*§¤@## - ##@¤§*=-,,
,,-=*§¤@## ##@¤§*=-,,
,,-=*§¤¤¤@ (situation) @¤¤¤§*=-,,
,,-=*§¤@## ##@¤§*=-,,
,,-=*§¤@## youre at the train station, on a ##@¤§*=-,,
,,-=*§¤@## catwalk above the rails. your train is ##@¤§*=-,,
,,-=*§¤@@@ late, or you are late to the train. @@@¤§*=-,,
,,,---**¤@ it's a summer afternoon and the station @¤**---,,,
,,-=*§¤@## is busy, full of relaxed confidence. ##@¤§*=-,,
,,-=*§@### ###@§*=-,,
,,-=*§¤@## you're in high spirits, although a bit ##@¤§*=-,,
,,-=*§¤### stressed about the time, while moving ###¤§*=-,,
,,,,,--=§@ up the stairs to your platform. the @§=--,,,,,
,,-==*§§@# station is in several levels, all #@§§*==-,,
,,,,==*¤@@ placed within eachother by some @@¤*==,,,,
,,-=*§¤@## intelligent designer, and full of ##@¤§*=-,,
,,,,,-==§@ stairs, elevators, shortcuts, @§==-,,,,,
,,-=*§¤@## bazaars... you sight your train through ##@¤§*=-,,
,,,,--**§@ some glass windows. it's... not where @§**--,,,,
,,-=*§¤@## it's supposed to be? ##@¤§*=-,,
,,,,,,,=§¤ ¤§=,,,,,,,
,,-=*§¤@## - ##@¤§*=-,,
,,-=**§§¤# ,,§,, #¤§§**=-,,
,,-=**§§@@ - @@§§**=-,,
,,,,,=*§§@ @§§*=,,,,,
,,,,,,-=§¤ (situation) ¤§=-,,,,,,
,,,,,=*¤@# #@¤*=,,,,,
,,-=§¤@### you're finally entering the city. while ###@¤§=-,,
,,-=*§¤@## it is indeed a very high speed train ##@¤§*=-,,
,,-=*§¤@## you're traveling in, the journey has ##@¤§*=-,,
,,-=*§¤@## been long. but it's about to end! ##@¤§*=-,,
,,-=*§¤### ###¤§*=-,,
,,-=*§¤@## society is growing denser around you, ##@¤§*=-,,
,,,,,-*§¤¤ through the windows you see first small ¤¤§*-,,,,,
,,-*§¤@### shacks, built of metal and stone, then ###@¤§*-,,
,,---=*¤¤# proper houses with mortar to keep them #¤¤*=---,,
,,-=*§¤### together... who in turn make way for ###¤§*=-,,
,,-=*§¤@## the industrial buildings, the urban ##@¤§*=-,,
,,,,-**¤¤# maze, protective walls, jungle #¤¤**-,,,,
,,-=*§¤@## network... ##@¤§*=-,,
,,-=*§¤@## ##@¤§*=-,,
,,,,,,,-*¤ the tracks leave the ground, which is ¤*-,,,,,,,
,,-=*§¤@## needed for other purposes. you are ##@¤§*=-,,
,,-=***§@@ carried gently, curving upwards until @@§***=-,,
,,,,----*¤ you're moving upward along the wall of ¤*----,,,,
,,-=*§¤@## a building. it's made of slabby stone, ##@¤§*=-,,
,,--====§¤ with great glassless window holes ¤§====--,,
,,-=*§@### looking out the way you came. it is ###@§*=-,,
,,,---***¤ pitch black inside. ¤***---,,,
,,-=*§¤### ###¤§*=-,,
,,,,,-=§¤@ @¤§=-,,,,,
,,-=*§¤@## ##@¤§*=-,,
,,,,,,,=§@ @§=,,,,,,,
,,,-==**¤@ @¤**==-,,,