,,»=*£§### ###§£*=»,,
.¨:-;=$# ##&$=;-:¨.
.^-/†£#### ####£†/-^.
,¨~-:%@#@# #@#@%:-~¨,
.,-*$%§@## ##@§%$*-,.
¨¨-=^**# statuette ##&**^=-¨¨
,-»/=§#### ####§=/»-,
¨.^~^^££## $&*&%%§$£$§**£*%»«=«~~-«§%$£$*§¤§£%%%%£$ ##££^^~^.¨
.~»:§%&@## *$§@%£%¤¤ ##@&%§:»~.
.,~~^%&¤@# #@¤&%^~~,.
,,~†%¤@### forests around my childhood home. thick ###@¤%†~,,
¨,,»/†&@@# pine arcades that were planted and #@@&†/»,,¨
.,~/*%## forgotten. wild boars roaming ###&%*/~,.
¨.:»=*$£## underneath, sniffing at the ground. it ##£$*=»:.¨
,-==^¤## is dark and moist, the canopy having ###&¤^==-,
...~*=£§## already soaked up all the sun. ##§£=*~...
,,-=§$¤@## ##@¤$§=-,,
.¨:=;$¤### there's a river passing by, from east ###¤$;=:¨.
.--†%£&@## to west, getting broader and deeper and ##@&£%†--.
.,,»\%*£## slower as it goes. equisetum grow just ##£*%\»,,.
,.~:=£§@## where the pine hands start to let ##@§£=:~.,
.¨,=;§$@@# through light, horsemint on the rocky #@@$§;=,¨.
.^»*$£@@## river bed. ##@@£$*»^.
..:»^*## ###&*^»:..
.,=^%§#@## ^ ##@#§%^=,.
¨..-††$§## ##§$††-..¨
¨,«^%%#### the riverbanks reek of magic. tonight ####%%^«,¨
¨¨,»**$¤## they had been a swampworld with sylvan ##¤$**»,¨¨
¨~=†*&¤### water, stone rings and floating moss. ###¤&*†=~¨
..,-\^%@## you could've found me wallowing around ##@%^\-,..
¨.«†§$¤### on the southern shores until i got ###¤$§†«.¨
.,,~:$%# bitten. ##&%$:~,,.
,^»*†$@### ###@$†*»^,
,.,-/$£### but now i'm further back, on solid ###£$/-,.,
.-»\%¤¤@## ground, in shoulder-high grass, with an ##@¤¤%\»-.
¨.-»\*@@## orange tin radio and a translucent ##@@*\»-.¨
¨^~\$§#### umbrella which i'm sitting on. ####§$\~^¨
,.,~=^££## ##££^=~,.,
,,»†**£### \ ###£**†»,,
.,,»:=%£## ##£%=:»,,.
.,=*^££@## somethings moving in the grass. it's ##@££^*=,.
¨¨^«;*§@## invisible to my eyes but i can feel ##@§*;«^¨¨
¨,=**@§### through the ground just how large it is. ###§@**=,¨
,¨:==^$§## ##§$^==:¨,
¨,«*$$§### the soil is muddy. i slip when trying ###§$$*«,¨
.,,=\=@¤## to get up, still looking at the ##¤@=\=,,.
¨^«:*%¤### direction of sound rather than at my ###¤%*:«^¨
..-~†*¤£@# hands, who are busy putting things in #@£¤*†~-..
.,=;%&§### my pockets. ###§&%;=,.
,¨.=:%&&@# #@&&%:=.¨,
¨~-††¤## then i run east toward my home. ###&¤††-~¨
¨,:~\*$£## ##£$*\~:,¨
.:~^†&§### * ###§&†^~:.
¨.:»**¤### ###¤**»:.¨
.^=;=$## i am not followed, and slow down in the ###&$=;=^.
,.-~*=£### clearing where you at first can spot ###£=*~-.,
.^~^%*#@## the house, not yet really in the ##@#*%^~^.
¨¨.»**%¤## backyard. from my pockets i retrieve my ##¤%**».¨¨
¨-»\§%@### radio (now dented) but also a small ###@%§\»-¨
,.,=^^$£@# clay figure i've never seen before. it #@£$^^=,.,
¨.-\=§@@## must have been laying in the wet dirt, ##@@§=\-.¨
..,»†%$¤## and i must've picked it up with my ##¤$%†»,..
.^~†*§@### other belongings. ###@§*†~^.
¨¨,«;%£#@# #@#£%;«,¨¨
.^~=$$#### it's a statuette of a girl laying naked ####$$=~^.
¨.,=†%¤¤@# on her stomach, feet in the air, #@¤¤%†=,.¨
,^-/†£@@## roughly seven centimeters long. it's ##@@£†/-^,
,¨^~^^£¤## freshly made, not yet completely dried. ##¤£^^~^¨,
.~~\*$£@## ##@£$*\~~.
¨¨^~:*§§@# my mom is here now. i ask her for some #@§§*:~^¨¨
,,~=%@## particle board for it to dry on, but ###&@%=~,,
¨.-~*=§£@# she is worried and wants me to #@£§=*~-.¨
,-»:%§£### throw it away. ###£§%:»-,
¨,^«;§@&@# #@&@§;«^,¨
.,~\†%¤### ###¤%†\~,.
..-»*†@# ##&@†*»-..
¨,«/=$&@## ##@&$=/«,¨
.¨.~*^$@## ##@$^*~.¨.
.-~\=%@### ###@%=\~-.