¨:«*§##@## ##@##§*«:¨
¨,.==$¤@## ##@¤$==.,¨
.:»/£@£@## ##@£@£/»:.
¨..-;§#### ####§;-..¨
¨:«^%#£### ###£#%^«:¨
,..=^$@@## statuette ##@@$^=..,
,-~^£#@### ###@#£^~-,
,¨--=@¤@## ¤%@£&£%$££%£*$@&~»«=««-»%%§&%*£§¤$§£&$@¤ ##@¤@=--¨,
¨-»*%&@### §§$§£¤§@$ ###@&%*»-¨
¨¨.~*$&@## ##@&$*~.¨¨
.^-\$¤#### forests around my childhood home. thick ####¤$\-^.
¨..~:%¤¶## pine arcades that were planted and ##¶¤%:~..¨
..=;$§#### forgotten. wild boars roaming ####§$;=..
¨¨~~=%&@@# underneath, sniffing at the ground. it #@@&%=~~¨¨
.,~:§£@@## is dark and moist, the canopy having ##@@£§:~,.
,,~=:&£### already soaked up all the sun. ###£&:=~,,
.,»/@#@### ###@#@/»,.
,..«=£#### there's a river passing by, from east ####£=«..,
,,«:%&¶### to west, getting broader and deeper and ###¶&%:«,,
,.,~/$@@@# slower as it goes. equisetum grow just #@@@$/~,.,
,:-/%@@### where the pine hands start to let ###@@%/-:,
,¨,»†££### through light, horsemint on the rocky ###££†»,¨,
.,~†$@@### river bed. ###@@$†~,.
¨¨,~\¤§#@# #@#§¤\~,¨¨
..~:&§#@## † ##@#§&:~..
,,.«^$¤£## ##£¤$^«.,,
,^=;@@#### the riverbanks reek of magic. tonight ####@@;=^,
,¨.~/*§### they had been a swampworld with sylvan ###§*/~.¨,
,~~:¤&@### water, stone rings and floating moss. ###@&¤:~~,
¨¨~~\%&£@# you could've found me wallowing around #@£&%\~~¨¨
.--;¤£@### on the southern shores until i got ###@£¤;--.
.¨,=*£@### bitten. ###@£*=,¨.
¨--^$£@### ###@£$^--¨
.¨.-;%#@@# but now i'm further back, on solid #@@#%;-.¨.
.-»=§##### ground, in shoulder-high grass, with an #####§=»-.
..^~^%@@## orange tin radio and a translucent ##@@%^~^..
,,=^£¤#### umbrella which i'm sitting on. ####¤£^=,,
,.,»;§&¶## ##¶&§;»,.,
.~»†&&@@## † ##@@&&†»~.
¨,,~†¤&£## ##£&¤†~,,¨
,.-†%#@### somethings moving in the grass. it's ###@#%†-.,
¨,.~^%§@## invisible to my eyes but i can feel ##@§%^~.,¨
¨^-/%££@## through the ground just how large it is. ##@££%/-^¨
¨,.«\&¤@## ##@¤&\«.,¨
¨^~\%&#@## the soil is muddy. i slip when trying ##@#&%\~^¨
,¨,«:¤@@## to get up, still looking at the ##@@¤:«,¨,
¨:«:¤#@@## direction of sound rather than at my ##@@#¤:«:¨
,,,«*&¤@## hands, who are busy putting things in ##@¤&*«,,,
¨~~:$##### my pockets. #####$:~~¨
..:»\$§@## ##@§$\»:..
,,~/£££### then i run east toward my home. ###£££/~,,
,¨.«^%##@# #@##%^«.¨,
.,=\£@¶@## \ ##@¶@£\=,.
,,~~^£&@## ##@&£^~~,,
,,«:£&#### i am not followed, and slow down in the ####&£:«,,
,..«=§§@## clearing where you at first can spot ##@§§=«..,
..=*&&@@## the house, not yet really in the ##@@&&*=..
.,.~**#¶## backyard. from my pockets i retrieve my ##¶#**~.,.
.^»:&&@### radio (now dented) but also a small ###@&&:»^.
¨¨:-:§@@@# clay figure i've never seen before. it #@@@§:-:¨¨
¨.=/%#£### must have been laying in the wet dirt, ###£#%/=.¨
¨¨:~:§§@@# and i must've picked it up with my #@@§§:~:¨¨
,^~:@@#### other belongings. ####@@:~^,
¨,~=^$&@## ##@&$^=~,¨
¨:»:*&£@## it's a statuette of a girl laying naked ##@£&*:»:¨
¨¨,«†@&### on her stomach, feet in the air, ###&@†«,¨¨
,:»*%§£### roughly seven centimeters long. it's ###£§%*»:,
,.,=*&&£## freshly made, not yet completely dried. ##£&&*=,.,
.^«†§§#### ####§§†«^.
.,^=†*@£## my mom is here now. i ask her for some ##£@*†=^,.
¨~~;%£¶@## particle board for it to dry on, but ##@¶£%;~~¨
.¨,==%@£@# she is worried and wants me to #@£@%==,¨.
,,«^%£#### throw it away. ####£%^«,,
¨,,~/§#£@# #@£#§/~,,¨
¨:~;£##@## ##@##£;~:¨
,.:-=$§£@# #@£§$=-:.,
¨~-*&#¶@## ##@¶#&*-~¨
,.:«†¤£#@# #@#£¤†«:.,
,~-:*&#### ####&*:-~,