.,.-»»\%£@ @£%\»»-.,.
¨,~=*£@### ###@£*=~,¨
¨.¨¨¨,«†=§ §=†«,¨¨¨.¨
.:-==%&¤&@ @&¤&%==-:.
,-=:§### ####&§:=-,
,.,..¨::†# statuette #†::¨..,.,
,,,..«;%&£ £&%;«..,,,
¨,»==†%=@¶ &*$%£§¤£$£%$@%&@--~~««»~£$%$£§$&$£%§¤%$$ ¶@=%†==»,¨
,~=\*$&@@# £%@§£££*% #@@&$*\=~,
.-~^@@#### ####@@^~-.
¨~-^†§@@## forests around my childhood home. thick ##@@§†^-~¨
¨..¨,»=¤#£ pine arcades that were planted and £#¤=»,¨..¨
,-»†*$@£@# forgotten. wild boars roaming #@£@$*†»-,
,.¨,,\^$$& underneath, sniffing at the ground. it &$$^\,,¨.,
¨:»;^£@### is dark and moist, the canopy having ###@£^;»:¨
.,~;=££@¶@ already soaked up all the sun. @¶@££=;~,.
¨.,.,¨~~*£ £*~~¨,.,.¨
¨:~=:=%¤@@ there's a river passing by, from east @@¤%=:=~:¨
.¨¨,.,\££# to west, getting broader and deeper and #££\,.,¨¨.
,^^,,**%£§ slower as it goes. equisetum grow just §£%**,,^^,
,.¨.¨-/:$£ where the pine hands start to let £$:/-¨.¨.,
.^=^%§¤@## through light, horsemint on the rocky ##@¤§%^=^.
,.«-~»^¤#@ river bed. @#¤^»~-«.,
.~=/=\;£## ##£;\=/=~.
¨¨.,,.~~*¤ ^ ¤*~~.,,.¨¨
¨-=†%%¤£## ##£¤%%†=-¨
¨^»†§@## the riverbanks reek of magic. tonight ###&@§†»^¨
.-«:^%&¶@# they had been a swampworld with sylvan #@¶&%^:«-.
¨.¨¨.~^§#@ water, stone rings and floating moss. @#§^~.¨¨.¨
¨,.,¨-:$£§ you could've found me wallowing around §£$:-¨,.,¨
.^~;*§§### on the southern shores until i got ###§§*;~^.
,~=;†&@¶## bitten. ##¶@&†;=~,
.,=/=@¤@## ##@¤@=/=,.
¨^~=^%%£@# but now i'm further back, on solid #@£%%^=~^¨
.¨-,»^**££ ground, in shoulder-high grass, with an ££**^»,-¨.
,--=^$§#@# orange tin radio and a translucent #@#§$^=--,
¨:«^%$£%@# umbrella which i'm sitting on. #@%£$%^«:¨
¨^~^†£¤#@# #@#¤£†^~^¨
...,.\%& : #&&%\.,...
.:~\§$&£¶# #¶£&$§\~:.
..~\%£##@# somethings moving in the grass. it's #@##£%\~..
,.»/%%#@¶@ invisible to my eyes but i can feel @¶@#%%/».,
.¨¨.,-,=$& through the ground just how large it is. &$=,-,.¨¨.
,,»††£&£## ##£&£††»,,
,¨.»††§¤¤# the soil is muddy. i slip when trying #¤¤§††».¨,
.,:,~/=:£& to get up, still looking at the &£:=/~,:,.
.,..«~*$@# direction of sound rather than at my #@$*~«..,.
,-~==§@¶@# hands, who are busy putting things in #@¶@§==~-,
¨,»\§@¤¶## my pockets. ##¶¤@§\»,¨
,:«;§$&@@# #@@&$§;«:,
.:~\†££### then i run east toward my home. ###££†\~:.
.:»†%%¤### ###¤%%†»:.
¨¨.,~==§¤# / #¤§==~,.¨¨
,^-;;**&£# #£&**;;-^,
¨,»;§£¤¶## i am not followed, and slow down in the ##¶¤£§;»,¨
..-†%£## clearing where you at first can spot ###&£%†-..
¨.¨¨¨,:=&¶ the house, not yet really in the ¶&=:,¨¨¨.¨
,,=/%*##@# backyard. from my pockets i retrieve my #@##*%/=,,
.^^,†==¤#@ radio (now dented) but also a small @#¤==†,^^.
¨,¨,»~%*^£ clay figure i've never seen before. it £^*%~»,¨,¨
.:=/†$£### must have been laying in the wet dirt, ###£$†/=:.
¨:=/**@# and i must've picked it up with my #@#&**/=:¨
,..,=»/%%@ other belongings. @%%/»=,..,
,.,-~;†¤@# #@¤†;~-,.,
.¨¨,,,†*£@ it's a statuette of a girl laying naked @£*†,,,¨¨.
,~=/$&@### on her stomach, feet in the air, ###@&$/=~,
.~-=*¤££## roughly seven centimeters long. it's ##££¤*=-~.
¨~-^§@£¶## freshly made, not yet completely dried. ##¶£@§^-~¨
¨:»†%&@@## ##@@&%†»:¨
,,~:%¶## my mom is here now. i ask her for some ##¶#&%:~,,
.¨,,.~=$$£ particle board for it to dry on, but £$$=~.,,¨.
,.,.,¨~:£# she is worried and wants me to #£:~¨,.,.,
¨~~†%^%£@£ throw it away. £@£%^%†~~¨
.,~/*@&£@# #@£&@*/~,.
,¨,«=†$%¤@ @¤%$†=«,¨,
,--%§#@### ###@#§%--,
¨^»:$§§#@# #@#§§$:»^¨
,¨¨»:=*$%@ @%$*=:»¨¨,
..,.,~*†§# #§†*~,.,..