,,-;*%#### ####%*;-,,
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,,¨,:/†$¶£ £¶$†/:,¨,,
.,=;†£§¶## ##¶§£†;=,.
,,~*§$§¶@# #@¶§$§*~,,
.,,¨-~%* statuette #&*%~-¨,,.
,,,.,~†$*£ £*$†~,.,,,
,.-,/*^%&£ £§$¤&$¤£$$$$£@&§~«=~-=»=¤&%%@¤$¤%%&£§%£§ £&%^*/,-.,
.-«*^¤@@@# %&§§%$§§$ #@@@¤^*«-.
¨^»\†$@¶@@ @@¶@$†\»^¨
¨.=††%@### forests around my childhood home. thick ###@%††=.¨
..¨,.»%$@¶ pine arcades that were planted and ¶@$%».,¨..
,--:*%¤£## forgotten. wild boars roaming ##£¤%*:--,
,.-:=%¤### underneath, sniffing at the ground. it ###¤%=:-.,
,,..,=^^§# is dark and moist, the canopy having #§^^=,..,,
¨¨..~~%£#@ already soaked up all the sun. @#£%~~..¨¨
¨:^::~\%§& &§%\~::^:¨
.,¨..,^\§@ there's a river passing by, from east @§\^,..¨,.
,..»†*££@# to west, getting broader and deeper and #@££*†»..,
.,»^$$## slower as it goes. equisetum grow just ###&$$^»,.
,,,,¨-«† where the pine hands start to let #&†«-¨,,,,
.-=\^%§### through light, horsemint on the rocky ###§%^\=-.
,,,,.,/*## river bed. ##*/,.,,,,
.:~\%@#¶@@ @@¶#@%\~:.
,,»=-=»%&£ ^ £&%»=-=»,,
¨~«^^§&@## ##@&§^^«~¨
,¨.,,»^\%£ the riverbanks reek of magic. tonight £%\^»,,.¨,
¨.=*^*#### they had been a swampworld with sylvan ####*^*=.¨
¨,¨¨.-§#¤# water, stone rings and floating moss. #¤#§-.¨¨,¨
¨:~†*£¤### you could've found me wallowing around ###¤£*†~:¨
.-»;†¤§### on the southern shores until i got ###§¤†;»-.
.~-^$$*§£@ bitten. @£§*$$^-~.
.~-\$%@# #@#&%$\-~.
,¨.¨,,†$£@ but now i'm further back, on solid @£$†,,¨.¨,
,,«;§%££## ground, in shoulder-high grass, with an ##££%§;«,,
.,~*%@## orange tin radio and a translucent ##@#&%*~,.
.^==†%@¶## umbrella which i'm sitting on. ##¶@%†==^.
,,.¨~*/=@@ @@=/*~¨.,,
,^~\§££@## = ##@££§\~^,
.^«:†§¤¶## ##¶¤§†:«^.
,.»*§¤§#@# somethings moving in the grass. it's #@#§¤§*».,
.,¨¨¨:\£@¶ invisible to my eyes but i can feel ¶@£\:¨¨¨,.
,~~†*&§### through the ground just how large it is. ###§&*†~~,
,.-†%&@##¶ ¶##@&%†-.,
¨-~^%%¤### the soil is muddy. i slip when trying ###¤%%^~-¨
¨,¨.^«:@$@ to get up, still looking at the @$@:«^.¨,¨
¨.~†§£@@## direction of sound rather than at my ##@@£§†~.¨
¨.¨,,,~**£ hands, who are busy putting things in £**~,,,¨.¨
¨,.¨,^^£@# my pockets. #@£^^,¨.,¨
.~-**£§#@# #@#§£**-~.
,:«†§@#### then i run east toward my home. ####@§†«:,
.,»†*£££## ##£££*†»,.
¨~~^*££### / ###££*^~~¨
,:-;$&¤### ###¤&$;-:,
,¨¨,.^=*$§ i am not followed, and slow down in the §$*=^.,¨¨,
.,¨,¨-/$ clearing where you at first can spot #&$/-¨,¨,.
.....«†%§£ the house, not yet really in the £§%†«.....
,..~-~*$£§ backyard. from my pockets i retrieve my §£$*~-~..,
.¨,,.--*&@ radio (now dented) but also a small @&*--.,,¨.
.,..^,-^§£ clay figure i've never seen before. it £§^-,^..,.
.:-\^§§§¤@ must have been laying in the wet dirt, @¤§§§^\-:.
,^«*$@§¶@# and i must've picked it up with my #@¶§@$*«^,
,.¨--^/\%£ other belongings. £%\/^--¨.,
.,~*^§¤£¤# #¤£¤§^*~,.
¨:~/=@#@## it's a statuette of a girl laying naked ##@#@=/~:¨
¨,«*%&@# on her stomach, feet in the air, #@#&&%*«,¨
,:~*§*¤¶## roughly seven centimeters long. it's ##¶¤*§*~:,
,^-*%%£@## freshly made, not yet completely dried. ##@£%%*-^,
¨,,¨,,*/^& &^/*,,¨,,¨
,¨..,;*¤## my mom is here now. i ask her for some ##¤*;,..¨,
.¨¨,.^=¤§@ particle board for it to dry on, but @§¤=^.,¨¨.
¨-~:†%=#@# she is worried and wants me to #@#=%†:~-¨
¨:=\%%@@## throw it away. ##@@%%\=:¨
.-«^^%¤@## ##@¤%^^«-.
¨,«/$&&£@# #@£&&$/«,¨
,,~/^$¤£## ##£¤$^/~,,
.¨,-~:%#¤# #¤#%:~-,¨.
¨:»†§@§@@@ @@@§@§†»:¨
¨:«:$%§@#@ @#@§%$:«:¨