¨~=^*@£### ###£@*^=~¨
.¨--;†£¤@# #@¤£†;--¨.
.¨¨.~**$£@ @£$**~.¨¨.
.,~»;%%§@# #@§%%;»~,.
,,«††*£@## ##@£*††«,,
,,:~=%$§## statuette ##§$%=~:,,
,.¨,-=§$@# #@$§=-,¨.,
¨,--:%$# §¤£%@%£&&¤*§&¤$£-~~~~«-~£&%%¤%&$$$$&¤£@% ##&$%:--,¨
.,=†^£@### %&£$%$&$% ###@£^†=,.
,..«†$£§## ##§£$†«..,
,,..»^*& forests around my childhood home. thick #&&*^»..,,
,.~=;=¤¤## pine arcades that were planted and ##¤¤=;=~.,
.,«*^$¤### forgotten. wild boars roaming ###¤$^*«,.
.¨-=†$¤# underneath, sniffing at the ground. it ##&¤$†=-¨.
¨.,-»=%¤£@ is dark and moist, the canopy having @£¤%=»-,.¨
¨¨.«=%%@## already soaked up all the sun. ##@%%=«.¨¨
,:~:§%£### ###£%§:~:,
¨..»*=*§## there's a river passing by, from east ##§*=*»..¨
¨¨.-~\§£¤@ to west, getting broader and deeper and @¤£§\~-.¨¨
,,.=:=&§## slower as it goes. equisetum grow just ##§&=:=.,,
¨.«*†$#### where the pine hands start to let ####$†*«.¨
.,,~*=$&@# through light, horsemint on the rocky #@&$=*~,,.
,..^-:*£¤@ river bed. @¤£*:-^..,
¨¨,~:%§¤## ##¤§%:~,¨¨
¨-~/*@@### ^ ###@@*/~-¨
.,^«/*££@# #@££*/«^,.
,,.--\*£@# the riverbanks reek of magic. tonight #@£*\--.,,
,¨~«**£§## they had been a swampworld with sylvan ##§£**«~¨,
..-^=@¤### water, stone rings and floating moss. ###¤@=^-..
,.~~^*&&@# you could've found me wallowing around #@&&*^~~.,
,,¨.»\$¤@# on the southern shores until i got #@¤$\».¨,,
¨.:-†%&# bitten. ##&&%†-:.¨
¨,«:%§§### ###§§%:«,¨
,¨:~:^£# but now i'm further back, on solid ##&£^:~:¨,
,¨¨-~:*£§# ground, in shoulder-high grass, with an #§£*:~-¨¨,
.¨^-==*@## orange tin radio and a translucent ##@*==-^¨.
¨^~^*$§@## umbrella which i'm sitting on. ##@§$*^~^¨
.,,~/†$§@# #@§$†/~,,.
¨..:»\%&@# \ #@&%\»:..¨
¨.,~:†$#@# #@#$†:~,.¨
.^»=^¤¤### somethings moving in the grass. it's ###¤¤^=»^.
,¨:«^^*£## invisible to my eyes but i can feel ##£*^^«:¨,
.¨.,-†=£## through the ground just how large it is. ##£=†-,.¨.
.,,-††@@## ##@@††-,,.
.,~;^£¤### the soil is muddy. i slip when trying ###¤£^;~,.
..,»:=£#@# to get up, still looking at the #@#£=:»,..
,..,»=^£## direction of sound rather than at my ##£^=»,..,
,.^-^*£### hands, who are busy putting things in ###£*^-^.,
,~-\%¤§### my pockets. ###§¤%\-~,
.¨.»;%§¤## ##¤§%;».¨.
.,¨^~;=§@# then i run east toward my home. #@§=;~^¨,.
,.:~:†%¤@# #@¤%†:~:.,
¨^~;†§£### \ ###£§†;~^¨
.¨,=:=¤£## ##£¤=:=,¨.
,.¨^«*$¤ i am not followed, and slow down in the #&¤$*«^¨.,
,¨,~^%$#@# clearing where you at first can spot #@#$%^~,¨,
,,»^=$£### the house, not yet really in the ###£$=^»,,
¨.,~=*$£@# backyard. from my pockets i retrieve my #@£$*=~,.¨
.,¨.~**£## radio (now dented) but also a small ##£**~.¨,.
¨..»;$¤¤## clay figure i've never seen before. it ##¤¤$;»..¨
¨,=^§%&@## must have been laying in the wet dirt, ##@&%§^=,¨
.¨,=\=%#@# and i must've picked it up with my #@#%=\=,¨.
...^=\=$@# other belongings. #@$=\=^...
¨.^=*=¤# ##&¤=*=^.¨
.:=\%%@### it's a statuette of a girl laying naked ###@%%\=:.
.,~«/=$¤## on her stomach, feet in the air, ##¤$=/«~,.
,.,^»:^&§# roughly seven centimeters long. it's #§&^:»^,.,
.¨,~*%¤¤## freshly made, not yet completely dried. ##¤¤%*~,¨.
.--=^*## ###&*^=--.
..,=^*§§@# my mom is here now. i ask her for some #@§§*^=,..
¨¨¨~«\%&¤@ particle board for it to dry on, but @¤&%\«~¨¨¨
,,-»^†*£## she is worried and wants me to ##£*†^»-,,
¨.~*=*@### throw it away. ###@*=*~.¨
,..«;*§§## ##§§*;«..,
....~^^£&@ @&£^^~....
..,-\†%§@# #@§%†\-,..
¨:~†*¤@@## ##@@¤*†~:¨
.¨.~;=£§## ##§£=;~.¨.
.¨,~~†$§§# #§§$†~~,¨.