,,.§@.¨, ,.§£,¨,.¨.
.¨,#¨,,.§@ §¨.,¨#£&&.
£¤,¨,£&.¨¤ .,§£.,§¤.,
¨¨.£.¨..¨. ,¨.¨.¨..,.
@£¨¨,£##¤¨ #@&£&¤£§¤£
¤¨¨¤¨.§&,¨ statuette ,@§¤¤&¤#
,.¨.,¨.,.& ¨.§@§¤£§¤&
.&@&&&£¤.. ¤§§§*&&&£@§@&%%$«=~-~»«-%%$$¤£*¤£$££*%@§ ¨.¨&@#¤,
,,££@.,@ §$&@£**¤§ #£..#¤&§¨,
&,,§&&.... £¨¨¨.@&..§
¨,¨¨¤,.##¨ forests around my childhood home. thick ¨.@#¨¨¨¨,,
@@&¨¨..,., pine arcades that were planted and ....¨£#&¤#
£&,,£§§&¤, forgotten. wild boars roaming &££¤,,##¤£
&,,¨.§¤§., underneath, sniffing at the ground. it ¤&¤¨¨,.&
.¨@£,,¤¨,& is dark and moist, the canopy having §#¨,¤£..§#
,.¨..¨.,,¨ already soaked up all the sun. @.¨..¨.,¨.
¤§&££#¤§## ..§@&§&@#@
¤#§££@@@§¤ there's a river passing by, from east ,..£&¤¤£
&£¤£@@&@#¤ to west, getting broader and deeper and £#,,¤##¤§#
##§@#¤£§§¤ slower as it goes. equisetum grow just £¨,.,#&££¤
§£#@¤¤§&&. where the pine hands start to let .,&§¨,@@#&
#@§¤#@¤#,. through light, horsemint on the rocky §.¨,.¨¨@£#
#§£¤&¤£..# river bed. ¨,¤£§&¨,§@
§¤@¤#£¨.,¨ ¨..&§.,¨¨&
#§#§@¨,&¤, : &&.¨,.@@¨,
.##¤,¨,,¨¨ &.¨§@,¨,.,
¨,@..@#§@§ the riverbanks reek of magic. tonight .¨.,¨,@§&§
¨¨,,.,§£#£ they had been a swampworld with sylvan ,¤¤£@¨,§£,
&£#§#¨,¤£§ water, stone rings and floating moss. ,,@@,.¨.¨.
.§§@.,,,## you could've found me wallowing around ¨,,..@#¤¤.
..&,,@§,¨# on the southern shores until i got §§##¨¨§@..
@¨,¨,.,.¨, bitten. #§@.,.,..§
..£@£&¤§§§ §§,¨§£#@¨,
£¨,&@§@#¤@ but now i'm further back, on solid ,,,,,£&,,#
¨.¨,¤§@¨ ground, in shoulder-high grass, with an @§@&¨.¨¨,¨
&¨,#@¤.¨ orange tin radio and a translucent §¤§.,@##£¤
¤@.¨,,§.¨¨ umbrella which i'm sitting on. ¤@¨,¨,&§£&
#,,#&,..@& ¨¨¨§#¨,£§£
,,,¨,.¤,.. \ #¤...,.,@§
.#¤§@¨¨.££ .,¨#§&£,.¨
.¨¤&,.£¨,¤ somethings moving in the grass. it's @£,.&&¨,#&
,¨¨.¨¨¨.,, invisible to my eyes but i can feel ¨.,¨,¨..,,
&&&£&&§#¤& through the ground just how large it is. &£&££#&££¤
#¤&¤&¤&§@£ £#@§&§&£##
#@#&£¤#¤§¤ the soil is muddy. i slip when trying ££§¤¤@§¤¤#
@@&@¤#¤@ to get up, still looking at the &£§&¤££#
&¤#¤@¤&££@ direction of sound rather than at my @&@¤#@££§&
#£###@@@ hands, who are busy putting things in #£##@£#@££
¤£¤¤¤@£&§¤ my pockets. #£#¤£&££§@
&&£#£&£&&£ &&@&&&&&
¤¤§&£§#§ then i run east toward my home. @#&£#&@&@§
§#££##@@&& #££§¤@##§£
@&&@#@&& / §£¤¤¤&¤§@¤
££#§¤&§# @¤§£&&£¤@£
#£@§&@###& i am not followed, and slow down in the §§¤#@@§&§§
@¤#@@&£@&£ clearing where you at first can spot £#¤#§£¤£§§
§¤§@#§@#@§ the house, not yet really in the &&¤&¤#&&¤¤
§££&£#§@£¤ backyard. from my pockets i retrieve my &§&¤¤@¤#
#¤@£&# radio (now dented) but also a small #§£@&¤#£#@
¤@¤&&@#&£# clay figure i've never seen before. it ¤¤§§@§¤#&§
&£@§£§¤£ must have been laying in the wet dirt, &@¤£¤££§@§
&&££¤#£¤&& and i must've picked it up with my ¤££¤£##&¤¤
£@¤£&&§& other belongings. @££#&¤&£&£
£#¤§&&#£ @§@¤¤¤£§£&
¤§§¤£¤£¤@& it's a statuette of a girl laying naked §¤§£¤@§¤£#
¤&£#¤@#§£¤ on her stomach, feet in the air, £&@@&£&£¤§
§#§£§@£§ roughly seven centimeters long. it's ¤§£§@@¤&££
§@¤¤#£ freshly made, not yet completely dried. @¤¤¤£§##£@
@£#¤#££@¤§ £¤@@@#@@##
£#&@£#£#@# my mom is here now. i ask her for some ££§@@@§£@§
@£#@&¤#¤§# particle board for it to dry on, but &&@§#§§##£
§£§@§¤§§#¤ she is worried and wants me to ££§@##£@£¤
§£#@£¤&@§& throw it away. §@£&@§§§##
@¤@§¤&@@@¤ &£¤¤@§¤#¤#
£§#§£@@&£& @§@§§¤§§#£
@#&¤£##£#@ ¤§&£§#£§§@
£&&¤¤£§¤#§ #¤@£§#&¤@¤
&£#@&&¤£#& &§#£§£§#@£
§&&¤£§§#¤¤ ¤@@#¤£#&§@