¨:«=**$£#@ @#£$**=«:¨
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¨¨.:==/&@@ @@&/==:.¨¨
¨,.¨¨«=#@@ @@#=«¨¨.,¨
¨¨¨=:^=# #=^:=¨¨¨
..~\=### statuette ####&=\~..
,.,»-=*§@¶ ¶@§*=-»,.,
.¨.,-\*¤§# @*£%¤@££@%¤¤£$@§«=-»«==~$%*$£@%£§@&$¤%%% #§¤*\-,.¨.
,.-^^$@### $§%¤£*¤£& ###@$^^-.,
¨:-~*/\§§¤ ¤§§\/*~-:¨
¨:-:=$§#@# forests around my childhood home. thick #@#§$=:-:¨
¨--:$%%@## pine arcades that were planted and ##@%%$:--¨
¨.«=*%#@@# forgotten. wild boars roaming #@@#%*=«.¨
,:«^$*¤$$# underneath, sniffing at the ground. it #$$¤*$^«:,
,,«;§££### is dark and moist, the canopy having ###££§;«,,
.:«†*¤§£## already soaked up all the sun. ##£§¤*†«:.
,-«\%$§#@# #@#§$%\«-,
.,~\%*£@## there's a river passing by, from east ##@£*%\~,.
,,-:§*$£¶@ to west, getting broader and deeper and @¶£$*§:-,,
¨...~*†$$& slower as it goes. equisetum grow just &$$†*~...¨
¨,¨,-^%@¤& where the pine hands start to let &¤@%^-,¨,¨
,,»/%%#¶@# through light, horsemint on the rocky #@¶#%%/»,,
¨¨.¨,~~†£# river bed. #£†~~,¨.¨¨
¨¨,..=$^&@ @&^$=..,¨¨
¨¨.¨,»†@£# ^ #£@†»,¨.¨¨
.-«/%*#¶@# #@¶#*%/«-.
...,.,/%#@ the riverbanks reek of magic. tonight @#%/,.,...
,.»=%$§@## they had been a swampworld with sylvan ##@§$%=».,
.,~^=%¤£## water, stone rings and floating moss. ##£¤%=^~,.
.,-††%££## you could've found me wallowing around ##££%††-,.
,:~;*^£$@¤ on the southern shores until i got ¤@$£^*;~:,
¨,»\*¤#@## bitten. ##@#¤*\»,¨
¨.¨.,,,~%& &%~,,,.¨.¨
¨^«\§£@### but now i'm further back, on solid ###@£§\«^¨
,-»*%£#@## ground, in shoulder-high grass, with an ##@#£%*»-,
¨-~\%$@* orange tin radio and a translucent #&*@$%\~-¨
¨,-=§%@@## umbrella which i'm sitting on. ##@@%§=-,¨
.¨,^«\*%#@ @#%*\«^,¨.
¨,~\$@§@#@ * @#@§@$\~,¨
¨,»/*%@# #@#&%*/»,¨
¨~~=§*¤### somethings moving in the grass. it's ###¤*§=~~¨
,..,.,«$*£ invisible to my eyes but i can feel £*$«,.,..,
,-~\%¤¶### through the ground just how large it is. ###¶¤%\~-,
¨-=:=@@@## ##@@@=:=-¨
.^~†**#@## the soil is muddy. i slip when trying ##@#**†~^.
.--:§$§*=§ to get up, still looking at the §=*§$§:--.
¨.-;%@¤@¶£ direction of sound rather than at my £¶@¤@%;-.¨
.~«\$&@### hands, who are busy putting things in ###@&$\«~.
¨,¨,¨-=*£& my pockets. &£*=-¨,¨,¨
,~«;%¤§@@# #@@§¤%;«~,
¨-~:$&@@## then i run east toward my home. ##@@&$:~-¨
.,=*%$¤£@@ @@£¤$%*=,.
¨^»*$§#£@@ : @@£#§$*»^¨
¨,=;*%¤### ###¤%*;=,¨
,,»;†@#@£# i am not followed, and slow down in the #£@#@†;»,,
¨^~†§£## clearing where you at first can spot ###&£§†~^¨
,:»=^$#@@# the house, not yet really in the #@@#$^=»:,
,.,-*^%%@# backyard. from my pockets i retrieve my #@%%^*-,.,
¨.¨.,.=^£§ radio (now dented) but also a small §£^=.,.¨.¨
¨~/=£&¶### clay figure i've never seen before. it ###¶&£=/~¨
..~\=*†££# must have been laying in the wet dirt, #££†*=\~..
¨.»=$&@### and i must've picked it up with my ###@&$=».¨
¨.=:*£££## other belongings. ##£££*:=.¨
.¨.¨¨.~==# #==~.¨¨.¨.
¨¨¨,^~;$¤# it's a statuette of a girl laying naked #¤$;~^,¨¨¨
¨,~/†%&@## on her stomach, feet in the air, ##@&%†/~,¨
¨.=†^%@@¤@ roughly seven centimeters long. it's @¤@@%^†=.¨
¨^»††£#@## freshly made, not yet completely dried. ##@#£††»^¨
¨,~:%£&£## ##£&£%:~,¨
¨,..:†;^%& my mom is here now. i ask her for some &%^;†:..,¨
.,«/§†%$£@ particle board for it to dry on, but @£$%†§/«,.
,:»^*£¤#@@ she is worried and wants me to @@#¤£*^»:,
,,-*=%§£## throw it away. ##£§%=*-,,
.¨,.^^:§*@ @*§:^^.,¨.
,~«†§§#### ####§§†«~,
¨.~\%*&§## ##§&*%\~.¨
,¨,¨¨«/¤&¶ ¶&¤/«¨¨,¨,
¨~«†=@¤¶## ##¶¤@=†«~¨
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