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.¨¨¨¨¨¨¨¨¨ ## THE ART OF C.NNECTING ¨¨¨¨¨¨¨¨¨.
¨¨¨¨¨¨¨¨¨¨ ¨ WITH THE OLD MIND ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ MY MIND IS BEING SKEWED. MI ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ THE SITUATION IS LITERALLY ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ PRESSED OUT THROUGH MY EYES, IT'S ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ECHOING LIKE ¨¨¨¨¨¨¨¨¨¨
.¨¨¨¨¨¨¨¨¨ THE SUNSET OF THE ETERNAL ¨¨¨¨¨¨¨¨¨.
».¨¨¨¨¨¨¨¨ OCEAN ¨¨¨¨¨¨¨¨.»
;».¨¨¨¨¨¨¨ PERSISTENTLY AGAINST MY EMULSION ¨¨¨¨¨¨¨.»;
%;».¨¨¨¨¨¨ ¨¨¨¨¨¨.»;%
§%;».¨¨¨¨¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨¨¨¨¨.»;%§
#§%;».¨¨¨¨ HUMANS ARE DOING AND ABSTRACTING, ¨¨¨¨.»;%§#
¶#§%;».¨¨¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨¨¨.»;%§#¶
#¶#§%;».¨¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨¨.»;%§#¶#
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¶#§%;».¨¨¨ CONTINUOUSLY I'M CROWDING THROUGH ¨¨¨.»;%§#¶
#§%;».¨¨¨¨ ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ ¨¨¨¨.»;%§#
§%;».¨¨¨¨¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨¨¨¨¨.»;%§
%;».¨¨¨¨¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨¨¨¨¨.»;%
;».¨¨¨¨¨¨¨ . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨¨¨¨¨¨¨.»;
».¨¨¨¨¨¨¨¨ . . DOWN IN THE DRAGONS THROAT. ¨¨¨¨¨¨¨¨.»
.¨¨¨¨¨¨¨¨¨ . ¨¨¨¨¨¨¨¨¨.
¨¨¨¨¨¨¨¨¨¨ . ¨¨¨¨¨¨¨¨¨¨
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