§*:~-..... .....-~:*§
@§*::-.... ....-::*§@
§@@:~~~--. .--~~~:@@§
#@@§@*:~-. .-~:*@§@@#
@@@§@*:~-. .-~:*@§@@@
@§*~~~-... @ ...-~~~*§@
@@@§@*:~-. .lizardry .-~:*@§@@@
§@**~..... ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ .....~**@§
§@@*~-.... @@ the art of c-nnecting ....-~*@@§
@@§**~.... . with the old mind ....~**§@@
§*:-...... ......-:*§
§@:--..... my mind is being skewed. mi .....--:@§
#@@§@*:~-. skeleton is stringy and old and alien .-~:*@§@@#
#@@§@*:~-. the situation is literally .-~:*@§@@#
@@@@@*:~-. pressed out through my eyes, it's .-~:*@@@@@
§§*~...... echoing like ......~*§§
#@@§@*:~-. the sunset of the eternal .-~:*@§@@#
@§§@*:-... ocean ...-:*@§§@
##@§@*:~-. persistently against my emulsion .-~:*@§@##
#@@§@*:~-. .-~:*@§@@#
#@@§@*:~-. it's ungraspable to me, what other .-~:*@§@@#
#@@§@*:~-. humans are doing and abstracting, .-~:*@§@@#
#@@§@*:~-. and above all else, what time they use? .-~:*@§@@#
@§§@*::~-. how long a time has passed, for them? .-~::*@§§@
§@*~--.... . ....--~*@§
@§§@:~.... . ... . ................ @@@@@@@ ....~:@§§@
##@@§*:~-. continuously i'm crowding through .-~:*§@@##
§*~~--.... . the fourth wall -outwards is what . ....--~~*§
@§@:-..... .. i'm thinking but it's wrong.. a new .....-:@§@
@@§**::~-. . . narrator is introduced, occasionally .-~::**§@@
##@@@*:~-. - - aware of the previous one, deeper . .-~:*@@@##
#@@§@*:~-. - - down in the dragons throat. .-~:*@§@@#
@@@§@*:~-. - .-~:*@§@@@
#@@§@*:~-. - .-~:*@§@@#
@@@@@*:~-. .-~:*@@@@@
@@@§@*:~-. .-~:*@§@@@
@§*:~-.... ....-~:*§@
#@@§@*:~-. .-~:*@§@@#
#@@§@*:~-. .-~:*@§@@#
§**~~..... .....~~**§