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,,,~;†£§##    #                                     ##§£†;~,,,
,,~;†£§###              ,LIZARDRY                   ###§£†;~,,
,,,~;†£§## ~           # ## ###  ################## ##§£†;~,,,
,,~;†£§### ##      THE ART OF C,NNECTING            ###§£†;~,,
,,,~;†£§##        ,    WITH THE OLD MIND            ##§£†;~,,,
,,~;†£§###                                          ###§£†;~,,
,,,~;†£§##             MY MIND IS BEING SKEWED. MI  ##§£†;~,,,
,,~;†£§###  SKELETON IS STRINGY AND OLD AND ALIEN   ###§£†;~,,
,,,~;†£§##             THE SITUATION IS LITERALLY   ##§£†;~,,,
,,~;†£§### PRESSED OUT THROUGH MY EYES, IT'S        ###§£†;~,,
,,,~;†£§## ECHOING LIKE                             ##§£†;~,,,
,,~;†£§###             THE SUNSET OF THE ETERNAL    ###§£†;~,,
,,,~;†£§## OCEAN                                    ##§£†;~,,,
,,~;†£§###         PERSISTENTLY AGAINST MY EMULSION ###§£†;~,,
,,,~;†£§##                                          ##§£†;~,,,
,,~;†£§###    IT'S UNGRASPABLE TO ME, WHAT OTHER    ###§£†;~,,
,,,~;†£§##   HUMANS ARE DOING AND ABSTRACTING,      ##§£†;~,,,
,,~;†£§###  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###§£†;~,,
,,,~;†£§## HOW LONG A TIME HAS PASSED, FOR THEM?    ##§£†;~,,,
,,~;†£§###                                     ,    ###§£†;~,,
,,,~;†£§##  , ,,, ,  ,,,,,,,,,,,,,,,,   #######     ##§£†;~,,,
,,~;†£§###   CONTINUOUSLY I'M CROWDING THROUGH      ###§£†;~,,
,,,~;†£§## , THE FOURTH WALL  ,OUTWARDS IS WHAT   , ##§£†;~,,,
,,~;†£§### ,, I'M THINKING BUT IT'S WRONG.. A NEW   ###§£†;~,,
,,,~;†£§## , , NARRATOR IS INTRODUCED, OCCASIONALLY ##§£†;~,,,
,,~;†£§### ,  , AWARE OF THE PREVIOUS ONE, DEEPER , ###§£†;~,,
,,,~;†£§## ,   , DOWN IN THE DRAGONS THROAT.        ##§£†;~,,,
,,~;†£§###      ,                                   ###§£†;~,,
,,,~;†£§##       ,                                  ##§£†;~,,,
,,~;†£§###                                          ###§£†;~,,
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