....,=§§&£ £&§§=,....
.,=;§&££## ##££&§;=,.
.,=;§&££££ ££££&§;=,.
.,=;§&£££# #£££&§;=,.
.,=;§&££## ##££&§;=,.
....,=§&&£ §§§§§§§§§§ £&&§=,....
.,=;§&££££ ££££&§;=,.
....,,;;&£ LYRA EIGHT £&;;,,....
.,=;§&££## ##££&§;=,.
...=;;&&&£ .. £&&&;;=...
.,=;§&££## , , ##££&§;=,.
.,=;§&££## = = ##££&§;=,.
....=;;&£# ; ; #£&;;=....
.,=;§&££## § § ##££&§;=,.
.....==§&£ £&§==.....
.,=;§&£££# CAVE SCULPTER #£££&§;=,.
.,=;§&£### DREAM TO CHORD TRANSLATOR ###£&§;=,.
.,=;§&£££# #£££&§;=,.
.,=;§&££## EIGHT VOICED BLEEDING FORTUNE TELLER ##££&§;=,.
.,=;§§§§££ ££§§§§;=,.
.,=;§&££## DUAL SELF-MODULATING DELAY LINE ##££&§;=,.
.,=;§§&&£# SWITCH FOR "TOTAL FEEDBACK" #£&&§§;=,.
.,=;§&££## ##££&§;=,.
.,=;§&£### LICK THE CONTACT PADS ###£&§;=,.
.,=;§&££## ##££&§;=,.
.,=;§&££## § § ##££&§;=,.
.,=;§&££## ; ; ##££&§;=,.
.,==;;§&&£ = = £&&§;;==,.
.,=;§&££## , , ##££&§;=,.
.,,,;;;§&£ .. £&§;;;,,,.
....,,=§§£ £§§=,,....
..,===§&£# GEARLIST . ANOTHER SYNTH #£&§===,..
....=§&££# #££&§=....
....==;&£# §§§§§§§§§§§§§§§§§§§§§§§§§ #£&;==....
.,=;§&££## ##££&§;=,.
.,=;§§&&£# #£&&§§;=,.
.,=;§&££## ##££&§;=,.
....=;;;&£ £&;;;=....
...,==§&&£ £&&§==,...