&&,,,&&,,&                                          &,&&&&&&,,
,&,,&,&,&&                                          &,,&&&&&,&
,&,&&,&,,&                                          &,&,&&&&,&
,&,,&,&,&&                                          &,&,,&&&,&
,&,&&,&,,&                                          &,&,&,&&,&
,&,,&,&,&&                                          &,&,&,,&,&
,&,&&,&,,&                 ,,£@#@£,,                &,&,&,&&,&
,&,,&,&,&&       ~~ PITTSBURGH ELECTRONICS ~~       &,&,&,,&,&
,&,&&,&,,&              -- LIFEFORMS --             &,&,&,&&,&
,&,,&,&,&&               == SV ONE ==               &,&,&,,&,&
,&,&&,&,,&                                          &,&,&,&&,&
,&,,&,&,&& THIS IS A EURORACK MODULE BUT  I  BOUGHT &,&,&,,&,&
,&,&&,&,,& THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. &,&,&,&&,&
,&,,&,&,&&                                          &,&,&,,&,&
,&,&&,&,,& IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. &,&,&,&&,&
,&,,&,&,&&                                          &,&,&,,&,&
,&,&&,&,,&             ,%¶ CONTAINS ¶%,             &,&,&,&&,&
,&,,&,&,&&           MIDI TO CV CONVERTER           &,&,&,,&,&
,&,&&,&,,&                TWO VCO'S                 &,&,&,&&,&
,&,,&,&,&& FOUR CHANNEL OR TWO  X TWO CHANNEL MIXER &,&,&,,&,&
,&,&&,&,,&       TWO SUB OSCILLATORS I THINK        &,&,&,&&,&
,&,,&,&,&&         TWO ONE TO TWO SPLITTERS         &,&,&,,&,&
,&,&&,&,,&           WHITE NOISE GENERATOR          &,&,&,&&,&
,&,,&,&,&&             SAMPLE AND HOLD              &,&,&,,&,&
,&,&&,&,,&          LFO PLUS A DIGITAL LFO          &,&,&,&&,&
,&,,&,&,&&   FILTER (LOWPASS, BANDPASS, HIGHPASS)   &,&,&,,&,&
,&,&&,&,,&              ADSR ENVELOPE               &,&,&,&&,&
,&,,&,&,&&                  ONE VCA                 &,&,&,,&,&
,&,&&,&,,&               HEADPHONE AMP              &,&,&,&&,&
,&,,&,&,&&         FOURTY NINE PATCHPOINTS!         &,&,&,,&,&
,&,&&,&,,&                                          &,&,&,&&,&
,&,,&,&,&&                 ,~@#@~,                  &,&,&,,&,&
,&,&&,&,,&           -%% SO WHAT NOW %%-            &,&,&,&&,&
,&,,&,&,&&                  ,~@#@~,                 &,&,&,,&,&
,&,&&,&,,&                                          &,&,&,&&,&
,&,,&,&,&& CLOCK IO GOES  TO ASDR  IN I  THINK  AND &,&,&,,&,&
,&,&&,&,,& MAYBE ALSO TO  THE SAMPLE AND  HOLD. PUT &,&,&,&&,&
,&,,&,&,&& SUBBASE AND  NOISE  IN CHANNEL THREE AND &,&,&,,&,&
,&,&&,&,,& FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL &,&,&,&&,&
,&,,&,&,&& TWO, AND OSCILLATOR  TWO SAW  TO CHANNEL &,&,&,,&,&
,&,&&,&,,& ONE.  SAMPLE   AND   HOLD  OUT  TO   THE &,&,&,&&,&
,&,,&,&,&&  FILTER... MAYBE... RESONANCE AT HALF.   &,&,&,,&,&
,&,&&,&,,& SOME FREQUENCY IN  THE  FIRST OSCILLATOR &,&,&,&&,&
,&,,&,&,&& AND THEN THE  SECOND OSC FOUR  SEMITONES &,&,&,,&,&
,&,&&,&,,&                  HIGHER.                 &,&,&,&&,&
,&,,&,&,&&                                          &,&,&,,&,&
,&,&&,&,,&                 ~-&¶&-~                  &,&,&,&&,&
,&,,&,&,&&           =££ DESKTOP SYNTH ££=          &,&,&,,&,&
,&,&&,&,,&                  ~-&¶&-~                 &,&,&,&&,&
,&,,&,&,&&                                          &,&,&,,&,&
,&,&&,&,,&                                          &,&,&,&&,&
,&,,&,&,&&                                          &,&,&,,&,&
,&,&&,&,,&                                          &,&,&,&&,&
,&,,&,&,&&                                          &,&,&,,&,&
,&,&&,&,,&                                          &,&,&,&&,&