@,@@,@,@@,                                          @,@@@@@,,@
,@@,@@@@,@                                          @@@,,,,@,@
@@,@@,,,@@                                          @,,@,,,@@@
,,@@,@,,@,                                          @@,@@,,@,,
,,@,@@@,@@                                          @,@@,@,@@,
,,@@@,,@@,                                          @@@,@@@@,@
@,@,,@,@,@                ,,£###£,,                 ,,,@@,,,@@
,@@@,@@@@@       -- Pittsburgh Electronics --       @,,@,@,,@,
,@,,@@,,,,             ~~ Lifeforms ~~              ,@,@@@@,@@
@@@,@,@,,,               †† Sv One ††               ,@@@,,,@@,
@,,@@@@@,,                                          @@,,@,,@,@
,@,@,,,,@, This  Is  A Eurorack Module But I Bought @,@,@@,@@@
@@@@@,,,@@ The  Blackbox  One  So  It'S  Also  Not. ,@@@@,@@,,
@,,,,@,,@,                                          ,@,,,@@,@,
@@,,,@@,@@ It  Ships With  Too  Few  Patch  Cables. @@@,,@,@@@
,,@,,@,@@,                                          ,,,@,@@@,,
,,@@,@@@,@             ,†@ Contains @†,             ,,,@@@,,@,
,,@,@@,,@@           Midi To Cv Converter           ,,,@,,@,@@
@,@@@,@,@,                 Two Vco'S                ,,,@@,@@@,
@@@,,@@@@@ Four Channel Or Two X Two  Channel Mixer @,,@,@@,,@
,,,@,@,,,,        Two Sub Oscillators I Think       ,@,@@@,@,@
@,,@@@@,,,         Two One To Two Splitters         ,@@@,,@@@@
,@,@,,,@,,           White Noise Generator          ,@,,@,@,,,
,@@@@,,@@,             Sample And Hold              @@@,@@@@,,
,@,,,@,@,@          Lfo Plus A Digital Lfo          ,,,@@,,,@,
,@@,,@@@@@   Filter (Lowpass, Bandpass, Highpass)   ,,,@,@,,@@
@@,@,@,,,,              Adsr Envelope               @,,@@@@,@,
@,@@@@@,,,                  One Vca                 @@,@,,,@@@
,@@,,,,@,,               Headphone Amp              ,,@@@,,@,,
,@,@,,,@@,         Fourty Nine Patchpoints!         @,@,,@,@@,
,@@@@,,@,@                                          ,@@@,@@@,@
@@,,,@,@@@                  ,-###-,                 @@,,@@,,@@
,,@,,@@@,,           ~†† So What Now ††~            ,,@,@,@,@,
,,@@,@,,@,                 ,-###-,                  ,,@@@@@@@@
@,@,@@@,@@                                          ,,@,,,,,,,
@@@@@,,@@, Clock Io  Goes  To  Asdr  In I Think And @,@@,,,,,,
@,,,,@,@,@ Maybe Also To The Sample  And Hold.  Put @@@,@,,,,,
@@,,,@@@@@ Subbase And Noise  In Channel Three  And ,,,@@@,,,,
@,@,,@,,,, Four.  Oscillator  One  Saw  To  Channel @,,@,,@,,,
@@@@,@@,,, Two, And Oscillator Two  Saw  To Channel @@,@@,@@,,
@,,,@@,@,, One.  Sample   And   Hold   Out  To  The @,@@,@@,@,
@@,,@,@@@,  Filter... Maybe... Resonance At Half.   ,@@,@@,@@@
,,@,@@@,,@ Some Frequency In The  First  Oscillator ,@,@@,@@,,
,,@@@,,@,@ And Then The Second Osc  Four  Semitones ,@@@,@@,@,
,,@,,@,@@@                 Higher.                  @@,,@@,@@@
@,@@,@@@,,                                          ,,@,@,@@,,
@@@,@@,,@,                  -~@@@~-                 @,@@@@@,@,
@,,@@,@,@@          †££ Desktop Synth ££†           ,@@,,,,@@@
,@,@,@@@@,                 -~@@@~-                  @@,@,,,@,,
,@@@@@,,,@                                          ,,@@@,,@@,
,@,,,,@,,@                                          ,,@,,@,@,@
@@@,,,@@,@                                          @,@@,@@@@@
,,,@,,@,@@                                          @@@,@@,,,,
,,,@@,@@@,                                          ,,,@@,@,,,
,,,@,@@,,@                                          @,,@,@@@,,