.,-:*%#@##                                          ##@#%*:-,.
..,-:*%#@#                                          #@#%*:-,..
...,-:*%#@                                          @#%*:-,...
....,-:*%#                                          #%*:-,....
...,-:*%#@                                          @#%*:-,...
..,-:*%#@#                                          #@#%*:-,..
.,-:*%#@##                 ..%###%..                ##@#%*:-,.
..,-:*%#@#       ,, Pittsburgh Electronics ,,       #@#%*:-,..
...,-:*%#@             -- Lifeforms --              @#%*:-,...
....,-:*%#               :: Sv One ::               #%*:-,....
...,-:*%#@                                          @#%*:-,...
..,-:*%#@# This Is A  Eurorack  Module But I Bought #@#%*:-,..
.,-:*%#@## The  Blackbox  One  So  It'S  Also  Not. ##@#%*:-,.
..,-:*%#@#                                          #@#%*:-,..
...,-:*%#@ It Ships  With  Too  Few  Patch  Cables. @#%*:-,...
....,-:*%#                                          #%*:-,....
...,-:*%#@             .*@ Contains @*.             @#%*:-,...
..,-:*%#@#           Midi To Cv Converter           #@#%*:-,..
.,-:*%#@##                 Two Vco'S                ##@#%*:-,.
..,-:*%#@# Four Channel Or Two  X Two Channel Mixer #@#%*:-,..
...,-:*%#@       Two Sub Oscillators I Think        @#%*:-,...
....,-:*%#         Two One To Two Splitters         #%*:-,....
...,-:*%#@          White Noise Generator           @#%*:-,...
..,-:*%#@#             Sample And Hold              #@#%*:-,..
.,-:*%#@##          Lfo Plus A Digital Lfo          ##@#%*:-,.
..,-:*%#@#   Filter (Lowpass, Bandpass, Highpass)   #@#%*:-,..
...,-:*%#@               Adsr Envelope              @#%*:-,...
....,-:*%#                 One Vca                  #%*:-,....
...,-:*%#@              Headphone Amp               @#%*:-,...
..,-:*%#@#         Fourty Nine Patchpoints!         #@#%*:-,..
.,-:*%#@##                                          ##@#%*:-,.
..,-:*%#@#                 .,###,.                  #@#%*:-,..
...,-:*%#@           -** So What Now **-            @#%*:-,...
....,-:*%#                 .,###,.                  #%*:-,....
...,-:*%#@                                          @#%*:-,...
..,-:*%#@# Clock Io  Goes To  Asdr In  I  Think And #@#%*:-,..
.,-:*%#@## Maybe  Also  To The Sample And Hold. Put ##@#%*:-,.
..,-:*%#@# Subbase And Noise  In Channel  Three And #@#%*:-,..
...,-:*%#@ Four.  Oscillator  One  Saw  To  Channel @#%*:-,...
....,-:*%# Two, And Oscillator  Two Saw To  Channel #%*:-,....
...,-:*%#@ One.  Sample  And   Hold   Out   To  The @#%*:-,...
..,-:*%#@#  Filter... Maybe... Resonance At Half.   #@#%*:-,..
.,-:*%#@## Some Frequency  In The First  Oscillator ##@#%*:-,.
..,-:*%#@# And Then  The Second Osc Four  Semitones #@#%*:-,..
...,-:*%#@                  Higher.                 @#%*:-,...
....,-:*%#                                          #%*:-,....
...,-:*%#@                 ,-#@#-,                  @#%*:-,...
..,-:*%#@#           :%% Desktop Synth %%:          #@#%*:-,..
.,-:*%#@##                  ,-#@#-,                 ##@#%*:-,.
..,-:*%#@#                                          #@#%*:-,..
...,-:*%#@                                          @#%*:-,...
....,-:*%#                                          #%*:-,....
...,-:*%#@                                          @#%*:-,...
..,-:*%#@#                                          #@#%*:-,..
.,-:*%#@##                                          ##@#%*:-,.