-,........                                          ........,-
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^-,.......                                          .......,-^
%^-,......                                          ......,-^%
@%^-,.....                                          .....,-^%@
£@%^-,....                 ..@###@..                ....,-^%@£
#£@%^-,...       ,, PITTSBURGH ELECTRONICS ,,       ...,-^%@£#
##£@%^-,..             -- LIFEFORMS --              ..,-^%@£##
###£@%^-,.               ^^ SV ONE ^^               .,-^%@£###
##£@%^-,..                                          ..,-^%@£##
#£@%^-,... THIS IS  A EURORACK MODULE BUT I  BOUGHT ...,-^%@£#
£@%^-,.... THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ....,-^%@£
@%^-,.....                                          .....,-^%@
%^-,...... IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. ......,-^%
^-,.......                                          .......,-^
-,........             .%@ CONTAINS @%.             ........,-
,.........           MIDI TO CV CONVERTER           .........,
-,........                TWO VCO'S                 ........,-
^-,....... FOUR CHANNEL  OR TWO X TWO CHANNEL MIXER .......,-^
%^-,......       TWO SUB OSCILLATORS I THINK        ......,-^%
@%^-,.....         TWO ONE TO TWO SPLITTERS         .....,-^%@
£@%^-,....          WHITE NOISE GENERATOR           ....,-^%@£
#£@%^-,...              SAMPLE AND HOLD             ...,-^%@£#
##£@%^-,..          LFO PLUS A DIGITAL LFO          ..,-^%@£##
###£@%^-,.   FILTER (LOWPASS, BANDPASS, HIGHPASS)   .,-^%@£###
##£@%^-,..               ADSR ENVELOPE              ..,-^%@£##
#£@%^-,...                  ONE VCA                 ...,-^%@£#
£@%^-,....              HEADPHONE AMP               ....,-^%@£
@%^-,.....         FOURTY NINE PATCHPOINTS!         .....,-^%@
%^-,......                                          ......,-^%
^-,.......                  .,###,.                 .......,-^
-,........           -%% SO WHAT NOW %%-            ........,-
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^-,....... CLOCK  IO GOES TO ASDR  IN  I  THINK AND .......,-^
%^-,...... MAYBE ALSO TO  THE SAMPLE AND HOLD.  PUT ......,-^%
@%^-,..... SUBBASE  AND NOISE  IN CHANNEL THREE AND .....,-^%@
£@%^-,.... FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ....,-^%@£
#£@%^-,... TWO,  AND OSCILLATOR TWO SAW TO  CHANNEL ...,-^%@£#
##£@%^-,.. ONE.  SAMPLE   AND  HOLD   OUT   TO  THE ..,-^%@£##
###£@%^-,.   FILTER... MAYBE... RESONANCE AT HALF.  .,-^%@£###
##£@%^-,.. SOME FREQUENCY  IN THE  FIRST OSCILLATOR ..,-^%@£##
#£@%^-,... AND  THEN THE SECOND  OSC FOUR SEMITONES ...,-^%@£#
£@%^-,....                 HIGHER.                  ....,-^%@£
@%^-,.....                                          .....,-^%@
%^-,......                  ,-£@£-,                 ......,-^%
^-,.......          ^@@ DESKTOP SYNTH @@^           .......,-^
-,........                  ,-£@£-,                 ........,-
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