,~-†§@§¶##                                          ##¶§@§†-~,
,~-†§@@§¶#                                          #¶§@@§†-~,
,~-†§@§§§§                                          §§§§@§†-~,
,~-†§@§¶##                                          ##¶§@§†-~,
,~-†§§§@§§                                          §§@§§§†-~,
,~-††††@§§                                          §§@††††-~,
,~-†§@§¶##                 ,,@###@,,                ##¶§@§†-~,
,~-†§@§¶##       ~~ PITTSBURGH ELECTRONICS ~~       ##¶§@§†-~,
,~-†§@¶###             -- LIFEFORMS --              ###¶@§†-~,
,,,,,~††@§               †† SV ONE ††               §@††~,,,,,
,~-†@§¶###                                          ###¶§@†-~,
,~-†§@§### THIS IS A EURORACK MODULE BUT  I  BOUGHT ###§@§†-~,
,~-†§@§¶## THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ##¶§@§†-~,
,,,,,,~†§§                                          §§†~,,,,,,
,~-†§@§¶## IT  SHIPS  WITH  TOO  FEW  PATCH CABLES. ##¶§@§†-~,
,~-†§@§¶##                                          ##¶§@§†-~,
,~-†§@§§§§             ,§¶ CONTAINS ¶§,             §§§§@§†-~,
,~-†§@§¶##           MIDI TO CV CONVERTER           ##¶§@§†-~,
,~-†§@§¶##                TWO VCO'S                 ##¶§@§†-~,
,,~--§@§§§ FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER §§§@§--~,,
,,,,,~†§§#        TWO SUB OSCILLATORS I THINK       #§§†~,,,,,
,~-†§@§¶##         TWO ONE TO TWO SPLITTERS         ##¶§@§†-~,
,~-†§@§¶##          WHITE NOISE GENERATOR           ##¶§@§†-~,
,,~~-†@@@§              SAMPLE AND HOLD             §@@@†-~~,,
,~-†§§§§@¶          LFO PLUS A DIGITAL LFO          ¶@§§§§†-~,
,~-†§@§¶##   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ##¶§@§†-~,
,~---§§§§¶              ADSR ENVELOPE               ¶§§§§---~,
,,,,,~~-§§                  ONE VCA                 §§-~~,,,,,
,~~-†§@@§#              HEADPHONE AMP               #§@@§†-~~,
,,,,,-†@@§         FOURTY NINE PATCHPOINTS!         §@@†-,,,,,
,~-†§@§¶##                                          ##¶§@§†-~,
,~-†§@§¶¶#                 ,~###~,                  #¶¶§@§†-~,
,~-†§@§¶##            -§§ SO WHAT NOW §§-           ##¶§@§†-~,
,~-†§§@@@¶                 ,~###~,                  ¶@@@§§†-~,
,~-†§@§¶##                                          ##¶§@§†-~,
,~-†§@§¶## CLOCK IO  GOES  TO  ASDR IN  I THINK AND ##¶§@§†-~,
,~-†§@§¶## MAYBE ALSO TO THE SAMPLE AND  HOLD.  PUT ##¶§@§†-~,
,,,~††@§§§ SUBBASE  AND NOISE IN CHANNEL THREE  AND §§§@††~,,,
,~-†§@§¶## FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ##¶§@§†-~,
,~-†§@§¶## TWO, AND  OSCILLATOR  TWO SAW TO CHANNEL ##¶§@§†-~,
,~-†§@@@¶# ONE.   SAMPLE  AND  HOLD   OUT  TO   THE #¶@@@§†-~,
,~-†@§¶###  FILTER... MAYBE... RESONANCE AT HALF.   ###¶§@†-~,
,,,,~†@§¶# SOME  FREQUENCY  IN THE FIRST OSCILLATOR #¶§@†~,,,,
,~-†§@§¶## AND  THEN THE SECOND OSC FOUR  SEMITONES ##¶§@§†-~,
,~-†§@§¶##                  HIGHER.                 ##¶§@§†-~,
,~-†§@§¶##                                          ##¶§@§†-~,
,~-†§@§¶##                  ~-§¶§-~                 ##¶§@§†-~,
,~-†§@§¶##           †@@ DESKTOP SYNTH @@†          ##¶§@§†-~,
,,,~~†§§§¶                 ~-§¶§-~                  ¶§§§†~~,,,
,~-†§@§¶##                                          ##¶§@§†-~,
,,,,~†§§§§                                          §§§§†~,,,,
,~-†§@§¶##                                          ##¶§@§†-~,
,~-†§§§§§#                                          #§§§§§†-~,
,~-†§@§¶##                                          ##¶§@§†-~,
,~-†@§¶###                                          ###¶§@†-~,