,,~:%%%$$&                                          &$$%%%:~,,
,,~:%$&###                                          ###&$%:~,,
,,,,,:%%%&                                          &%%%:,,,,,
,,~:%$&###                                          ###&$%:~,,
,,~:::$$##                                          ##$$:::~,,
,,~:%$####                                          ####$%:~,,
,,,,~~~~%&                 ,,$###$,,                &%~~~~,,,,
,,~:%$&###       ,, PITTSBURGH ELECTRONICS ,,       ###&$%:~,,
,,~:%$####              ~~ LIFEFORMS ~~             ####$%:~,,
,,~:%$&###               :: SV ONE ::               ###&$%:~,,
,,~:%%%%&#                                          #&%%%%:~,,
,,,,,:$$&# THIS  IS A EURORACK  MODULE BUT I BOUGHT #&$$:,,,,,
,,,,,~~~%& THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. &%~~~,,,,,
,,,~~%%%$&                                          &$%%%~~,,,
,,~:%$&### IT  SHIPS  WITH  TOO  FEW  PATCH CABLES. ###&$%:~,,
,,~:%$&###                                          ###&$%:~,,
,,~:%$&###             ,%# CONTAINS #%,             ###&$%:~,,
,,~:%$&###           MIDI TO CV CONVERTER           ###&$%:~,,
,,~:%$&###                TWO VCO'S                 ###&$%:~,,
,,~:$&#### FOUR CHANNEL  OR TWO X TWO CHANNEL MIXER ####&$:~,,
,,~:%$&&&#        TWO SUB OSCILLATORS I THINK       #&&&$%:~,,
,,,,~~%$$&         TWO ONE TO TWO SPLITTERS         &$$%~~,,,,
,,~:%$&###           WHITE NOISE GENERATOR          ###&$%:~,,
,,,,,,~%&&              SAMPLE AND HOLD             &&%~,,,,,,
,,,~~~%%$#          LFO PLUS A DIGITAL LFO          #$%%~~~,,,
,,,,~%%%$&   FILTER (LOWPASS, BANDPASS, HIGHPASS)   &$%%%~,,,,
,,,,,,~:%&               ADSR ENVELOPE              &%:~,,,,,,
,,~:%$&###                 ONE VCA                  ###&$%:~,,
,,,,,,:$$#              HEADPHONE AMP               #$$:,,,,,,
,,,,,:%&&#         FOURTY NINE PATCHPOINTS!         #&&%:,,,,,
,,~~:::$&&                                          &&$:::~~,,
,,~:%$&###                 ,,###,,                  ###&$%:~,,
,,~:%$####            ~%% SO WHAT NOW %%~           ####$%:~,,
,,~:%%%&&#                  ,,###,,                 #&&%%%:~,,
,,~:%$&###                                          ###&$%:~,,
,,~:%$&&## CLOCK IO  GOES  TO  ASDR IN I THINK  AND ##&&$%:~,,
,,~:%$&### MAYBE ALSO TO THE SAMPLE  AND  HOLD. PUT ###&$%:~,,
,,~:%$&### SUBBASE AND NOISE IN  CHANNEL THREE  AND ###&$%:~,,
,,,,,,:%$# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #$%:,,,,,,
,,~:%$&### TWO,  AND OSCILLATOR TWO  SAW TO CHANNEL ###&$%:~,,
,,,,~~%%&& ONE.   SAMPLE  AND   HOLD   OUT  TO  THE &&%%~~,,,,
,,~:%%%%$&   FILTER... MAYBE... RESONANCE AT HALF.  &$%%%%:~,,
,,~:%%%&&# SOME FREQUENCY  IN  THE FIRST OSCILLATOR #&&%%%:~,,
,,,,,~%$$& AND  THEN THE SECOND OSC FOUR  SEMITONES &$$%~,,,,,
,,~:%$&###                  HIGHER.                 ###&$%:~,,
,,~:%$&###                                          ###&$%:~,,
,,~:%%%%%&                  ,~&#&~,                 &%%%%%:~,,
,,,,~%%$##          :$$ DESKTOP SYNTH $$:           ##$%%~,,,,
,,,,,,:$$&                 ,~&#&~,                  &$$:,,,,,,
,,~:%$&###                                          ###&$%:~,,
,,~:%$&###                                          ###&$%:~,,
,,~~~::%$&                                          &$%::~~~,,
,,~:%$&&##                                          ##&&$%:~,,
,,~:%$&###                                          ###&$%:~,,
,,~:%$&###                                          ###&$%:~,,