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##£#&§*«:¨                                          ¨:«*§&#£##
#£#&§*«:¨¨                                          ¨¨:«*§&#£#
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#&§*«:¨¨¨¨                 ¨¨&###&¨¨                ¨¨¨¨:«*§&#
&§*«:¨¨¨¨¨       :: pittsburgh electronics ::       ¨¨¨¨¨:«*§&
§*«:¨¨¨¨¨¨             «« lifeforms ««              ¨¨¨¨¨¨:«*§
&§*«:¨¨¨¨¨               ** sv one **               ¨¨¨¨¨:«*§&
#&§*«:¨¨¨¨                                          ¨¨¨¨:«*§&#
£#&§*«:¨¨¨ this is  a eurorack module but i  bought ¨¨¨:«*§&#£
#£#&§*«:¨¨ the  blackbox  one  so  it's  also  not. ¨¨:«*§&#£#
##£#&§*«:¨                                          ¨:«*§&#£##
#£#&§*«:¨¨ it  ships  with  too  few patch  cables. ¨¨:«*§&#£#
£#&§*«:¨¨¨                                          ¨¨¨:«*§&#£
#&§*«:¨¨¨¨             ¨§£ contains £§¨             ¨¨¨¨:«*§&#
&§*«:¨¨¨¨¨           midi to cv converter           ¨¨¨¨¨:«*§&
§*«:¨¨¨¨¨¨                two vco's                 ¨¨¨¨¨¨:«*§
&§*«:¨¨¨¨¨ four channel or  two x two channel mixer ¨¨¨¨¨:«*§&
#&§*«:¨¨¨¨       two sub oscillators i think        ¨¨¨¨:«*§&#
£#&§*«:¨¨¨         two one to two splitters         ¨¨¨:«*§&#£
#£#&§*«:¨¨          white noise generator           ¨¨:«*§&#£#
##£#&§*«:¨             sample and hold              ¨:«*§&#£##
#£#&§*«:¨¨          lfo plus a digital lfo          ¨¨:«*§&#£#
£#&§*«:¨¨¨   filter (lowpass, bandpass, highpass)   ¨¨¨:«*§&#£
#&§*«:¨¨¨¨               adsr envelope              ¨¨¨¨:«*§&#
&§*«:¨¨¨¨¨                 one vca                  ¨¨¨¨¨:«*§&
§*«:¨¨¨¨¨¨              headphone amp               ¨¨¨¨¨¨:«*§
&§*«:¨¨¨¨¨         fourty nine patchpoints!         ¨¨¨¨¨:«*§&
#&§*«:¨¨¨¨                                          ¨¨¨¨:«*§&#
£#&§*«:¨¨¨                  ¨:###:¨                 ¨¨¨:«*§&#£
#£#&§*«:¨¨            «§§ so what now §§«           ¨¨:«*§&#£#
##£#&§*«:¨                  ¨:###:¨                 ¨:«*§&#£##
#£#&§*«:¨¨                                          ¨¨:«*§&#£#
£#&§*«:¨¨¨ clock  io goes  to asdr  in i  think and ¨¨¨:«*§&#£
#&§*«:¨¨¨¨ maybe also  to  the sample and hold. put ¨¨¨¨:«*§&#
&§*«:¨¨¨¨¨ subbase and  noise in  channel three and ¨¨¨¨¨:«*§&
§*«:¨¨¨¨¨¨ four.  oscillator  one  saw  to  channel ¨¨¨¨¨¨:«*§
&§*«:¨¨¨¨¨ two,  and oscillator two saw  to channel ¨¨¨¨¨:«*§&
#&§*«:¨¨¨¨ one.   sample  and  hold   out  to   the ¨¨¨¨:«*§&#
£#&§*«:¨¨¨  filter... maybe... resonance at half.   ¨¨¨:«*§&#£
#£#&§*«:¨¨ some  frequency in the first  oscillator ¨¨:«*§&#£#
##£#&§*«:¨ and  then  the second osc four semitones ¨:«*§&#£##
#£#&§*«:¨¨                 higher.                  ¨¨:«*§&#£#
£#&§*«:¨¨¨                                          ¨¨¨:«*§&#£
#&§*«:¨¨¨¨                 :«#£#«:                  ¨¨¨¨:«*§&#
&§*«:¨¨¨¨¨           *&& desktop synth &&*          ¨¨¨¨¨:«*§&
§*«:¨¨¨¨¨¨                  :«#£#«:                 ¨¨¨¨¨¨:«*§
&§*«:¨¨¨¨¨                                          ¨¨¨¨¨:«*§&
#&§*«:¨¨¨¨                                          ¨¨¨¨:«*§&#
£#&§*«:¨¨¨                                          ¨¨¨:«*§&#£
#£#&§*«:¨¨                                          ¨¨:«*§&#£#
##£#&§*«:¨                                          ¨:«*§&#£##
#£#&§*«:¨¨                                          ¨¨:«*§&#£#