¨-«/†$§###                                          ###§$†/«-¨
¨-«/†$§§##                                          ##§§$†/«-¨
¨-«/†$$§##                                          ##§$$†/«-¨
¨-«/†$§###                                          ###§$†/«-¨
¨-«/†$§###                                          ###§$†/«-¨
¨-«/†§####                                          ####§†/«-¨
¨-«/†$§###                ¨¨$###$¨¨                 ###§$†/«-¨
¨¨¨¨«//†§§       -- Pittsburgh Electronics --       §§†//«¨¨¨¨
¨-«/†§####              «« Lifeforms ««             ####§†/«-¨
¨-«/†$$§§#               // Sv One //               #§§$$†/«-¨
¨-«/†$§###                                          ###§$†/«-¨
¨-«/†$§### This  Is A Eurorack  Module But I Bought ###§$†/«-¨
¨-«««//$§§ The  Blackbox  One  So  It'S  Also  Not. §§$//«««-¨
¨-«/†$$$##                                          ##$$$†/«-¨
¨-«/†$§### It Ships  With  Too  Few  Patch  Cables. ###§$†/«-¨
¨-«/†$§§§#                                          #§§§$†/«-¨
¨-«/†$§###             ¨†# Contains #†¨             ###§$†/«-¨
¨¨¨-«/$§§#           Midi To Cv Converter           #§§$/«-¨¨¨
¨¨¨««/†§§#                 Two Vco'S                #§§†/««¨¨¨
¨-«/†$§### Four Channel  Or Two X Two Channel Mixer ###§$†/«-¨
¨¨¨¨¨¨¨«†§        Two Sub Oscillators I Think       §†«¨¨¨¨¨¨¨
¨-«/†$§###         Two One To Two Splitters         ###§$†/«-¨
¨-«/†$§###           White Noise Generator          ###§$†/«-¨
¨¨¨¨¨¨«††§              Sample And Hold             §††«¨¨¨¨¨¨
¨-«/†$§###          Lfo Plus A Digital Lfo          ###§$†/«-¨
¨-«/†$§###   Filter (Lowpass, Bandpass, Highpass)   ###§$†/«-¨
-«/†$§####               Adsr Envelope              ####§$†/«-
¨-«/†$§###                 One Vca                  ###§$†/«-¨
¨-«/†$§###              Headphone Amp               ###§$†/«-¨
¨¨¨¨-««†§§         Fourty Nine Patchpoints!         §§†««-¨¨¨¨
¨-«/†$§###                                          ###§$†/«-¨
¨¨¨¨«/$§##                  ¨-###-¨                 ##§$/«¨¨¨¨
¨-«/†$§###           «†† So What Now ††«            ###§$†/«-¨
¨¨¨¨-«/†§#                 ¨-###-¨                  #§†/«-¨¨¨¨
¨¨¨-««/$$§                                          §$$/««-¨¨¨
¨-«/†$§### Clock Io  Goes  To  Asdr In I Think  And ###§$†/«-¨
¨-«/†$§### Maybe  Also To The Sample And  Hold. Put ###§$†/«-¨
¨¨¨¨--/$$# Subbase  And Noise In  Channel Three And #$$/--¨¨¨¨
¨-«/†$§### Four.  Oscillator  One  Saw  To  Channel ###§$†/«-¨
¨-«/†$§### Two, And  Oscillator Two Saw To  Channel ###§$†/«-¨
¨-«///$$§# One.  Sample  And  Hold   Out   To   The #§$$///«-¨
¨-«/†$§###   Filter... Maybe... Resonance At Half.  ###§$†/«-¨
¨-«/†$§### Some Frequency  In The  First Oscillator ###§$†/«-¨
¨¨¨¨¨-//†§ And Then  The  Second Osc Four Semitones §†//-¨¨¨¨¨
¨¨--««/†$#                  Higher.                 #$†/««--¨¨
¨¨¨¨-/$$§§                                          §§$$/-¨¨¨¨
¨-«/†$§###                 -«§#§«-                  ###§$†/«-¨
¨-«/†$§###          /$$ Desktop Synth $$/           ###§$†/«-¨
¨-«/†$§§§#                  -«§#§«-                 #§§§$†/«-¨
¨¨¨¨-«/††§                                          §††/«-¨¨¨¨
¨-«/†$§###                                          ###§$†/«-¨
¨-«/†$§###                                          ###§$†/«-¨
¨¨¨¨¨-/†§§                                          §§†/-¨¨¨¨¨
¨-«/†$§###                                          ###§$†/«-¨
¨-«/†$§§§§                                          §§§§$†/«-¨