....@.@@.. .@@.@..@@.
......@@@. .@@..@.@@@
@.....@.@@ .@@@...@.@
@@......@@ .@.@@....@
.@@.....@. ...@@@...@
.@@@...... A COOL ENOUGH SONY WALKMAN CALLED ...@.@@...
.@.@@..... .....@@@..
...@@@.... # # # .....@.@@.
...@.@@... ### TCM ONEFIFTY ### @......@@@
@....@@@.. # # # .@.....@.@
@@...@.@@. ..@......@
.@@....@@@ IT'S BATTERY POWERED (TWO AA BATTERIES) @..@.....@
.@@@...@.@ AND HAS A MICROPHONE. IT DOES FEATURE A .@..@.....
.@.@@....@ SPEED HOLE BUT IT'S HIDDEN BENEATH ITS ..@..@....
...@@@...@ SHELL. ...@..@...
...@.@@... ....@..@..
.....@@@.. A COOL THING IS THE SPEAKER ON THE .....@..@.
.....@.@@. FRONT. BUT ISN'T THAT A MAGNET CLOSE TO ......@..@
@......@@@ THE TAPE? YES .......@..
.@.....@.@ @.......@.
..@......@ ## IS IT GOOD ## @@.......@
@..@.....@ @@@.......
.@..@..... WELL. IT HAS SOME VERY REAL COMPRESSION @.@@......
..@..@.... GOING ON SO CLOSE VOX AND OTHER HIGH ..@@@.....
...@..@... VOLUME THINGS ARE VERY CRISP AND WITH ..@.@@....
....@..@.. KIND OF LOW NOISE. BUT WHEN THERE'S ....@@@...
.....@..@. MORE OF AN AMBIENCE, ALL YOU HEAR IS ....@.@@..
......@..@ HISS AND MOTOR NOISE. ......@@@.
.......@.. @.....@.@@
@.......@. DENOISING TECHNIQUES ARE SIMPLE. ACTUAL @@......@@
@@.......@ DENOISING FOR THE NOISE, AND MAYBE AN .@@.....@.
@@@....... EQ FOR THE MOTOR. .@@@......
@.@@...... .@.@@.....
..@@@..... ## WHAT IS IT FOR ## ...@@@....
..@.@@.... @..@.@@...
....@@@... I USE IT FOR TALKING TO WHEN I'M DRUNK. @@...@@@..
....@.@@.. IT DOES THIS VERY GOOD. THE PAUSE @@@..@.@@.
......@@@. BUTTON IS A SMALL STOP, THE STOP BUTTON @.@@...@@@
@.....@.@@ IS A MAJOR STOP. ..@@@..@.@
@@......@@ ..@.@@...@
.@@.....@. ## SOME QUIRKS ## @...@@@..@
.@@@...... .@..@.@@..
.@.@@..... WHEN UNPAUSING, RECORDING BEGINS BEFORE ..@...@@@.
...@@@.... THE ENGINE IS FULLY SPUN UP, RESULTING ...@..@.@@
@..@.@@... IN A NICE SWOOP BEING RECORDED. ....@...@@
@@...@@@.. @....@..@.
@@@..@.@@. IT MADE ME BUY A VHS CAM @@....@...
@.@@...@@@ @@@....@..
..@@@..@.@ @.@@....@.
..@.@@...@ # # # ..@@@....@
@...@@@..@ ..@.@@....
.@..@.@@.. REST IN PIECES, LITERALLY ....@@@...
..@...@@@. ....@.@@..
...@..@.@@ . MAY TWENTY FIFTEEN . ......@@@.
....@...@@ . TO . @.....@.@@
@....@..@. - JULY TWENTY EIGHTEEN - @@......@@
@@....@... .@@.....@.
@@@....@.. SUPERSEDED BY THE TCM TWENTY .@@@......
@.@@....@. .@.@@.....
..@@@....@ ...@@@....
..@.@@.... ...@.@@...
....@@@... @....@@@..
....@.@@.. @@...@.@@.