.-~;%*§#@# #@#§*%;~-.
..-~;%*§#@ @#§*%;~-..
.-~;%*§#@# #@#§*%;~-.
..-~;%*§#@ @#§*%;~-..
.-~;%*§#@# #@#§*%;~-.
..-~;%*§#@ @@@@ ##### @#§*%;~-..
.-~;%*§#@# tape dream #@#§*%;~-.
..-~;%*§#@ #### @@@@@ @#§*%;~-..
.-~;%*§#@# #@#§*%;~-.
..-~;%*§#@ for storing music on. also data but @#§*%;~-..
.-~;%*§#@# at this point in time that's not #@#§*%;~-.
..-~;%*§#@ really important i think. @#§*%;~-..
.-~;%*§#@# #@#§*%;~-.
..-~;%*§#@ @#§*%;~-..
.-~;%*§#@# ;;;;;;;; types of tape ;;;;;;;; #@#§*%;~-.
..-~;%*§#@ @#§*%;~-..
.-~;%*§#@# class i - "bad" iron #@#§*%;~-.
..-~;%*§#@ class ii - good chromium @#§*%;~-..
.-~;%*§#@# class iii - bad iron part two #@#§*%;~-.
..-~;%*§#@ class iv - dangerous metals @#§*%;~-..
.-~;%*§#@# #@#§*%;~-.
..-~;%*§#@ rumors exist about a secret class v tape @#§*%;~-..
.-~;%*§#@# that is actually useful. #@#§*%;~-.
..-~;%*§#@ @#§*%;~-..
.-~;%*§#@# ;; bias ;; #@#§*%;~-.
..-~;%*§#@ @#§*%;~-..
.-~;%*§#@# class i uses one hundred and twenty #@#§*%;~-.
..-~;%*§#@ micro-something while the others all @#§*%;~-..
.-~;%*§#@# use seventy of the same unit. #@#§*%;~-.
..-~;%*§#@ @#§*%;~-..
.-~;%*§#@# #@#§*%;~-.
..-~;%*§#@ %%%%%%%%% aha and %%%%%%%%% @#§*%;~-..
.-~;%*§#@# #@#§*%;~-.
..-~;%*§#@ class iv is apparently too strong to @#§*%;~-..
.-~;%*§#@# be used on class i players. it will #@#§*%;~-.
..-~;%*§#@ sound too lound and it cannot be @#§*%;~-..
.-~;%*§#@# completely erased. this is very well. #@#§*%;~-.
..-~;%*§#@ maybe some wonderful blending effects @#§*%;~-..
.-~;%*§#@# could be achieved? #@#§*%;~-.
..-~;%*§#@ @#§*%;~-..
.-~;%*§#@# they also gnaw at the tape heads a bit #@#§*%;~-.
..-~;%*§#@ better than earlier tape types. @#§*%;~-..
.-~;%*§#@# #@#§*%;~-.
..-~;%*§#@ @#§*%;~-..
.-~;%*§#@# ;;;;;;;; artifacts ;;;;;;;; #@#§*%;~-.
..-~;%*§#@ @#§*%;~-..
.-~;%*§#@# good tapes are decent and have a good #@#§*%;~-.
..-~;%*§#@ high frequency presence, bad tapes are @#§*%;~-..
.-~;%*§#@# lofi if not outright bad. idk, i kinda #@#§*%;~-.
..-~;%*§#@ like it. @#§*%;~-..
.-~;%*§#@# #@#§*%;~-.
..-~;%*§#@ bias loss: if you forget the bias who @#§*%;~-..
.-~;%*§#@# knows whats even on there anymore #@#§*%;~-.
..-~;%*§#@ @#§*%;~-..
.-~;%*§#@# flutter: kinda quick pitch variations. #@#§*%;~-.
..-~;%*§#@ beautiful, wonderful, extraordinary. @#§*%;~-..
.-~;%*§#@# #@#§*%;~-.
..-~;%*§#@ wow: a slower flutter, usually several @#§*%;~-..
.-~;%*§#@# seconds long. what up. both of these #@#§*%;~-.
..-~;%*§#@ increase when tape speed decreases. @#§*%;~-..
.-~;%*§#@# #@#§*%;~-.
..-~;%*§#@ print through: tapes rub sound on each @#§*%;~-..
.-~;%*§#@# other if theyre alone for too long #@#§*%;~-.
..-~;%*§#@ @#§*%;~-..
.-~;%*§#@# #@#§*%;~-.
..-~;%*§#@ @#§*%;~-..
.-~;%*§#@# #@#§*%;~-.
..-~;%*§#@ @#§*%;~-..
.-~;%*§#@# #@#§*%;~-.