.......,~; ;~,.......
......,~;& &;~,......
.....,~;&¤ ¤&;~,.....
....,~;&¤¶ ¶¤&;~,....
...,~;&¤¶# #¶¤&;~,...
..,~;&¤¶## A COOL ENOUGH SONY WALKMAN CALLED ##¶¤&;~,..
.,~;&¤¶### ###¶¤&;~,.
..,~;&¤¶## # # # ##¶¤&;~,..
...,~;&¤¶# ### TCM ONEFIFTY ### #¶¤&;~,...
....,~;&¤¶ # # # ¶¤&;~,....
.....,~;&¤ ¤&;~,.....
......,~;& IT'S BATTERY POWERED (TWO AA BATTERIES) &;~,......
.......,~; AND HAS A MICROPHONE. IT DOES FEATURE A ;~,.......
........,~ SPEED HOLE BUT IT'S HIDDEN BENEATH ITS ~,........
........., SHELL. ,.........
.......... ..........
........., A COOL THING IS THE SPEAKER ON THE ,.........
........,~ FRONT. BUT ISN'T THAT A MAGNET CLOSE TO ~,........
.......,~; THE TAPE? YES ;~,.......
......,~;& &;~,......
.....,~;&¤ ## IS IT GOOD ## ¤&;~,.....
....,~;&¤¶ ¶¤&;~,....
...,~;&¤¶# WELL. IT HAS SOME VERY REAL COMPRESSION #¶¤&;~,...
..,~;&¤¶## GOING ON SO CLOSE VOX AND OTHER HIGH ##¶¤&;~,..
.,~;&¤¶### VOLUME THINGS ARE VERY CRISP AND WITH ###¶¤&;~,.
..,~;&¤¶## KIND OF LOW NOISE. BUT WHEN THERE'S ##¶¤&;~,..
...,~;&¤¶# MORE OF AN AMBIENCE, ALL YOU HEAR IS #¶¤&;~,...
....,~;&¤¶ HISS AND MOTOR NOISE. ¶¤&;~,....
.....,~;&¤ ¤&;~,.....
......,~;& DENOISING TECHNIQUES ARE SIMPLE. ACTUAL &;~,......
.......,~; DENOISING FOR THE NOISE, AND MAYBE AN ;~,.......
........,~ EQ FOR THE MOTOR. ~,........
........., ,.........
.......... ## WHAT IS IT FOR ## ..........
........., ,.........
........,~ I USE IT FOR TALKING TO WHEN I'M DRUNK. ~,........
.......,~; IT DOES THIS VERY GOOD. THE PAUSE ;~,.......
......,~;& BUTTON IS A SMALL STOP, THE STOP BUTTON &;~,......
.....,~;&¤ IS A MAJOR STOP. ¤&;~,.....
....,~;&¤¶ ¶¤&;~,....
...,~;&¤¶# ## SOME QUIRKS ## #¶¤&;~,...
..,~;&¤¶## ##¶¤&;~,..
.,~;&¤¶### WHEN UNPAUSING, RECORDING BEGINS BEFORE ###¶¤&;~,.
..,~;&¤¶## THE ENGINE IS FULLY SPUN UP, RESULTING ##¶¤&;~,..
...,~;&¤¶# IN A NICE SWOOP BEING RECORDED. #¶¤&;~,...
....,~;&¤¶ ¶¤&;~,....
.....,~;&¤ IT MADE ME BUY A VHS CAM ¤&;~,.....
......,~;& &;~,......
.......,~; ;~,.......
........,~ # # # ~,........
........., ,.........
.......... REST IN PIECES, LITERALLY ..........
........., ,.........
........,~ , MAY TWENTY FIFTEEN , ~,........
.......,~; . TO . ;~,.......
......,~;& ~ JULY TWENTY EIGHTEEN ~ &;~,......
.....,~;&¤ ¤&;~,.....
....,~;&¤¶ SUPERSEDED BY THE TCM TWENTY ¶¤&;~,....
...,~;&¤¶# #¶¤&;~,...
..,~;&¤¶## ##¶¤&;~,..
.,~;&¤¶### ###¶¤&;~,.
..,~;&¤¶## ##¶¤&;~,..
...,~;&¤¶# #¶¤&;~,...