....,;;*¤# #¤*;;,....
.,-;;;***¤ ¤***;;;-,.
.,-;*£¤@## ##@¤£*;-,.
......-*¤@ @¤*-......
.....,;*¤¤ ¤¤*;,.....
.,-;*£¤@## #### ##### ##@¤£*;-,.
.,-;*£¤### TAPE DREAM ###¤£*;-,.
,-;*£¤@### #### ##### ###@¤£*;-,
.,-;*£¤### ###¤£*;-,.
.,-;*£¤@## FOR STORING MUSIC ON. ALSO DATA BUT ##@¤£*;-,.
.,-*£¤@### AT THIS POINT IN TIME THAT'S NOT ###@¤£*-,.
.,-;*£¤@## REALLY IMPORTANT I THINK. ##@¤£*;-,.
....,-*£¤¤ ¤¤£*-,....
....-*££¤@ @¤££*-....
.,-;*£¤@## ;;;;;;;; TYPES OF TAPE ;;;;;;;; ##@¤£*;-,.
...,,;*££¤ ¤££*;,,...
.....,,;£@ CLASS I - "BAD" IRON @£;,,.....
.,-;*£¤@## CLASS II - GOOD CHROMIUM ##@¤£*;-,.
.,-;*£@### CLASS III - BAD IRON PART TWO ###@£*;-,.
.,-;*£¤@## CLASS IV - DANGEROUS METALS ##@¤£*;-,.
.,-;*£¤@## ##@¤£*;-,.
.,-;*£¤@@# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #@@¤£*;-,.
.,-;;**££@ THAT IS ACTUALLY USEFUL. @££**;;-,.
.,-;;;;*¤¤ ¤¤*;;;;-,.
..,----*¤¤ ;; BIAS ;; ¤¤*----,..
.,-;*£¤@## ##@¤£*;-,.
.,-;***£@# CLASS I USES ONE HUNDRED AND TWENTY #@£***;-,.
.,-;*£¤@## MICRO-SOMETHING WHILE THE OTHERS ALL ##@¤£*;-,.
.,-;*£¤@## USE SEVENTY OF THE SAME UNIT. ##@¤£*;-,.
......-**¤ ¤**-......
.,-;*£¤@## ##@¤£*;-,.
......-;*¤ ********* AHA AND ********* ¤*;-......
.,-;*£¤@## ##@¤£*;-,.
.,-;*£¤@## CLASS IV IS APPARENTLY TOO STRONG TO ##@¤£*;-,.
.,-;;**££@ BE USED ON CLASS I PLAYERS. IT WILL @££**;;-,.
....,,;££¤ SOUND TOO LOUND AND IT CANNOT BE ¤££;,,....
....,;;**¤ COMPLETELY ERASED. THIS IS VERY WELL. ¤**;;,....
.,-;*£¤@## MAYBE SOME WONDERFUL BLENDING EFFECTS ##@¤£*;-,.
.,-;*£¤### COULD BE ACHIEVED? ###¤£*;-,.
..,,-;£¤¤¤ ¤¤¤£;-,,..
.,-;*£¤@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@¤£*;-,.
......,-*¤ BETTER THAN EARLIER TAPE TYPES. ¤*-,......
.,-;*£¤@## ##@¤£*;-,.
.,-;*£¤@## ##@¤£*;-,.
.....--*¤@ ;;;;;;;; ARTIFACTS ;;;;;;;; @¤*--.....
...,-;**¤¤ ¤¤**;-,...
.,-;*£¤@## GOOD TAPES ARE DECENT AND HAVE A GOOD ##@¤£*;-,.
.......-*¤ HIGH FREQUENCY PRESENCE, BAD TAPES ARE ¤*-.......
.....-;;£@ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA @£;;-.....
.,-;*£¤@## LIKE IT. ##@¤£*;-,.
.,-;*£¤@## ##@¤£*;-,.
.,-;*£¤@## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##@¤£*;-,.
.,-;*£¤### KNOWS WHATS EVEN ON THERE ANYMORE ###¤£*;-,.
.,-;*£¤@## ##@¤£*;-,.
...-;**¤¤@ FLUTTER: KINDA QUICK PITCH VARIATIONS. @¤¤**;-...
.,-;*£¤¤¤¤ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ¤¤¤¤£*;-,.
.,-;*£¤@## ##@¤£*;-,.
.,-;*¤@### WOW: A SLOWER FLUTTER, USUALLY SEVERAL ###@¤*;-,.
.,-;*£¤@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@¤£*;-,.
.....-**£¤ INCREASE WHEN TAPE SPEED DECREASES. ¤£**-.....
.,-;;;*¤@@ @@¤*;;;-,.
....,;*££¤ PRINT THROUGH: TAPES RUB SOUND ON EACH ¤££*;,....
....,;£¤¤# OTHER IF THEYRE ALONE FOR TOO LONG #¤¤£;,....
.,-;*£¤@## ##@¤£*;-,.
.,-;**£¤@# #@¤£**;-,.
.,-;*£¤@## ##@¤£*;-,.
.,-;*£¤@## ##@¤£*;-,.
.,-;*¤@### ###@¤*;-,.
.,-;*£¤@@@ @@@¤£*;-,.