,,,^^»$*£# #£*$»^^,,,
,^»/$*¤££# #££¤*$/»^,
,^»/*¤£### ###£¤*/»^,
,^»/$*¤£## ##£¤*$/»^,
,^»/$*¤£££ £££¤*$/»^,
,,,,»$$$¤£ #### ##### £¤$$$»,,,,
,^»/$*¤¤££ tape dream ££¤¤*$/»^,
,^»/$$**£# #### ##### #£**$$/»^,
,^»/$*¤££# #££¤*$/»^,
,^»/$*¤£## for storing music on. also data but ##£¤*$/»^,
,^»/$*¤£## at this point in time that's not ##£¤*$/»^,
,,,,^/*¤¤£ really important i think. £¤¤*/^,,,,
,^»/$*¤£## ##£¤*$/»^,
,^»/$*¤£## ##£¤*$/»^,
,,,,,,»$*¤ //////// types of tape //////// ¤*$»,,,,,,
,^»/$*¤££# #££¤*$/»^,
,^»//$$¤£# class i - "bad" iron #£¤$$//»^,
,,,,»//*££ class ii - good chromium ££*//»,,,,
,^»/$*¤£## class iii - bad iron part two ##£¤*$/»^,
,,,,,^»$$¤ class iv - dangerous metals ¤$$»^,,,,,
,^»/$*¤### ###¤*$/»^,
,,,,^/**¤£ rumors exist about a secret class v tape £¤**/^,,,,
,^»/$*¤£## that is actually useful. ##£¤*$/»^,
,^»/$*¤£## ##£¤*$/»^,
,^»/$**¤£# // bias // #£¤**$/»^,
,^^^^^//*¤ ¤*//^^^^^,
,^»»»$$*¤¤ class i uses one hundred and twenty ¤¤*$$»»»^,
,^»////**£ micro-something while the others all £**////»^,
,^»/$*¤£## use seventy of the same unit. ##£¤*$/»^,
,^»/$*¤£## ##£¤*$/»^,
,^»/$***££ ££***$/»^,
,,,,^»//*£ $$$$$$$$$ aha and $$$$$$$$$ £*//»^,,,,
,^»/$*¤£## ##£¤*$/»^,
,,,,^/$$¤£ class iv is apparently too strong to £¤$$/^,,,,
,,,,»»»$¤¤ be used on class i players. it will ¤¤$»»»,,,,
,^»/$*¤£## sound too lound and it cannot be ##£¤*$/»^,
,^»/$*¤¤¤¤ completely erased. this is very well. ¤¤¤¤*$/»^,
,,,,»/$*¤¤ maybe some wonderful blending effects ¤¤*$/»,,,,
,,,,,^//*¤ could be achieved? ¤*//^,,,,,
,^»/$*¤£## ##£¤*$/»^,
,,,,^»»$¤# they also gnaw at the tape heads a bit #¤$»»^,,,,
,,,,^//*¤¤ better than earlier tape types. ¤¤*//^,,,,
,^»/$**¤¤£ £¤¤**$/»^,
,^»/$*¤£## ##£¤*$/»^,
,^»/$*¤£## //////// artifacts //////// ##£¤*$/»^,
,^^^^^»»$¤ ¤$»»^^^^^,
,,^^»»/*¤£ good tapes are decent and have a good £¤*/»»^^,,
,,,,»//**£ high frequency presence, bad tapes are £**//»,,,,
,^»/$*¤£## lofi if not outright bad. idk, i kinda ##£¤*$/»^,
,^»/$*¤£## like it. ##£¤*$/»^,
,^»/$*¤£## ##£¤*$/»^,
,^^^^/**££ bias loss: if you forget the bias who ££**/^^^^,
,,,^^»»$*¤ knows whats even on there anymore ¤*$»»^^,,,
,^»/$*¤£## ##£¤*$/»^,
,^»//$$*¤¤ flutter: kinda quick pitch variations. ¤¤*$$//»^,
,^»/$*¤£## beautiful, wonderful, extraordinary. ##£¤*$/»^,
,,,»»/$$$¤ ¤$$$/»»,,,
,^»»»»»/$¤ wow: a slower flutter, usually several ¤$/»»»»»^,
,,,,,^/*££ seconds long. what up. both of these ££*/^,,,,,
,,,,^»$**¤ increase when tape speed decreases. ¤**$»^,,,,
,,,,^^^/*¤ ¤*/^^^,,,,
,^»/$*¤£££ print through: tapes rub sound on each £££¤*$/»^,
,^»/$*¤£## other if theyre alone for too long ##£¤*$/»^,
,^»/$*¤£## ##£¤*$/»^,
,^»$*¤£### ###£¤*$»^,
,^»/$*¤£## ##£¤*$/»^,
,^»/$***¤# #¤***$/»^,
,,,,,^//$¤ ¤$//^,,,,,
,^»/$¤£### ###£¤$/»^,