¨¨¨¨¨^/**& &**/^¨¨¨¨¨
¨^«/***£## ##£***/«^¨
¨¨¨^««/£#@ @#£/««^¨¨¨
¨^«/*£&&&@ @&&&£*/«^¨
¨^«/*£&#@@ @@#&£*/«^¨
¨¨¨¨¨¨«*£& TRAIN DREAM &£*«¨¨¨¨¨¨
¨^«/*£#@## ######¨¨¨¨^«^^¨¨##################### ##@#£*/«^¨
¨^«/*£&#@# /// #@#&£*/«^¨
¨^«/*£&&## « ##&&£*/«^¨
¨¨¨¨«//**& « &**//«¨¨¨¨
¨^««//£&&# #&&£//««^¨
¨¨¨¨^//£## (SITUATION) ##£//^¨¨¨¨
¨^«/*£&#@# #@#&£*/«^¨
¨^«/*£££&@ YOU FIND YOURSELF IN A RIFT - A @&£££*/«^¨
¨¨¨¨^^«**& CLEARING, NARROW BUT IMMEASURABLY LONG. &**«^^¨¨¨¨
¨^«/*£&&&# TO YOUR SIDES ARE WALLS MADE OF TREES, #&&&£*/«^¨
¨^«/*£&#@# THICK AND READY TO SWALLOW YOU. THE SUN #@#&£*/«^¨
¨¨¨¨^«//£& IS NOWHERE TO BE SEEN, BUT NONTHELESS &£//«^¨¨¨¨
¨^«/*£&@## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##@&£*/«^¨
¨^«/*£&#@# BLUE, ALMOST WHITE. #@#&£*/«^¨
¨¨¨¨¨¨^/*& &*/^¨¨¨¨¨¨
¨^«/*£&### ALONG THE SPAN OF THE CLEARING LAY TWO ###&£*/«^¨
¨¨¨¨¨^/*£& PARALLEL SILVERY LINES, DARK HARD &£*/^¨¨¨¨¨
¨^«/*£&#@@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @@#&£*/«^¨
¨^«/*£&#@# THEY ARE. #@#&£*/«^¨
¨¨¨¨¨¨^«*& &*«^¨¨¨¨¨¨
¨¨¨¨««/*&& THEY EMIT A HIGH PITCHED WHINE... &&*/««¨¨¨¨
¨^«/*£&@## ##@&£*/«^¨
¨^«/*£&&#@ « @#&&£*/«^¨
¨¨^«/***&# ¨¨*¨¨ #&***/«^¨¨
¨¨¨¨¨^«/£& « &£/«^¨¨¨¨¨
¨^/*£&#@## ##@#&£*/^¨
¨^«/*£&#@# (SITUATION) #@#&£*/«^¨
¨^«/*£#@## ##@#£*/«^¨
¨¨¨¨¨«/*&# YOURE AT THE TRAIN STATION, ON A #&*/«¨¨¨¨¨
¨¨¨¨¨¨«/£& CATWALK ABOVE THE RAILS. YOUR TRAIN IS &£/«¨¨¨¨¨¨
¨^«*£&#@## LATE, OR YOU ARE LATE TO THE TRAIN. ##@#&£*«^¨
¨^«/*£&#@# IT'S A SUMMER AFTERNOON AND THE STATION #@#&£*/«^¨
¨^«/*£&#@@ IS BUSY, FULL OF RELAXED CONFIDENCE. @@#&£*/«^¨
¨¨¨¨¨«//£& &£//«¨¨¨¨¨
¨¨¨¨¨^/£#@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @#£/^¨¨¨¨¨
¨^«/*£&##@ STRESSED ABOUT THE TIME, WHILE MOVING @##&£*/«^¨
¨¨¨¨^«/*&@ UP THE STAIRS TO YOUR PLATFORM. THE @&*/«^¨¨¨¨
¨^«/*£#@## STATION IS IN SEVERAL LEVELS, ALL ##@#£*/«^¨
¨^«/*£&### PLACED WITHIN EACHOTHER BY SOME ###&£*/«^¨
¨¨¨¨¨¨«*&# INTELLIGENT DESIGNER, AND FULL OF #&*«¨¨¨¨¨¨
¨^«/*£&#@# STAIRS, ELEVATORS, SHORTCUTS, #@#&£*/«^¨
¨^«/*£&@## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##@&£*/«^¨
¨^«/**£££& SOME GLASS WINDOWS. IT'S... NOT WHERE &£££**/«^¨
¨^«/*£#@## IT'S SUPPOSED TO BE? ##@#£*/«^¨
¨^^««««**& &**««««^^¨
¨^«/*£&### « ###&£*/«^¨
¨¨¨¨««*££& ^^£^^ &££*««¨¨¨¨
¨^«/*£&#@# « #@#&£*/«^¨
¨^«/*£&### ###&£*/«^¨
¨^«/***£&# (SITUATION) #&£***/«^¨
¨^«//*££&@ @&££*//«^¨
¨^«/*£&#@@ YOU'RE FINALLY ENTERING THE CITY. WHILE @@#&£*/«^¨
¨¨¨¨¨¨^«*& IT IS INDEED A VERY HIGH SPEED TRAIN &*«^¨¨¨¨¨¨
¨¨¨¨¨«***& YOU'RE TRAVELING IN, THE JOURNEY HAS &***«¨¨¨¨¨
¨^«//**£&@ BEEN LONG. BUT IT'S ABOUT TO END! @&£**//«^¨
¨^«/*£&##@ @##&£*/«^¨
¨^«/*£&#@# SOCIETY IS GROWING DENSER AROUND YOU, #@#&£*/«^¨
¨¨¨¨¨^«*£& THROUGH THE WINDOWS YOU SEE FIRST SMALL &£*«^¨¨¨¨¨
¨¨¨¨^«**&# SHACKS, BUILT OF METAL AND STONE, THEN #&**«^¨¨¨¨
¨^«/*£&#@# PROPER HOUSES WITH MORTAR TO KEEP THEM #@#&£*/«^¨
¨^«/*£&#@# TOGETHER... WHO IN TURN MAKE WAY FOR #@#&£*/«^¨
¨^«/*£#@## THE INDUSTRIAL BUILDINGS, THE URBAN ##@#£*/«^¨
¨^«/*£&#@# MAZE, PROTECTIVE WALLS, JUNGLE #@#&£*/«^¨
¨¨¨¨¨¨^/£& NETWORK... &£/^¨¨¨¨¨¨
¨^«/*£&#@# #@#&£*/«^¨
¨^«/*£&#@# THE TRACKS LEAVE THE GROUND, WHICH IS #@#&£*/«^¨
¨^«*£&#@## NEEDED FOR OTHER PURPOSES. YOU ARE ##@#&£*«^¨
¨^«/*£&### CARRIED GENTLY, CURVING UPWARDS UNTIL ###&£*/«^¨
¨^«/*£&#@@ YOU'RE MOVING UPWARD ALONG THE WALL OF @@#&£*/«^¨
¨^«/*£&#@@ A BUILDING. IT'S MADE OF SLABBY STONE, @@#&£*/«^¨
¨^«/*£&#@# WITH GREAT GLASSLESS WINDOW HOLES #@#&£*/«^¨
¨^«/*£&#@# LOOKING OUT THE WAY YOU CAME. IT IS #@#&£*/«^¨
¨¨¨¨^««*&@ PITCH BLACK INSIDE. @&*««^¨¨¨¨
¨^«/*£&#@# #@#&£*/«^¨
¨^«/*£&### ###&£*/«^¨
¨^«/*£&##@ @##&£*/«^¨
¨^«/*£&### ###&£*/«^¨
¨¨¨¨¨¨^/*& &*/^¨¨¨¨¨¨