##@#¤%^--. .--^%¤#@##
##@#¤%^--. .--^%¤#@##
##%^-..... .....-^%##
##@#¤%^--. .--^%¤#@##
##@#¤%^--. .--^%¤#@##
##@#¤%^--. TRAIN DREAM .--^%¤#@##
##@#¤%^--. ######....----..##################### .--^%¤#@##
####¤%^--. ^^^ .--^%¤####
##@#¤%^--. - .--^%¤#@##
##@#¤%^--. - .--^%¤#@##
@¤%%%%^--. .--^%%%%¤@
###%^---.. (SITUATION) ..---^%###
##@#¤%^--. .--^%¤#@##
###%^-.... YOU FIND YOURSELF IN A RIFT - A ....-^%###
@¤¤¤%%^--. CLEARING, NARROW BUT IMMEASURABLY LONG. .--^%%¤¤¤@
@¤^^--.... TO YOUR SIDES ARE WALLS MADE OF TREES, ....--^^¤@
##@#¤%^--. THICK AND READY TO SWALLOW YOU. THE SUN .--^%¤#@##
@@@#¤%^--. IS NOWHERE TO BE SEEN, BUT NONTHELESS .--^%¤#@@@
##@#¤%^--. IT IS VERY BRIGHT - THE AIR FEELS LIGHT .--^%¤#@##
##@#¤%^--. BLUE, ALMOST WHITE. .--^%¤#@##
#¤%--..... .....--%¤#
#¤¤^--.... ALONG THE SPAN OF THE CLEARING LAY TWO ....--^¤¤#
##@#¤%^--. PARALLEL SILVERY LINES, DARK HARD .--^%¤#@##
#¤^^^---.. METAL. SOMEHOW YOU CAN SEE HOW HEAVY ..---^^^¤#
##@#¤%^--. THEY ARE. .--^%¤#@##
##@#¤%^--. .--^%¤#@##
###@#%^--. THEY EMIT A HIGH PITCHED WHINE... .--^%#@###
##@#¤%^--. .--^%¤#@##
##@#¤%^--. - .--^%¤#@##
##@#¤%^--. ..%.. .--^%¤#@##
@@¤^--.... - ....--^¤@@
##%%%-.... ....-%%%##
#¤^-...... (SITUATION) ......-^¤#
###@¤%^--. .--^%¤@###
#%---..... YOURE AT THE TRAIN STATION, ON A .....---%#
##%%%%^--. CATWALK ABOVE THE RAILS. YOUR TRAIN IS .--^%%%%##
##@#¤%^--. LATE, OR YOU ARE LATE TO THE TRAIN. .--^%¤#@##
##@#¤%^--. IT'S A SUMMER AFTERNOON AND THE STATION .--^%¤#@##
@¤¤%%%^--. IS BUSY, FULL OF RELAXED CONFIDENCE. .--^%%%¤¤@
#@¤¤%%^--. .--^%%¤¤@#
#@##¤%^--. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .--^%¤##@#
####¤%^--. STRESSED ABOUT THE TIME, WHILE MOVING .--^%¤####
#¤%-...... UP THE STAIRS TO YOUR PLATFORM. THE ......-%¤#
###@¤%^--. STATION IS IN SEVERAL LEVELS, ALL .--^%¤@###
###@#¤%--. PLACED WITHIN EACHOTHER BY SOME .--%¤#@###
@¤%^--.... INTELLIGENT DESIGNER, AND FULL OF ....--^%¤@
##@#¤%^--. STAIRS, ELEVATORS, SHORTCUTS, .--^%¤#@##
#%----.... BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ....----%#
#@#¤¤%^--. SOME GLASS WINDOWS. IT'S... NOT WHERE .--^%¤¤#@#
##@#¤%^--. IT'S SUPPOSED TO BE? .--^%¤#@##
@@¤%^^-... ...-^^%¤@@
#%-....... - .......-%#
##@#¤%^--. --¤-- .--^%¤#@##
#@##¤%^--. - .--^%¤##@#
##%^----.. ..----^%##
##¤¤%^---. (SITUATION) .---^%¤¤##
@¤^^^--... ...--^^^¤@
##%^-..... YOU'RE FINALLY ENTERING THE CITY. WHILE .....-^%##
@#¤%%^--.. IT IS INDEED A VERY HIGH SPEED TRAIN ..--^%%¤#@
##@#¤%^--. YOU'RE TRAVELING IN, THE JOURNEY HAS .--^%¤#@##
##@#¤%^--. BEEN LONG. BUT IT'S ABOUT TO END! .--^%¤#@##
###@#%^--. .--^%#@###
#%-....... SOCIETY IS GROWING DENSER AROUND YOU, .......-%#
####¤%^--. THROUGH THE WINDOWS YOU SEE FIRST SMALL .--^%¤####
##@#¤%^--. SHACKS, BUILT OF METAL AND STONE, THEN .--^%¤#@##
##¤¤%----. PROPER HOUSES WITH MORTAR TO KEEP THEM .----%¤¤##
#@@#¤%^--. TOGETHER... WHO IN TURN MAKE WAY FOR .--^%¤#@@#
##%^-..... THE INDUSTRIAL BUILDINGS, THE URBAN .....-^%##
#¤^---.... MAZE, PROTECTIVE WALLS, JUNGLE ....---^¤#
#@@#¤%^--. NETWORK... .--^%¤#@@#
##@#¤%^--. .--^%¤#@##
##@#¤%^--. THE TRACKS LEAVE THE GROUND, WHICH IS .--^%¤#@##
##%%^-.... NEEDED FOR OTHER PURPOSES. YOU ARE ....-^%%##
###@¤%^--. CARRIED GENTLY, CURVING UPWARDS UNTIL .--^%¤@###
@@#¤¤%^--. YOU'RE MOVING UPWARD ALONG THE WALL OF .--^%¤¤#@@
###%^^-... A BUILDING. IT'S MADE OF SLABBY STONE, ...-^^%###
##@#¤%^--. WITH GREAT GLASSLESS WINDOW HOLES .--^%¤#@##
@¤%^^--... LOOKING OUT THE WAY YOU CAME. IT IS ...--^^%¤@
##%-...... PITCH BLACK INSIDE. ......-%##
#¤^---.... ....---^¤#
@@@#¤%^--. .--^%¤#@@@
##@#¤%^--. .--^%¤#@##
##@#¤%^--. .--^%¤#@##
@¤^^---... ...---^^¤@