,.-;†§¤@## ##@¤§†;-.,
,,,,.-;;§¤ ¤§;;-.,,,,
,,,,,,-†¤@ @¤†-,,,,,,
,.-;†§¤£@@ @@£¤§†;-.,
,.-;†§¤£@# #@£¤§†;-.,
,.-;†§¤£@@ train dream @@£¤§†;-.,
,.-;†§¤£## ######,,,,.-..,,##################### ##£¤§†;-.,
,.-;†§¤£@# ;;; #@£¤§†;-.,
,.-;†§¤£@# - #@£¤§†;-.,
,.-;†§§¤£@ - @£¤§§†;-.,
,.-;†§¤£@# #@£¤§†;-.,
,,,.;;§§£@ (situation) @£§§;;.,,,
,,,,,,,-†¤ ¤†-,,,,,,,
,.-;†§£@## you find yourself in a rift - a ##@£§†;-.,
,.-;†§§§¤£ clearing, narrow but immeasurably long. £¤§§§†;-.,
,....-†¤£@ to your sides are walls made of trees, @£¤†-....,
,,,.;;§¤£@ thick and ready to swallow you. the sun @£¤§;;.,,,
,,,,,.;†¤@ is nowhere to be seen, but nontheless @¤†;.,,,,,
,.-;†§§¤£@ it is very bright - the air feels light @£¤§§†;-.,
,.-;†§¤£@# blue, almost white. #@£¤§†;-.,
,.-;†§¤£@@ @@£¤§†;-.,
,.-;†§¤£££ along the span of the clearing lay two £££¤§†;-.,
,.-;†††¤¤¤ parallel silvery lines, dark hard ¤¤¤†††;-.,
,.-;†§¤£@# metal. somehow you can see how heavy #@£¤§†;-.,
,.-;†§¤¤¤£ they are. £¤¤¤§†;-.,
,,,,,.;;§£ £§;;.,,,,,
,.-;†§¤£££ they emit a high pitched whine... £££¤§†;-.,
,,,,.-;§§¤ ¤§§;-.,,,,
,,,,.-;††¤ - ¤††;-.,,,,
,.-;†§¤£@# ,,†,, #@£¤§†;-.,
,,,,,,.;§£ - £§;.,,,,,,
,.-;†§¤£@# #@£¤§†;-.,
,.-;†§¤£@# (situation) #@£¤§†;-.,
,,,,.-†§££ ££§†-.,,,,
,.-;†§¤£## youre at the train station, on a ##£¤§†;-.,
,.-;†§¤@## catwalk above the rails. your train is ##@¤§†;-.,
,,,,,--†¤£ late, or you are late to the train. £¤†--,,,,,
,.-;†§¤£@# it's a summer afternoon and the station #@£¤§†;-.,
,.-;†§¤¤££ is busy, full of relaxed confidence. ££¤¤§†;-.,
,.-;†§¤¤¤£ £¤¤¤§†;-.,
,.-;†§¤£@# you're in high spirits, although a bit #@£¤§†;-.,
,.-;†§¤£@# stressed about the time, while moving #@£¤§†;-.,
,.-;†§¤¤¤¤ up the stairs to your platform. the ¤¤¤¤§†;-.,
,,,,,.;;§£ station is in several levels, all £§;;.,,,,,
,.-;†§¤£@# placed within eachother by some #@£¤§†;-.,
,.-;†§£@## intelligent designer, and full of ##@£§†;-.,
,.-;†§¤£@# stairs, elevators, shortcuts, #@£¤§†;-.,
,,.-;†§§£@ bazaars... you sight your train through @£§§†;-.,,
,,.-----†¤ some glass windows. it's... not where ¤†-----.,,
,,,,,.-†§¤ it's supposed to be? ¤§†-.,,,,,
,,,,.;;;§£ £§;;;.,,,,
,,,,.-†¤¤£ - £¤¤†-.,,,,
,.-;†§§§£@ ..§.. @£§§§†;-.,
,.-;†§¤£@# - #@£¤§†;-.,
,,,,,.;§¤¤ ¤¤§;.,,,,,
,.-;†§¤££@ (situation) @££¤§†;-.,
,.-;††§§¤¤ ¤¤§§††;-.,
,,,,..;†§£ you're finally entering the city. while £§†;..,,,,
,,,,,.-;§£ it is indeed a very high speed train £§;-.,,,,,
,.-;†§¤£@# you're traveling in, the journey has #@£¤§†;-.,
,,..;;;§¤@ been long. but it's about to end! @¤§;;;..,,
,,,,.;†§£@ @£§†;.,,,,
,,,,-††§§£ society is growing denser around you, £§§††-,,,,
,,,-;††§££ through the windows you see first small ££§††;-,,,
,.-;†§§¤££ shacks, built of metal and stone, then ££¤§§†;-.,
,.-;†§¤££@ proper houses with mortar to keep them @££¤§†;-.,
,,,,,.-†¤¤ together... who in turn make way for ¤¤†-.,,,,,
,,,,.-†§¤¤ the industrial buildings, the urban ¤¤§†-.,,,,
,,,,.--;§¤ maze, protective walls, jungle ¤§;--.,,,,
,.-;†§¤@## network... ##@¤§†;-.,
,.---†††§¤ ¤§†††---.,
,,...-;§¤¤ the tracks leave the ground, which is ¤¤§;-...,,
,.-;†§¤£@# needed for other purposes. you are #@£¤§†;-.,
,,,,-;†¤££ carried gently, curving upwards until ££¤†;-,,,,
,.-;†§¤£@@ you're moving upward along the wall of @@£¤§†;-.,
,,.--;††§¤ a building. it's made of slabby stone, ¤§††;--.,,
,.-;†§¤£@# with great glassless window holes #@£¤§†;-.,
,,,,,,-†§¤ looking out the way you came. it is ¤§†-,,,,,,
,.-;†§¤£@# pitch black inside. #@£¤§†;-.,
,,,.-;;§¤@ @¤§;;-.,,,
,,,,,.;†¤£ £¤†;.,,,,,
,.-;;††††¤ ¤††††;;-.,
,.-;†§¤£@# #@£¤§†;-.,
,.-;†§¤£@# #@£¤§†;-.,