THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE WENT ON  AN OUTING TO 
 THE GLASS  FACTORY THAT BORE  OUR FAMILY 
 NAME. IT HAD  CHANGED OWNERS  MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD   ABANDONED   FOR  A  LONG  WHILE. 
 FINALLY,  THE  NATURAL  END  STATION FOR 
 THE  BUILDINGS  THAT SURVIVE: A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A LONG  TIME  SINCE  MY  FAMILY 
 MADE  ANYTHING. BY  MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE  TWO MAIN  FACTORY BUILDINGS, 
 DOMED THINGS OF SEVERAL FLOORS, MADE  IN 
 YELLOW  BRICK. LARGE BUT NARROW WINDOWS, 
 REMINESCENT    OF    SOME     CATHEDRAL. 
 CUSTOM-MADE GLASS, OF COURSE, LARGE  AND 
 LEADED,  AND ASHEN. A BIT TOO DARK TO BE 
 PRACTICAL.  ON   THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER  ONE IS PUBLICLY OPEN. THERE'S 
 A MUSEUM, WITH  WAX FIGURES OF MY  GREAT 
 GREAT  GREAT  GRANDFATHER, OR SOMETHING. 
 VARIOUS TOOLS (OR REPLICAS) LAID  OUT ON 
 TABLES,  WITH EXPLAINING TEXTS. A LOT OF 
 GLASS     OF     VARYING      THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK OUT, AND CLIMB  INTO THE 
 OTHER   BUILDING.    THE   CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR   A  LONG  TIME,   WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL  OVER   THE  FLOOR.  NO 
 ELECTRIC  LIGHTS, BUT  I  CAN SEE BY THE 
 LIGHT THAT SHINES  IN WHEREVER  THE DARK 
 WINDOWS    ARE    MISSING    A     PANE. 
                                          
 HOWEVER, THE GREATEST DIFFERENCE  IS THE 
 HIGHER FLOORS:  THIS BUILDING HAS  NONE. 
 IT IS ONE MASSIVE  HALL, STRETCHING AWAY 
 INFINITELY ABOVE ME.  SOMEWHERE UP THERE 
 IS  SOME GREAT  IRON  LATTICEWORK,  FROM 
 WHERE  CHAINS ARE  SUSPENDED,  AND PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE  IS,  IN  THE MIDDLE OF  THE GREAT 
 HALL,  A  THIN  SPIRAL   STAIRCASE  THAT 
 LEADS UP THERE. I SNEAK OVER  THERE, AND 
 TAKE  A  FEW RELUCTANT STEPS. AFTER JUST 
 A  REVOLUTION,  I  NOTICE THAT FOR  EACH 
 STEP  THE  BUILDING  STARTS TO GLOW, THE 
 BRICKS  TURNING  A  DARK RED,  AND  THEN 
 ORANGE, ALL  THE  PILED  UP DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP READY  TO  RUN DOWN  AND OUT, BUT 
 THERE'S SOMEONE ELSE  ON  THE  STAIRCASE 
 WITH   ME   NOW,  PRESSED   CLOSE.  HE'S 
 LOOKING  LIKE  ME,  SHORT  HAIR AND THIN 
 ARMS, BUT  WITH EARS  FROM SOME  ANIMAL, 
 AND MORE  DISTURBINGLY,  COMPLETELY MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME  IN  PLACE  WHILE HE 
 STARTS OPERATING LEVERS  AND  DIALS  SET 
 IN THE CENTER OF THE  STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S   AN  ELEVATOR!  I  START  TO   RUN 
 DOWNWARDS,  BUT   NOW  THE  LIQUID   BOY 
 CREATURE GRABS HOLD  OF  ME.  I  TRY  TO 
 SHAKE HIM OFF,  BUT HE'S TOO STRONG, AND 
 PULLS   ME    BACK    UP   BESIDE   HIM. 
                                          
 THIS TIME,  I  TURN ANGRY INSTEAD.  WHAT 
 THE  HELL? WHO IS THIS GUY, ACTING  LIKE 
 THIS?  I REACH  OUT MY FREE ARM AND SLAM 
 A  RANDOM  LEVER.  SOME  METAL  BAR   IS 
 SUDDENLY  RELEASED BETWEEN  US,  HITTING 
 HIM  ON THE ARM, FORCING  MY  RELEASE. I 
 SHOVE HIM OFF  OF ME, AND HE  FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A   THIN  RUSTY  CHAINMAIL 
 CURTAIN  IS DROPPED  AROUND  ME. BUT THE 
 ELEVATOR  ALSO SPEEDS UP  SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE  FLARING  NOW,   YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE MY EYES  AND 
 CURL INTO  A BALL.  BUT THEN,  THE GLASS 
 BOY  SCREAMS,  A   PIERCING  SOUND  THAT 
 FORCES  MY EYES BACK OPEN. I WATCH AS HE 
 BECOMES  TOO  LIQUID,  HIS BODY  POOLING 
 DOWN IN HIS NOW  MASSIVE  TAIL, AND  THE 
 TIP  OF IT SUDDENLY BREAKS OF IN A GLASS 
 DROP  THAT  FALLS   TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING  ON THE STAIRS,  UNABLE TO 
 KEEP HIS  BODY UPRIGHT. CAN'T REACH  THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS BODY  IS  TURNING  INTO  DARK 
 PEARLS. FINALLY, HE'S  LOST TOO  MUCH OF 
 HIMSELF AND  THE SCREAM  IS  CUT  SHORT. 
 THE    LAST    OF    HIM   RAINS   DOWN. 
                                          
 I  STILL  CAN'T  REACH  THE LEVERS  FROM 
 WITHIN MY  CAGE. LOOKING UP,  I  TRY  TO 
 MAKE  OUT  THE  CEILING, BUT IT'S ALL  A 
 WHIRLING  SEA OF COLOURS. BELOW ME GLOWS 
 THE HELLFIRE  OF  THE FACTORY WALLS, BUT 
 VERY FAINT.  I SIT  DOWN, CURL  BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A LARGE CLUNK  SHAKES  MY  ENTIRE  BODY, 
 AND  SNAPS  ME  BACK  INTO REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL  MOVING   SLIGHTLY, 
 CLICKING IN PLACE, CARRYING ME THE  LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND  I  SLOWLY   DISMOUNT   THE  STAIRS. 
                                          
 SHAKING AND CRYING,  I MAKE  MY WAY OVER 
 THE FACTORY  FLOOR,  WADING THROUGH DARK 
 GLASS MARBLES.  A QUICK GLANCE DOWN, AND 
 I  SEE  THERE'S SOMETHING  FAINT  INSIDE 
 THEM.   EMBRYOS?    ARE   THESE    EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.