THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE WENT  ON AN OUTING TO 
 THE GLASS FACTORY  THAT  BORE OUR FAMILY 
 NAME.  IT  HAD CHANGED OWNERS MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD   ABANDONED   FOR  A  LONG  WHILE. 
 FINALLY,  THE  NATURAL  END STATION  FOR 
 THE BUILDINGS THAT  SURVIVE:  A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A LONG  TIME  SINCE  MY  FAMILY 
 MADE  ANYTHING. BY  MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE TWO  MAIN FACTORY  BUILDINGS, 
 DOMED  THINGS OF SEVERAL FLOORS, MADE IN 
 YELLOW  BRICK. LARGE BUT NARROW WINDOWS, 
 REMINESCENT     OF    SOME    CATHEDRAL. 
 CUSTOM-MADE GLASS, OF COURSE, LARGE  AND 
 LEADED, AND ASHEN. A BIT TOO  DARK TO BE 
 PRACTICAL.  ON  THE  EASTERN   BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE IS  PUBLICLY OPEN. THERE'S 
 A  MUSEUM, WITH WAX FIGURES  OF MY GREAT 
 GREAT  GREAT GRANDFATHER,  OR SOMETHING. 
 VARIOUS TOOLS (OR REPLICAS) LAID OUT  ON 
 TABLES, WITH EXPLAINING  TEXTS. A LOT OF 
 GLASS      OF     VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK OUT, AND CLIMB  INTO THE 
 OTHER    BUILDING.   THE   CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT   FOR  A  LONG   TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK   GLASS  ALL  OVER  THE  FLOOR.  NO 
 ELECTRIC  LIGHTS,  BUT I CAN  SEE BY THE 
 LIGHT THAT  SHINES IN  WHEREVER THE DARK 
 WINDOWS    ARE     MISSING    A    PANE. 
                                          
 HOWEVER, THE GREATEST  DIFFERENCE IS THE 
 HIGHER FLOORS:  THIS BUILDING HAS  NONE. 
 IT IS ONE  MASSIVE HALL, STRETCHING AWAY 
 INFINITELY ABOVE ME. SOMEWHERE  UP THERE 
 IS  SOME  GREAT  IRON  LATTICEWORK, FROM 
 WHERE  CHAINS  ARE SUSPENDED,  AND PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE IS,  IN  THE  MIDDLE OF THE  GREAT 
 HALL,  A  THIN  SPIRAL   STAIRCASE  THAT 
 LEADS UP THERE. I  SNEAK OVER THERE, AND 
 TAKE  A FEW RELUCTANT STEPS. AFTER  JUST 
 A  REVOLUTION,  I  NOTICE THAT  FOR EACH 
 STEP  THE  BUILDING STARTS TO GLOW,  THE 
 BRICKS  TURNING  A  DARK  RED, AND  THEN 
 ORANGE, ALL  THE PILED  UP DEBREE  BEING 
 LIT FROM BEHIND.                         
                                          
 I  STOP READY TO  RUN  DOWN AND OUT, BUT 
 THERE'S  SOMEONE  ELSE ON THE  STAIRCASE 
 WITH  ME  NOW,   PRESSED   CLOSE.   HE'S 
 LOOKING LIKE ME,  SHORT  HAIR  AND  THIN 
 ARMS, BUT WITH EARS  FROM  SOME  ANIMAL, 
 AND MORE  DISTURBINGLY, COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME IN  PLACE  WHILE  HE 
 STARTS OPERATING  LEVERS  AND DIALS  SET 
 IN THE CENTER  OF THE STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S  AN  ELEVATOR!   I  START  TO   RUN 
 DOWNWARDS,  BUT   NOW  THE  LIQUID   BOY 
 CREATURE  GRABS HOLD  OF  ME.  I TRY  TO 
 SHAKE HIM OFF, BUT HE'S TOO  STRONG, AND 
 PULLS   ME   BACK    UP    BESIDE   HIM. 
                                          
 THIS  TIME, I TURN ANGRY  INSTEAD.  WHAT 
 THE HELL? WHO IS  THIS  GUY, ACTING LIKE 
 THIS? I  REACH  OUT MY FREE ARM AND SLAM 
 A  RANDOM  LEVER.   SOME  METAL  BAR  IS 
 SUDDENLY RELEASED  BETWEEN  US,  HITTING 
 HIM ON THE ARM,  FORCING  MY  RELEASE. I 
 SHOVE HIM OFF OF ME,  AND  HE FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,   A  THIN  RUSTY  CHAINMAIL 
 CURTAIN  IS  DROPPED AROUND ME. BUT  THE 
 ELEVATOR ALSO  SPEEDS UP  SIGNIFICANTLY. 
                                          
 THE   WALLS  ARE  FLARING  NOW,  YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE  MY EYES AND 
 CURL INTO  A  BALL. BUT THEN,  THE GLASS 
 BOY   SCREAMS,  A  PIERCING  SOUND  THAT 
 FORCES MY EYES BACK OPEN. I WATCH AS  HE 
 BECOMES TOO  LIQUID,  HIS  BODY  POOLING 
 DOWN IN  HIS NOW MASSIVE TAIL,  AND  THE 
 TIP OF IT SUDDENLY BREAKS  OF IN A GLASS 
 DROP  THAT  FALLS  TOWARD  THE   FACTORY 
 FLOOR.                                   
                                          
 HE'S  CRAWLING ON  THE STAIRS, UNABLE TO 
 KEEP  HIS BODY UPRIGHT. CAN'T  REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY  IS  TURNING INTO  DARK 
 PEARLS.  FINALLY, HE'S LOST  TOO MUCH OF 
 HIMSELF AND  THE  SCREAM IS  CUT  SHORT. 
 THE   LAST    OF    HIM   RAINS    DOWN. 
                                          
 I  STILL  CAN'T  REACH THE  LEVERS  FROM 
 WITHIN MY  CAGE. LOOKING  UP, I  TRY  TO 
 MAKE OUT  THE  CEILING, BUT IT'S  ALL  A 
 WHIRLING SEA OF COLOURS.  BELOW ME GLOWS 
 THE  HELLFIRE OF THE FACTORY WALLS,  BUT 
 VERY FAINT. I  SIT DOWN,  CURL BACK  UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE  CLUNK SHAKES  MY ENTIRE  BODY, 
 AND SNAPS  ME  BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS  ARE   STILL   MOVING   SLIGHTLY, 
 CLICKING IN PLACE, CARRYING ME  THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND   I  SLOWLY  DISMOUNT   THE  STAIRS. 
                                          
 SHAKING  AND CRYING,  I MAKE MY WAY OVER 
 THE FACTORY FLOOR,  WADING  THROUGH DARK 
 GLASS MARBLES.  A QUICK GLANCE DOWN, AND 
 I SEE  THERE'S  SOMETHING  FAINT  INSIDE 
 THEM.    EMBRYOS?    ARE   THESE   EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.