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§ the glass factory. §
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,,,-~*§£## several centuries after it had last ##£§*~-,,,
,,-~*§£### belonged to us, we went on an outing to ###£§*~-,,
,-~*§£#### the glass factory that bore our family ####£§*~-,
,,-~*§£### name. it had changed owners many times ###£§*~-,,
,,,-~*§£## since our ancestors death, and then ##£§*~-,,,
,,,,-~*§£# stood abandoned for a long while. #£§*~-,,,,
,,,,,-~*§£ finally, the natural end station for £§*~-,,,,,
,,,,,,-~*§ the buildings that survive: a museum, §*~-,,,,,,
,,,,,,,-~* and a gift shop. *~-,,,,,,,
,,,,,,-~*§ §*~-,,,,,,
,,,,,-~*§£ there's a long time since my family £§*~-,,,,,
,,,,-~*§£# made anything. by many, we would be #£§*~-,,,,
,,,-~*§£## considered poor. ##£§*~-,,,
,,-~*§£### ###£§*~-,,
,-~*§£#### there are two main factory buildings, ####£§*~-,
,,-~*§£### domed things of several floors, made in ###£§*~-,,
,,,-~*§£## yellow brick. large but narrow windows, ##£§*~-,,,
,,,,-~*§£# reminescent of some cathedral. #£§*~-,,,,
,,,,,-~*§£ custom-made glass, of course, large and £§*~-,,,,,
,,,,,,-~*§ leaded, and ashen. a bit too dark to be §*~-,,,,,,
,,,,,,,-~* practical. on the eastern building, *~-,,,,,,,
,,,,,,-~*§ some are shattered. §*~-,,,,,,
,,,,,-~*§£ £§*~-,,,,,
,,,,-~*§£# the other one is publicly open. there's #£§*~-,,,,
,,,-~*§£## a museum, with wax figures of my great ##£§*~-,,,
,,-~*§£### great great grandfather, or something. ###£§*~-,,
,-~*§£#### various tools (or replicas) laid out on ####£§*~-,
,,-~*§£### tables, with explaining texts. a lot of ###£§*~-,,
,,,-~*§£## glass of varying thickness. ##£§*~-,,,
,,,,-~*§£# #£§*~-,,,,
,,,,,-~*§£ §§ £§*~-,,,,,
,,,,,,-~*§ §§ §§ §*~-,,,,,,
,,,,,,,-~* ~~~~~~~ § § ~~~~~~~ *~-,,,,,,,
,,,,,,-~*§ §§ §§ §*~-,,,,,,
,,,,,-~*§£ §§ £§*~-,,,,,
,,,,-~*§£# #£§*~-,,,,
,,,-~*§£## i quickly sneak out, and climb into the ##£§*~-,,,
,,-~*§£### other building. the contrast is ###£§*~-,,
,-~*§£#### overwhelming. it must have stood ####£§*~-,
,,-~*§£### derelict for a long time, windows ###£§*~-,,
,,,-~*§£## broken, metallic trash and pools of ##£§*~-,,,
,,,,-~*§£# dark glass all over the floor. no #£§*~-,,,,
,,,,,-~*§£ electric lights, but i can see by the £§*~-,,,,,
,,,,,,-~*§ light that shines in wherever the dark §*~-,,,,,,
,,,,,,,-~* windows are missing a pane. *~-,,,,,,,
,,,,,,-~*§ §*~-,,,,,,
,,,,,-~*§£ however, the greatest difference is the £§*~-,,,,,
,,,,-~*§£# higher floors: this building has none. #£§*~-,,,,
,,,-~*§£## it is one massive hall, stretching away ##£§*~-,,,
,,-~*§£### infinitely above me. somewhere up there ###£§*~-,,
,-~*§£#### is some great iron latticework, from ####£§*~-,
,,-~*§£### where chains are suspended, and parts ###£§*~-,,
,,,-~*§£## of machinery has been falling down. ##£§*~-,,,
,,,,-~*§£# #£§*~-,,,,
,,,,,-~*§£ there is, in the middle of the great £§*~-,,,,,
,,,,,,-~*§ hall, a thin spiral staircase that §*~-,,,,,,
,,,,,,,-~* leads up there. i sneak over there, and *~-,,,,,,,
,,,,,,-~*§ take a few reluctant steps. after just §*~-,,,,,,
,,,,,-~*§£ a revolution, i notice that for each £§*~-,,,,,
,,,,-~*§£# step the building starts to glow, the #£§*~-,,,,
,,,-~*§£## bricks turning a dark red, and then ##£§*~-,,,
,,-~*§£### orange, all the piled up debree being ###£§*~-,,
,-~*§£#### lit from behind. ####£§*~-,
,,-~*§£### ###£§*~-,,
,,,-~*§£## i stop ready to run down and out, but ##£§*~-,,,
,,,,-~*§£# there's someone else on the staircase #£§*~-,,,,
,,,,,-~*§£ with me now, pressed close. he's £§*~-,,,,,
,,,,,,-~*§ looking like me, short hair and thin §*~-,,,,,,
,,,,,,,-~* arms, but with ears from some animal, *~-,,,,,,,
,,,,,,-~*§ and more disturbingly, completely made §*~-,,,,,,
,,,,,-~*§£ of dark liquid glass. £§*~-,,,,,
,,,,-~*§£# #£§*~-,,,,
,,,-~*§£## §§ ##£§*~-,,,
,,-~*§£### §§ §§ ###£§*~-,,
,-~*§£#### ~~~~~~~ § § ~~~~~~~ ####£§*~-,
,,-~*§£### §§ §§ ###£§*~-,,
,,,-~*§£## §§ ##£§*~-,,,
,,,,-~*§£# #£§*~-,,,,
,,,,,-~*§£ my fear holds me in place while he £§*~-,,,,,
,,,,,,-~*§ starts operating levers and dials set §*~-,,,,,,
,,,,,,,-~* in the center of the staircase. slowly, *~-,,,,,,,
,,,,,,-~*§ it starts spinning, circling upwards. §*~-,,,,,,
,,,,,-~*§£ it's an elevator! i start to run £§*~-,,,,,
,,,,-~*§£# downwards, but now the liquid boy #£§*~-,,,,
,,,-~*§£## creature grabs hold of me. i try to ##£§*~-,,,
,,-~*§£### shake him off, but he's too strong, and ###£§*~-,,
,-~*§£#### pulls me back up beside him. ####£§*~-,
,,-~*§£### ###£§*~-,,
,,,-~*§£## this time, i turn angry instead. what ##£§*~-,,,
,,,,-~*§£# the hell? who is this guy, acting like #£§*~-,,,,
,,,,,-~*§£ this? i reach out my free arm and slam £§*~-,,,,,
,,,,,,-~*§ a random lever. some metal bar is §*~-,,,,,,
,,,,,,,-~* suddenly released between us, hitting *~-,,,,,,,
,,,,,,-~*§ him on the arm, forcing my release. i §*~-,,,,,,
,,,,,-~*§£ shove him off of me, and he falls into £§*~-,,,,,
,,,,-~*§£# the levers, messing them up. #£§*~-,,,,
,,,-~*§£## immediately, a thin rusty chainmail ##£§*~-,,,
,,-~*§£### curtain is dropped around me. but the ###£§*~-,,
,-~*§£#### elevator also speeds up significantly. ####£§*~-,
,,-~*§£### ###£§*~-,,
,,,-~*§£## the walls are flaring now, yellow, ##£§*~-,,,
,,,,-~*§£# white, almost blue. i close my eyes and #£§*~-,,,,
,,,,,-~*§£ curl into a ball. but then, the glass £§*~-,,,,,
,,,,,,-~*§ boy screams, a piercing sound that §*~-,,,,,,
,,,,,,,-~* forces my eyes back open. i watch as he *~-,,,,,,,
,,,,,,-~*§ becomes too liquid, his body pooling §*~-,,,,,,
,,,,,-~*§£ down in his now massive tail, and the £§*~-,,,,,
,,,,-~*§£# tip of it suddenly breaks of in a glass #£§*~-,,,,
,,,-~*§£## drop that falls toward the factory ##£§*~-,,,
,,-~*§£### floor. ###£§*~-,,
,-~*§£#### ####£§*~-,
,,-~*§£### he's crawling on the stairs, unable to ###£§*~-,,
,,,-~*§£## keep his body upright. can't reach the ##£§*~-,,,
,,,,-~*§£# levers, claws at my chainmail cage, #£§*~-,,,,
,,,,,-~*§£ while his body is turning into dark £§*~-,,,,,
,,,,,,-~*§ pearls. finally, he's lost too much of §*~-,,,,,,
,,,,,,,-~* himself and the scream is cut short. *~-,,,,,,,
,,,,,,-~*§ the last of him rains down. §*~-,,,,,,
,,,,,-~*§£ £§*~-,,,,,
,,,,-~*§£# i still can't reach the levers from #£§*~-,,,,
,,,-~*§£## within my cage. looking up, i try to ##£§*~-,,,
,,-~*§£### make out the ceiling, but it's all a ###£§*~-,,
,-~*§£#### whirling sea of colours. below me glows ####£§*~-,
,,-~*§£### the hellfire of the factory walls, but ###£§*~-,,
,,,-~*§£## very faint. i sit down, curl back up, ##£§*~-,,,
,,,,-~*§£# become still. #£§*~-,,,,
,,,,,-~*§£ £§*~-,,,,,
,,,,,,-~*§ §§ §*~-,,,,,,
,,,,,,,-~* §§ §§ *~-,,,,,,,
,,,,,,-~*§ ~~~~~~~ § § ~~~~~~~ §*~-,,,,,,
,,,,,-~*§£ §§ §§ £§*~-,,,,,
,,,,-~*§£# §§ #£§*~-,,,,
,,,-~*§£## ##£§*~-,,,
,,-~*§£### a large clunk shakes my entire body, ###£§*~-,,
,-~*§£#### and snaps me back into reality. i'm ####£§*~-,
,,-~*§£### back at the factory floor, but the ###£§*~-,,
,,,-~*§£## stairs are still moving slightly, ##£§*~-,,,
,,,,-~*§£# clicking in place, carrying me the last #£§*~-,,,,
,,,,,-~*§£ few centimeters. i came from below, £§*~-,,,,,
,,,,,,-~*§ somehow. the chainmail is retracted, §*~-,,,,,,
,,,,,,,-~* and i slowly dismount the stairs. *~-,,,,,,,
,,,,,,-~*§ §*~-,,,,,,
,,,,,-~*§£ shaking and crying, i make my way over £§*~-,,,,,
,,,,-~*§£# the factory floor, wading through dark #£§*~-,,,,
,,,-~*§£## glass marbles. a quick glance down, and ##£§*~-,,,
,,-~*§£### i see there's something faint inside ###£§*~-,,
,-~*§£#### them. embryos? are these eggs? ####£§*~-,
,,-~*§£### ###£§*~-,,
,,,-~*§£## i shudder, and climb back out. ##£§*~-,,,
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