THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO  US, WE WENT ON AN OUTING TO 
 THE  GLASS FACTORY THAT  BORE OUR FAMILY 
 NAME. IT HAD  CHANGED OWNERS  MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED   FOR  A   LONG  WHILE. 
 FINALLY,  THE  NATURAL END  STATION  FOR 
 THE BUILDINGS  THAT  SURVIVE:  A MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME  SINCE MY  FAMILY 
 MADE  ANYTHING. BY  MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE  TWO  MAIN FACTORY BUILDINGS, 
 DOMED THINGS OF SEVERAL FLOORS, MADE  IN 
 YELLOW  BRICK. LARGE BUT NARROW WINDOWS, 
 REMINESCENT    OF    SOME     CATHEDRAL. 
 CUSTOM-MADE GLASS,  OF COURSE, LARGE AND 
 LEADED, AND ASHEN. A  BIT TOO DARK TO BE 
 PRACTICAL.   ON  THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE IS  PUBLICLY OPEN. THERE'S 
 A MUSEUM,  WITH  WAX FIGURES OF MY GREAT 
 GREAT GREAT  GRANDFATHER,  OR SOMETHING. 
 VARIOUS TOOLS (OR  REPLICAS) LAID OUT ON 
 TABLES,  WITH EXPLAINING TEXTS. A LOT OF 
 GLASS      OF     VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK OUT, AND CLIMB INTO  THE 
 OTHER    BUILDING.   THE   CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT   FOR  A  LONG   TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL   OVER  THE  FLOOR.  NO 
 ELECTRIC LIGHTS, BUT  I  CAN  SEE BY THE 
 LIGHT THAT SHINES IN  WHEREVER  THE DARK 
 WINDOWS    ARE    MISSING    A     PANE. 
                                          
 HOWEVER, THE GREATEST DIFFERENCE  IS THE 
 HIGHER FLOORS: THIS BUILDING  HAS  NONE. 
 IT IS  ONE MASSIVE HALL, STRETCHING AWAY 
 INFINITELY ABOVE ME. SOMEWHERE UP  THERE 
 IS  SOME  GREAT  IRON  LATTICEWORK, FROM 
 WHERE CHAINS  ARE SUSPENDED,  AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE IS, IN  THE MIDDLE  OF  THE  GREAT 
 HALL,   A  THIN  SPIRAL  STAIRCASE  THAT 
 LEADS UP THERE. I SNEAK OVER  THERE, AND 
 TAKE A FEW  RELUCTANT STEPS.  AFTER JUST 
 A REVOLUTION,  I  NOTICE  THAT  FOR EACH 
 STEP THE BUILDING STARTS  TO  GLOW,  THE 
 BRICKS  TURNING  A DARK  RED,  AND  THEN 
 ORANGE,  ALL THE  PILED UP  DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I  STOP  READY TO RUN DOWN  AND OUT, BUT 
 THERE'S  SOMEONE ELSE  ON  THE STAIRCASE 
 WITH   ME   NOW,  PRESSED  CLOSE.   HE'S 
 LOOKING  LIKE ME,  SHORT  HAIR AND  THIN 
 ARMS, BUT WITH  EARS FROM  SOME  ANIMAL, 
 AND MORE  DISTURBINGLY,  COMPLETELY MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR HOLDS  ME  IN  PLACE  WHILE  HE 
 STARTS  OPERATING LEVERS  AND  DIALS SET 
 IN THE CENTER  OF THE STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S   AN  ELEVATOR!  I   START  TO  RUN 
 DOWNWARDS,   BUT   NOW  THE  LIQUID  BOY 
 CREATURE  GRABS HOLD OF  ME.  I  TRY  TO 
 SHAKE HIM OFF, BUT HE'S TOO STRONG,  AND 
 PULLS    ME   BACK    UP   BESIDE   HIM. 
                                          
 THIS  TIME, I TURN  ANGRY INSTEAD.  WHAT 
 THE HELL? WHO  IS THIS GUY,  ACTING LIKE 
 THIS?  I REACH OUT MY FREE ARM  AND SLAM 
 A   RANDOM  LEVER.  SOME  METAL  BAR  IS 
 SUDDENLY RELEASED  BETWEEN  US,  HITTING 
 HIM  ON THE ARM,  FORCING  MY RELEASE. I 
 SHOVE HIM OFF OF  ME,  AND HE FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A  THIN  RUSTY   CHAINMAIL 
 CURTAIN  IS DROPPED AROUND  ME.  BUT THE 
 ELEVATOR ALSO  SPEEDS UP  SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE  FLARING  NOW,   YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE MY EYES  AND 
 CURL INTO A BALL.  BUT  THEN, THE  GLASS 
 BOY  SCREAMS,  A   PIERCING  SOUND  THAT 
 FORCES MY  EYES BACK OPEN. I WATCH AS HE 
 BECOMES TOO  LIQUID,  HIS  BODY  POOLING 
 DOWN IN HIS  NOW  MASSIVE TAIL,  AND THE 
 TIP OF IT  SUDDENLY BREAKS OF IN A GLASS 
 DROP  THAT  FALLS  TOWARD  THE   FACTORY 
 FLOOR.                                   
                                          
 HE'S  CRAWLING ON  THE STAIRS, UNABLE TO 
 KEEP  HIS BODY  UPRIGHT. CAN'T REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE HIS  BODY  IS  TURNING  INTO  DARK 
 PEARLS. FINALLY, HE'S LOST TOO  MUCH  OF 
 HIMSELF AND  THE  SCREAM IS  CUT  SHORT. 
 THE   LAST   OF    HIM    RAINS    DOWN. 
                                          
 I STILL  CAN'T  REACH  THE  LEVERS  FROM 
 WITHIN MY CAGE.  LOOKING UP,  I  TRY  TO 
 MAKE OUT  THE  CEILING,  BUT IT'S ALL  A 
 WHIRLING SEA OF COLOURS. BELOW  ME GLOWS 
 THE HELLFIRE OF  THE  FACTORY WALLS, BUT 
 VERY FAINT. I  SIT DOWN,  CURL BACK  UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE CLUNK  SHAKES  MY ENTIRE  BODY, 
 AND  SNAPS  ME BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL  MOVING   SLIGHTLY, 
 CLICKING IN PLACE,  CARRYING ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND   I  SLOWLY  DISMOUNT  THE   STAIRS. 
                                          
 SHAKING AND CRYING, I  MAKE  MY WAY OVER 
 THE FACTORY  FLOOR, WADING THROUGH  DARK 
 GLASS MARBLES.  A QUICK GLANCE DOWN, AND 
 I  SEE  THERE'S SOMETHING  FAINT  INSIDE 
 THEM.    EMBRYOS?   ARE    THESE   EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.