@##&¤$*«:¨ ¨:«*$¤#@
@@#&¤$*«:¨ ¨:«*$¤@@
#¤*::¨¨¨¨¨ ¨¨¨¨¨::*¤#
#@#&¤$*«:¨ ¨:«*$¤@#
#&¤**::¨¨¨ ¨¨¨::**¤
@@#&¤$*«:¨ train dream ¨:«*$¤@@
&$«¨¨¨¨¨¨¨ ######¨¨¨¨:«::¨¨##################### ¨¨¨¨¨¨¨«$&
##@#¤$*«:¨ *** ¨:«*$¤#@##
&$«««««¨¨¨ « ¨¨¨«««««$&
##@#&¤$*«¨ « ¨«*$¤@##
#@#&¤$*«:¨ ¨:«*$¤@#
@#&$«¨¨¨¨¨ (situation) ¨¨¨¨¨«$@
#&¤*:¨¨¨¨¨ ¨¨¨¨¨:*¤
&$$««:¨¨¨¨ you find yourself in a rift - a ¨¨¨¨:««$$&
#@#&¤$*«:¨ clearing, narrow but immeasurably long. ¨:«*$¤@#
#@#&¤$*«:¨ to your sides are walls made of trees, ¨:«*$¤@#
@&$««¨¨¨¨¨ thick and ready to swallow you. the sun ¨¨¨¨¨««$&@
#¤*:¨¨¨¨¨¨ is nowhere to be seen, but nontheless ¨¨¨¨¨¨:*¤#
@&$«¨¨¨¨¨¨ it is very bright - the air feels light ¨¨¨¨¨¨«$&@
&¤$*:¨¨¨¨¨ blue, almost white. ¨¨¨¨¨:*$¤&
#&$**:¨¨¨¨ ¨¨¨¨:**$
&¤¤*:¨¨¨¨¨ along the span of the clearing lay two ¨¨¨¨¨:*¤¤&
#@#&¤$*«:¨ parallel silvery lines, dark hard ¨:«*$¤@#
#@#&¤$*«:¨ metal. somehow you can see how heavy ¨:«*$¤@#
@@#&¤$*«:¨ they are. ¨:«*$¤@@
##¤*«::¨¨¨ ¨¨¨::«*¤##
#@#&¤$*«:¨ they emit a high pitched whine... ¨:«*$¤@#
@##&¤$*«:¨ ¨:«*$¤#@
&&&¤¤$*«:¨ « ¨:«*$¤¤&&&
#@#&¤$*«:¨ ¨¨$¨¨ ¨:«*$¤@#
@##&¤$*«:¨ « ¨:«*$¤#@
#@#&¤$*«:¨ ¨:«*$¤@#
@@#&¤$*«:¨ (situation) ¨:«*$¤@@
@&¤*::¨¨¨¨ ¨¨¨¨::*¤&@
#@#&¤$*«:¨ youre at the train station, on a ¨:«*$¤@#
&$$*:¨¨¨¨¨ catwalk above the rails. your train is ¨¨¨¨¨:*$$&
&¤$$«¨¨¨¨¨ late, or you are late to the train. ¨¨¨¨¨«$$¤&
###&¤$*«:¨ it's a summer afternoon and the station ¨:«*$¤##
#@#&¤$*«:¨ is busy, full of relaxed confidence. ¨:«*$¤@#
@&&&¤$*«:¨ ¨:«*$¤&&&@
##@&¤$*«:¨ you're in high spirits, although a bit ¨:«*$¤&@##
##@&¤$*«:¨ stressed about the time, while moving ¨:«*$¤&@##
@#&&¤$*«:¨ up the stairs to your platform. the ¨:«*$¤&@
#@#&¤$*«:¨ station is in several levels, all ¨:«*$¤@#
@@#&¤$*«:¨ placed within eachother by some ¨:«*$¤@@
&$$«¨¨¨¨¨¨ intelligent designer, and full of ¨¨¨¨¨¨«$$&
@&&&¤$*«:¨ stairs, elevators, shortcuts, ¨:«*$¤&&&@
##@&¤$*«:¨ bazaars... you sight your train through ¨:«*$¤&@##
#@#&¤$*«:¨ some glass windows. it's... not where ¨:«*$¤@#
##&¤¤$*«:¨ it's supposed to be? ¨:«*$¤¤#
#¤**:¨¨¨¨¨ ¨¨¨¨¨:**¤#
&&¤¤¤$*«:¨ « ¨:«*$¤¤¤&&
#@#&¤$*«:¨ ::¤:: ¨:«*$¤@#
##@&¤$*«:¨ « ¨:«*$¤&@##
##@#¤$*«:¨ ¨:«*$¤#@##
&&$**«¨¨¨¨ (situation) ¨¨¨¨«**$&&
#@#&¤$*«:¨ ¨:«*$¤@#
&&¤*«:¨¨¨¨ you're finally entering the city. while ¨¨¨¨:«*¤&&
&&¤****«:¨ it is indeed a very high speed train ¨:«****¤&&
##&&¤$*«:¨ you're traveling in, the journey has ¨:«*$¤&#
###&¤$*«:¨ been long. but it's about to end! ¨:«*$¤##
##¤*«¨¨¨¨¨ ¨¨¨¨¨«*¤##
#@#&¤$*«:¨ society is growing denser around you, ¨:«*$¤@#
#@#&¤$*«:¨ through the windows you see first small ¨:«*$¤@#
#¤*::¨¨¨¨¨ shacks, built of metal and stone, then ¨¨¨¨¨::*¤#
#@#&¤$*«:¨ proper houses with mortar to keep them ¨:«*$¤@#
&&$«:¨¨¨¨¨ together... who in turn make way for ¨¨¨¨¨:«$&&
#&&&¤$*«:¨ the industrial buildings, the urban ¨:«*$¤&&
#&¤¤¤$*«:¨ maze, protective walls, jungle ¨:«*$¤¤¤
#&¤*:::¨¨¨ network... ¨¨¨:::*¤
##@#&$*«:¨ ¨:«*$@##
#¤$«¨¨¨¨¨¨ the tracks leave the ground, which is ¨¨¨¨¨¨«$¤#
#@#&¤$*«:¨ needed for other purposes. you are ¨:«*$¤@#
##¤$$$*«:¨ carried gently, curving upwards until ¨:«*$$$¤##
##@#&¤$*«¨ you're moving upward along the wall of ¨«*$¤@##
##@#&$*«:¨ a building. it's made of slabby stone, ¨:«*$@##
@@#&¤$*«:¨ with great glassless window holes ¨:«*$¤@@
@&&&¤$*«:¨ looking out the way you came. it is ¨:«*$¤&&&@
&$*««¨¨¨¨¨ pitch black inside. ¨¨¨¨¨««*$&
##@#&¤*«:¨ ¨:«*¤@##
##@#¤$*«:¨ ¨:«*$¤#@##
#¤*««:::¨¨ ¨¨:::««*¤#
#&$$«¨¨¨¨¨ ¨¨¨¨¨«$$
#@#&¤$*«:¨ ¨:«*$¤@#