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¤.¤.¤..¤.¤ .LIZARDRY .¤.¤.¤.¤¤.
¤.¤.¤.¤¤.. « @ #@ ### ################## .¤.¤.¤..¤.
¤.¤.¤..¤.¤ ## THE ART OF C.NNECTING .¤.¤.¤.¤¤.
¤.¤.¤.¤¤.. . WITH THE OLD MIND .¤.¤.¤..¤.
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¤.¤.¤.¤¤.. MY MIND IS BEING SKEWED. MI .¤.¤.¤..¤.
¤.¤.¤..¤.¤ SKELETON IS STRINGY AND OLD AND ALIEN .¤.¤.¤.¤¤.
¤.¤.¤.¤¤.. THE SITUATION IS LITERALLY .¤.¤.¤..¤.
¤.¤.¤..¤.¤ PRESSED OUT THROUGH MY EYES, IT'S .¤.¤.¤.¤¤.
¤.¤.¤.¤¤.. ECHOING LIKE .¤.¤.¤..¤.
¤.¤.¤..¤.¤ THE SUNSET OF THE ETERNAL .¤.¤.¤.¤¤.
¤.¤.¤.¤¤.. OCEAN .¤.¤.¤..¤.
¤.¤.¤..¤.¤ PERSISTENTLY AGAINST MY EMULSION .¤.¤.¤.¤¤.
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¤.¤.¤..¤.¤ IT'S UNGRASPABLE TO ME, WHAT OTHER .¤.¤.¤.¤¤.
¤.¤.¤.¤¤.. HUMANS ARE DOING AND ABSTRACTING, .¤.¤.¤..¤.
¤.¤.¤..¤.¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? .¤.¤.¤.¤¤.
¤.¤.¤.¤¤.. HOW LONG A TIME HAS PASSED, FOR THEM? .¤.¤.¤..¤.
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¤.¤.¤..¤.¤ CONTINUOUSLY I'M CROWDING THROUGH .¤.¤.¤.¤¤.
¤.¤.¤.¤¤.. . THE FOURTH WALL .OUTWARDS IS WHAT . .¤.¤.¤..¤.
¤.¤.¤..¤.¤ .. I'M THINKING BUT IT'S WRONG.. A NEW .¤.¤.¤.¤¤.
¤.¤.¤.¤¤.. . . NARRATOR IS INTRODUCED, OCCASIONALLY .¤.¤.¤..¤.
¤.¤.¤..¤.¤ . . AWARE OF THE PREVIOUS ONE, DEEPER . .¤.¤.¤.¤¤.
¤.¤.¤.¤¤.. . . DOWN IN THE DRAGONS THROAT. .¤.¤.¤..¤.
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