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¤..¤..¤.¤. # ¤.¤¤.¤.¤.¤
.¤.¤¤.¤¤¤¤ .LIZARDRY ¤¤¤.¤¤¤¤¤¤
¤¤¤¤.¤¤... - # ## ### ################## ¤..¤¤.....
¤...¤¤.¤.. ## THE ART OF C.NNECTING .¤.¤.¤....
¤¤..¤.¤¤¤. . WITH THE OLD MIND ¤¤¤¤¤¤¤...
¤.¤.¤¤¤..¤ .......¤..
¤¤¤¤¤..¤.¤ MY MIND IS BEING SKEWED. MI .......¤¤.
¤....¤.¤¤¤ SKELETON IS STRINGY AND OLD AND ALIEN ¤......¤.¤
.¤...¤¤¤.. THE SITUATION IS LITERALLY ¤¤.....¤¤¤
¤¤¤..¤..¤. PRESSED OUT THROUGH MY EYES, IT'S ¤.¤....¤..
¤..¤.¤¤.¤¤ ECHOING LIKE ¤¤¤¤...¤¤.
¤¤.¤¤¤.¤¤. THE SUNSET OF THE ETERNAL ....¤..¤.¤
..¤¤..¤¤.¤ OCEAN ....¤¤.¤¤¤
¤.¤.¤.¤.¤¤ PERSISTENTLY AGAINST MY EMULSION ¤...¤.¤¤..
¤¤¤¤¤¤¤¤¤. .¤..¤¤¤.¤.
¤........¤ IT'S UNGRASPABLE TO ME, WHAT OTHER ¤¤¤.¤..¤¤¤
.¤.......¤ HUMANS ARE DOING AND ABSTRACTING, ¤..¤¤¤.¤..
.¤¤......¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¤¤.¤..¤¤¤.
.¤.¤.....¤ HOW LONG A TIME HAS PASSED, FOR THEM? ¤.¤¤¤.¤..¤
¤¤¤¤¤....¤ . .¤¤..¤¤¤.¤
.....¤...¤ . ... . ................ ####### .¤.¤.¤..¤¤
¤....¤¤..¤ CONTINUOUSLY I'M CROWDING THROUGH .¤¤¤¤¤¤.¤.
¤¤...¤.¤.¤ . THE FOURTH WALL .OUTWARDS IS WHAT . .¤.....¤¤¤
..¤..¤¤¤¤¤ .. I'M THINKING BUT IT'S WRONG.. A NEW .¤¤....¤..
..¤¤.¤.... . . NARRATOR IS INTRODUCED, OCCASIONALLY .¤.¤...¤¤.
..¤.¤¤¤... . . AWARE OF THE PREVIOUS ONE, DEEPER . ¤¤¤¤¤..¤.¤
¤.¤¤¤..¤.. . . DOWN IN THE DRAGONS THROAT. .....¤.¤¤¤
.¤¤..¤.¤¤. . ¤....¤¤¤..
.¤.¤.¤¤¤.¤ . .¤...¤..¤.
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