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....^«^§&£              .LIZARDRY                   £&§^«^....
.....^«^§& «           £ #£ ###  ################## &§^«^.....
......^«^§ ##      THE ART OF C^NNECTING            §^«^......
.......^«^        .    WITH THE OLD MIND            ^«^.......
........^«                                          «^........
.........^             MY MIND IS BEING SKEWED. MI  ^.........
..........  SKELETON IS STRINGY AND OLD AND ALIEN   ..........
..........             THE SITUATION IS LITERALLY   ..........
.......... PRESSED OUT THROUGH MY EYES, IT'S        ..........
.........^ ECHOING LIKE                             ^.........
........^«             THE SUNSET OF THE ETERNAL    «^........
.......^«^ OCEAN                                    ^«^.......
......^«^§         PERSISTENTLY AGAINST MY EMULSION §^«^......
.....^«^§&                                          &§^«^.....
....^«^§&£    IT'S UNGRASPABLE TO ME, WHAT OTHER    £&§^«^....
...^«^§&££   HUMANS ARE DOING AND ABSTRACTING,      ££&§^«^...
..^«^§&££#  AND ABOVE ALL ELSE, WHAT TIME THEY USE? #££&§^«^..
.^«^§&££## HOW LONG A TIME HAS PASSED, FOR THEM?    ##££&§^«^.
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...^«^§&££  . ... .  ................   £££££££     ££&§^«^...
....^«^§&£   CONTINUOUSLY I'M CROWDING THROUGH      £&§^«^....
.....^«^§& . THE FOURTH WALL  ^OUTWARDS IS WHAT   . &§^«^.....
......^«^§ .. I'M THINKING BUT IT'S WRONG.. A NEW   §^«^......
.......^«^ . . NARRATOR IS INTRODUCED, OCCASIONALLY ^«^.......
........^« ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER . «^........
.........^ ^   ^ DOWN IN THE DRAGONS THROAT.        ^.........
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