.¤..¤.¤.¤. ...¤..¤...
..¤....... ¤...¤..¤..
...¤...... .¤...¤..¤.
....¤..... ..¤...¤..¤
¤....¤.... ...¤...¤..
.¤....¤... delay delay d.la# ¤ %a. - .¶ - - ¤...¤...¤.
..¤....¤.. .¤...¤...¤
¤..¤....¤. ..¤...¤...
.¤..¤....¤ ¤..¤...¤..
..¤..¤.... .¤..¤...¤.
...¤..¤... "delay" means repetiton or likewise, ..¤..¤...¤
¤...¤..¤.. but it's mainly useless without ...¤..¤...
.¤...¤..¤. feedback, ¤...¤..¤..
..¤...¤..¤ to allow the delay to eat of it's own .¤...¤..¤.
...¤...¤.. tail, like one of those eaty serpents. ..¤...¤..¤
¤...¤...¤. thus: it's the serpent effect! ...¤...¤..
.¤...¤...¤ ....¤...¤.
..¤...¤... it's to be revered as a creator of .....¤...¤
¤..¤...¤.. ambience and of space, if you treat it ......¤...
.¤..¤...¤. right. a somewhat more solid and ¤......¤..
..¤..¤...¤ slippery sibling of reverb. ¤¤......¤.
...¤..¤... ¤¤¤......¤
¤...¤..¤.. ¤.¤¤......
.¤...¤..¤. ..¤¤¤.....
..¤...¤..¤ ..¤.¤¤....
...¤...¤.. ....¤¤¤...