#@#&¤*;=,¨ ¨,=;*¤@#
@@#&¤*;=,¨ ¨,=;*¤@@
#@#&¤*;=,¨ ¨,=;*¤@#
@#&**=,¨¨¨ ¨¨¨,=**@
#@#&¤*;=,¨ ¨,=;*¤@#
#&&&¤*;=,¨ delay delay d¨la@ & *a¨ , ¨# = , ¨,=;*¤&&
&¤**;==,¨¨ ¨¨,==;**¤&
##@#&¤*;,¨ ¨,;*¤@##
###&¤*;=,¨ ¨,=;*¤##
@@#&¤*;=,¨ ¨,=;*¤@@
#¤;,¨¨¨¨¨¨ "delay" means repetiton or likewise, ¨¨¨¨¨¨,;¤#
&*;;,¨¨¨¨¨ but it's mainly useless without ¨¨¨¨¨,;;*&
@@#&¤*;=,¨ feedback, ¨,=;*¤@@
&*==¨¨¨¨¨¨ to allow the delay to eat of it's own ¨¨¨¨¨¨==*&
@&&¤¤*;=,¨ tail, like one of those eaty serpents. ¨,=;*¤¤&&@
##@#&¤*;=¨ thus: it's the serpent effect! ¨=;*¤@##
@#¤¤;=¨¨¨¨ ¨¨¨¨=;¤¤#@
##@&¤*;=,¨ it's to be revered as a creator of ¨,=;*¤&@##
#@#&¤*;=,¨ ambience and of space, if you treat it ¨,=;*¤@#
#@#&¤*;=,¨ right. a somewhat more solid and ¨,=;*¤@#
#@#&¤*;=,¨ slippery sibling of reverb. ¨,=;*¤@#
#@#&¤*;=,¨ ¨,=;*¤@#
#@#&¤*;=,¨ ¨,=;*¤@#
@&&*=,¨¨¨¨ ¨¨¨¨,=*&&@
#@#&¤*;=,¨ ¨,=;*¤@#
#¤¤;=,,¨¨¨ ¨¨¨,,=;¤¤#