¨,~:†%####                                          ####%†:~,¨
,~:†%#@###                                          ###@#%†:~,
¨,~:†%#@##                                          ##@#%†:~,¨
¨,~†%#@###                                          ###@#%†~,¨
¨¨¨¨,~:%##                                          ##%:~,¨¨¨¨
¨¨¨¨,::%#@ delay  delay  d¨la#  # †a¨  , ¨@   ~   , @#%::,¨¨¨¨
¨,~:†%#@@@                                          @@@#%†:~,¨
¨,~:†%#@##                                          ##@#%†:~,¨
¨,~:†%%%@#                                          #@%%%†:~,¨
¨,~:†%#@##                                          ##@#%†:~,¨
¨,~:†%#@## "delay" means repetiton or likewise,     ##@#%†:~,¨
¨,~:†%#@## but it's mainly useless without          ##@#%†:~,¨
¨,~:†%#### feedback,                                ####%†:~,¨
¨,~::†††#@ to allow the delay to eat of it's own    @#†††::~,¨
¨,~:%#@### tail, like one of those eaty serpents.   ###@#%:~,¨
¨,~:†%%%## thus: it's the serpent effect!           ##%%%†:~,¨
¨¨¨¨~~~†##                                          ##†~~~¨¨¨¨
¨,~:†%#@## it's to be revered as a creator of       ##@#%†:~,¨
¨,~:†%###@ ambience and of space, if you treat it   @###%†:~,¨
¨,~:†%#@@@ right. a somewhat more solid and         @@@#%†:~,¨
¨,~:†%#@## slippery sibling of reverb.              ##@#%†:~,¨
¨,~:†%#@##                                          ##@#%†:~,¨
¨,~:†%#@##                                          ##@#%†:~,¨
¨,~:†%#@##                                          ##@#%†:~,¨
¨¨¨~~~:†%@                                          @%†:~~~¨¨¨
¨,~:†%#@##                                          ##@#%†:~,¨