@§*%;=,,,, ,,,,=;%*§@
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@§*%;=,,,, ,,,,=;%*§@
#@§*%;=,,, ,,,=;%*§@#
##@§*%;=,, ,,=;%*§@##
#@§*%;=,,, Delay Delay D,La# § %A, , ,@ = , ,,,=;%*§@#
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#@§*%;=,,, ,,,=;%*§@#
##@§*%;=,, "Delay" Means Repetiton Or Likewise, ,,=;%*§@##
#@§*%;=,,, But It'S Mainly Useless Without ,,,=;%*§@#
@§*%;=,,,, Feedback, ,,,,=;%*§@
§*%;=,,,,, To Allow The Delay To Eat Of It'S Own ,,,,,=;%*§
@§*%;=,,,, Tail, Like One Of Those Eaty Serpents. ,,,,=;%*§@
#@§*%;=,,, Thus: It'S The Serpent Effect! ,,,=;%*§@#
##@§*%;=,, ,,=;%*§@##
#@§*%;=,,, It'S To Be Revered As A Creator Of ,,,=;%*§@#
@§*%;=,,,, Ambience And Of Space, If You Treat It ,,,,=;%*§@
§*%;=,,,,, Right. A Somewhat More Solid And ,,,,,=;%*§
@§*%;=,,,, Slippery Sibling Of Reverb. ,,,,=;%*§@
#@§*%;=,,, ,,,=;%*§@#
##@§*%;=,, ,,=;%*§@##
#@§*%;=,,, ,,,=;%*§@#
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