##@£@*^«:, ,:«^*@£@##
##@£@*^«:, ,:«^*@£@##
@@£§@*^«:, ,:«^*@§£@@
@£§*««,,,, ,,,,««*§£@
##@£§@*^«, ,«^*@§£@##
#@£§@*^«:, delay delay d,la@ § *a, : ,£ « : ,:«^*@§£@#
££§§@*^«:, ,:«^*@§§££
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£@@**^^«:, ,:«^^**@@£
#@£§@*^«:, ,:«^*@§£@#
#@£§@*^«:, "delay" means repetiton or likewise, ,:«^*@§£@#
##£§@*^«:, but it's mainly useless without ,:«^*@§£##
£§@@@*^«:, feedback, ,:«^*@@@§£
£§@**^::,, to allow the delay to eat of it's own ,,::^**@§£
§§@***^«:, tail, like one of those eaty serpents. ,:«^***@§§
§@*«:,,,,, thus: it's the serpent effect! ,,,,,:«*@§
@§**^::::, ,::::^**§@
#@£§@*^«:, it's to be revered as a creator of ,:«^*@§£@#
#@£§@*^«:, ambience and of space, if you treat it ,:«^*@§£@#
#@£§@*^«:, right. a somewhat more solid and ,:«^*@§£@#
££§§@*^«:, slippery sibling of reverb. ,:«^*@§§££
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@£§**««,,, ,,,««**§£@
#@£§@*^«:, ,:«^*@§£@#
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#@£§@*^«:, ,:«^*@§£@#