,~»^%¤¤£## ##£¤¤%^»~,
,,~»^%¤¤£# #£¤¤%^»~,,
,~»^%¤¤£## ##£¤¤%^»~,
,,~»^%¤¤£# #£¤¤%^»~,,
,~»^%¤¤£## ##£¤¤%^»~,
,,~»^%¤¤£# Delay Delay D,La# ¤ %A, ~ ,£ » ~ #£¤¤%^»~,,
,~»^%¤¤£## ##£¤¤%^»~,
,,~»^%¤¤£# #£¤¤%^»~,,
,~»^%¤¤£## ##£¤¤%^»~,
,,~»^%¤¤£# #£¤¤%^»~,,
,~»^%¤¤£## "Delay" Means Repetiton Or Likewise, ##£¤¤%^»~,
,,~»^%¤¤£# But It'S Mainly Useless Without #£¤¤%^»~,,
,~»^%¤¤£## Feedback, ##£¤¤%^»~,
,,~»^%¤¤£# To Allow The Delay To Eat Of It'S Own #£¤¤%^»~,,
,~»^%¤¤£## Tail, Like One Of Those Eaty Serpents. ##£¤¤%^»~,
,,~»^%¤¤£# Thus: It'S The Serpent Effect! #£¤¤%^»~,,
,~»^%¤¤£## ##£¤¤%^»~,
,,~»^%¤¤£# It'S To Be Revered As A Creator Of #£¤¤%^»~,,
,~»^%¤¤£## Ambience And Of Space, If You Treat It ##£¤¤%^»~,
,,~»^%¤¤£# Right. A Somewhat More Solid And #£¤¤%^»~,,
,~»^%¤¤£## Slippery Sibling Of Reverb. ##£¤¤%^»~,
,,~»^%¤¤£# #£¤¤%^»~,,
,~»^%¤¤£## ##£¤¤%^»~,
,,~»^%¤¤£# #£¤¤%^»~,,
,~»^%¤¤£## ##£¤¤%^»~,
,,~»^%¤¤£# #£¤¤%^»~,,