&*†««-,,,, ,,,,-««†*&
##¶&*%†«-, ,-«†%*&¶##
&&%%«,,,,, ,,,,,«%%&&
@@¶&*%†«-, ,-«†%*&¶@@
&%«««----, ,----«««%&
##@¶&*%†-, delay delay d,la@ & %a, - ,¶ « - ,-†%*&¶@##
&&%«-,,,,, ,,,,,-«%&&
#@¶&*%†«-, ,-«†%*&¶@#
##@¶&*†«-, ,-«†*&¶@##
#@¶&*%†«-, ,-«†%*&¶@#
#@¶&*%†«-, "delay" means repetiton or likewise, ,-«†%*&¶@#
@@¶&*%†«-, but it's mainly useless without ,-«†%*&¶@@
#@¶&*%†«-, feedback, ,-«†%*&¶@#
&%««,,,,,, to allow the delay to eat of it's own ,,,,,,««%&
@¶*%%«,,,, tail, like one of those eaty serpents. ,,,,«%%*¶@
&*††««,,,, thus: it's the serpent effect! ,,,,««††*&
&%%†-,,,,, ,,,,,-†%%&
¶****%†«-, it's to be revered as a creator of ,-«†%****¶
##@¶&*%†«, ambience and of space, if you treat it ,«†%*&¶@##
¶&%««--,,, right. a somewhat more solid and ,,,--««%&¶
&*†††«,,,, slippery sibling of reverb. ,,,,«†††*&
&&%«-,,,,, ,,,,,-«%&&
¶**%«--,,, ,,,--«%**¶
#@¶&*%†«-, ,-«†%*&¶@#
#@¶&*%†«-, ,-«†%*&¶@#
&&%«-,,,,, ,,,,,-«%&&