..~»=^$£@@ @@£$^=»~..
...~»=^$£@ @£$^=»~...
....~»=^$£ £$^=»~....
.....~»=^$ $^=»~.....
....~»=^$£ £$^=»~....
...~»=^$£@ delay delay d.la@ £ ^a. ~ .@ » ~ @£$^=»~...
..~»=^$£@@ @@£$^=»~..
.~»=^$£@@# #@@£$^=»~.
..~»=^$£@@ @@£$^=»~..
...~»=^$£@ @£$^=»~...
....~»=^$£ "delay" means repetiton or likewise, £$^=»~....
.....~»=^$ but it's mainly useless without $^=»~.....
....~»=^$£ feedback, £$^=»~....
...~»=^$£@ to allow the delay to eat of it's own @£$^=»~...
..~»=^$£@@ tail, like one of those eaty serpents. @@£$^=»~..
.~»=^$£@@# thus: it's the serpent effect! #@@£$^=»~.
..~»=^$£@@ @@£$^=»~..
...~»=^$£@ it's to be revered as a creator of @£$^=»~...
....~»=^$£ ambience and of space, if you treat it £$^=»~....
.....~»=^$ right. a somewhat more solid and $^=»~.....
....~»=^$£ slippery sibling of reverb. £$^=»~....
...~»=^$£@ @£$^=»~...
..~»=^$£@@ @@£$^=»~..
.~»=^$£@@# #@@£$^=»~.
..~»=^$£@@ @@£$^=»~..
...~»=^$£@ @£$^=»~...