,~-//^¤### ###¤^//-~,
,,,,,,-^^# #^^-,,,,,,
,,,,~-^### ###^-~,,,,
,,,~///¤## ##¤///~,,,
,~-/^¤#### ####¤^/-~,
,,,,-/¤¤¤# delay delay d,la# # ^a, ~ ,# - ~ #¤¤¤/-,,,,
,~-/^¤#### ####¤^/-~,
,,,--/¤¤## ##¤¤/--,,,
,~-/^¤#### ####¤^/-~,
,,,,~/^¤## ##¤^/~,,,,
,~-/^¤#### "delay" means repetiton or likewise, ####¤^/-~,
,~-/^¤#### but it's mainly useless without ####¤^/-~,
,~-/^¤#### feedback, ####¤^/-~,
,~-/^¤#### to allow the delay to eat of it's own ####¤^/-~,
,~-/^¤#### tail, like one of those eaty serpents. ####¤^/-~,
,~-/^¤#### thus: it's the serpent effect! ####¤^/-~,
,~-/^¤#### ####¤^/-~,
,,,,,,~/¤# it's to be revered as a creator of #¤/~,,,,,,
,,,~~~/^¤# ambience and of space, if you treat it #¤^/~~~,,,
,,,,,,~/¤# right. a somewhat more solid and #¤/~,,,,,,
,,~~--^¤## slippery sibling of reverb. ##¤^--~~,,
,~-/^¤#### ####¤^/-~,
,~-/^¤¤¤## ##¤¤¤^/-~,
,~-/^¤#### ####¤^/-~,
,,,,,~//^# #^//~,,,,,
,~-^¤##### #####¤^-~,