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¨.»^†&@£##             & DREAM PALACE &             ##£@&†^».¨
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¨¨¨»»†&&££ NOT ACTUALLY  A PALACE. A COTTAGE IN THE ££&&†»»¨¨¨
¨.»^^^^^†@   WOODS (TEMPERATE CLIMATE, RAINS EVERY  @†^^^^^».¨
¨.»^†@£### OTHER   DAY,  SPRINGS  AND  STREAMS  AND ###£@†^».¨
¨¨¨¨»†††&@   MYSTERIOUS IRON AND STONE ARTIFACTS,   @&†††»¨¨¨¨
¨.»^†&&@£#     BIRDLAND-ISH ETERNAL SPRING (LATE    #£@&&†^».¨
¨¨¨¨¨¨.^&@                 SPRING))                 @&^.¨¨¨¨¨¨
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¨.»^†&&@££ I WAKE UP EVERY MORNING  AT SIX AM. IT'S ££@&&†^».¨
¨¨¨¨¨¨.^&£ DARK,  AND  THE STARS  ARE OUT,  BUT THE £&^.¨¨¨¨¨¨
¨.»^†&@£## SUN IS  ABOUT  TO RISE. ITS  A LONG DAY, ##£@&†^».¨
¨.»^†&@@@@ BEFORE  IT  FADES  TO NIGHT  AGAIN,  AND @@@@&†^».¨
¨.»^†&@£## THEN  IT STAYS SO  UNTIL  I FALL ASLEEP. ##£@&†^».¨
¨¨..»^&&@# IT  DOESN'T  RISE  UNLESS  I'VE  HAD  MY #@&&^»..¨¨
¨.»^†&@£##                  DREAMS.                 ##£@&†^».¨
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¨.»^†&&@£#                     †                    #£@&&†^».¨
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¨.»^††&&£# IN  THIS COTTAGE THERE'S A LOT  OF RADIO #£&&††^».¨
¨.»^†&£###   EQUIPMENT, SOUND STUFF, SYNTHS, TAPE   ###£&†^».¨
¨.»^†&@£## PLAYERS. PEN AND PAPER,  BOOKS, CAMERAS, ##£@&†^».¨
¨.»^†&@@@# MIRRORS, PRISMS, AND VARIOUS  THINGS  TO #@@@&†^».¨
¨.»^^^†@@@ DO ART WITH.  THE FRIDGE IS  FILLED WITH @@@†^^^».¨
¨¨¨¨¨.^&@@ DIFFERET  FOODS, ALL OF THEM INTRIGUING, @@&^.¨¨¨¨¨
¨.»^†&@£##              SLIGHTLY WEIRD.             ##£@&†^».¨
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¨.»^†&@£## I  HAVE FRIENDS  - THERE'S A  CAT, AND A ##£@&†^».¨
¨.»^†&@£## DOG   (WHO  IS  RIDICOLOUSLY  LARGE  AND ##£@&†^».¨
¨¨¨.»»†@@@ WANTS TO  BE THE BIG SPOON). I LISTEN TO @@@†»».¨¨¨
¨.»^†&@££# THE SHORTWAVE RADIO, AND TRANSMIT A  BIT #££@&†^».¨
¨.»^†&@£## MYSELF,  SONGS  AND  POETRY,  AND  FOUND ##£@&†^».¨
¨.»^†@£### SOUNDS FROM THE  FOREST. THE OTHERS TELL ###£@†^».¨
¨.»^†&@£## OF  THEIR LIVES, PLAY THE GUITAR FOR ME, ##£@&†^».¨
¨¨¨¨.»»^&£ AND TELL  TALES  OF  THE  OLD  WORLD.  I £&^»».¨¨¨¨
¨.»^†&@£##      CONSIDER THEM FRIENDS AS WELL.      ##£@&†^».¨
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¨.»^†&@£##                    £                     ##£@&†^».¨
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¨¨¨¨..»†&@ MOST  IMPORTANTLY, THERE'S A  TWO SQUARE @&†»..¨¨¨¨
¨.»^†&@£## METER AREA  ON THE  FLOOR  WHERE  I  CAN ##£@&†^».¨
¨¨¨¨»^&@@# "SAVE"  THINGS. WHATEVER  I PUT IN  HERE #@@&^»¨¨¨¨
¨¨¨¨.^†&£# WILL  NOT  BE  AFFECTED BY  THE  NIGHTLY #£&†^.¨¨¨¨
¨¨..»^&&@£   RESET. EVERYTHING ELSE, HOWEVER, IS    £@&&^»..¨¨
¨.»^†&@£##    COMPLETELY RESET OVERNIGHT: SYNTH     ##£@&†^».¨
¨.»^†&@£££  PATCHES REMOVED, FOOD UNEATEN, WOUNDS   £££@&†^».¨
¨¨..^^^&££ HEALED, AND WHEREVER  AND  WHENEVER  I'D ££&^^^..¨¨
¨.»^†&@### FALL ASLEEP  I'D  ALWAYS WAKE  UP  FULLY ###@&†^».¨
¨.»^†&£### RESTED  IN  MY  BED.  SOMETIMES  THERE'S ###£&†^».¨
¨.»^†&@£## ACCIDENTS   WHERE  I   LOSE   STUFF   BY ##£@&†^».¨
¨¨¨¨»††&@£ FORGETTING  TO PUT THEM  IN THE  SQUARE. £@&††»¨¨¨¨
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¨.»^†&@£##                    ¨                     ##£@&†^».¨
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¨¨¨¨¨.^&£# AT  NIGHT,   I  HAVE  DEMI-LUCID  DREAMS #£&^.¨¨¨¨¨
¨.»^†&@£## WHERE THE  SPIRITS OF  THE FOREST AROUND ##£@&†^».¨
¨¨¨¨...^&@ THE  COTTAGE TRIES TO COMMUNICATE. HERE, @&^...¨¨¨¨
¨¨¨¨»††@££ IT'S NOT  ENDLESS  BUT  CONNECTED  TO  A ££@††»¨¨¨¨
¨.»^†††@@# LARGE  SPRAWLING  CITY,  WHERE  MY RADIO #@@†††^».¨
¨¨¨¨¨»»†&£ FRIENDS LIVE.  WE GO EXPLORING  TOGETHER £&†»»¨¨¨¨¨
¨.»^†&@£## - THINGS ARE DEEP AND DARK - BUT  UNLIKE ##£@&†^».¨
¨¨¨¨¨¨»†@£ ME, THEY  NEVER REMEMBER DURING THE DAY. £@†»¨¨¨¨¨¨
¨.»^†&@£## THIS  IS  A  MYSTERY WE  OFTEN  DISCUSS. ##£@&†^».¨
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