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.......@.. @@@@ ##### ...@......
........@. TAPE DREAM ....@.....
.........@ #### @@@@@ @....@....
.......... @@....@...
.......... FOR STORING MUSIC ON. ALSO DATA BUT @@@....@..
.......... AT THIS POINT IN TIME THAT'S NOT @.@@....@.
.......... REALLY IMPORTANT I THINK. ..@@@....@
@......... ..@.@@....
.@........ ....@@@...
..@....... †††††††† TYPES OF TAPE †††††††† ....@.@@..
...@...... @.....@@@.
....@..... CLASS I - "BAD" IRON @@....@.@@
@....@.... CLASS II - GOOD CHROMIUM .@@.....@@
@@....@... CLASS III - BAD IRON PART TWO .@@@....@.
@@@....@.. CLASS IV - DANGEROUS METALS .@.@@.....
@.@@....@. ...@@@....
..@@@....@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE ...@.@@...
..@.@@.... THAT IS ACTUALLY USEFUL. @....@@@..
....@@@... @@...@.@@.
....@.@@.. †† BIAS †† .@@....@@@
@.....@@@. .@@@...@.@
@@....@.@@ CLASS I USES ONE HUNDRED AND TWENTY .@.@@....@
.@@.....@@ MICRO-SOMETHING WHILE THE OTHERS ALL ...@@@...@
.@@@....@. USE SEVENTY OF THE SAME UNIT. ...@.@@...
.@.@@..... @....@@@..
...@@@.... .@...@.@@.
...@.@@... %%%%%%%%% AHA AND %%%%%%%%% ..@....@@@
@....@@@.. @..@...@.@
@@...@.@@. CLASS IV IS APPARENTLY TOO STRONG TO .@..@....@
.@@....@@@ BE USED ON CLASS I PLAYERS. IT WILL ..@..@...@
.@@@...@.@ SOUND TOO LOUND AND IT CANNOT BE @..@..@...
.@.@@....@ COMPLETELY ERASED. THIS IS VERY WELL. .@..@..@..
...@@@...@ MAYBE SOME WONDERFUL BLENDING EFFECTS ..@..@..@.
...@.@@... COULD BE ACHIEVED? ...@..@..@
@....@@@.. @...@..@..
.@...@.@@. THEY ALSO GNAW AT THE TAPE HEADS A BIT @@...@..@.
..@....@@@ BETTER THAN EARLIER TAPE TYPES. .@@...@..@
@..@...@.@ .@@@...@..
.@..@....@ .@.@@...@.
..@..@...@ †††††††† ARTIFACTS †††††††† ...@@@...@
@..@..@... ...@.@@...
.@..@..@.. GOOD TAPES ARE DECENT AND HAVE A GOOD .....@@@..
..@..@..@. HIGH FREQUENCY PRESENCE, BAD TAPES ARE .....@.@@.
...@..@..@ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA .......@@@
@...@..@.. LIKE IT. .......@.@
@@...@..@. @........@
.@@...@..@ BIAS LOSS: IF YOU FORGET THE BIAS WHO .@.......@
.@@@...@.. KNOWS WHATS EVEN ON THERE ANYMORE ..@.......
.@.@@...@. ...@......
...@@@...@ FLUTTER: KINDA QUICK PITCH VARIATIONS. ....@.....
...@.@@... BEAUTIFUL, WONDERFUL, EXTRAORDINARY. .....@....
.....@@@.. ......@...
.....@.@@. WOW: A SLOWER FLUTTER, USUALLY SEVERAL .......@..
.......@@@ SECONDS LONG. WHAT UP. BOTH OF THESE ........@.
.......@.@ INCREASE WHEN TAPE SPEED DECREASES. .........@
@........@ ..........
.@.......@ PRINT THROUGH: TAPES RUB SOUND ON EACH ..........
..@....... OTHER IF THEYRE ALONE FOR TOO LONG ..........
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