.~»**$¤@## ##@¤$**»~.
......~**¤ ¤**~......
.»**$¤@### ###@¤$**».
...~»**¤@# #@¤**»~...
.~»**$¤@## ##@¤$**»~.
.~»**$¤@## #### ##### ##@¤$**»~.
.....»**$@ TAPE DREAM @$**».....
.~»**$¤@## #### ##### ##@¤$**»~.
.....»»*¤# #¤*»».....
.~~»****¤@ FOR STORING MUSIC ON. ALSO DATA BUT @¤****»~~.
.~»**$¤@## AT THIS POINT IN TIME THAT'S NOT ##@¤$**»~.
.....~**$¤ REALLY IMPORTANT I THINK. ¤$**~.....
.~»**$¤@## ##@¤$**»~.
.~»**$¤@## ##@¤$**»~.
.~»**$¤@## ******** TYPES OF TAPE ******** ##@¤$**»~.
...~***$¤# #¤$***~...
......»*$¤ CLASS I - "BAD" IRON ¤$*»......
.~»**$¤@@@ CLASS II - GOOD CHROMIUM @@@¤$**»~.
.~»***$$¤¤ CLASS III - BAD IRON PART TWO ¤¤$$***»~.
..~~***$¤¤ CLASS IV - DANGEROUS METALS ¤¤$***~~..
.~»**$¤@## ##@¤$**»~.
.~»**$@### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###@$**»~.
.~»**$¤@## THAT IS ACTUALLY USEFUL. ##@¤$**»~.
.~»**$¤@## ##@¤$**»~.
.~»**$¤¤¤# ** BIAS ** #¤¤¤$**»~.
....~**$$@ @$$**~....
.~»**$¤@@# CLASS I USES ONE HUNDRED AND TWENTY #@@¤$**»~.
.~»**$¤@## MICRO-SOMETHING WHILE THE OTHERS ALL ##@¤$**»~.
.~~~»***$@ USE SEVENTY OF THE SAME UNIT. @$***»~~~.
.~»**$¤¤¤@ @¤¤¤$**»~.
...~**$$@@ @@$$**~...
.~»**$¤@## ********* AHA AND ********* ##@¤$**»~.
.~»**$$$@# #@$$$**»~.
.~»**$¤@## CLASS IV IS APPARENTLY TOO STRONG TO ##@¤$**»~.
.~»**$$$@@ BE USED ON CLASS I PLAYERS. IT WILL @@$$$**»~.
.~»**$¤@## SOUND TOO LOUND AND IT CANNOT BE ##@¤$**»~.
....~»»*¤# COMPLETELY ERASED. THIS IS VERY WELL. #¤*»»~....
.~~~****¤# MAYBE SOME WONDERFUL BLENDING EFFECTS #¤****~~~.
.~»**$¤@## COULD BE ACHIEVED? ##@¤$**»~.
.~»**$¤@## ##@¤$**»~.
.~»**$$$@@ THEY ALSO GNAW AT THE TAPE HEADS A BIT @@$$$**»~.
....~»*¤@# BETTER THAN EARLIER TAPE TYPES. #@¤*»~....
.~~~»*$¤@@ @@¤$*»~~~.
.~»**$¤@## ##@¤$**»~.
....~*$$@@ ******** ARTIFACTS ******** @@$$*~....
.~»***$¤¤@ @¤¤$***»~.
....~~*$$¤ GOOD TAPES ARE DECENT AND HAVE A GOOD ¤$$*~~....
.~»**$¤@@@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @@@¤$**»~.
...~»»*$$¤ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ¤$$*»»~...
.....~~**¤ LIKE IT. ¤**~~.....
.~»**$¤¤@# #@¤¤$**»~.
.~»**$¤@## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##@¤$**»~.
.~»**$¤@## KNOWS WHATS EVEN ON THERE ANYMORE ##@¤$**»~.
.~»**$¤@## ##@¤$**»~.
.~»**$¤@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@¤$**»~.
.~»**$¤@## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##@¤$**»~.
......~»*¤ ¤*»~......
.~»**$¤@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@¤$**»~.
...~»»»*¤¤ SECONDS LONG. WHAT UP. BOTH OF THESE ¤¤*»»»~...
.~»**$¤¤¤¤ INCREASE WHEN TAPE SPEED DECREASES. ¤¤¤¤$**»~.
.~»**¤@### ###@¤**»~.
.~»**$¤### PRINT THROUGH: TAPES RUB SOUND ON EACH ###¤$**»~.
.....»*$$@ OTHER IF THEYRE ALONE FOR TOO LONG @$$*».....
.~»***$$¤# #¤$$***»~.
.~»**$¤@## ##@¤$**»~.
.~»**$¤@## ##@¤$**»~.
.~»**$¤@## ##@¤$**»~.
.~»**$¤@## ##@¤$**»~.
.....»*$@# #@$*».....