.¤.¤¤¤..¤¤ ¤¤¤..¤..¤¤
¤¤¤¤..¤.¤. ¤..¤.¤¤.¤.
¤...¤.¤¤¤¤ ¤¤.¤¤¤.¤¤¤
.¤..¤¤¤... ¤.¤¤..¤¤..
.¤¤.¤..¤.. ¤¤¤.¤.¤.¤.
.¤.¤¤¤.¤¤. #### ##### ¤..¤¤¤¤¤¤¤
¤¤¤¤..¤¤.¤ TAPE DREAM .¤.¤......
¤...¤.¤.¤¤ #### ##### .¤¤¤¤.....
¤¤..¤¤¤¤¤. ¤¤...¤....
¤.¤.¤....¤ FOR STORING MUSIC ON. ALSO DATA BUT ..¤..¤¤...
¤¤¤¤¤¤...¤ AT THIS POINT IN TIME THAT'S NOT ¤.¤¤.¤.¤..
¤.....¤..¤ REALLY IMPORTANT I THINK. .¤¤.¤¤¤¤¤.
¤¤....¤¤.¤ .¤.¤¤....¤
..¤...¤.¤¤ .¤¤¤.¤...¤
¤.¤¤..¤¤¤. ======== TYPES OF TAPE ======== ¤¤..¤¤¤..¤
.¤¤.¤.¤..¤ ¤.¤.¤..¤.¤
¤¤.¤¤¤¤¤.¤ CLASS I - "BAD" IRON .¤¤¤¤¤.¤¤¤
..¤¤....¤¤ CLASS II - GOOD CHROMIUM .¤....¤¤..
..¤.¤...¤. CLASS III - BAD IRON PART TWO .¤¤...¤.¤.
..¤¤¤¤..¤¤ CLASS IV - DANGEROUS METALS .¤.¤..¤¤¤¤
¤.¤...¤.¤. .¤¤¤¤.¤...
¤¤¤¤..¤¤¤¤ RUMORS EXIST ABOUT A SECRET CLASS V TAPE ¤¤...¤¤¤..
¤...¤.¤... THAT IS ACTUALLY USEFUL. ¤.¤..¤..¤.
¤¤..¤¤¤¤.. ¤¤¤¤.¤¤.¤¤
..¤.¤...¤. == BIAS == ....¤¤.¤¤.
..¤¤¤¤..¤¤ ....¤.¤¤.¤
¤.¤...¤.¤. CLASS I USES ONE HUNDRED AND TWENTY ....¤¤¤.¤¤
.¤¤¤..¤¤¤¤ MICRO-SOMETHING WHILE THE OTHERS ALL ....¤..¤¤.
.¤..¤.¤... USE SEVENTY OF THE SAME UNIT. ....¤¤.¤.¤
¤¤¤.¤¤¤¤.. ....¤.¤¤¤¤
...¤¤...¤. ¤...¤¤¤...
...¤.¤..¤¤ ********* AHA AND ********* .¤..¤..¤..
...¤¤¤¤.¤. ¤¤¤.¤¤.¤¤.
...¤...¤¤¤ CLASS IV IS APPARENTLY TOO STRONG TO ¤..¤¤.¤¤.¤
¤..¤¤..¤.. BE USED ON CLASS I PLAYERS. IT WILL ¤¤.¤.¤¤.¤¤
.¤.¤.¤.¤¤. SOUND TOO LOUND AND IT CANNOT BE ¤.¤¤¤¤.¤¤.
.¤¤¤¤¤¤¤.¤ COMPLETELY ERASED. THIS IS VERY WELL. .¤¤...¤¤.¤
¤¤......¤¤ MAYBE SOME WONDERFUL BLENDING EFFECTS .¤.¤..¤.¤¤
..¤.....¤. COULD BE ACHIEVED? .¤¤¤¤.¤¤¤.
..¤¤....¤¤ .¤...¤¤..¤
¤.¤.¤...¤. THEY ALSO GNAW AT THE TAPE HEADS A BIT .¤¤..¤.¤.¤
.¤¤¤¤¤..¤¤ BETTER THAN EARLIER TAPE TYPES. ¤¤.¤.¤¤¤¤¤
¤¤....¤.¤. ..¤¤¤¤....
¤.¤...¤¤¤¤ ..¤...¤...
¤¤¤¤..¤... ======== ARTIFACTS ======== ¤.¤¤..¤¤..
¤...¤.¤¤.. ¤¤¤.¤.¤.¤.
¤¤..¤¤¤.¤. GOOD TAPES ARE DECENT AND HAVE A GOOD ¤..¤¤¤¤¤¤¤
..¤.¤..¤¤¤ HIGH FREQUENCY PRESENCE, BAD TAPES ARE ¤¤.¤......
..¤¤¤¤.¤.. LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ¤.¤¤¤.....
..¤...¤¤¤. LIKE IT. .¤¤..¤....
..¤¤..¤..¤ ¤¤.¤.¤¤...
..¤.¤.¤¤.¤ BIAS LOSS: IF YOU FORGET THE BIAS WHO ¤.¤¤¤¤.¤..
..¤¤¤¤¤.¤¤ KNOWS WHATS EVEN ON THERE ANYMORE .¤¤...¤¤¤.
..¤....¤¤. ¤¤.¤..¤..¤
¤.¤¤...¤.¤ FLUTTER: KINDA QUICK PITCH VARIATIONS. ¤.¤¤¤.¤¤.¤
.¤¤.¤..¤¤¤ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. .¤¤..¤¤.¤¤
¤¤.¤¤¤.¤.. .¤.¤.¤.¤¤.
¤.¤¤..¤¤¤. WOW: A SLOWER FLUTTER, USUALLY SEVERAL .¤¤¤¤¤¤¤.¤
.¤¤.¤.¤..¤ SECONDS LONG. WHAT UP. BOTH OF THESE .¤......¤¤
¤¤.¤¤¤¤¤.¤ INCREASE WHEN TAPE SPEED DECREASES. .¤¤.....¤.
¤.¤¤....¤¤ ¤¤.¤....¤¤
.¤¤.¤...¤. PRINT THROUGH: TAPES RUB SOUND ON EACH ¤.¤¤¤...¤.
.¤.¤¤¤..¤¤ OTHER IF THEYRE ALONE FOR TOO LONG ¤¤¤..¤..¤¤
¤¤¤¤..¤.¤. ¤..¤.¤¤.¤.
¤...¤.¤¤¤¤ ¤¤.¤¤¤.¤¤¤
.¤..¤¤¤... ¤.¤¤..¤¤..
.¤¤.¤..¤.. ¤¤¤.¤.¤.¤.
.¤.¤¤¤.¤¤. ¤..¤¤¤¤¤¤¤
¤¤¤¤..¤¤.¤ .¤.¤......