,,,,-»:$%@ @%$:»-,,,,
,-»:$%#@## ##@#%$:»-,
,,-»»$$$## ##$$$»»-,,
,,,--»»:%@ @%:»»--,,,
,-»:$%#@## ##@#%$:»-,
,-»:$%#@@# THE SKYSCRAPER THAT MOVES #@@#%$:»-,
,,,-»»:$#@ @#$:»»-,,,
,-»:$%#@## TAINARON IS A BUILDING OWNED AND ##@#%$:»-,
,-»:$%#@## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##@#%$:»-,
,,,,-:::%@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @%:::-,,,,
,-»:$%@### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ###@%$:»-,
,-»:$%#@## UNKNOWN), DARK BLUE AND COMPLETELY ##@#%$:»-,
,-»:$%#@## RECTANGULAR. IT FEATURES NO SIGNS, ##@#%$:»-,
,-»:$%#@## LIGHTS, OR ORNAMENTS, APART FROM A ##@#%$:»-,
,-»:$%#@## HELIPAD ON TOP. MOST FLOORS HAVE ##@#%$:»-,
,-»:$%#@## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##@#%$:»-,
,,,,,»:%@# #@%:»,,,,,
,,,,-:$##@ IN LATE EVENINGS, SHROUDED BY MALMö'S @##$:-,,,,
,-»:$%#@## SIGNATURE FOG ROLLING IN FROM THE SEA, ##@#%$:»-,
,-»:$%##@@ THE BUILDING COMES TO LIFE: IT MOVES ON @@##%$:»-,
,,-----:%@ A THOUSAND ROBOTIC LEGS TO ANOTHER @%:-----,,
,,,,,»$$%@ (SECRET) PART OF TOWN, OR PERHAPS OUT @%$$»,,,,,
,,---::%%@ TO SEA. THIS SIGNALS A NEW AND MORE @%%::---,,
,-»:$%#@@@ VISCIOUS PHASE OF THE TAINARON @@@#%$:»-,
,,,,,,»:%@ ECOSYSTEM. @%:»,,,,,,
,,,--»:$## ##$:»--,,,
,,,,,-»$%# THE GUESTS ARRIVING DURING THE EARLY #%$»-,,,,,
,-»:$%%%#@ EVENING ARE TREATED TO FOOD AND DRINK, @#%%%$:»-,
,-»:$%#@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@#%$:»-,
,-»:$%@### COMFORTABLE BUT MAZE-LIKE INTERIOR ###@%$:»-,
,-»:$%#@## STRUCTURE (THE BUILDING FEATURES A ##@#%$:»-,
,-»:$%#@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@#%$:»-,
,,,,,»$#@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@#$»,,,,,
,-»:%#@### FURTHER THAN A FEW FLOORS). ###@#%:»-,
,,--»»»$## ##$»»»--,,
,-»:$%#### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ####%$:»-,
,,--::$$## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##$$::--,,
,-»:$%#@## SAME QUALITY AS THE SURROUNDING MIST: ##@#%$:»-,
,-»:$%#@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@#%$:»-,
,-»:$%#@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@#%$:»-,
,-»:$%#@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@#%$:»-,
,,,,,-:$## YOU WOULD SEE THE MIST ROLLING BY, AND ##$:-,,,,,
,,,,,»$%%@ PERHAPS THE OUTLINE OF SOME OTHER @%%$»,,,,,
,,,,--»:$# BUILDING, FAR BELOW. #$:»--,,,,
,,,»::$#@# #@#$::»,,,
,,,,,,»»$# DURING THE NIGHT, AFTER TAINARON HAS #$»»,,,,,,
,,,,,,»»$# STARTED MOVING, THE LOWER FLOORS ARE #$»»,,,,,,
,,,,,-:$%# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #%$:-,,,,,
,-»:$%#@## THE GUESTS. FOOD IS NO LONGER SERVED, ##@#%$:»-,
,,,,,-::%# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #%::-,,,,,
,-»:$%#@@@ IT'S AT THIS POINT THAT THE SECOND SET @@@#%$:»-,
,-»:$%#@## OF GUEST ARRIVES, VIA HELICOPTER - ##@#%$:»-,
,-»:$%#@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@#%$:»-,
,,,--»$$## ##$$»--,,,
,-»:$%#@## »»»»» ##@#%$:»-,
,,,,,-:%%# #%%:-,,,,,
,,,,---:%@ IN MY DREAM I AM INVITED AS A FRIEND OF @%:---,,,,
,,,,,»:%@# ONE OF THE SERVERS, AND THUS SAFE. WE #@%:»,,,,,
,-»::$$%@@ SIT IN ONE OF THE LARGE WINDOWS, @@%$$::»-,
,,,,»::$## LOOKING THROUGH THE MIST FOR ANY ##$::»,,,,
,,,,»::$$# LANDMARKS TO PIERCE THROUGH THE MIST. #$$::»,,,,
,-»:$%#@## SHE TELLS ME THAT APART FROM COMING AND ##@#%$:»-,
,-»:$%#@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@#%$:»-,
,,,,-:$%%# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #%%$:-,,,,
,-»:$%#### ####%$:»-,
,,,,,-:%#@ THE NEXT DAY I AM INVITED TO THE PUBLIC @#%:-,,,,,
,,,--»:%%# DEMONSTRATION OF THE EXOBUBBLE. #%%:»--,,,
,,,,,,-:$# #$:-,,,,,,
,,----»$%# #%$»----,,
,,,,,-:%@# #@%:-,,,,,
,-»:$%#@## ##@#%$:»-,
,-»:$%#@## ##@#%$:»-,