,,,.~\*£&£ £&£*\~.,,,
,,.~\*£&£# #£&£*\~.,,
,.~\*£&£## ##£&£*\~.,
,,.~\*£&£# #£&£*\~.,,
,,,.~\*£&£ £&£*\~.,,,
,,,,.~\*£& THE SKYSCRAPER THAT MOVES &£*\~.,,,,
,,,,,.~\*£ £*\~.,,,,,
,,,,,,.~\* TAINARON IS A BUILDING OWNED AND *\~.,,,,,,
,,,,,,,.~\ OPERATED BY AMATA TEXNOLOGIYASI PLACED \~.,,,,,,,
,,,,,,,,.~ CLOSED TO THE HARBOR IN MALMÖ. IT'S ~.,,,,,,,,
,,,,,,,,,. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .,,,,,,,,,
,,,,,,,,.~ UNKNOWN), DARK BLUE AND COMPLETELY ~.,,,,,,,,
,,,,,,,.~\ RECTANGULAR. IT FEATURES NO SIGNS, \~.,,,,,,,
,,,,,,.~\* LIGHTS, OR ORNAMENTS, APART FROM A *\~.,,,,,,
,,,,,.~\*£ HELIPAD ON TOP. MOST FLOORS HAVE £*\~.,,,,,
,,,,.~\*£& EXTERIOR WALLS COMPLETELY MADE OF GLASS. &£*\~.,,,,
,,,.~\*£&£ £&£*\~.,,,
,,.~\*£&£# IN LATE EVENINGS, SHROUDED BY MALMö'S #£&£*\~.,,
,.~\*£&£## SIGNATURE FOG ROLLING IN FROM THE SEA, ##£&£*\~.,
,,.~\*£&£# THE BUILDING COMES TO LIFE: IT MOVES ON #£&£*\~.,,
,,,.~\*£&£ A THOUSAND ROBOTIC LEGS TO ANOTHER £&£*\~.,,,
,,,,.~\*£& (SECRET) PART OF TOWN, OR PERHAPS OUT &£*\~.,,,,
,,,,,.~\*£ TO SEA. THIS SIGNALS A NEW AND MORE £*\~.,,,,,
,,,,,,.~\* VISCIOUS PHASE OF THE TAINARON *\~.,,,,,,
,,,,,,,.~\ ECOSYSTEM. \~.,,,,,,,
,,,,,,,,.~ ~.,,,,,,,,
,,,,,,,,,. THE GUESTS ARRIVING DURING THE EARLY .,,,,,,,,,
,,,,,,,,.~ EVENING ARE TREATED TO FOOD AND DRINK, ~.,,,,,,,,
,,,,,,,.~\ LIVE MUSIC, BEATUTIFUL VIEWS, AND A \~.,,,,,,,
,,,,,,.~\* COMFORTABLE BUT MAZE-LIKE INTERIOR *\~.,,,,,,
,,,,,.~\*£ STRUCTURE (THE BUILDING FEATURES A £*\~.,,,,,
,,,,.~\*£& MULTITUDE OF STAIRWELLS AND ELEVATORS, &£*\~.,,,,
,,,.~\*£&£ PLACED SEEMINGLY AT RANDOM, NONE GOING £&£*\~.,,,
,,.~\*£&£# FURTHER THAN A FEW FLOORS). #£&£*\~.,,
,.~\*£&£## ##£&£*\~.,
,,.~\*£&£# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #£&£*\~.,,
,,,.~\*£&£ UNTIL THE AIR INSIDE HAS TAKEN ON THE £&£*\~.,,,
,,,,.~\*£& SAME QUALITY AS THE SURROUNDING MIST: &£*\~.,,,,
,,,,,.~\*£ BLUE-GRAY, SPRINKLED WITH THE SMALL RED £*\~.,,,,,
,,,,,,.~\* DOT'S BY DOOR LOCKS AND CONTROL PANELS. *\~.,,,,,,
,,,,,,,.~\ IF YOU WOULD LOOK THROUGH THE WINDOWS \~.,,,,,,,
,,,,,,,,.~ YOU WOULD SEE THE MIST ROLLING BY, AND ~.,,,,,,,,
,,,,,,,,,. PERHAPS THE OUTLINE OF SOME OTHER .,,,,,,,,,
,,,,,,,,.~ BUILDING, FAR BELOW. ~.,,,,,,,,
,,,,,,,.~\ \~.,,,,,,,
,,,,,,.~\* DURING THE NIGHT, AFTER TAINARON HAS *\~.,,,,,,
,,,,,.~\*£ STARTED MOVING, THE LOWER FLOORS ARE £*\~.,,,,,
,,,,.~\*£& SHUT OFF, PREVENTING ENTRY OR EXIT FOR &£*\~.,,,,
,,,.~\*£&£ THE GUESTS. FOOD IS NO LONGER SERVED, £&£*\~.,,,
,,.~\*£&£# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #£&£*\~.,,
,.~\*£&£## IT'S AT THIS POINT THAT THE SECOND SET ##£&£*\~.,
,,.~\*£&£# OF GUEST ARRIVES, VIA HELICOPTER - #£&£*\~.,,
,,,.~\*£&£ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. £&£*\~.,,,
,,,,.~\*£& &£*\~.,,,,
,,,,,.~\*£ ~~~~~ £*\~.,,,,,
,,,,,,.~\* *\~.,,,,,,
,,,,,,,.~\ IN MY DREAM I AM INVITED AS A FRIEND OF \~.,,,,,,,
,,,,,,,,.~ ONE OF THE SERVERS, AND THUS SAFE. WE ~.,,,,,,,,
,,,,,,,,,. SIT IN ONE OF THE LARGE WINDOWS, .,,,,,,,,,
,,,,,,,,.~ LOOKING THROUGH THE MIST FOR ANY ~.,,,,,,,,
,,,,,,,.~\ LANDMARKS TO PIERCE THROUGH THE MIST. \~.,,,,,,,
,,,,,,.~\* SHE TELLS ME THAT APART FROM COMING AND *\~.,,,,,,
,,,,,.~\*£ GOING FROM WORK, SHE'S NEVER SEEN THE £*\~.,,,,,
,,,,.~\*£& BUILDING FROM THE OUTSIDE. WE BOTH SIGH. &£*\~.,,,,
,,,.~\*£&£ £&£*\~.,,,
,,.~\*£&£# THE NEXT DAY I AM INVITED TO THE PUBLIC #£&£*\~.,,
,.~\*£&£## DEMONSTRATION OF THE EXOBUBBLE. ##£&£*\~.,
,,.~\*£&£# #£&£*\~.,,
,,,.~\*£&£ £&£*\~.,,,
,,,,.~\*£& &£*\~.,,,,
,,,,,.~\*£ £*\~.,,,,,
,,,,,,.~\* *\~.,,,,,,