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^-.¨¨¨¨¨¨¨ # ¨¨¨¨¨¨¨.-^
^^-.¨¨¨¨¨¨ ¨LIZARDRY ¨¨¨¨¨¨.-^^
%^^-.¨¨¨¨¨ - @ #@ ### ################## ¨¨¨¨¨.-^^%
&%^^-.¨¨¨¨ ## THE ART OF C.NNECTING ¨¨¨¨.-^^%&
@&%^^-.¨¨¨ ¨ WITH THE OLD MIND ¨¨¨.-^^%&@
#@&%^^-.¨¨ ¨¨.-^^%&@#
##@&%^^-.¨ MY MIND IS BEING SKEWED. MI ¨.-^^%&@##
#@&%^^-.¨¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨¨.-^^%&@#
@&%^^-.¨¨¨ THE SITUATION IS LITERALLY ¨¨¨.-^^%&@
&%^^-.¨¨¨¨ PRESSED OUT THROUGH MY EYES, IT'S ¨¨¨¨.-^^%&
%^^-.¨¨¨¨¨ ECHOING LIKE ¨¨¨¨¨.-^^%
^^-.¨¨¨¨¨¨ THE SUNSET OF THE ETERNAL ¨¨¨¨¨¨.-^^
^-.¨¨¨¨¨¨¨ OCEAN ¨¨¨¨¨¨¨.-^
-.¨¨¨¨¨¨¨¨ PERSISTENTLY AGAINST MY EMULSION ¨¨¨¨¨¨¨¨.-
.¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨.
-.¨¨¨¨¨¨¨¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨¨¨¨¨¨¨¨.-
^-.¨¨¨¨¨¨¨ HUMANS ARE DOING AND ABSTRACTING, ¨¨¨¨¨¨¨.-^
^^-.¨¨¨¨¨¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨¨¨¨¨¨.-^^
%^^-.¨¨¨¨¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨¨¨¨¨.-^^%
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@&%^^-.¨¨¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ ¨¨¨.-^^%&@
#@&%^^-.¨¨ CONTINUOUSLY I'M CROWDING THROUGH ¨¨.-^^%&@#
##@&%^^-.¨ ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ ¨.-^^%&@##
#@&%^^-.¨¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨¨.-^^%&@#
@&%^^-.¨¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨¨.-^^%&@
&%^^-.¨¨¨¨ . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨¨¨¨.-^^%&
%^^-.¨¨¨¨¨ . . DOWN IN THE DRAGONS THROAT. ¨¨¨¨¨.-^^%
^^-.¨¨¨¨¨¨ . ¨¨¨¨¨¨.-^^
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^^-.¨¨¨¨¨¨ ¨¨¨¨¨¨.-^^
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