~«^*%@£### ###£@%*^«~
.~«^*%@£## ##£@%*^«~.
..~«^*%@£# #£@%*^«~..
.~«^*%@£## ##£@%*^«~.
~«^*%@£### ###£@%*^«~
.~«^*%@£## ###« «### ##£@%*^«~.
..~«^*%@£# # # #£@%*^«~..
.~«^*%@£## # TELE MIGRAINE # ##£@%*^«~.
~«^*%@£### # # ###£@%*^«~
.~«^*%@£## ###« «### ##£@%*^«~.
..~«^*%@£# #£@%*^«~..
.~«^*%@£## THE SO CALLED "THIRD MIGRAINE". IT'S ##£@%*^«~.
~«^*%@£### LIKE A REGULAR MIGRAINE BUT IT DOES NOT ###£@%*^«~
.~«^*%@£## HURT THERE'S NO PAIN, THE COSMOS IS ##£@%*^«~.
..~«^*%@£# THERE AND IT'S DRAINING THE EVIL #£@%*^«~..
.~«^*%@£## STRAIGHT OUT OF THE WOUND. ##£@%*^«~.
~«^*%@£### ###£@%*^«~
.~«^*%@£## IT'S MASSAGING YOUR TEMPLES, PIERCING ##£@%*^«~.
..~«^*%@£# YOU, ENTERING YOUR BLOOD, CRACKING THE #£@%*^«~..
.~«^*%@£## SKULL OPEN. A PAW GRIPS YOUR BRAIN, ##£@%*^«~.
~«^*%@£### PLAYS WITH IT, PULLS IT OUT INTO THE ###£@%*^«~
.~«^*%@£## COSMOS. ##£@%*^«~.
..~«^*%@£# #£@%*^«~..
.~«^*%@£## THERE'S COMETS! SPACE ODDITIES. ##£@%*^«~.
~«^*%@£### SOLITARY OSCILLATIONS. CARRIER WAVE. ###£@%*^«~
.~«^*%@£## BURNED AWAY BY THE SUNS RADIATION UNTIL ##£@%*^«~.
..~«^*%@£# ONLY THE FAINTEST TRACE REMAIN, #£@%*^«~..
.~«^*%@£## EVENTUALLY CAUGHT IN THE GRAVITY WELL ##£@%*^«~.
~«^*%@£### OF SOME SECOND RATE WATER PLANET. ###£@%*^«~
.~«^*%@£## ##£@%*^«~.
..~«^*%@£# IT'S RAINING SAP. #£@%*^«~..
.~«^*%@£## WE'RE GETTING SWEET AND WET ##£@%*^«~.
~«^*%@£### ###£@%*^«~
.~«^*%@£## ###« «### ##£@%*^«~.
..~«^*%@£# #£@%*^«~..
.~«^*%@£## MY LUNCH BREAK IS OVER AND I NEED TO ##£@%*^«~.
~«^*%@£### GET BACK TO THE SHOP. LYNNE IS THERE ###£@%*^«~
.~«^*%@£## ALONE AND HASN'T EATEN YET. I TAKE THE ##£@%*^«~.
..~«^*%@£# BACK ROUTE UP FROM THE BEACH TO AVOID #£@%*^«~..
.~«^*%@£## THE CROWD. SING A LITTLE TO MYSELF. ##£@%*^«~.
~«^*%@£### ###£@%*^«~
.~«^*%@£## LIFE GETS TO PROSPER OUTSIDE OF.£^««« - ##£@%*^«~.
..~«^*%@£# SUDDENLY, AN ACID FLASHBACK: I STEP #£@%*^«~..
.~«^*%@£## DOWN IN MY MIND (LIKE AN OPEN MIND / ##£@%*^«~.
~«^*%@£### FRACTAL STINGER / BISMUTH STAIRCASE) ###£@%*^«~
.~«^*%@£## AND WADE IN SHADOWS... SURROUNDED BY ##£@%*^«~.
..~«^*%@£# MEMORY NEGATIVES, #£@%*^«~..
.~«^*%@£## LIKE UPROCESSED FILM.... ##£@%*^«~.
~«^*%@£### ###£@%*^«~
.~«^*%@£## ###« «### ##£@%*^«~.
..~«^*%@£# #£@%*^«~..
.~«^*%@£## WE'RE CLOSING FOR THE EVENING. THE SHOP ##£@%*^«~.
~«^*%@£### IS IN THE BOTTOM FLOOR OF A NARROW ###£@%*^«~
.~«^*%@£## MUDBRICK BUILDING, PAINTED TEAL. WE ##£@%*^«~.
..~«^*%@£# LIVE ON THE SECOND FLOOR, TOGETHER WITH #£@%*^«~..
.~«^*%@£## THE OWNER. AS I CLOSE THE METAL ##£@%*^«~.
~«^*%@£### CURTAIN, BEHIND ITS CHARACTERISTIC ###£@%*^«~
.~«^*%@£## SHARP RATTLING I CAN HEAR THE ##£@%*^«~.
..~«^*%@£# CURFEW SIRENS. #£@%*^«~..
.~«^*%@£## ##£@%*^«~.
~«^*%@£### WORMY STREET WOLVES OUTSIDE, CHASING ###£@%*^«~
.~«^*%@£## ENTRANCES IN THE DARK ALLEYWAYS, ##£@%*^«~.
..~«^*%@£# WANTING IN, GETTING DESPERATE, LAPSING #£@%*^«~..
.~«^*%@£## TO SEARCH HIGHER, ON ROOFS, CLIMBING ON ##£@%*^«~.
~«^*%@£### BALCONIES. AND THERE'S BOUND TO BE SOME ###£@%*^«~
.~«^*%@£## RECKLESS TOURIST WHO DIDN'T HEED THE ##£@%*^«~.
..~«^*%@£# WARNINGS, NEVER CLOSED THEIR WINDOWS... #£@%*^«~..
.~«^*%@£## ##£@%*^«~.
~«^*%@£### OR, IN SOME CASES, THE HOUSEOWNER HAD ###£@%*^«~
.~«^*%@£## THE WINDOW BOLTS WEAKENED, AND WHEN ##£@%*^«~.
..~«^*%@£# CLEANING UP THE AFTERMATH WOULD POCKET #£@%*^«~..
.~«^*%@£## THEIR BELONGINGS. ##£@%*^«~.
~«^*%@£### ###£@%*^«~
.~«^*%@£## ##£@%*^«~.
..~«^*%@£# #£@%*^«~..
.~«^*%@£## ##£@%*^«~.
~«^*%@£### ###£@%*^«~