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* the glass factory. *
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##¶&£**~,, several centuries after it had last ,,~**£&¶##
#¶&£**~,,, belonged to us, we went on an outing to ,,,~**£&¶#
¶&£**~,,,, the glass factory that bore our family ,,,,~**£&¶
&£**~,,,,, name. it had changed owners many times ,,,,,~**£&
£**~,,,,,, since our ancestors death, and then ,,,,,,~**£
**~,,,,,,, stood abandoned for a long while. ,,,,,,,~**
*~,,,,,,,, finally, the natural end station for ,,,,,,,,~*
~,,,,,,,,, the buildings that survive: a museum, ,,,,,,,,,~
,,,,,,,,,, and a gift shop. ,,,,,,,,,,
~,,,,,,,,, ,,,,,,,,,~
*~,,,,,,,, there's a long time since my family ,,,,,,,,~*
**~,,,,,,, made anything. by many, we would be ,,,,,,,~**
£**~,,,,,, considered poor. ,,,,,,~**£
&£**~,,,,, ,,,,,~**£&
¶&£**~,,,, there are two main factory buildings, ,,,,~**£&¶
#¶&£**~,,, domed things of several floors, made in ,,,~**£&¶#
##¶&£**~,, yellow brick. large but narrow windows, ,,~**£&¶##
#¶&£**~,,, reminescent of some cathedral. ,,,~**£&¶#
¶&£**~,,,, custom-made glass, of course, large and ,,,,~**£&¶
&£**~,,,,, leaded, and ashen. a bit too dark to be ,,,,,~**£&
£**~,,,,,, practical. on the eastern building, ,,,,,,~**£
**~,,,,,,, some are shattered. ,,,,,,,~**
*~,,,,,,,, ,,,,,,,,~*
~,,,,,,,,, the other one is publicly open. there's ,,,,,,,,,~
,,,,,,,,,, a museum, with wax figures of my great ,,,,,,,,,,
~,,,,,,,,, great great grandfather, or something. ,,,,,,,,,~
*~,,,,,,,, various tools (or replicas) laid out on ,,,,,,,,~*
**~,,,,,,, tables, with explaining texts. a lot of ,,,,,,,~**
£**~,,,,,, glass of varying thickness. ,,,,,,~**£
&£**~,,,,, ,,,,,~**£&
¶&£**~,,,, ** ,,,,~**£&¶
#¶&£**~,,, ** ** ,,,~**£&¶#
##¶&£**~,, ~~~~~~~ * * ~~~~~~~ ,,~**£&¶##
#¶&£**~,,, ** ** ,,,~**£&¶#
¶&£**~,,,, ** ,,,,~**£&¶
&£**~,,,,, ,,,,,~**£&
£**~,,,,,, i quickly sneak out, and climb into the ,,,,,,~**£
**~,,,,,,, other building. the contrast is ,,,,,,,~**
*~,,,,,,,, overwhelming. it must have stood ,,,,,,,,~*
~,,,,,,,,, derelict for a long time, windows ,,,,,,,,,~
,,,,,,,,,, broken, metallic trash and pools of ,,,,,,,,,,
~,,,,,,,,, dark glass all over the floor. no ,,,,,,,,,~
*~,,,,,,,, electric lights, but i can see by the ,,,,,,,,~*
**~,,,,,,, light that shines in wherever the dark ,,,,,,,~**
£**~,,,,,, windows are missing a pane. ,,,,,,~**£
&£**~,,,,, ,,,,,~**£&
¶&£**~,,,, however, the greatest difference is the ,,,,~**£&¶
#¶&£**~,,, higher floors: this building has none. ,,,~**£&¶#
##¶&£**~,, it is one massive hall, stretching away ,,~**£&¶##
#¶&£**~,,, infinitely above me. somewhere up there ,,,~**£&¶#
¶&£**~,,,, is some great iron latticework, from ,,,,~**£&¶
&£**~,,,,, where chains are suspended, and parts ,,,,,~**£&
£**~,,,,,, of machinery has been falling down. ,,,,,,~**£
**~,,,,,,, ,,,,,,,~**
*~,,,,,,,, there is, in the middle of the great ,,,,,,,,~*
~,,,,,,,,, hall, a thin spiral staircase that ,,,,,,,,,~
,,,,,,,,,, leads up there. i sneak over there, and ,,,,,,,,,,
~,,,,,,,,, take a few reluctant steps. after just ,,,,,,,,,~
*~,,,,,,,, a revolution, i notice that for each ,,,,,,,,~*
**~,,,,,,, step the building starts to glow, the ,,,,,,,~**
£**~,,,,,, bricks turning a dark red, and then ,,,,,,~**£
&£**~,,,,, orange, all the piled up debree being ,,,,,~**£&
¶&£**~,,,, lit from behind. ,,,,~**£&¶
#¶&£**~,,, ,,,~**£&¶#
##¶&£**~,, i stop ready to run down and out, but ,,~**£&¶##
#¶&£**~,,, there's someone else on the staircase ,,,~**£&¶#
¶&£**~,,,, with me now, pressed close. he's ,,,,~**£&¶
&£**~,,,,, looking like me, short hair and thin ,,,,,~**£&
£**~,,,,,, arms, but with ears from some animal, ,,,,,,~**£
**~,,,,,,, and more disturbingly, completely made ,,,,,,,~**
*~,,,,,,,, of dark liquid glass. ,,,,,,,,~*
~,,,,,,,,, ,,,,,,,,,~
,,,,,,,,,, ** ,,,,,,,,,,
~,,,,,,,,, ** ** ,,,,,,,,,~
*~,,,,,,,, ~~~~~~~ * * ~~~~~~~ ,,,,,,,,~*
**~,,,,,,, ** ** ,,,,,,,~**
£**~,,,,,, ** ,,,,,,~**£
&£**~,,,,, ,,,,,~**£&
¶&£**~,,,, my fear holds me in place while he ,,,,~**£&¶
#¶&£**~,,, starts operating levers and dials set ,,,~**£&¶#
##¶&£**~,, in the center of the staircase. slowly, ,,~**£&¶##
#¶&£**~,,, it starts spinning, circling upwards. ,,,~**£&¶#
¶&£**~,,,, it's an elevator! i start to run ,,,,~**£&¶
&£**~,,,,, downwards, but now the liquid boy ,,,,,~**£&
£**~,,,,,, creature grabs hold of me. i try to ,,,,,,~**£
**~,,,,,,, shake him off, but he's too strong, and ,,,,,,,~**
*~,,,,,,,, pulls me back up beside him. ,,,,,,,,~*
~,,,,,,,,, ,,,,,,,,,~
,,,,,,,,,, this time, i turn angry instead. what ,,,,,,,,,,
~,,,,,,,,, the hell? who is this guy, acting like ,,,,,,,,,~
*~,,,,,,,, this? i reach out my free arm and slam ,,,,,,,,~*
**~,,,,,,, a random lever. some metal bar is ,,,,,,,~**
£**~,,,,,, suddenly released between us, hitting ,,,,,,~**£
&£**~,,,,, him on the arm, forcing my release. i ,,,,,~**£&
¶&£**~,,,, shove him off of me, and he falls into ,,,,~**£&¶
#¶&£**~,,, the levers, messing them up. ,,,~**£&¶#
##¶&£**~,, immediately, a thin rusty chainmail ,,~**£&¶##
#¶&£**~,,, curtain is dropped around me. but the ,,,~**£&¶#
¶&£**~,,,, elevator also speeds up significantly. ,,,,~**£&¶
&£**~,,,,, ,,,,,~**£&
£**~,,,,,, the walls are flaring now, yellow, ,,,,,,~**£
**~,,,,,,, white, almost blue. i close my eyes and ,,,,,,,~**
*~,,,,,,,, curl into a ball. but then, the glass ,,,,,,,,~*
~,,,,,,,,, boy screams, a piercing sound that ,,,,,,,,,~
,,,,,,,,,, forces my eyes back open. i watch as he ,,,,,,,,,,
~,,,,,,,,, becomes too liquid, his body pooling ,,,,,,,,,~
*~,,,,,,,, down in his now massive tail, and the ,,,,,,,,~*
**~,,,,,,, tip of it suddenly breaks of in a glass ,,,,,,,~**
£**~,,,,,, drop that falls toward the factory ,,,,,,~**£
&£**~,,,,, floor. ,,,,,~**£&
¶&£**~,,,, ,,,,~**£&¶
#¶&£**~,,, he's crawling on the stairs, unable to ,,,~**£&¶#
##¶&£**~,, keep his body upright. can't reach the ,,~**£&¶##
#¶&£**~,,, levers, claws at my chainmail cage, ,,,~**£&¶#
¶&£**~,,,, while his body is turning into dark ,,,,~**£&¶
&£**~,,,,, pearls. finally, he's lost too much of ,,,,,~**£&
£**~,,,,,, himself and the scream is cut short. ,,,,,,~**£
**~,,,,,,, the last of him rains down. ,,,,,,,~**
*~,,,,,,,, ,,,,,,,,~*
~,,,,,,,,, i still can't reach the levers from ,,,,,,,,,~
,,,,,,,,,, within my cage. looking up, i try to ,,,,,,,,,,
~,,,,,,,,, make out the ceiling, but it's all a ,,,,,,,,,~
*~,,,,,,,, whirling sea of colours. below me glows ,,,,,,,,~*
**~,,,,,,, the hellfire of the factory walls, but ,,,,,,,~**
£**~,,,,,, very faint. i sit down, curl back up, ,,,,,,~**£
&£**~,,,,, become still. ,,,,,~**£&
¶&£**~,,,, ,,,,~**£&¶
#¶&£**~,,, ** ,,,~**£&¶#
##¶&£**~,, ** ** ,,~**£&¶##
#¶&£**~,,, ~~~~~~~ * * ~~~~~~~ ,,,~**£&¶#
¶&£**~,,,, ** ** ,,,,~**£&¶
&£**~,,,,, ** ,,,,,~**£&
£**~,,,,,, ,,,,,,~**£
**~,,,,,,, a large clunk shakes my entire body, ,,,,,,,~**
*~,,,,,,,, and snaps me back into reality. i'm ,,,,,,,,~*
~,,,,,,,,, back at the factory floor, but the ,,,,,,,,,~
,,,,,,,,,, stairs are still moving slightly, ,,,,,,,,,,
~,,,,,,,,, clicking in place, carrying me the last ,,,,,,,,,~
*~,,,,,,,, few centimeters. i came from below, ,,,,,,,,~*
**~,,,,,,, somehow. the chainmail is retracted, ,,,,,,,~**
£**~,,,,,, and i slowly dismount the stairs. ,,,,,,~**£
&£**~,,,,, ,,,,,~**£&
¶&£**~,,,, shaking and crying, i make my way over ,,,,~**£&¶
#¶&£**~,,, the factory floor, wading through dark ,,,~**£&¶#
##¶&£**~,, glass marbles. a quick glance down, and ,,~**£&¶##
#¶&£**~,,, i see there's something faint inside ,,,~**£&¶#
¶&£**~,,,, them. embryos? are these eggs? ,,,,~**£&¶
&£**~,,,,, ,,,,,~**£&
£**~,,,,,, i shudder, and climb back out. ,,,,,,~**£
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