THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE  WENT ON AN OUTING TO 
 THE GLASS FACTORY  THAT  BORE OUR FAMILY 
 NAME. IT  HAD CHANGED OWNERS MANY  TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED  FOR   A   LONG  WHILE. 
 FINALLY,  THE NATURAL  END  STATION  FOR 
 THE  BUILDINGS  THAT  SURVIVE: A MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A LONG  TIME  SINCE  MY  FAMILY 
 MADE  ANYTHING.  BY  MANY,  WE WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE  TWO MAIN  FACTORY BUILDINGS, 
 DOMED THINGS OF  SEVERAL FLOORS, MADE IN 
 YELLOW BRICK. LARGE BUT NARROW  WINDOWS, 
 REMINESCENT    OF     SOME    CATHEDRAL. 
 CUSTOM-MADE GLASS, OF COURSE,  LARGE AND 
 LEADED, AND  ASHEN. A BIT TOO DARK TO BE 
 PRACTICAL.  ON   THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE IS  PUBLICLY OPEN. THERE'S 
 A  MUSEUM, WITH  WAX FIGURES OF MY GREAT 
 GREAT GREAT  GRANDFATHER,  OR SOMETHING. 
 VARIOUS TOOLS (OR REPLICAS) LAID OUT  ON 
 TABLES, WITH EXPLAINING  TEXTS. A LOT OF 
 GLASS     OF      VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK OUT, AND CLIMB  INTO THE 
 OTHER   BUILDING.   THE    CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT   FOR  A  LONG  TIME,   WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK   GLASS  ALL  OVER  THE  FLOOR.  NO 
 ELECTRIC  LIGHTS, BUT  I CAN  SEE BY THE 
 LIGHT THAT  SHINES IN  WHEREVER THE DARK 
 WINDOWS    ARE    MISSING     A    PANE. 
                                          
 HOWEVER, THE  GREATEST DIFFERENCE IS THE 
 HIGHER FLOORS:  THIS BUILDING  HAS NONE. 
 IT IS  ONE MASSIVE HALL, STRETCHING AWAY 
 INFINITELY ABOVE  ME. SOMEWHERE UP THERE 
 IS  SOME  GREAT  IRON  LATTICEWORK, FROM 
 WHERE CHAINS  ARE SUSPENDED,  AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE IS,  IN  THE  MIDDLE OF THE  GREAT 
 HALL,  A  THIN  SPIRAL  STAIRCASE   THAT 
 LEADS  UP THERE. I SNEAK OVER THERE, AND 
 TAKE  A FEW RELUCTANT  STEPS. AFTER JUST 
 A  REVOLUTION,  I  NOTICE THAT FOR  EACH 
 STEP  THE BUILDING STARTS TO  GLOW,  THE 
 BRICKS TURNING  A  DARK  RED,  AND  THEN 
 ORANGE, ALL THE  PILED UP  DEBREE  BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP READY  TO RUN DOWN  AND OUT,  BUT 
 THERE'S SOMEONE  ELSE  ON THE  STAIRCASE 
 WITH   ME   NOW,  PRESSED   CLOSE.  HE'S 
 LOOKING LIKE ME,  SHORT  HAIR  AND  THIN 
 ARMS,  BUT WITH  EARS FROM  SOME ANIMAL, 
 AND MORE  DISTURBINGLY,  COMPLETELY MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME  IN  PLACE  WHILE HE 
 STARTS OPERATING  LEVERS  AND DIALS  SET 
 IN  THE CENTER OF THE STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING, CIRCLING  UPWARDS. 
 IT'S  AN  ELEVATOR!  I   START   TO  RUN 
 DOWNWARDS,  BUT   NOW   THE  LIQUID  BOY 
 CREATURE  GRABS  HOLD OF  ME.  I  TRY TO 
 SHAKE HIM OFF, BUT HE'S TOO  STRONG, AND 
 PULLS    ME    BACK   UP   BESIDE   HIM. 
                                          
 THIS  TIME,  I TURN ANGRY  INSTEAD. WHAT 
 THE HELL?  WHO IS THIS GUY, ACTING  LIKE 
 THIS? I  REACH  OUT MY FREE ARM AND SLAM 
 A  RANDOM  LEVER.   SOME  METAL  BAR  IS 
 SUDDENLY  RELEASED  BETWEEN  US, HITTING 
 HIM ON  THE ARM,  FORCING MY  RELEASE. I 
 SHOVE HIM OFF  OF ME, AND  HE FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A   THIN  RUSTY  CHAINMAIL 
 CURTAIN IS  DROPPED AROUND  ME.  BUT THE 
 ELEVATOR  ALSO SPEEDS UP  SIGNIFICANTLY. 
                                          
 THE  WALLS   ARE  FLARING  NOW,  YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE MY  EYES AND 
 CURL INTO A  BALL. BUT  THEN, THE  GLASS 
 BOY   SCREAMS,  A  PIERCING  SOUND  THAT 
 FORCES MY EYES BACK OPEN. I WATCH AS  HE 
 BECOMES  TOO  LIQUID,  HIS BODY  POOLING 
 DOWN IN HIS  NOW  MASSIVE TAIL, AND  THE 
 TIP OF IT SUDDENLY BREAKS OF IN  A GLASS 
 DROP  THAT  FALLS  TOWARD   THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING ON  THE  STAIRS, UNABLE TO 
 KEEP  HIS BODY  UPRIGHT. CAN'T REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE HIS  BODY  IS  TURNING  INTO  DARK 
 PEARLS. FINALLY, HE'S LOST TOO  MUCH  OF 
 HIMSELF  AND  THE  SCREAM IS  CUT SHORT. 
 THE    LAST   OF   HIM    RAINS    DOWN. 
                                          
 I  STILL  CAN'T  REACH  THE  LEVERS FROM 
 WITHIN  MY  CAGE.  LOOKING  UP, I TRY TO 
 MAKE OUT  THE  CEILING, BUT  IT'S ALL  A 
 WHIRLING SEA  OF COLOURS. BELOW ME GLOWS 
 THE HELLFIRE OF THE FACTORY  WALLS,  BUT 
 VERY FAINT.  I SIT  DOWN,  CURL BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A LARGE  CLUNK  SHAKES  MY ENTIRE  BODY, 
 AND  SNAPS  ME BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE  STILL   MOVING   SLIGHTLY, 
 CLICKING IN PLACE, CARRYING ME THE  LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND   I   SLOWLY  DISMOUNT  THE  STAIRS. 
                                          
 SHAKING AND CRYING,  I MAKE MY  WAY OVER 
 THE  FACTORY FLOOR,  WADING THROUGH DARK 
 GLASS MARBLES. A QUICK GLANCE DOWN,  AND 
 I  SEE THERE'S  SOMETHING  FAINT  INSIDE 
 THEM.   EMBRYOS?   ARE    THESE    EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.