THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE WENT ON  AN OUTING TO 
 THE GLASS  FACTORY THAT BORE  OUR FAMILY 
 NAME.  IT HAD  CHANGED OWNERS MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD   ABANDONED  FOR   A  LONG  WHILE. 
 FINALLY,  THE  NATURAL  END STATION  FOR 
 THE  BUILDINGS THAT SURVIVE:  A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S A  LONG  TIME  SINCE  MY  FAMILY 
 MADE ANYTHING.  BY  MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE TWO MAIN  FACTORY  BUILDINGS, 
 DOMED THINGS  OF SEVERAL FLOORS, MADE IN 
 YELLOW BRICK. LARGE BUT NARROW  WINDOWS, 
 REMINESCENT     OF    SOME    CATHEDRAL. 
 CUSTOM-MADE GLASS, OF COURSE,  LARGE AND 
 LEADED, AND ASHEN. A BIT TOO  DARK TO BE 
 PRACTICAL.  ON   THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE IS PUBLICLY  OPEN. THERE'S 
 A  MUSEUM,  WITH WAX FIGURES OF MY GREAT 
 GREAT  GREAT  GRANDFATHER, OR SOMETHING. 
 VARIOUS TOOLS  (OR REPLICAS) LAID OUT ON 
 TABLES, WITH EXPLAINING TEXTS. A  LOT OF 
 GLASS     OF     VARYING      THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK OUT, AND CLIMB INTO  THE 
 OTHER    BUILDING.   THE   CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR  A   LONG   TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL  OVER  THE   FLOOR.  NO 
 ELECTRIC  LIGHTS,  BUT I  CAN SEE BY THE 
 LIGHT THAT  SHINES  IN WHEREVER THE DARK 
 WINDOWS    ARE    MISSING    A     PANE. 
                                          
 HOWEVER,  THE GREATEST DIFFERENCE IS THE 
 HIGHER FLOORS:  THIS BUILDING HAS  NONE. 
 IT  IS ONE MASSIVE HALL, STRETCHING AWAY 
 INFINITELY  ABOVE ME. SOMEWHERE UP THERE 
 IS  SOME  GREAT  IRON LATTICEWORK,  FROM 
 WHERE  CHAINS  ARE SUSPENDED, AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE  IS, IN  THE  MIDDLE OF  THE GREAT 
 HALL,  A   THIN  SPIRAL  STAIRCASE  THAT 
 LEADS UP THERE. I SNEAK OVER THERE,  AND 
 TAKE  A  FEW RELUCTANT STEPS. AFTER JUST 
 A REVOLUTION,  I  NOTICE  THAT  FOR EACH 
 STEP THE BUILDING  STARTS  TO  GLOW, THE 
 BRICKS  TURNING A  DARK  RED,  AND  THEN 
 ORANGE,  ALL THE  PILED UP  DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP READY TO  RUN  DOWN AND OUT,  BUT 
 THERE'S  SOMEONE ELSE ON  THE  STAIRCASE 
 WITH   ME  NOW,  PRESSED   CLOSE.   HE'S 
 LOOKING LIKE ME,  SHORT  HAIR  AND  THIN 
 ARMS, BUT WITH  EARS FROM  SOME  ANIMAL, 
 AND MORE DISTURBINGLY,  COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME  IN PLACE  WHILE  HE 
 STARTS OPERATING  LEVERS  AND DIALS  SET 
 IN THE CENTER  OF THE STAIRCASE. SLOWLY, 
 IT  STARTS SPINNING,  CIRCLING  UPWARDS. 
 IT'S   AN  ELEVATOR!   I  START  TO  RUN 
 DOWNWARDS,  BUT  NOW  THE   LIQUID   BOY 
 CREATURE  GRABS  HOLD  OF  ME. I TRY  TO 
 SHAKE HIM OFF, BUT HE'S TOO  STRONG, AND 
 PULLS   ME    BACK   UP   BESIDE    HIM. 
                                          
 THIS TIME,  I TURN  ANGRY INSTEAD.  WHAT 
 THE  HELL?  WHO IS THIS GUY, ACTING LIKE 
 THIS?  I REACH OUT MY FREE ARM  AND SLAM 
 A  RANDOM  LEVER.  SOME  METAL   BAR  IS 
 SUDDENLY RELEASED  BETWEEN  US,  HITTING 
 HIM  ON THE  ARM, FORCING  MY RELEASE. I 
 SHOVE HIM  OFF OF ME,  AND HE FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A   THIN  RUSTY  CHAINMAIL 
 CURTAIN  IS  DROPPED  AROUND ME. BUT THE 
 ELEVATOR  ALSO SPEEDS UP  SIGNIFICANTLY. 
                                          
 THE   WALLS  ARE  FLARING  NOW,  YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE MY EYES  AND 
 CURL INTO  A BALL. BUT THEN,  THE  GLASS 
 BOY  SCREAMS,  A  PIERCING  SOUND   THAT 
 FORCES MY EYES BACK OPEN. I  WATCH AS HE 
 BECOMES  TOO  LIQUID, HIS  BODY  POOLING 
 DOWN  IN HIS  NOW MASSIVE TAIL,  AND THE 
 TIP OF IT SUDDENLY BREAKS OF  IN A GLASS 
 DROP  THAT  FALLS  TOWARD  THE   FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING  ON THE STAIRS,  UNABLE TO 
 KEEP  HIS  BODY UPRIGHT. CAN'T REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY  IS TURNING  INTO  DARK 
 PEARLS.  FINALLY, HE'S  LOST TOO MUCH OF 
 HIMSELF AND  THE  SCREAM IS  CUT  SHORT. 
 THE    LAST   OF    HIM   RAINS    DOWN. 
                                          
 I  STILL CAN'T  REACH  THE  LEVERS  FROM 
 WITHIN MY  CAGE. LOOKING UP,  I  TRY  TO 
 MAKE  OUT  THE  CEILING, BUT  IT'S ALL A 
 WHIRLING SEA OF COLOURS.  BELOW ME GLOWS 
 THE HELLFIRE OF  THE FACTORY WALLS,  BUT 
 VERY FAINT.  I SIT  DOWN, CURL  BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A LARGE  CLUNK  SHAKES  MY ENTIRE  BODY, 
 AND  SNAPS  ME BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL  MOVING   SLIGHTLY, 
 CLICKING IN PLACE,  CARRYING ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND   I   SLOWLY  DISMOUNT  THE  STAIRS. 
                                          
 SHAKING AND CRYING, I  MAKE MY  WAY OVER 
 THE  FACTORY FLOOR, WADING  THROUGH DARK 
 GLASS  MARBLES. A QUICK GLANCE DOWN, AND 
 I  SEE  THERE'S  SOMETHING  FAINT INSIDE 
 THEM.   EMBRYOS?    ARE   THESE    EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.