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~undefined TWENTY-FOUR/SEVEN? SO CLOSE-MINDED. SO undefined~
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~undefined « INFINITY/INFINITY DINER « undefined~
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~undefined (WE ALSO SELL CONDOMS) undefined~
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##£§$%†=-, IT'S VERY DARK IN HERE. DARK AND BIG, A ,-=†%$§£##
###&@§:»~. FEW COLORED LIGHTS SCATTERED IN AN .~»:§@##
&†§*~.,..¨ ENORMOUS HALL. COINCIDENTALLY, THIS IS ¨..,.~*§†&
##%%=;:¨.. WHERE I WORK. ..¨:;=%%##
#@#&$$:~-, ,-~:$$@#
####£^^=^, I MUST HAVE EATEN A DRUG, OR MAYBE IT'S ,^=^^£####
##@§%§^«,¨ JUST THE NATURE OF THE PLACE, BUT IT ¨,«^§%§@##
¶#&††,.¨., FEELS LIKE I HAVE EATEN A DRUG. TOO ,.¨.,††¶
#@@&£=;~,¨ CONFIDENT, TOO MALLEABLE. I FEEL GOOD, ¨,~;=£&@@#
#¶*$/\:-~, TOO GOOD TO BE BORED, WHICH I GUESS IS ,~-:\/$*¶#
#@*&†»«.,, THE POINT. ,,.«»†&*@#
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#@$^$=\=,. I DOZE OFF, DAYDREAM... OR MAYBE I FALL .,=\=$^$@#
£%*^=,¨.., ASLEEP FOR REAL. I DREAM OF WORK, AND ,..¨,=^*%£
##@§**;-:. WAKE UP AT WORK, SO THE LINE IS BLURRY. .:-;**§@##
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@§§£%-»^-¨ SOMEONE NEW HAS COME WHEN I WAS OUT. ¨-^»-%£§§@
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###¤$$/~,¨ THE HAZY NEBULOSAS MIRRORED IN THE ¨,~/$$¤###
#@££%$:~-, OBSIDIAN FLOOR. I TAKE THEIR MONEY, ,-~:$%££@#
@&^†^=,,,, WHICH I DON'T UNDERSTAND, BUT THE ,,,,=^†^&@
#@@§£=/~~¨ MACHINE ACCEPTS IT. ¨~~/=£§@@#
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#&%=/:¨.¨. FROM OUTSIDE THERE'S A BUNCH OF WHINING .¨.¨:/=%
@#£@$*/=,, TONES, LIKE A CHORD. THE BEVERAGE ,,=/*$@£#@
##¶§&%†~,, FRIDGE ADDS A SHARP, DARK DRONE. THE ,,~†%&§¶##
#&¤%*«..¨. DINING AREA IS VAST AND PEOPLE ARE .¨..«*%¤
@#&$=*~.,¨ CLUTTERED LIKE CHARCOAL ISLANDS, THEIR ¨,.~*=$@
##@@§=/«^. VOICES IN ANOTHER LANGUAGE. OR IN .^«/=§@@##
£@@¤&$:=^. ANOTHER MEDIUM, AND I'M ONLY ABLE TO .^=:$&¤@@£
##@¤£%:~:¨ PERCIEVE THE WAKE OF THEIR WORDS. ¨:~:%£¤@##
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