#@#%§;~... ...~;§%#@#
##@#%§;~~. .~~;§%#@##
##@#%§;~~. .~~;§%#@##
#@#§§~.... ....~§§#@#
##@#%§;~~. .~~;§%#@##
@#§;;;~~.. # ..~~;;;§#@
##@#%§;~~. .LIZARDRY .~~;§%#@##
@#%%;~~... ~ @ #@ ### ################## ...~~;%%#@
####%§;~~. ## THE ART OF C~NNECTING .~~;§%####
##@#%§;~~. . WITH THE OLD MIND .~~;§%#@##
##@#%§;~~. .~~;§%#@##
####%§;~~. MY MIND IS BEING SKEWED. MI .~~;§%####
#%§§§;;~~. SKELETON IS STRINGY AND OLD AND ALIEN .~~;;§§§%#
##@#%§;~~. THE SITUATION IS LITERALLY .~~;§%#@##
@@%%%§;~~. PRESSED OUT THROUGH MY EYES, IT'S .~~;§%%%@@
##@#%§;~~. ECHOING LIKE .~~;§%#@##
##@#%§;~~. THE SUNSET OF THE ETERNAL .~~;§%#@##
##@#%§;~~. OCEAN .~~;§%#@##
###@#%§;~. PERSISTENTLY AGAINST MY EMULSION .~;§%#@###
@%%§§§;~~. .~~;§§§%%@
##@#%§;~~. IT'S UNGRASPABLE TO ME, WHAT OTHER .~~;§%#@##
##@#%§;~~. HUMANS ARE DOING AND ABSTRACTING, .~~;§%#@##
####%§;~~. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .~~;§%####
##@#%§;~~. HOW LONG A TIME HAS PASSED, FOR THEM? .~~;§%#@##
@#%§;~~... . ...~~;§%#@
#§~....... . ... . ................ @@@@@@@ .......~§#
##@#%§;~~. CONTINUOUSLY I'M CROWDING THROUGH .~~;§%#@##
##§§;;;~~. . THE FOURTH WALL ~OUTWARDS IS WHAT . .~~;;;§§##
##@#%§;~~. .. I'M THINKING BUT IT'S WRONG.. A NEW .~~;§%#@##
##@#%§;~~. . . NARRATOR IS INTRODUCED, OCCASIONALLY .~~;§%#@##
##@#%§;~~. ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER . .~~;§%#@##
##@#%§;~~. ~ ~ DOWN IN THE DRAGONS THROAT. .~~;§%#@##
@##%§~.... ~ ....~§%##@
####%§;~~. ~ .~~;§%####
@%§;~~.... ....~~;§%@
##@#%§;~~. .~~;§%#@##
###%%§;~~. .~~;§%%###
@@#§§§;~~. .~~;§§§#@@
####%§;~~. .~~;§%####
#@%;~..... .....~;%@#