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£.£..£.£.£ a dystopian mc donalds toilet steals my .£.£.£.££.
£.£.££.£.£ agency. too much agency already in this .£.£.£..£.
£.£..£.£.£ room. saturated. i can only do what it .£.£.£.££.
£.£.££.£.£ wants in the way it wants. .£.£.£..£.
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£.£.££.£.£ - † - - † - - † - .£.£.£..£.
£.£..£.£.£ .£.£.£.££.
£.£.££.£.£ but: in a miracolous fraction of a .£.£.£..£.
£.£..£.£.£ second, its true thoughts slip through .£.£.£.££.
£.£.££.£.£ to me, previously unheard even by its .£.£.£..£.
£.£..£.£.£ builders (the room was thought to be .£.£.£.££.
£.£.££.£.£ without consciousness). .£.£.£..£.
£.£..£.£.£ .£.£.£.££.
£.£.££.£.£ the room thinks about creatures lying .£.£.£..£.
£.£..£.£.£ down, going off to sleep, making .£.£.£.££.
£.£.££.£.£ themselves comfortable first... is this .£.£.£..£.
£.£..£.£.£ only optimizing a resting position for .£.£.£.££.
£.£.££.£.£ the body? or is there another will .£.£.£..£.
£.£..£.£.£ involved? .£.£.£.££.
£.£.££.£.£ .£.£.£..£.
£.£..£.£.£ a dark listening taking place, .£.£.£.££.
£.£.££.£.£ a silent concert. .£.£.£..£.
£.£..£.£.£ .£.£.£.££.
£.£.££.£.£ is there another desire injected at .£.£.£..£.
£.£..£.£.£ hypnagogia? something from the other .£.£.£.££.
£.£.££.£.£ side, guiding them, .£.£.£..£.
£.£..£.£.£ arranging their bodies. .£.£.£.££.
£.£.££.£.£ .£.£.£..£.
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