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.,«^*&&£@# «           £ @£ @@@  @@@@@@@@@@@@@@@@@@ #@£&&*^«,.
.,«^*&&£@# @@      THE ART OF C,NNECTING            #@£&&*^«,.
.,«^*&&£@#        .    WITH THE OLD MIND            #@£&&*^«,.
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.,«^*&&££@             MY MIND IS BEING SKEWED. MI  @££&&*^«,.
..,«^^&&&£  SKELETON IS STRINGY AND OLD AND ALIEN   £&&&^^«,..
.,«^*&&£@#             THE SITUATION IS LITERALLY   #@£&&*^«,.
.,«^&&£@## PRESSED OUT THROUGH MY EYES, IT'S        ##@£&&^«,.
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.,«^*&&£@#             THE SUNSET OF THE ETERNAL    #@£&&*^«,.
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.,«^*&&£@#         PERSISTENTLY AGAINST MY EMULSION #@£&&*^«,.
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.....,««*&    IT'S UNGRASPABLE TO ME, WHAT OTHER    &*««,.....
...««^&&£@   HUMANS ARE DOING AND ABSTRACTING,      @£&&^««...
...,^*&&££  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ££&&*^,...
.,««««*&&£ HOW LONG A TIME HAS PASSED, FOR THEM?    £&&*««««,.
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.,«^*&&£##   CONTINUOUSLY I'M CROWDING THROUGH      ##£&&*^«,.
.,«^*&&£@# . THE FOURTH WALL  ,OUTWARDS IS WHAT   . #@£&&*^«,.
.,«^*&&£@@ .. I'M THINKING BUT IT'S WRONG.. A NEW   @@£&&*^«,.
.,«^*&&£@# . . NARRATOR IS INTRODUCED, OCCASIONALLY #@£&&*^«,.
.,«^*&&£@# ,  , AWARE OF THE PREVIOUS ONE, DEEPER . #@£&&*^«,.
.,«^*&&£@# ,   , DOWN IN THE DRAGONS THROAT.        #@£&&*^«,.
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