...,~^$*&@ @&*$^~,...
....,~^$*& &*$^~,....
.....,~^$* *$^~,.....
......,~^$ $^~,......
.......,~^ ^~,.......
......,~^$ # $^~,......
.....,~^$* .LIZARDRY *$^~,.....
....,~^$*& ~ @ #@ ### ################## &*$^~,....
...,~^$*&@ ## THE ART OF C,NNECTING @&*$^~,...
..,~^$*&@# . WITH THE OLD MIND #@&*$^~,..
.,~^$*&@## ##@&*$^~,.
..,~^$*&@# MY MIND IS BEING SKEWED. MI #@&*$^~,..
...,~^$*&@ SKELETON IS STRINGY AND OLD AND ALIEN @&*$^~,...
....,~^$*& THE SITUATION IS LITERALLY &*$^~,....
.....,~^$* PRESSED OUT THROUGH MY EYES, IT'S *$^~,.....
......,~^$ ECHOING LIKE $^~,......
.......,~^ THE SUNSET OF THE ETERNAL ^~,.......
......,~^$ OCEAN $^~,......
.....,~^$* PERSISTENTLY AGAINST MY EMULSION *$^~,.....
....,~^$*& &*$^~,....
...,~^$*&@ IT'S UNGRASPABLE TO ME, WHAT OTHER @&*$^~,...
..,~^$*&@# HUMANS ARE DOING AND ABSTRACTING, #@&*$^~,..
.,~^$*&@## AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##@&*$^~,.
..,~^$*&@# HOW LONG A TIME HAS PASSED, FOR THEM? #@&*$^~,..
...,~^$*&@ . @&*$^~,...
....,~^$*& . ... . ................ @@@@@@@ &*$^~,....
.....,~^$* CONTINUOUSLY I'M CROWDING THROUGH *$^~,.....
......,~^$ . THE FOURTH WALL ,OUTWARDS IS WHAT . $^~,......
.......,~^ .. I'M THINKING BUT IT'S WRONG.. A NEW ^~,.......
......,~^$ . . NARRATOR IS INTRODUCED, OCCASIONALLY $^~,......
.....,~^$* , , AWARE OF THE PREVIOUS ONE, DEEPER . *$^~,.....
....,~^$*& , , DOWN IN THE DRAGONS THROAT. &*$^~,....
...,~^$*&@ , @&*$^~,...
..,~^$*&@# , #@&*$^~,..
.,~^$*&@## ##@&*$^~,.
..,~^$*&@# #@&*$^~,..
...,~^$*&@ @&*$^~,...
....,~^$*& &*$^~,....
.....,~^$* *$^~,.....
......,~^$ $^~,......