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##@#&§*-.. ..-*§&#@##
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@##&§-.... @ ....-§&##@
@#&*-..... .LIZARDRY .....-*&#@
@@@#&§*-.. - @ @@ @@@ @@@@@@@@@@@@@@@@@@ ..-*§&#@@@
@&&**--... @@ THE ART OF C.NNECTING ...--**&&@
#§*-...... . WITH THE OLD MIND ......-*§#
@@@#&§*-.. ..-*§&#@@@
#@@#&§*-.. MY MIND IS BEING SKEWED. MI ..-*§&#@@#
##@#&§*-.. SKELETON IS STRINGY AND OLD AND ALIEN ..-*§&#@##
#&&&**--.. THE SITUATION IS LITERALLY ..--**&&&#
@@#&&§*-.. PRESSED OUT THROUGH MY EYES, IT'S ..-*§&&#@@
@#§*-..... ECHOING LIKE .....-*§#@
@##§*-.... THE SUNSET OF THE ETERNAL ....-*§##@
#@@#&§*-.. OCEAN ..-*§&#@@#
@#&&§§*-.. PERSISTENTLY AGAINST MY EMULSION ..-*§§&&#@
#@@#&§*-.. ..-*§&#@@#
##@#&§*-.. IT'S UNGRASPABLE TO ME, WHAT OTHER ..-*§&#@##
#@@#&§*-.. HUMANS ARE DOING AND ABSTRACTING, ..-*§&#@@#
#§*-...... AND ABOVE ALL ELSE, WHAT TIME THEY USE? ......-*§#
#@@#&§*-.. HOW LONG A TIME HAS PASSED, FOR THEM? ..-*§&#@@#
@#§***.... . ....***§#@
##§**..... . ... . ................ @@@@@@@ .....**§##
###§-..... CONTINUOUSLY I'M CROWDING THROUGH .....-§###
#§§-...... . THE FOURTH WALL .OUTWARDS IS WHAT . ......-§§#
#@@#&§*-.. .. I'M THINKING BUT IT'S WRONG.. A NEW ..-*§&#@@#
@@&§-..... . . NARRATOR IS INTRODUCED, OCCASIONALLY .....-§&@@
@@#&§**-.. . . AWARE OF THE PREVIOUS ONE, DEEPER . ..-**§&#@@
#@@#&§*-.. . . DOWN IN THE DRAGONS THROAT. ..-*§&#@@#
#@@#&§*-.. . ..-*§&#@@#
@&§§--.... . ....--§§&@
#&*....... .......*&#
@@#§§**-.. ..-**§§#@@
@@&&*..... .....*&&@@
#&*****-.. ..-*****&#
@##&§**-.. ..-**§&##@
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