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##¶¤@%/~,. .,~/%@¤¶##
###¤@%/~,. .,~/%@¤###
#¶¤@@%/~,. # .,~/%@@¤¶#
#¶@@@%/~,. .LIZARDRY .,~/%@@@¶#
#¶@@/~,... ~ ¶ #¶ ### ################## ...,~/@@¶#
¤@////~,.. ## THE ART OF C,NNECTING ..,~////@¤
¶¤@/,..... . WITH THE OLD MIND .....,/@¤¶
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##¶¤@%/~,. MY MIND IS BEING SKEWED. MI .,~/%@¤¶##
##¶¤@%/~,. SKELETON IS STRINGY AND OLD AND ALIEN .,~/%@¤¶##
##¶¤@%/~,. THE SITUATION IS LITERALLY .,~/%@¤¶##
##¶¤@%/~,. PRESSED OUT THROUGH MY EYES, IT'S .,~/%@¤¶##
¶@@@@%/~,. ECHOING LIKE .,~/%@@@@¶
###¤@%/~,. THE SUNSET OF THE ETERNAL .,~/%@¤###
¤@@%%/~,,. OCEAN .,,~/%%@@¤
###¶@%/~,. PERSISTENTLY AGAINST MY EMULSION .,~/%@¶###
#¤¤%~~,,.. ..,,~~%¤¤#
¤@%%/,.... IT'S UNGRASPABLE TO ME, WHAT OTHER ....,/%%@¤
¶@%%~..... HUMANS ARE DOING AND ABSTRACTING, .....~%%@¶
##¶¤@%/~,. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .,~/%@¤¶##
##¶¤@%/~,. HOW LONG A TIME HAS PASSED, FOR THEM? .,~/%@¤¶##
¶¶¶¤@%/~,. . .,~/%@¤¶¶¶
##¶¤@%/~,. . ... . ................ ¶¶¶¶¶¶¶ .,~/%@¤¶##
¶@@/~~,,.. CONTINUOUSLY I'M CROWDING THROUGH ..,,~~/@@¶
¤%//~,.... . THE FOURTH WALL ,OUTWARDS IS WHAT . ....,~//%¤
¶@%%%%/~,. .. I'M THINKING BUT IT'S WRONG.. A NEW .,~/%%%%@¶
##¶¤@%/~,. . . NARRATOR IS INTRODUCED, OCCASIONALLY .,~/%@¤¶##
##¶¤@%/~,. , , AWARE OF THE PREVIOUS ONE, DEEPER . .,~/%@¤¶##
##¶¤@%/~,. , , DOWN IN THE DRAGONS THROAT. .,~/%@¤¶##
##¶¤@%/~,. , .,~/%@¤¶##
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