#@§§†=~^.. ..^~=†§§@#
##@§§†=~^. .^~=†§§@##
#@§§†=~^.. ..^~=†§§@#
@§§†=~^... ...^~=†§§@
§§†=~^.... ....^~=†§§
§†=~^..... # .....^~=†§
†=~^...... .LIZARDRY ......^~=†
=~^....... ~ @ #@ ### ################## .......^~=
~^........ ## THE ART OF C^NNECTING ........^~
=~^....... . WITH THE OLD MIND .......^~=
†=~^...... ......^~=†
§†=~^..... MY MIND IS BEING SKEWED. MI .....^~=†§
§§†=~^.... SKELETON IS STRINGY AND OLD AND ALIEN ....^~=†§§
@§§†=~^... THE SITUATION IS LITERALLY ...^~=†§§@
#@§§†=~^.. PRESSED OUT THROUGH MY EYES, IT'S ..^~=†§§@#
##@§§†=~^. ECHOING LIKE .^~=†§§@##
#@§§†=~^.. THE SUNSET OF THE ETERNAL ..^~=†§§@#
@§§†=~^... OCEAN ...^~=†§§@
§§†=~^.... PERSISTENTLY AGAINST MY EMULSION ....^~=†§§
§†=~^..... .....^~=†§
†=~^...... IT'S UNGRASPABLE TO ME, WHAT OTHER ......^~=†
=~^....... HUMANS ARE DOING AND ABSTRACTING, .......^~=
~^........ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ........^~
=~^....... HOW LONG A TIME HAS PASSED, FOR THEM? .......^~=
†=~^...... . ......^~=†
§†=~^..... . ... . ................ @@@@@@@ .....^~=†§
§§†=~^.... CONTINUOUSLY I'M CROWDING THROUGH ....^~=†§§
@§§†=~^... . THE FOURTH WALL ^OUTWARDS IS WHAT . ...^~=†§§@
#@§§†=~^.. .. I'M THINKING BUT IT'S WRONG.. A NEW ..^~=†§§@#
##@§§†=~^. . . NARRATOR IS INTRODUCED, OCCASIONALLY .^~=†§§@##
#@§§†=~^.. ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . ..^~=†§§@#
@§§†=~^... ^ ^ DOWN IN THE DRAGONS THROAT. ...^~=†§§@
§§†=~^.... ^ ....^~=†§§
§†=~^..... ^ .....^~=†§
†=~^...... ......^~=†
=~^....... .......^~=
~^........ ........^~
=~^....... .......^~=
†=~^...... ......^~=†
§†=~^..... .....^~=†§