,,»/%@&@## ##@&@%/»,,
,,»///%@@# #@@%///»,,
,,»/%%@@&# #&@@%%/»,,
,,,,,,»/@@ @@/»,,,,,,
,,,,,,,/@@ @@/,,,,,,,
,,»/%@&@## # ##@&@%/»,,
,,»/%@&@## ,LIZARDRY ##@&@%/»,,
,,»/%@&@## » @ #@ ### ################## ##@&@%/»,,
,,»/%@&### ## THE ART OF C,NNECTING ###&@%/»,,
,,»/%@&@## , WITH THE OLD MIND ##@&@%/»,,
,,»/%@@### ###@@%/»,,
,,,,,,»»%& MY MIND IS BEING SKEWED. MI &%»»,,,,,,
,»/%@&@### SKELETON IS STRINGY AND OLD AND ALIEN ###@&@%/»,
,,»/%@&@## THE SITUATION IS LITERALLY ##@&@%/»,,
,,,,,»»/@& PRESSED OUT THROUGH MY EYES, IT'S &@/»»,,,,,
,,,,,»»/@@ ECHOING LIKE @@/»»,,,,,
,,,,,/%%%& THE SUNSET OF THE ETERNAL &%%%/,,,,,
,,»/%@&@@@ OCEAN @@@&@%/»,,
,,,,,/%&&& PERSISTENTLY AGAINST MY EMULSION &&&%/,,,,,
,,,,//@@&# #&@@//,,,,
,,,,//%%&# IT'S UNGRASPABLE TO ME, WHAT OTHER #&%%//,,,,
,,»/%@&@## HUMANS ARE DOING AND ABSTRACTING, ##@&@%/»,,
,,,,,»»%&& AND ABOVE ALL ELSE, WHAT TIME THEY USE? &&%»»,,,,,
,,»/%@&@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@&@%/»,,
,,,,»//@&# , #&@//»,,,,
,,»/%@&@@# , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ #@@&@%/»,,
,,»/%@&@@# CONTINUOUSLY I'M CROWDING THROUGH #@@&@%/»,,
,,»/%@&@## , THE FOURTH WALL ,OUTWARDS IS WHAT , ##@&@%/»,,
,,»/%@&@## ,, I'M THINKING BUT IT'S WRONG.. A NEW ##@&@%/»,,
,,,,»»%&@# , , NARRATOR IS INTRODUCED, OCCASIONALLY #@&%»»,,,,
,,,,»%@&&@ , , AWARE OF THE PREVIOUS ONE, DEEPER , @&&@%»,,,,
,,»/%@&### , , DOWN IN THE DRAGONS THROAT. ###&@%/»,,
,,,,,/%@@& , &@@%/,,,,,
,,,,,,»%%& , &%%»,,,,,,
,,,,,,/%&# #&%/,,,,,,
,,»/%@&@## ##@&@%/»,,
,,,,,,»%%& &%%»,,,,,,
,,,,,»%&@@ @@&%»,,,,,
,,»/%@&@## ##@&@%/»,,
,,,,»»%%@@ @@%%»»,,,,