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#.##.#.#.#              .LIZARDRY                   ..#.#.##.#
#..#.#.#.# »           @ #@ ###  ################## .##.#..#..
#.##.#.#.# ##      THE ART OF C^NNECTING            ..#.#.##.#
#..#.#.#.#        .    WITH THE OLD MIND            .##.#..#..
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#..#.#.#.#             MY MIND IS BEING SKEWED. MI  .##.#..#..
#.##.#.#.#  SKELETON IS STRINGY AND OLD AND ALIEN   ..#.#.##.#
#..#.#.#.#             THE SITUATION IS LITERALLY   .##.#..#..
#.##.#.#.# PRESSED OUT THROUGH MY EYES, IT'S        ..#.#.##.#
#..#.#.#.# ECHOING LIKE                             .##.#..#..
#.##.#.#.#             THE SUNSET OF THE ETERNAL    ..#.#.##.#
#..#.#.#.# OCEAN                                    .##.#..#..
#.##.#.#.#         PERSISTENTLY AGAINST MY EMULSION ..#.#.##.#
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#.##.#.#.#    IT'S UNGRASPABLE TO ME, WHAT OTHER    ..#.#.##.#
#..#.#.#.#   HUMANS ARE DOING AND ABSTRACTING,      .##.#..#..
#.##.#.#.#  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ..#.#.##.#
#..#.#.#.# HOW LONG A TIME HAS PASSED, FOR THEM?    .##.#..#..
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#..#.#.#.#  . ... .  ................   @@@@@@@     .##.#..#..
#.##.#.#.#   CONTINUOUSLY I'M CROWDING THROUGH      ..#.#.##.#
#..#.#.#.# . THE FOURTH WALL  ^OUTWARDS IS WHAT   . .##.#..#..
#.##.#.#.# .. I'M THINKING BUT IT'S WRONG.. A NEW   ..#.#.##.#
#..#.#.#.# . . NARRATOR IS INTRODUCED, OCCASIONALLY .##.#..#..
#.##.#.#.# ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER . ..#.#.##.#
#..#.#.#.# ^   ^ DOWN IN THE DRAGONS THROAT.        .##.#..#..
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