..==*$@### ###@$*==..
...==*$@## ##@$*==...
....==*$@# #@$*==....
...==*$@## ##@$*==...
..==*$@### ###@$*==..
...==*$@## # ##@$*==...
....==*$@# .lizardry #@$*==....
...==*$@## = # ## ### ################## ##@$*==...
..==*$@### ## the art of c.nnecting ###@$*==..
...==*$@## . with the old mind ##@$*==...
....==*$@# #@$*==....
...==*$@## my mind is being skewed. mi ##@$*==...
..==*$@### skeleton is stringy and old and alien ###@$*==..
...==*$@## the situation is literally ##@$*==...
....==*$@# pressed out through my eyes, it's #@$*==....
...==*$@## echoing like ##@$*==...
..==*$@### the sunset of the eternal ###@$*==..
...==*$@## ocean ##@$*==...
....==*$@# persistently against my emulsion #@$*==....
...==*$@## ##@$*==...
..==*$@### it's ungraspable to me, what other ###@$*==..
...==*$@## humans are doing and abstracting, ##@$*==...
....==*$@# and above all else, what time they use? #@$*==....
...==*$@## how long a time has passed, for them? ##@$*==...
..==*$@### . ###@$*==..
...==*$@## . ... . ................ ####### ##@$*==...
....==*$@# continuously i'm crowding through #@$*==....
...==*$@## . the fourth wall .outwards is what . ##@$*==...
..==*$@### .. i'm thinking but it's wrong.. a new ###@$*==..
...==*$@## . . narrator is introduced, occasionally ##@$*==...
....==*$@# . . aware of the previous one, deeper . #@$*==....
...==*$@## . . down in the dragons throat. ##@$*==...
..==*$@### . ###@$*==..
...==*$@## . ##@$*==...
....==*$@# #@$*==....
...==*$@## ##@$*==...
..==*$@### ###@$*==..
...==*$@## ##@$*==...
....==*$@# #@$*==....
...==*$@## ##@$*==...