¶@*†-..... .....-†*@¶
¶@§§*†,,,. .,,,†*§§@¶
#@¶@§*†-,. .,-†*§@¶@#
@§**-..... .....-**§@
##@¶§*†-,. .,-†*§¶@##
##@@§*†-,. @ .,-†*§@@##
¶§*-----,. .LIZARDRY .,-----*§¶
@@¶@§*†-,. - ¶ @¶ @@@ @@@@@@@@@@@@@@@@@@ .,-†*§@¶@@
##@¶@*†-,. @@ THE ART OF C,NNECTING .,-†*@¶@##
¶¶¶@§*†-,. . WITH THE OLD MIND .,-†*§@¶¶¶
@@§§†,.... ....,†§§@@
#@¶@§*†-,. MY MIND IS BEING SKEWED. MI .,-†*§@¶@#
#@¶@§*†-,. SKELETON IS STRINGY AND OLD AND ALIEN .,-†*§@¶@#
#@¶@§*†-,. THE SITUATION IS LITERALLY .,-†*§@¶@#
@@***††-,. PRESSED OUT THROUGH MY EYES, IT'S .,-††***@@
@@§§††,... ECHOING LIKE ...,††§§@@
##@¶@§†-,. THE SUNSET OF THE ETERNAL .,-†§@¶@##
#@¶@§*†-,. OCEAN .,-†*§@¶@#
¶@@*-..... PERSISTENTLY AGAINST MY EMULSION .....-*@@¶
@§§†,..... .....,†§§@
¶@@*†---,. IT'S UNGRASPABLE TO ME, WHAT OTHER .,---†*@@¶
@¶§§§*†-,. HUMANS ARE DOING AND ABSTRACTING, .,-†*§§§¶@
##¶@§*†-,. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .,-†*§@¶##
##@@§*†-,. HOW LONG A TIME HAS PASSED, FOR THEM? .,-†*§@@##
¶§††---... . ...---††§¶
@*-,...... . ... . ................ ¶¶¶¶¶¶¶ ......,-*@
@§*†,..... CONTINUOUSLY I'M CROWDING THROUGH .....,†*§@
##@¶@§*†-, . THE FOURTH WALL ,OUTWARDS IS WHAT . ,-†*§@¶@##
##@¶@§†-,. .. I'M THINKING BUT IT'S WRONG.. A NEW .,-†§@¶@##
@*-,...... . . NARRATOR IS INTRODUCED, OCCASIONALLY ......,-*@
@§††----,. , , AWARE OF THE PREVIOUS ONE, DEEPER . .,----††§@
##¶@§*†-,. , , DOWN IN THE DRAGONS THROAT. .,-†*§@¶##
¶¶@*-..... , .....-*@¶¶
#@¶@§*†-,. , .,-†*§@¶@#
#@¶@§*†-,. .,-†*§@¶@#
@¶¶@§*†-,. .,-†*§@¶¶@
@@*--,.... ....,--*@@
@@**†,.... ....,†**@@
#@¶@§*†-,. .,-†*§@¶@#
@@@@§*†-,. .,-†*§@@@@