@¤§*/-^... ...^-/*§¤@
¤§*/-^.... ....^-/*§¤
@¤§*/-^... ...^-/*§¤@
#@¤§*/-^.. ..^-/*§¤@#
##@¤§*/-^. .^-/*§¤@##
#@¤§*/-^.. # ..^-/*§¤@#
@¤§*/-^... .lizardry ...^-/*§¤@
¤§*/-^.... - @ #@ ### ################## ....^-/*§¤
@¤§*/-^... ## the art of c^nnecting ...^-/*§¤@
#@¤§*/-^.. . with the old mind ..^-/*§¤@#
##@¤§*/-^. .^-/*§¤@##
#@¤§*/-^.. my mind is being skewed. mi ..^-/*§¤@#
@¤§*/-^... skeleton is stringy and old and alien ...^-/*§¤@
¤§*/-^.... the situation is literally ....^-/*§¤
@¤§*/-^... pressed out through my eyes, it's ...^-/*§¤@
#@¤§*/-^.. echoing like ..^-/*§¤@#
##@¤§*/-^. the sunset of the eternal .^-/*§¤@##
#@¤§*/-^.. ocean ..^-/*§¤@#
@¤§*/-^... persistently against my emulsion ...^-/*§¤@
¤§*/-^.... ....^-/*§¤
@¤§*/-^... it's ungraspable to me, what other ...^-/*§¤@
#@¤§*/-^.. humans are doing and abstracting, ..^-/*§¤@#
##@¤§*/-^. and above all else, what time they use? .^-/*§¤@##
#@¤§*/-^.. how long a time has passed, for them? ..^-/*§¤@#
@¤§*/-^... . ...^-/*§¤@
¤§*/-^.... . ... . ................ @@@@@@@ ....^-/*§¤
@¤§*/-^... continuously i'm crowding through ...^-/*§¤@
#@¤§*/-^.. . the fourth wall ^outwards is what . ..^-/*§¤@#
##@¤§*/-^. .. i'm thinking but it's wrong.. a new .^-/*§¤@##
#@¤§*/-^.. . . narrator is introduced, occasionally ..^-/*§¤@#
@¤§*/-^... ^ ^ aware of the previous one, deeper . ...^-/*§¤@
¤§*/-^.... ^ ^ down in the dragons throat. ....^-/*§¤
@¤§*/-^... ^ ...^-/*§¤@
#@¤§*/-^.. ^ ..^-/*§¤@#
##@¤§*/-^. .^-/*§¤@##
#@¤§*/-^.. ..^-/*§¤@#
@¤§*/-^... ...^-/*§¤@
¤§*/-^.... ....^-/*§¤
@¤§*/-^... ...^-/*§¤@
#@¤§*/-^.. ..^-/*§¤@#