###@%*/=-. .-=/*%@###
###@%*/=-. .-=/*%@###
##%%**/=-. .-=/**%%##
#%%%/=-... ...-=/%%%#
###@%*/=-. .-=/*%@###
###@%*/=-. # .-=/*%@###
###@%*/=-. .lizardry .-=/*%@###
###@%*/=-. = # ## ### ################## .-=/*%@###
#@*==..... ## the art of c-nnecting .....==*@#
###@%*/=-. . with the old mind .-=/*%@###
###@%*/=-. .-=/*%@###
@****//=-. my mind is being skewed. mi .-=//****@
@@%//=.... skeleton is stringy and old and alien ....=//%@@
#%%/===--. the situation is literally .--===/%%#
@**=...... pressed out through my eyes, it's ......=**@
#@**=---.. echoing like ..---=**@#
###@%*/=-. the sunset of the eternal .-=/*%@###
###@%*/=-. ocean .-=/*%@###
###@%*/=-. persistently against my emulsion .-=/*%@###
###@%*/=-. .-=/*%@###
###@%*/=-. it's ungraspable to me, what other .-=/*%@###
#@%/=--... humans are doing and abstracting, ...--=/%@#
###@%*/=-. and above all else, what time they use? .-=/*%@###
#@*=-..... how long a time has passed, for them? .....-=*@#
###@%*/=-. . .-=/*%@###
###@%*/=-. . ... . ................ ####### .-=/*%@###
###@%*/=-. continuously i'm crowding through .-=/*%@###
###@%*/=-. . the fourth wall -outwards is what . .-=/*%@###
###@%*/=-. .. i'm thinking but it's wrong.. a new .-=/*%@###
###@%*/=-. . . narrator is introduced, occasionally .-=/*%@###
####@%*=-. - - aware of the previous one, deeper . .-=*%@####
@*=....... - - down in the dragons throat. .......=*@
###@%*/=-. - .-=/*%@###
@*=-...... - ......-=*@
###@%*/=-. .-=/*%@###
@%/===.... ....===/%@
@%/-...... ......-/%@
###@%*/=-. .-=/*%@###
#@@%%*/=-. .-=/*%%@@#
###@%*/=-. .-=/*%@###