¤.....¤... .....¤...¤
..¤¤¤...¤¤ ¤¤¤¤...¤..
¤..¤..¤..¤ .¤¤..¤...¤
.......... .......¤..
¤¤¤¤¤¤¤¤¤. .¤¤¤¤¤...¤
¤¤¤¤¤¤¤¤.. @ ..¤¤¤..¤..
.¤¤¤¤¤¤..¤ .LIZARDRY ¤..¤......
..¤¤¤¤.... = # @# @@@ @@@@@@@@@@@@@@@@@@ .....¤¤¤¤¤
...¤¤..¤¤. @@ THE ART OF C:NNECTING ¤¤¤¤..¤¤¤.
¤¤........ . WITH THE OLD MIND ¤¤¤....¤..
...¤¤¤¤¤¤. .¤..¤¤....
¤¤..¤¤¤¤.. MY MIND IS BEING SKEWED. MI .......¤¤¤
¤....¤¤..¤ SKELETON IS STRINGY AND OLD AND ALIEN .¤¤¤¤¤..¤¤
..¤¤...... THE SITUATION IS LITERALLY ..¤¤¤....¤
.....¤¤¤¤¤ PRESSED OUT THROUGH MY EYES, IT'S ¤..¤..¤¤..
¤¤¤¤..¤¤¤¤ ECHOING LIKE .........¤
¤¤¤....¤¤¤ THE SUNSET OF THE ETERNAL .¤¤¤¤¤¤¤..
.¤..¤¤..¤¤ OCEAN ..¤¤¤¤¤...
.........¤ PERSISTENTLY AGAINST MY EMULSION ¤..¤¤¤..¤¤
.¤¤¤¤¤¤¤.. ....¤.....
..¤¤¤¤¤..¤ IT'S UNGRASPABLE TO ME, WHAT OTHER ¤¤¤...¤¤¤¤
...¤¤¤.... HUMANS ARE DOING AND ABSTRACTING, ¤¤..¤..¤¤.
¤¤..¤..¤¤¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ..........
........¤¤ HOW LONG A TIME HAS PASSED, FOR THEM? ¤¤¤¤¤¤¤¤¤.
¤¤¤¤¤¤¤..¤ . .¤¤¤¤¤¤¤..
.¤¤¤¤¤.... . ... . ................ ####### ..¤¤¤¤¤...
..¤¤¤..¤¤. CONTINUOUSLY I'M CROWDING THROUGH ¤..¤¤¤..¤¤
...¤...... . THE FOURTH WALL :OUTWARDS IS WHAT . ....¤.....
¤¤...¤¤¤¤¤ .. I'M THINKING BUT IT'S WRONG.. A NEW .¤¤...¤¤¤¤
¤..¤..¤¤¤¤ . . NARRATOR IS INTRODUCED, OCCASIONALLY ....¤..¤¤¤
.......¤¤. : : AWARE OF THE PREVIOUS ONE, DEEPER . .¤¤.....¤¤
.¤¤¤¤¤.... : : DOWN IN THE DRAGONS THROAT. ....¤¤¤...
..¤¤¤..¤¤¤ : .¤¤..¤..¤¤
...¤....¤¤ : ..........
¤¤...¤¤..¤ .¤¤¤¤¤¤¤¤¤
¤..¤...... ..¤¤¤¤¤¤¤¤
.....¤¤¤¤. ...¤¤¤¤¤¤¤
.¤¤¤..¤¤.. ¤¤..¤¤¤¤¤.
..¤......¤ ¤....¤¤¤..
¤...¤¤¤¤.. ..¤¤..¤..¤