###@@£*~,. .,~*£@@###
@*;~,,.... ....,,~;*@
#@£££*;~,. .,~;*£££@#
###@@£;~,. .,~;£@@###
#@@**~.... ....~**@@#
@££*;,,... # ...,,;*££@
##@@£*;~,. .LIZARDRY .,~;*£@@##
##@@£*;~,. ~ @ #@ ### ################## .,~;*£@@##
#@****;~,. ## THE ART OF C,NNECTING .,~;****@#
##@@£*;~,. . WITH THE OLD MIND .,~;*£@@##
@@£££*;~,. .,~;*£££@@
##@@£*;~,. MY MIND IS BEING SKEWED. MI .,~;*£@@##
###@@*;~,. SKELETON IS STRINGY AND OLD AND ALIEN .,~;*@@###
###@@£;~,. THE SITUATION IS LITERALLY .,~;£@@###
@@*~~~~~,. PRESSED OUT THROUGH MY EYES, IT'S .,~~~~~*@@
##@@£*;~,. ECHOING LIKE .,~;*£@@##
@**~...... THE SUNSET OF THE ETERNAL ......~**@
##@@£*;~,. OCEAN .,~;*£@@##
@*~~,,,... PERSISTENTLY AGAINST MY EMULSION ...,,,~~*@
@*~,...... ......,~*@
###@@£;~,. IT'S UNGRASPABLE TO ME, WHAT OTHER .,~;£@@###
###@@£*~,. HUMANS ARE DOING AND ABSTRACTING, .,~*£@@###
##@@£*;~,. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .,~;*£@@##
@**;;,.... HOW LONG A TIME HAS PASSED, FOR THEM? ....,;;**@
##@@£*;~,. . .,~;*£@@##
##@@£*;~,. . ... . ................ @@@@@@@ .,~;*£@@##
##@@£*;~,. CONTINUOUSLY I'M CROWDING THROUGH .,~;*£@@##
###@£*;~,. . THE FOURTH WALL ,OUTWARDS IS WHAT . .,~;*£@###
##@@£*;~,. .. I'M THINKING BUT IT'S WRONG.. A NEW .,~;*£@@##
##@@£*;~,. . . NARRATOR IS INTRODUCED, OCCASIONALLY .,~;*£@@##
@£££;;;~,. , , AWARE OF THE PREVIOUS ONE, DEEPER . .,~;;;£££@
@@@*;,,... , , DOWN IN THE DRAGONS THROAT. ...,,;*@@@
##@@£*;~,. , .,~;*£@@##
##@@£*;~,. , .,~;*£@@##
##@@£*;~,. .,~;*£@@##
##@@£*;~,. .,~;*£@@##
##@@£*;~,. .,~;*£@@##
##@@£*;~,. .,~;*£@@##
@@*~~..... .....~~*@@
##@@£*;~,. .,~;*£@@##