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¨,=^%&£@@@ @ @@@£&%^=,¨
¨,=^%&£@@# ¨lizardry #@@£&%^=,¨
¨¨¨¨¨¨¨=%£ = @ @@ @@@ @@@@@@@@@@@@@@@@@@ £%=¨¨¨¨¨¨¨
¨¨¨¨,=%&££ @@ the art of c,nnecting ££&%=,¨¨¨¨
¨,=^%&£@@# ¨ with the old mind #@@£&%^=,¨
¨,=^%&£@## ##@£&%^=,¨
¨,=^%&£@## my mind is being skewed. mi ##@£&%^=,¨
¨=^%&£@@## skeleton is stringy and old and alien ##@@£&%^=¨
¨,=^%%&&££ the situation is literally ££&&%%^=,¨
¨¨¨,=^^&£@ pressed out through my eyes, it's @£&^^=,¨¨¨
¨,=^%&£@@@ echoing like @@@£&%^=,¨
¨,=^%&£@@# the sunset of the eternal #@@£&%^=,¨
¨,=^%&£@@# ocean #@@£&%^=,¨
¨,=^%%%%£@ persistently against my emulsion @£%%%%^=,¨
¨,=^%&£@## ##@£&%^=,¨
¨,=^%&£@@# it's ungraspable to me, what other #@@£&%^=,¨
¨,=^%&£@@# humans are doing and abstracting, #@@£&%^=,¨
¨,=^%&£@@# and above all else, what time they use? #@@£&%^=,¨
¨,=^%&£@@@ how long a time has passed, for them? @@@£&%^=,¨
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¨¨¨¨¨,^&@@ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ @@&^,¨¨¨¨¨
¨,=^%&£@@# continuously i'm crowding through #@@£&%^=,¨
¨,=^%&£@@@ ¨ the fourth wall ,outwards is what ¨ @@@£&%^=,¨
¨¨¨¨¨¨,^&£ ¨¨ i'm thinking but it's wrong.. a new £&^,¨¨¨¨¨¨
¨,=^%&£@@# ¨ ¨ narrator is introduced, occasionally #@@£&%^=,¨
¨,=^%&£@@# , , aware of the previous one, deeper ¨ #@@£&%^=,¨
¨¨¨===%%£@ , , down in the dragons throat. @£%%===¨¨¨
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