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¶&££%†::¨¨ SLEEP IS THE MOST IMPORTANT MEAL OF THE ¨¨::†%££&¶
&£££†:¨¨¨¨ DAY. SLEEP IS SAYING GOODBYE FOR A ¨¨¨¨:†£££&
#¶&£%††=:¨ WHILE. IF YOU CAN DREAM, YOU ALSO GET ¨:=††%£&¶#
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###¶&£%†:¨ ASLEEP. IT IS DEATH IF IT WAS TEMPORARY ¨:†%£&¶###
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##¶&£%†=:¨ WHICH THERE IS NOTHING. INSIDE IS ALL ¨:=†%£&¶##
##¶&£%†=:¨ THE STARS AND IN THE MIDDLE A ¨:=†%£&¶##
##¶&£%†=:¨ BLACK LAKE. AT THE FOOT OF THIS LAKE ¨:=†%£&¶##
##¶&£%†=:¨ STANDS AN OLD FRIEND. ¨:=†%£&¶##
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###¶£%†=:¨ WHEN YOU SLEEP ALL SOUND IS INTERNAL. ¨:=†%£¶###
&%%%%%†=:¨ WHEN YOU SLEEP YOUR BRAIN SHRINKS. ¨:=†%%%%%&
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&£†††::¨¨¨ FOUR QUANTIFIERS:: GRIP, DEEPNESS, ¨¨¨::†††£&
¶&£†::¨¨¨¨ OTHERWORLDINESS AND REVITALIZATION. ¨¨¨¨::†£&¶
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#&£££%†=:¨ GRIP GOES FROM NOT BEING ABLE TO LET GO ¨:=†%£££&#
&%†=¨¨¨¨¨¨ ALL DAY (LEFT) TO NOT CARING TO ¨¨¨¨¨¨=†%&
¶££%=¨¨¨¨¨ REMEMBER (RIGHT). ¨¨¨¨¨=%££¶
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##¶&£%†=:¨ DEEPNESS GOES FROM BEING SEVERAL ¨:=†%£&¶##
¶&%=:::¨¨¨ HUNDRED METERS DOWN (LEFT) TO BARELY ¨¨¨:::=%&¶
&&%†=¨¨¨¨¨ TOUCHING THE SURFACE (RIGHT). ¨¨¨¨¨=†%&&
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##¶&£%†=:¨ OTHERWORLDLINESS GOES FROM A SINGLE ¨:=†%£&¶##
#¶£%†††=:¨ COHERENT DREAMSCAPE (LEFT), VIA NORMAL ¨:=†††%£¶#
###¶&%†=:¨ DREAM AMOUNTS (MIDDLE) TO NO DREAMS ¨:=†%&¶###
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¶£££%†=¨¨¨ REVITALIZATION GOES FROM A FEELING OF ¨¨¨=†%£££¶
##¶&£%†=:¨ NOT HAVING SLEPT AT ALL (LEFT) TO BEING ¨:=†%£&¶##
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¶¶¶&£%†=:¨ HIGH OTHERWORLDLINESS AND HIGH GRIP IS ¨:=†%£&¶¶¶
###¶&£%†:¨ A PARTICULARLY EFFECTIVE COMBO. ¨:†%£&¶###
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##¶&£%†=:¨ SOLIPSISM ¨:=†%£&¶##
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###&£%†=:¨ THIS IS STILL A PLACE: HERE, IN THE ¨:=†%£&###
##¶&£%†=:¨ SILENCE, DARKNESS AND NIGHT - AND ¨:=†%£&¶##
&£%††::¨¨¨ LONELINESS, HOLDING A KIND OF DILUTION ¨¨¨::††%£&
##¶&£%†=:¨ OF REALITY, AND SUDDENLY IT'S NOT ¨:=†%£&¶##
##¶&£%†=:¨ IMPORTANT THAT I LIE IN MY BED, THE ¨:=†%£&¶##
##¶&£%†=:¨ LACK OF PRESENCE BRINGS THE NOTION ¨:=†%£&¶##
&££†=::¨¨¨ THAT, IF I DO NOT CHOOSE SLEEP, I ¨¨¨::=†££&
¶£%†:¨¨¨¨¨ CHOOSE PAST, FUTURE, SOMETHING WITH ¨¨¨¨¨:†%£¶
##¶&£%†=:¨ MORE SUBSTANCE THAN THE OBJECTS I ¨:=†%£&¶##
##¶&£%†=:¨ SURROUND MYSELF WITH. ¨:=†%£&¶##
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