,,-:*$&@## ##@&$*:-,,
,,-:*$&@@# #@@&$*:-,,
,,,,,-*&&@ @&&*-,,,,,
,,,,,,,-*& &*-,,,,,,,
,,-:*$&@## ##@&$*:-,,
,,,,--*$&@ the last song on side b (and to some @&$*--,,,,
,,,,,,:$&# extent the first song on side a) talks #&$:,,,,,,
,,-:*$&@## for the whole album, not just their ##@&$*:-,,
,,,,,,-*$@ side. the last song on side b is @$*-,,,,,,
,,,,,,--*& probably the most important &*--,,,,,,
,,-:*$&@## opportunity, the most charged slot. ##@&$*:-,,
,,-:*$$&&@ @&&$$*:-,,
,,-:*$&&@# ,@#@, #@&&$*:-,,
,,-:*$&@## ##@&$*:-,,
,,-:*$&@## the album is a singularity, an anomaly ##@&$*:-,,
,,,,,-*$&@ in spacetime, a creature that knows @&$*-,,,,,
,,-:*$&@## exactly how beautiful it is. ##@&$*:-,,
,,,,,,-*$@ , @$*-,,,,,,
,,,,,,::$@ and the thing is: it sees itself in @$::,,,,,,
,,-:*$&@## three d. it knows that it's dying. ##@&$*:-,,
,,-:*$&@## ##@&$*:-,,
,,,,-**&&& **$$**$$**$$**$$**$&&$**$$**$$**$$**$$** &&&**-,,,,
,,,,,,-:$@ @$:-,,,,,,
,,-:*$&@## , dolphins and cats , ##@&$*:-,,
,,,---:$&# bring us #&$:---,,,
,,,,,-::*& , flowers and honey , &*::-,,,,,
,,-:*$&### ###&$*:-,,
,,-:::*$&# , dolphins and cats , #&$*:::-,,
,,-:*$@### bring us ###@$*:-,,
,,,,,,,:*& , fairies and bees , &*:,,,,,,,
,,,,,-:$$& &$$:-,,,,,
,,,,,,:$&# our boat is afloat #&$:,,,,,,
,,-:*$&@## on a surface of lilies ##@&$*:-,,
,,-:*$&@## , dolphins and cats , ##@&$*:-,,
,,-:*$&@## drag us down ##@&$*:-,,
,,-:::**$@ ,-* underneath *-, @$**:::-,,
,,-:*$&@## ##@&$*:-,,
,,-:**$$$& **$$**$$**$$**$$**$&&$**$$**$$**$$**$$** &$$$**:-,,
,,-:*$&&@@ @@&&$*:-,,
,,,,:::*$@ side a is foresty, and side b might @$*:::,,,,
,,-:*$&@## be lizardy. but the last song is full ##@&$*:-,,
,,,,,,-*&@ of space. @&*-,,,,,,
,,-::*$$&& &&$$*::-,,
,,-:*$&@## ##@&$*:-,,
,,,,,,-:*& &*:-,,,,,,
,,-:*$&@## ##@&$*:-,,
,,-:*$&@## ##@&$*:-,,