#@*::==,,, ,,,==::*@#
@%%%*::=-, ,-=::*%%%@
@@@@%*:=-, ,-=:*%@@@@
###@%*:=-, ,-=:*%@###
###@%*:=-, ,-=:*%@###
@@%:=-,,,, the last song on side b (and to some ,,,,-=:%@@
####%*:=-, extent the first song on side a) talks ,-=:*%####
###@%*:=-, for the whole album, not just their ,-=:*%@###
@*=--,,,,, side. the last song on side b is ,,,,,--=*@
##@%:=-,,, probably the most important ,,,-=:%@##
#@@@%*:=-, opportunity, the most charged slot. ,-=:*%@@@#
@@*=,,,,,, ,,,,,,=*@@
#@*:=--,,, ,###, ,,,--=:*@#
##%**:=--, ,--=:**%##
@%**:===-, the album is a singularity, an anomaly ,-===:**%@
###@%*:=-, in spacetime, a creature that knows ,-=:*%@###
@@%%:--,,, exactly how beautiful it is. ,,,--:%%@@
###@%*:=-, , ,-=:*%@###
@@@%%*:=-, and the thing is: it sees itself in ,-=:*%%@@@
####%*:=-, three d. it knows that it's dying. ,-=:*%####
@@%*=,,,,, ,,,,,=*%@@
###@%*:=-, **%%**%%**%%**%%**%@@%**%%**%%**%%**%%** ,-=:*%@###
###@%*:=-, ,-=:*%@###
###@%*:=-, - dolphins and cats - ,-=:*%@###
###@%*:=-, bring us ,-=:*%@###
@@@@%*:=-, , flowers and honey , ,-=:*%@@@@
##%***:=-, ,-=:***%##
###@%*:=-, - dolphins and cats - ,-=:*%@###
##%:=-,,,, bring us ,,,,-=:%##
#@@**=-,,, , fairies and bees , ,,,-=**@@#
#%%::-,,,, ,,,,-::%%#
##%:::==-, our boat is afloat ,-==:::%##
@@%%%*:=-, on a surface of lilies ,-=:*%%%@@
#@@%:=--,, - dolphins and cats - ,,--=:%@@#
####@*:=-, drag us down ,-=:*@####
#%%:=-,,,, ,=* underneath *=, ,,,,-=:%%#
@@*=,,,,,, ,,,,,,=*@@
###@%*:=-, **%%**%%**%%**%%**%@@%**%%**%%**%%**%%** ,-=:*%@###
@@*:=-,,,, ,,,,-=:*@@
@@@*=,,,,, side a is foresty, and side b might ,,,,,=*@@@
###@%*:=-, be lizardy. but the last song is full ,-=:*%@###
###@%*:=-, of space. ,-=:*%@###
@**=----,, ,,----=**@
##@**=,,,, ,,,,=**@##
@@*:::-,,, ,,,-:::*@@
@%%%:::=-, ,-=:::%%%@
#@*:=,,,,, ,,,,,=:*@#