.,~*=£@### ###@£=*~,.
......,*£# #£*,......
.,~*=£#### ####£=*~,.
.,~*=£@### ###@£=*~,.
.,~*=£@### ###@£=*~,.
.,~*=£@### the phosphor .***** a dark, wet, ###@£=*~,.
......~~=@ reality check .====* concrete @=~~......
.,~*=£@### system: .££££* building, a damp ###@£=*~,.
.,~*=£@@@@ improving .@@@@# smell - @@@@£=*~,.
.,~*=£@### accuracy and .##### something is ###@£=*~,.
,~*=£@#### efficiency in .##### growing here. ####@£=*~,
,~*=£@#### law enforcement .##### algae? those ####@£=*~,
.,~*===£@@ .@#### inhabiting the @@£===*~,.
....~~**£# .*#### labyrinth care #£**~~....
.,~*=£@### ..#### not so much ###@£=*~,.
.,~*=£@### ..*### about the ###@£=*~,.
,~*=£@#### ...### janitorial ####@£=*~,
.,~*=££@## ...*## side of things. ##@££=*~,.
.,~**===@@ so, a green tint then, on the walls and @@===**~,.
....,~~~=@ floors. that's fine, there's a much @=~~~,....
.,~*=£@### more important color - the crimson ###@£=*~,.
...,***£@@ fire. hidden away, deep in bureaucratic @@£***,...
......~=@# and architectural mazes both, the only #@=~......
.,~*=£@### place where they dare set it ablaze, ###@£=*~,.
.,~~~*=£@# and thus where they need to go to #@£=*~~~,.
...~~*=@## utilize the flame. ##@=*~~...
....~~~=@# #@=~~~....
.,~*=£@### a thought, a face, a flicker in the red ###@£=*~,.
.,~*=£@### fire. another thought, the presumed ###@£=*~,.
.,~*=£@### contact, another shiver in the light. ###@£=*~,.
.,~*=£@### then, the interrogator imagining their ###@£=*~,.
.,~*=£@@## meeting, talking perhaps, exchanging ##@@£=*~,.
.,~*=£@### notes. the fire is still. no resonance. ###@£=*~,.
.,~*=£@### ###@£=*~,.
.,~*=£@### ###@£=*~,.
.....~==@# #@==~.....
.,~*=£@### ###@£=*~,.
.,~*=£@### ###@£=*~,.