¶&£%;-,,,, ,,,,-;%£&¶
#¶&£%;-,,, ,,,-;%£&¶#
##¶&£%;-,, ,,-;%£&¶##
#¶&£%;-,,, ,,,-;%£&¶#
¶&£%;-,,,, ,,,,-;%£&¶
&£%;-,,,,, %%%%%%%%%% ,,,,,-;%£&
£%;-,,,,,, ,,,,,,-;%£
%;-,,,,,,, LYRA EIGHT ,,,,,,,-;%
;-,,,,,,,, ,,,,,,,,-;
-,,,,,,,,, ,, ,,,,,,,,,-
,,,,,,,,,, , , ,,,,,,,,,,
-,,,,,,,,, - - ,,,,,,,,,-
;-,,,,,,,, ; ; ,,,,,,,,-;
%;-,,,,,,, % % ,,,,,,,-;%
£%;-,,,,,, ,,,,,,-;%£
&£%;-,,,,, CAVE SCULPTER ,,,,,-;%£&
¶&£%;-,,,, DREAM TO CHORD TRANSLATOR ,,,,-;%£&¶
#¶&£%;-,,, ,,,-;%£&¶#
##¶&£%;-,, EIGHT VOICED BLEEDING FORTUNE TELLER ,,-;%£&¶##
#¶&£%;-,,, ,,,-;%£&¶#
¶&£%;-,,,, DUAL SELF-MODULATING DELAY LINE ,,,,-;%£&¶
&£%;-,,,,, SWITCH FOR "TOTAL FEEDBACK" ,,,,,-;%£&
£%;-,,,,,, ,,,,,,-;%£
%;-,,,,,,, LICK THE CONTACT PADS ,,,,,,,-;%
;-,,,,,,,, ,,,,,,,,-;
-,,,,,,,,, % % ,,,,,,,,,-
,,,,,,,,,, ; ; ,,,,,,,,,,
-,,,,,,,,, - - ,,,,,,,,,-
;-,,,,,,,, , , ,,,,,,,,-;
%;-,,,,,,, ,, ,,,,,,,-;%
£%;-,,,,,, ,,,,,,-;%£
&£%;-,,,,, GEARLIST , ANOTHER SYNTH ,,,,,-;%£&
¶&£%;-,,,, ,,,,-;%£&¶
#¶&£%;-,,, %%%%%%%%%%%%%%%%%%%%%%%%% ,,,-;%£&¶#
##¶&£%;-,, ,,-;%£&¶##
#¶&£%;-,,, ,,,-;%£&¶#
¶&£%;-,,,, ,,,,-;%£&¶
&£%;-,,,,, ,,,,,-;%£&
£%;-,,,,,, ,,,,,,-;%£