.~~^^&¤#@@ @@#¤&^^~~.
.~~^^^&&¤@ @¤&&^^^~~.
.~~^^&¤#@@ @@#¤&^^~~.
.~~~~^^^&¤ ¤&^^^~~~~.
....~~~^ #&^~~~....
.~~^^&¤#@# ^^^^^^^^^^ #@#¤&^^~~.
.~~^^&¤#@# #@#¤&^^~~.
.~~^^&¤@## LYRA EIGHT ##@¤&^^~~.
.~~^^&&¤## ##¤&&^^~~.
.~~^^&¤#@# .. #@#¤&^^~~.
.~~^^&¤#@# ~ ~ #@#¤&^^~~.
.~~^^&¤### ~ ~ ###¤&^^~~.
.~~^^&¤##@ ^ ^ @##¤&^^~~.
....~^^# ^ ^ ##&^^~....
.~~^^&¤@## ##@¤&^^~~.
.~~~~~~^&¤ CAVE SCULPTER ¤&^~~~~~~.
.~~^^&&@ DREAM TO CHORD TRANSLATOR @#&&&^^~~.
.~~^^&¤@## ##@¤&^^~~.
.~~^^&&& EIGHT VOICED BLEEDING FORTUNE TELLER #&&&&^^~~.
.....~^&&¤ ¤&&^~.....
......~^^¤ DUAL SELF-MODULATING DELAY LINE ¤^^~......
.~~^^&¤##@ SWITCH FOR "TOTAL FEEDBACK" @##¤&^^~~.
.~~^^&¤#@# #@#¤&^^~~.
.~~^^&¤#@# LICK THE CONTACT PADS #@#¤&^^~~.
.....~^&&¤ ¤&&^~.....
....~~^^¤@ ^ ^ @¤^^~~....
.~~~~~^@ ^ ^ @#&^~~~~~.
.~~^^&¤¤¤# ~ ~ #¤¤¤&^^~~.
....~^^^¤@ ~ ~ @¤^^^~....
.~~^^&¤#@@ .. @@#¤&^^~~.
....~^^^&¤ ¤&^^^~....
.~~^^&¤¤¤¤ GEARLIST . ANOTHER SYNTH ¤¤¤¤&^^~~.
.~~^^¤#@## ##@#¤^^~~.
.~~^^&¤#@# ^^^^^^^^^^^^^^^^^^^^^^^^^ #@#¤&^^~~.
.~~^^&¤##@ @##¤&^^~~.
.~~~~~~^¤¤ ¤¤^~~~~~~.
..~~~^^^^¤ ¤^^^^~~~..
.~~^^&¤#@# #@#¤&^^~~.
.~~^^&¤#@# #@#¤&^^~~.