##@£&%\»,. .,»\%&£@##
##@£&%\»,. .,»\%&£@##
#£%\\»,... ...,»\\%£#
#£££&%\»,. .,»\%&£££#
##@£&%\»,. .,»\%&£@##
###@£&%\,. %%%%%%%%%% .,\%&£@###
#@££&%\»,. .,»\%&££@#
##@£&%\»,. LYRA EIGHT .,»\%&£@##
###@&%\»,. .,»\%&@###
###£&%\»,. .. .,»\%&£###
##@£&%\»,. , , .,»\%&£@##
##@£&%\»,. » » .,»\%&£@##
##@£&%\»,. \ \ .,»\%&£@##
@&%%%%\»,. % % .,»\%%%%&@
##@£&%\»,. .,»\%&£@##
£&\\\,.... CAVE SCULPTER ....,\\\&£
##@£&%\»,. DREAM TO CHORD TRANSLATOR .,»\%&£@##
##@£&%\»,. .,»\%&£@##
#£&\,..... EIGHT VOICED BLEEDING FORTUNE TELLER .....,\&£#
££££&%\»,. .,»\%&££££
£&&%\,,,.. DUAL SELF-MODULATING DELAY LINE ..,,,\%&&£
££%»»..... SWITCH FOR "TOTAL FEEDBACK" .....»»%££
##@£&%\»,. .,»\%&£@##
##@£&%\»,. LICK THE CONTACT PADS .,»\%&£@##
##@£&%\»,. .,»\%&£@##
##@£&%\»,. % % .,»\%&£@##
£&&\,..... \ \ .....,\&&£
@£&%»»,... » » ...,»»%&£@
#££&%\\»,. , , .,»\\%&££#
##@£&%\»,. .. .,»\%&£@##
££%\\,.... ....,\\%££
##@£&%\»,. GEARLIST . ANOTHER SYNTH .,»\%&£@##
@@@£&%\»,. .,»\%&£@@@
£%%»...... %%%%%%%%%%%%%%%%%%%%%%%%% ......»%%£
##@£&%\»,. .,»\%&£@##
@£%\\,.... ....,\\%£@
@&&\»,.... ....,»\&&@
##@£&%\»,. .,»\%&£@##
###@£%\»,. .,»\%£@###