#@@£%**~,, ,,~**%£@@#
£***,,,,,, ,,,,,,***£
#@@£%**~,, ,,~**%£@@#
##@@£%*~,, ,,~*%£@@##
££*****~,, ,,~*****££
@££%*,,,,, delay delay d,la@ £ *a, , ,@ ~ , ,,,,,*%££@
£££%%**~,, ,,~**%%£££
@£%*~~,,,, ,,,,~~*%£@
@%**~,,,,, ,,,,,~**%@
#@@£%**~,, ,,~**%£@@#
#@@£%**~,, "delay" means repetiton or likewise, ,,~**%£@@#
£***,,,,,, but it's mainly useless without ,,,,,,***£
#@@£%**~,, feedback, ,,~**%£@@#
#@@£%**~,, to allow the delay to eat of it's own ,,~**%£@@#
@£££%**~,, tail, like one of those eaty serpents. ,,~**%£££@
@%%*~~,,,, thus: it's the serpent effect! ,,,,~~*%%@
@£%***~,,, ,,,~***%£@
#@@£%**~,, it's to be revered as a creator of ,,~**%£@@#
££%%*~,,,, ambience and of space, if you treat it ,,,,~*%%££
@@@£%**~,, right. a somewhat more solid and ,,~**%£@@@
#@@£%**~,, slippery sibling of reverb. ,,~**%£@@#
@%**,,,,,, ,,,,,,**%@
@%**~,,,,, ,,,,,~**%@
£*~,,,,,,, ,,,,,,,~*£
@£*~,,,,,, ,,,,,,~*£@
@@@£%**~,, ,,~**%£@@@