¤¤.¤..¤¤.. .¤¤¤¤¤.¤¤¤
.¤¤¤.¤.¤.. ¤....¤¤...
¤..¤¤¤¤¤.. ¤...¤.¤...
¤.¤....¤.¤ ¤..¤¤¤¤..¤
¤¤¤...¤¤¤. ¤.¤...¤.¤.
..¤..¤..¤¤ delay delay d.la@ ¤ =a. : .# ~ : ¤¤¤..¤¤¤¤¤
.¤¤.¤¤.¤.¤ ..¤.¤....¤
¤.¤¤.¤¤¤¤¤ .¤¤¤¤...¤¤
¤¤.¤¤....¤ ¤...¤..¤..
.¤¤.¤...¤¤ ¤..¤¤.¤¤.¤
¤.¤¤¤..¤.. "delay" means repetiton or likewise, ¤.¤.¤¤.¤¤¤
¤¤..¤.¤¤.¤ but it's mainly useless without ¤¤¤¤.¤¤...
.¤.¤¤¤.¤¤¤ feedback, ...¤¤.¤..¤
¤¤¤..¤¤... to allow the delay to eat of it's own ..¤.¤¤¤.¤¤
..¤.¤.¤... tail, like one of those eaty serpents. .¤¤¤..¤¤..
.¤¤¤¤¤¤... thus: it's the serpent effect! ¤..¤.¤.¤..
¤.....¤..¤ ¤.¤¤¤¤¤¤..
¤....¤¤.¤. it's to be revered as a creator of ¤¤.....¤.¤
¤...¤.¤¤¤. ambience and of space, if you treat it .¤....¤¤¤.
¤..¤¤¤..¤¤ right. a somewhat more solid and ¤¤...¤..¤¤
¤.¤..¤.¤.. slippery sibling of reverb. .¤..¤¤.¤..
¤¤¤.¤¤¤¤.¤ ¤¤.¤.¤¤¤.¤
..¤¤...¤¤¤ .¤¤¤¤..¤¤.
.¤.¤..¤..¤ ¤...¤.¤.¤.
¤¤¤¤.¤¤.¤¤ ¤..¤¤¤¤¤¤.
...¤¤.¤¤.. ¤.¤.....¤¤