,^«*%%&£@#                                          #@£&%%*«^,
,,^«*%%&£@                                          @£&%%*«^,,
,,,^«*%%&£                                          £&%%*«^,,,
,,^«*%%&£@                                          @£&%%*«^,,
,^«*%%&£@#                                          #@£&%%*«^,
,,^«*%%&£@ delay  delay  d,la@  & %a,  ^ ,£   «   ^ @£&%%*«^,,
,,,^«*%%&£                                          £&%%*«^,,,
,,^«*%%&£@                                          @£&%%*«^,,
,^«*%%&£@#                                          #@£&%%*«^,
,,^«*%%&£@                                          @£&%%*«^,,
,,,^«*%%&£ "delay" means repetiton or likewise,     £&%%*«^,,,
,,^«*%%&£@ but it's mainly useless without          @£&%%*«^,,
,^«*%%&£@# feedback,                                #@£&%%*«^,
,,^«*%%&£@ to allow the delay to eat of it's own    @£&%%*«^,,
,,,^«*%%&£ tail, like one of those eaty serpents.   £&%%*«^,,,
,,^«*%%&£@ thus: it's the serpent effect!           @£&%%*«^,,
,^«*%%&£@#                                          #@£&%%*«^,
,,^«*%%&£@ it's to be revered as a creator of       @£&%%*«^,,
,,,^«*%%&£ ambience and of space, if you treat it   £&%%*«^,,,
,,^«*%%&£@ right. a somewhat more solid and         @£&%%*«^,,
,^«*%%&£@# slippery sibling of reverb.              #@£&%%*«^,
,,^«*%%&£@                                          @£&%%*«^,,
,,,^«*%%&£                                          £&%%*«^,,,
,,^«*%%&£@                                          @£&%%*«^,,
,^«*%%&£@#                                          #@£&%%*«^,
,,^«*%%&£@                                          @£&%%*«^,,