,,,:==^$#¶ ¶#$^==:,,,
,,,,:==^$# #$^==:,,,,
,,,,,:==^$ $^==:,,,,,
,,,,,,:==^ ^==:,,,,,,
,,,,,,,:== ==:,,,,,,,
,,,,,,:==^ delay delay d,la# # ^a, : ,¶ = : ^==:,,,,,,
,,,,,:==^$ $^==:,,,,,
,,,,:==^$# #$^==:,,,,
,,,:==^$#¶ ¶#$^==:,,,
,,:==^$#¶# #¶#$^==:,,
,:==^$#¶## "delay" means repetiton or likewise, ##¶#$^==:,
,,:==^$#¶# but it's mainly useless without #¶#$^==:,,
,,,:==^$#¶ feedback, ¶#$^==:,,,
,,,,:==^$# to allow the delay to eat of it's own #$^==:,,,,
,,,,,:==^$ tail, like one of those eaty serpents. $^==:,,,,,
,,,,,,:==^ thus: it's the serpent effect! ^==:,,,,,,
,,,,,,,:== ==:,,,,,,,
,,,,,,:==^ it's to be revered as a creator of ^==:,,,,,,
,,,,,:==^$ ambience and of space, if you treat it $^==:,,,,,
,,,,:==^$# right. a somewhat more solid and #$^==:,,,,
,,,:==^$#¶ slippery sibling of reverb. ¶#$^==:,,,
,,:==^$#¶# #¶#$^==:,,
,:==^$#¶## ##¶#$^==:,
,,:==^$#¶# #¶#$^==:,,
,,,:==^$#¶ ¶#$^==:,,,
,,,,:==^$# #$^==:,,,,