@@¶&*%;=^. .^=;%*&¶@@
@&*;^..... .....^;*&@
¶&&%%%;=^. .^=;%%%&&¶
¶¶*;^^^... ...^^^;*¶¶
#@¶&*%;=^. .^=;%*&¶@#
@¶¶&*%;=^. delay delay d.la@ & %a. ^ .¶ = ^ .^=;%*&¶¶@
#@¶&*%;=^. .^=;%*&¶@#
#@¶&*%;=^. .^=;%*&¶@#
#@¶&*%;=^. .^=;%*&¶@#
@&%%==.... ....==%%&@
@&*;;;^... "delay" means repetiton or likewise, ...^;;;*&@
##¶&*%;=^. but it's mainly useless without .^=;%*&¶##
&*%;^..... feedback, .....^;%*&
¶¶&%==.... to allow the delay to eat of it's own ....==%&¶¶
#@¶&*%;=^. tail, like one of those eaty serpents. .^=;%*&¶@#
@¶¶&*%;=^. thus: it's the serpent effect! .^=;%*&¶¶@
#@¶&*%;=^. .^=;%*&¶@#
##@&*%;=^. it's to be revered as a creator of .^=;%*&@##
#@¶&*%;=^. ambience and of space, if you treat it .^=;%*&¶@#
&&&%%=^... right. a somewhat more solid and ...^=%%&&&
@@¶&*%;=^. slippery sibling of reverb. .^=;%*&¶@@
##¶&*%;=^. .^=;%*&¶##
##¶&*%;=^. .^=;%*&¶##
##¶&*%;=^. .^=;%*&¶##
¶¶&*;=^... ...^=;*&¶¶
¶&%===^... ...^===%&¶