†»,¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨,»†
»,¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨,»
†»,¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨,»†
%†»,¨¨¨¨¨¨                                          ¨¨¨¨¨¨,»†%
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£%%†»,¨¨¨¨ delay  delay  d¨la#  @ %a¨  , ¨£   »   , ¨¨¨¨,»†%%£
#£%%†»,¨¨¨                                          ¨¨¨,»†%%£#
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##£%%†»,¨¨                                          ¨¨,»†%%£##
#£%%†»,¨¨¨ "delay" means repetiton or likewise,     ¨¨¨,»†%%£#
£%%†»,¨¨¨¨ but it's mainly useless without          ¨¨¨¨,»†%%£
%%†»,¨¨¨¨¨ feedback,                                ¨¨¨¨¨,»†%%
%†»,¨¨¨¨¨¨ to allow the delay to eat of it's own    ¨¨¨¨¨¨,»†%
†»,¨¨¨¨¨¨¨ tail, like one of those eaty serpents.   ¨¨¨¨¨¨¨,»†
»,¨¨¨¨¨¨¨¨ thus: it's the serpent effect!           ¨¨¨¨¨¨¨¨,»
†»,¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨,»†
%†»,¨¨¨¨¨¨ it's to be revered as a creator of       ¨¨¨¨¨¨,»†%
%%†»,¨¨¨¨¨ ambience and of space, if you treat it   ¨¨¨¨¨,»†%%
£%%†»,¨¨¨¨ right. a somewhat more solid and         ¨¨¨¨,»†%%£
#£%%†»,¨¨¨ slippery sibling of reverb.              ¨¨¨,»†%%£#
##£%%†»,¨¨                                          ¨¨,»†%%£##
###£%%†»,¨                                          ¨,»†%%£###
##£%%†»,¨¨                                          ¨¨,»†%%£##
#£%%†»,¨¨¨                                          ¨¨¨,»†%%£#
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