,-«=%$&£##                                          ##£&$%=«-,
,-«=%$&£##                                          ##£&$%=«-,
,,---«%%$&                                          &$%%«---,,
,-«=%$&££#                                          #££&$%=«-,
,,,,-==$&&                                          &&$==-,,,,
,-«=%$$$££ delay  delay  d,la#  & %a,  - ,£   «   - ££$$$%=«-,
,,,,,«%$&&                                          &&$%«,,,,,
,,,,-=$&&#                                          #&&$=-,,,,
,-«=%$&£##                                          ##£&$%=«-,
,-«=%$&££#                                          #££&$%=«-,
,-«=%$&£## "delay" means repetiton or likewise,     ##£&$%=«-,
,-«=%$&£££ but it's mainly useless without          £££&$%=«-,
,,,,-=%%&£ feedback,                                £&%%=-,,,,
,-«=%$&£## to allow the delay to eat of it's own    ##£&$%=«-,
,-«=%$&£## tail, like one of those eaty serpents.   ##£&$%=«-,
,-«=%$$$$& thus: it's the serpent effect!           &$$$$%=«-,
,,-««%%&&#                                          #&&%%««-,,
,-«=%$$&&& it's to be revered as a creator of       &&&$$%=«-,
,-«=%$&£## ambience and of space, if you treat it   ##£&$%=«-,
,-«=%&£### right. a somewhat more solid and         ###£&%=«-,
,-«=%$&£## slippery sibling of reverb.              ##£&$%=«-,
,-«=%$£###                                          ###£$%=«-,
,-«=%$&£##                                          ##£&$%=«-,
,-«=%$&£##                                          ##£&$%=«-,
,,,,,-=$&#                                          #&$=-,,,,,
,,,-««%$&£                                          £&$%««-,,,