,.~/§&&@## ##@&&§/~.,
,,.~/§&&@# #@&&§/~.,,
,.~/§&&@## ##@&&§/~.,
,,.~/§&&@# #@&&§/~.,,
,.~/§&&@## ##@&&§/~.,
,,.~/§&&@# if you follow a dirt road north just #@&&§/~.,,
,.~/§&&@## within the second ring, and navigate ##@&&§/~.,
,,.~/§&&@# the overgrown maze of the north-eastern #@&&§/~.,,
,.~/§&&@## residential district, eventually you ##@&&§/~.,
,,.~/§&&@# arrive at what looks like a large #@&&§/~.,,
,.~/§&&@## fenced-in grove of bird cherry and ##@&&§/~.,
,,.~/§&&@# juniper. it's quite large, #@&&§/~.,,
,.~/§&&@## and will take a while to circle, ##@&&§/~.,
,,.~/§&&@# especially since it's got gardens and #@&&§/~.,,
,.~/§&&@## walls sticking out of it in more than a ##@&&§/~.,
,,.~/§&&@# few places. but keep going, and #@&&§/~.,,
,.~/§&&@## eventually there'll be lilacs, and a ##@&&§/~.,
,,.~/§&&@# hole in the fence. #@&&§/~.,,
,.~/§&&@## ##@&&§/~.,
,,.~/§&&@# go inside. well, it's hollow, and hides #@&&§/~.,,
,.~/§&&@## a pale swamp (herons, mosquitos). it's ##@&&§/~.,
,,.~/§&&@# brighter here, and the sounds of the #@&&§/~.,,
,.~/§&&@## city seem distant. but there's a second ##@&&§/~.,
,,.~/§&&@# grove inside. zig zag between puddles #@&&§/~.,,
,.~/§&&@## and sinking shipping containers, ##@&&§/~.,
,,.~/§&&@# because toward the inner treeline the #@&&§/~.,,
,.~/§&&@## ground becomes solid again. ##@&&§/~.,
,,.~/§&&@# #@&&§/~.,,
,.~/§&&@## go inside. this time there's a cracked ##@&&§/~.,
,,.~/§&&@# parking lot, with sprinkled dandelions, #@&&§/~.,,
,.~/§&&@## lined by wisteria. east of it is an ##@&&§/~.,
,,.~/§&&@# abandoned building, what used to house #@&&§/~.,,
,.~/§&&@## an old restaurant. the paint is ##@&&§/~.,
,,.~/§&&@# chipping, some windows are broken, but #@&&§/~.,,
,.~/§&&@## the signage is still there: ##@&&§/~.,
,,.~/§&&@# #@&&§/~.,,
,.~/§&&@## "indian palace". ##@&&§/~.,
,,.~/§&&@# #@&&§/~.,,
,.~/§&&@## ##@&&§/~.,
,,.~/§&&@# #@&&§/~.,,
,.~/§&&@## ##@&&§/~.,
,,.~/§&&@# #@&&§/~.,,