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£..£.££.£. ££..£.£.£.
£.££..£.£. .£.££.£.£.
£..£.££.£. not actually a palace. a cottage in the ££..£.£.£.
£.££..£.£. woods (temperate climate, rains every .£.££.£.£.
£..£.££.£. other day, springs and streams and ££..£.£.£.
£.££..£.£. mysterious iron and stone artifacts, .£.££.£.£.
£..£.££.£. birdland-ish eternal spring (late ££..£.£.£.
£.££..£.£. spring)) .£.££.£.£.
£..£.££.£. ££..£.£.£.
£.££..£.£. » .£.££.£.£.
£..£.££.£. ££..£.£.£.
£.££..£.£. i wake up every morning at six am. it's .£.££.£.£.
£..£.££.£. dark, and the stars are out, but the ££..£.£.£.
£.££..£.£. sun is about to rise. its a long day, .£.££.£.£.
£..£.££.£. before it fades to night again, and ££..£.£.£.
£.££..£.£. then it stays so until i fall asleep. .£.££.£.£.
£..£.££.£. it doesn't rise unless i've had my ££..£.£.£.
£.££..£.£. dreams. .£.££.£.£.
£..£.££.£. ££..£.£.£.
£.££..£.£. * .£.££.£.£.
£..£.££.£. ££..£.£.£.
£.££..£.£. in this cottage there's a lot of radio .£.££.£.£.
£..£.££.£. equipment, sound stuff, synths, tape ££..£.£.£.
£.££..£.£. players. pen and paper, books, cameras, .£.££.£.£.
£..£.££.£. mirrors, prisms, and various things to ££..£.£.£.
£.££..£.£. do art with. the fridge is filled with .£.££.£.£.
£..£.££.£. differet foods, all of them intriguing, ££..£.£.£.
£.££..£.£. slightly weird. .£.££.£.£.
£..£.££.£. ££..£.£.£.
£.££..£.£. £ .£.££.£.£.
£..£.££.£. ££..£.£.£.
£.££..£.£. i have friends - there's a cat, and a .£.££.£.£.
£..£.££.£. dog (who is ridicolously large and ££..£.£.£.
£.££..£.£. wants to be the big spoon). i listen to .£.££.£.£.
£..£.££.£. the shortwave radio, and transmit a bit ££..£.£.£.
£.££..£.£. myself, songs and poetry, and found .£.££.£.£.
£..£.££.£. sounds from the forest. the others tell ££..£.£.£.
£.££..£.£. of their lives, play the guitar for me, .£.££.£.£.
£..£.££.£. and tell tales of the old world. i ££..£.£.£.
£.££..£.£. consider them friends as well. .£.££.£.£.
£..£.££.£. ££..£.£.£.
£.££..£.£. @ .£.££.£.£.
£..£.££.£. ££..£.£.£.
£.££..£.£. most importantly, there's a two square .£.££.£.£.
£..£.££.£. meter area on the floor where i can ££..£.£.£.
£.££..£.£. "save" things. whatever i put in here .£.££.£.£.
£..£.££.£. will not be affected by the nightly ££..£.£.£.
£.££..£.£. reset. everything else, however, is .£.££.£.£.
£..£.££.£. completely reset overnight: synth ££..£.£.£.
£.££..£.£. patches removed, food uneaten, wounds .£.££.£.£.
£..£.££.£. healed, and wherever and whenever i'd ££..£.£.£.
£.££..£.£. fall asleep i'd always wake up fully .£.££.£.£.
£..£.££.£. rested in my bed. sometimes there's ££..£.£.£.
£.££..£.£. accidents where i lose stuff by .£.££.£.£.
£..£.££.£. forgetting to put them in the square. ££..£.£.£.
£.££..£.£. .£.££.£.£.
£..£.££.£. . ££..£.£.£.
£.££..£.£. .£.££.£.£.
£..£.££.£. at night, i have demi-lucid dreams ££..£.£.£.
£.££..£.£. where the spirits of the forest around .£.££.£.£.
£..£.££.£. the cottage tries to communicate. here, ££..£.£.£.
£.££..£.£. it's not endless but connected to a .£.££.£.£.
£..£.££.£. large sprawling city, where my radio ££..£.£.£.
£.££..£.£. friends live. we go exploring together .£.££.£.£.
£..£.££.£. - things are deep and dark - but unlike ££..£.£.£.
£.££..£.£. me, they never remember during the day. .£.££.£.£.
£..£.££.£. this is a mystery we often discuss. ££..£.£.£.
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