,:==$£¤@@# #@@¤£$==:,
,:==$£¤@@# #@@¤£$==:,
,,,,,===$¤ ¤$===,,,,,
,:==$£¤@@# #@@¤£$==:,
,:==$£¤@@@ @@@¤£$==:,
,,,,===$¤@ train dream @¤$===,,,,
,,,,,:==£@ ######,,,,:=::,,##################### @£==:,,,,,
,,,,==$$¤@ === @¤$$==,,,,
,:==$£¤@@@ = @@@¤£$==:,
,:==$£¤@@# = #@@¤£$==:,
,,,:===$¤@ @¤$===:,,,
,:::=$$££¤ (situation) ¤££$$=:::,
,:==$£¤@@# #@@¤£$==:,
,,,,,==$$¤ you find yourself in a rift - a ¤$$==,,,,,
,,:===$$$¤ clearing, narrow but immeasurably long. ¤$$$===:,,
,:==$£¤@@@ to your sides are walls made of trees, @@@¤£$==:,
,:==$£¤@## thick and ready to swallow you. the sun ##@¤£$==:,
,:==$£¤@@@ is nowhere to be seen, but nontheless @@@¤£$==:,
,,,,:=£¤¤¤ it is very bright - the air feels light ¤¤¤£=:,,,,
,:==$£¤@@# blue, almost white. #@@¤£$==:,
,:==$£¤@## ##@¤£$==:,
,:==$£¤@@# along the span of the clearing lay two #@@¤£$==:,
,,::==$$£@ parallel silvery lines, dark hard @£$$==::,,
,,,,,,:=£@ metal. somehow you can see how heavy @£=:,,,,,,
,:=$£¤@@## they are. ##@@¤£$=:,
,,,:::=$$¤ ¤$$=:::,,,
,:==$££££¤ they emit a high pitched whine... ¤££££$==:,
,:==$£¤@@# #@@¤£$==:,
,:==$£¤@@@ = @@@¤£$==:,
,,,,,=$££@ ,,$,, @££$=,,,,,
,,,===$££¤ = ¤££$===,,,
,:==$£££¤@ @¤£££$==:,
,:==$£¤@@# (situation) #@@¤£$==:,
,:==$£¤@@# #@@¤£$==:,
,:==$£¤@@# youre at the train station, on a #@@¤£$==:,
,:==$££££¤ catwalk above the rails. your train is ¤££££$==:,
,:==$£¤@@# late, or you are late to the train. #@@¤£$==:,
,:==$£@@## it's a summer afternoon and the station ##@@£$==:,
,,,,:==$¤@ is busy, full of relaxed confidence. @¤$==:,,,,
,,,,:=$£@@ @@£$=:,,,,
,:==$£¤@## you're in high spirits, although a bit ##@¤£$==:,
,::==$£¤¤@ stressed about the time, while moving @¤¤£$==::,
,,,,,,:=£@ up the stairs to your platform. the @£=:,,,,,,
,:==$£¤@@# station is in several levels, all #@@¤£$==:,
,,,,,,:=$¤ placed within eachother by some ¤$=:,,,,,,
,,,,,,:=£¤ intelligent designer, and full of ¤£=:,,,,,,
,:==$£¤@@# stairs, elevators, shortcuts, #@@¤£$==:,
,:==$£¤@## bazaars... you sight your train through ##@¤£$==:,
,,,,:=$¤@@ some glass windows. it's... not where @@¤$=:,,,,
,,,====$£@ it's supposed to be? @£$====,,,
,,,:===£@@ @@£===:,,,
,:=====££@ = @££=====:,
,:=====££@ ::£:: @££=====:,
,,,:===$£¤ = ¤£$===:,,,
,,,,===$¤@ @¤$===,,,,
,:==$£¤@@@ (situation) @@@¤£$==:,
,:==$£¤@@# #@@¤£$==:,
,,,:===$£@ you're finally entering the city. while @£$===:,,,
,,,,,,:=$¤ it is indeed a very high speed train ¤$=:,,,,,,
,:==$£¤@@# you're traveling in, the journey has #@@¤£$==:,
,:==$£¤@@# been long. but it's about to end! #@@¤£$==:,
,,,,,==££¤ ¤££==,,,,,
,:==$£¤@@# society is growing denser around you, #@@¤£$==:,
,:==$££¤¤@ through the windows you see first small @¤¤££$==:,
,,,,,,=$£¤ shacks, built of metal and stone, then ¤£$=,,,,,,
,,,,,,:=$¤ proper houses with mortar to keep them ¤$=:,,,,,,
,:====$££¤ together... who in turn make way for ¤££$====:,
,,,,=$£££¤ the industrial buildings, the urban ¤£££$=,,,,
,:==$£¤@@# maze, protective walls, jungle #@@¤£$==:,
,:==$£¤@@# network... #@@¤£$==:,
,,,,:==£¤@ @¤£==:,,,,
,:==$£¤@@# the tracks leave the ground, which is #@@¤£$==:,
,:==$£¤@@@ needed for other purposes. you are @@@¤£$==:,
,,,,:==$$¤ carried gently, curving upwards until ¤$$==:,,,,
,,,,,,:=$¤ you're moving upward along the wall of ¤$=:,,,,,,
,:=====$¤@ a building. it's made of slabby stone, @¤$=====:,
,,,,,==$£@ with great glassless window holes @£$==,,,,,
,:==$£¤@@@ looking out the way you came. it is @@@¤£$==:,
,,,:==$£@@ pitch black inside. @@£$==:,,,
,:===$£¤@@ @@¤£$===:,
,,,,,,:=$¤ ¤$=:,,,,,,
,:==$£¤¤@@ @@¤¤£$==:,
,,,==$$£¤¤ ¤¤£$$==,,,
,:==$£¤@@# #@@¤£$==:,