@@.....@.. @.@.@.@...
.@....@@.. @@@@@@@..@
@@...@.@.. ......@.@@
.@..@@@@.. .....@@@..
@@.@...@.@ ....@..@..
.@@@..@@@@ TRAIN DREAM ...@@.@@.@
@..@.@...@ ######....-=--..##################### ..@.@@.@@@
@.@@@@..@@ ;;; .@@@.@@...
@@...@.@.. = @..@@.@..@
.@..@@@@.@ = @.@.@@@.@.
@@.@...@@@ @@@@..@@@.
.@@@..@..@ (SITUATION) ...@.@..@@
@..@.@@.@@ ..@@@@.@.@
@.@@@.@@.@ YOU FIND YOURSELF IN A RIFT - A .@...@@@@.
@@..@@.@@@ CLEARING, NARROW BUT IMMEASURABLY LONG. @@..@...@@
.@.@.@@..@ TO YOUR SIDES ARE WALLS MADE OF TREES, .@.@@..@..
@@@@@.@.@@ THICK AND READY TO SWALLOW YOU. THE SUN @@@.@.@@..
....@@@@.@ IS NOWHERE TO BE SEEN, BUT NONTHELESS ..@@@@.@.@
...@...@@. IT IS VERY BRIGHT - THE AIR FEELS LIGHT .@...@@@@@
..@@..@.@. BLUE, ALMOST WHITE. @@..@....@
.@.@.@@@@@ .@.@@...@@
@@@@@....@ ALONG THE SPAN OF THE CLEARING LAY TWO @@@.@..@.@
....@...@@ PARALLEL SILVERY LINES, DARK HARD ..@@@.@@@.
...@@..@.. METAL. SOMEHOW YOU CAN SEE HOW HEAVY .@..@@..@.
..@.@.@@.@ THEY ARE. @@.@.@.@@.
.@@@@@.@@. .@@@@@@.@.
@....@@.@@ THEY EMIT A HIGH PITCHED WHINE... @.....@@@.
@...@.@@.. @....@..@@
@..@@@.@.. = @...@@.@..
@.@..@@@.. ..*.. @..@.@@@.@
@@@.@..@.. = @.@@@..@@.
..@@@.@@.. @@..@.@.@@
.@..@@.@.. (SITUATION) .@.@@@@@.@
@@.@.@@@.. @@@....@@@
.@@@@..@.. YOURE AT THE TRAIN STATION, ON A ..@...@...
@...@.@@.@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS .@@..@@...
@..@@@.@@. LATE, OR YOU ARE LATE TO THE TRAIN. @.@.@.@..@
@.@..@@.@@ IT'S A SUMMER AFTERNOON AND THE STATION @@@@@@@.@.
@@@.@.@@.. IS BUSY, FULL OF RELAXED CONFIDENCE. ......@@@@
..@@@@.@.. .....@....
.@...@@@.. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ....@@....
@@..@..@.@ STRESSED ABOUT THE TIME, WHILE MOVING ...@.@....
.@.@@.@@@@ UP THE STAIRS TO YOUR PLATFORM. THE ..@@@@...@
@@@.@@...@ STATION IS IN SEVERAL LEVELS, ALL .@...@..@@
..@@.@..@. PLACED WITHIN EACHOTHER BY SOME @@..@@.@..
.@.@@@.@@. INTELLIGENT DESIGNER, AND FULL OF .@.@.@@@..
@@@..@@.@. STAIRS, ELEVATORS, SHORTCUTS, @@@@@..@..
..@.@.@@@@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ....@.@@.@
.@@@@@...@ SOME GLASS WINDOWS. IT'S... NOT WHERE ...@@@.@@@
@....@..@. IT'S SUPPOSED TO BE? ..@..@@..@
@...@@.@@. .@@.@.@.@.
@..@.@@.@. = @.@@@@@@@@
@.@@@.@@@. --£-- @@........
@@..@@..@@ = .@.......@
.@.@.@.@.@ @@......@.
@@@@@@@@@. (SITUATION) .@.....@@.
........@@ @@....@.@@
.......@.@ YOU'RE FINALLY ENTERING THE CITY. WHILE .@...@@@.@
......@@@@ IT IS INDEED A VERY HIGH SPEED TRAIN @@..@..@@@
.....@...@ YOU'RE TRAVELING IN, THE JOURNEY HAS .@.@@.@..@
....@@..@. BEEN LONG. BUT IT'S ABOUT TO END! @@@.@@@.@@
...@.@.@@. ..@@..@@.@
..@@@@@.@@ SOCIETY IS GROWING DENSER AROUND YOU, .@.@.@.@@@
.@....@@.. THROUGH THE WINDOWS YOU SEE FIRST SMALL @@@@@@@..@
@@...@.@.. SHACKS, BUILT OF METAL AND STONE, THEN ......@.@@
.@..@@@@.. PROPER HOUSES WITH MORTAR TO KEEP THEM .....@@@..
@@.@...@.@ TOGETHER... WHO IN TURN MAKE WAY FOR ....@..@..
.@@@..@@@@ THE INDUSTRIAL BUILDINGS, THE URBAN ...@@.@@.@
@..@.@...@ MAZE, PROTECTIVE WALLS, JUNGLE ..@.@@.@@@
@.@@@@..@@ NETWORK... .@@@.@@...
@@...@.@.. @..@@.@..@
.@..@@@@.@ THE TRACKS LEAVE THE GROUND, WHICH IS @.@.@@@.@.
@@.@...@@@ NEEDED FOR OTHER PURPOSES. YOU ARE @@@@..@@@.
.@@@..@..@ CARRIED GENTLY, CURVING UPWARDS UNTIL ...@.@..@@
@..@.@@.@@ YOU'RE MOVING UPWARD ALONG THE WALL OF ..@@@@.@.@
@.@@@.@@.@ A BUILDING. IT'S MADE OF SLABBY STONE, .@...@@@@.
@@..@@.@@@ WITH GREAT GLASSLESS WINDOW HOLES @@..@...@@
.@.@.@@..@ LOOKING OUT THE WAY YOU CAME. IT IS .@.@@..@..
@@@@@.@.@@ PITCH BLACK INSIDE. @@@.@.@@..
....@@@@.@ ..@@@@.@.@
...@...@@. .@...@@@@@
..@@..@.@. @@..@....@
.@.@.@@@@@ .@.@@...@@
@@@@@....@ @@@.@..@.@