,,===§§¤## ##¤§§===,,
,,,,,,=§&& &&§=,,,,,,
,=†§¤@## ##@#&¤§†=,
,,,,,,,†¤# #¤†,,,,,,,
,,,==§§§¤# #¤§§§==,,,
,,=†§¤@# TRAIN DREAM #@#&¤§†=,,
,,=†§¤@# ######,,,,,=,,,,##################### #@#&¤§†=,,
,,,,==†¤ ††† #&¤†==,,,,
,,,,,,=§&& = &&§=,,,,,,
,,,,,=§¤&& = &&¤§=,,,,,
,,,,,,=†¤& &¤†=,,,,,,
,,,,=††¤&& (SITUATION) &&¤††=,,,,
,,,,=§§§ #&§§§=,,,,
,,=†§¤&# YOU FIND YOURSELF IN A RIFT - A ##&&¤§†=,,
,,=§¤@## CLEARING, NARROW BUT IMMEASURABLY LONG. ##@#&¤§=,,
,,=†§¤@# TO YOUR SIDES ARE WALLS MADE OF TREES, #@#&¤§†=,,
,,=†§¤&&&@ THICK AND READY TO SWALLOW YOU. THE SUN @&&&¤§†=,,
,,=†§¤@# IS NOWHERE TO BE SEEN, BUT NONTHELESS #@#&¤§†=,,
,,,,,,=§¤# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #¤§=,,,,,,
,,=†§¤#@ BLUE, ALMOST WHITE. @##&¤§†=,,
,,=†§¤@# #@#&¤§†=,,
,,=†§¤@# ALONG THE SPAN OF THE CLEARING LAY TWO #@#&¤§†=,,
,,=†§¤@# PARALLEL SILVERY LINES, DARK HARD #@#&¤§†=,,
,,=†§¤@# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #@#&¤§†=,,
,,,,,=§&&@ THEY ARE. @&&§=,,,,,
,,=†§¤## ###&¤§†=,,
,,,,†§¤& THEY EMIT A HIGH PITCHED WHINE... #&&¤§†,,,,
,,=†§¤¤¤¤# #¤¤¤¤§†=,,
,,=†§¤@# = #@#&¤§†=,,
,,=†§¤## ,,§,, ###&¤§†=,,
,,===§§&&& = &&&§§===,,
,,=†§¤## ###&¤§†=,,
,,=†§¤&@## (SITUATION) ##@&¤§†=,,
,,,,††§¤ #&¤§††,,,,
,,=†§¤&@## YOURE AT THE TRAIN STATION, ON A ##@&¤§†=,,
,,,,==§# CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##&§==,,,,
,,=†§¤@# LATE, OR YOU ARE LATE TO THE TRAIN. #@#&¤§†=,,
,,=†§¤@# IT'S A SUMMER AFTERNOON AND THE STATION #@#&¤§†=,,
,,=†§¤#@ IS BUSY, FULL OF RELAXED CONFIDENCE. @##&¤§†=,,
,,=†§¤#@## ##@#¤§†=,,
,,=†§¤@# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #@#&¤§†=,,
,,,,=†¤¤&& STRESSED ABOUT THE TIME, WHILE MOVING &&¤¤†=,,,,
,,=†§¤&& UP THE STAIRS TO YOUR PLATFORM. THE #&&&¤§†=,,
,,=====†§& STATION IS IN SEVERAL LEVELS, ALL &§†=====,,
,,=†§¤#@## PLACED WITHIN EACHOTHER BY SOME ##@#¤§†=,,
,,,,,,,=§& INTELLIGENT DESIGNER, AND FULL OF &§=,,,,,,,
,,=†§¤#@ STAIRS, ELEVATORS, SHORTCUTS, @##&¤§†=,,
,,,,,,,†¤& BAZAARS... YOU SIGHT YOUR TRAIN THROUGH &¤†,,,,,,,
,,=†§¤¤¤&& SOME GLASS WINDOWS. IT'S... NOT WHERE &&¤¤¤§†=,,
,,=†§§§¤¤# IT'S SUPPOSED TO BE? #¤¤§§§†=,,
,,=†§¤@# #@#&¤§†=,,
,,=†§¤¤¤&& = &&¤¤¤§†=,,
,,,,,=†¤## ,,¤,, ##¤†=,,,,,
,,=†§¤## = ###&¤§†=,,
,,,,,,=§&& &&§=,,,,,,
,,=†§¤@# (SITUATION) #@#&¤§†=,,
,,=†§¤&@## ##@&¤§†=,,
,,=†§¤@@ YOU'RE FINALLY ENTERING THE CITY. WHILE @@#&¤§†=,,
,,=†§¤&&&@ IT IS INDEED A VERY HIGH SPEED TRAIN @&&&¤§†=,,
,,,==§§¤#@ YOU'RE TRAVELING IN, THE JOURNEY HAS @#¤§§==,,,
,,,,,,††§& BEEN LONG. BUT IT'S ABOUT TO END! &§††,,,,,,
,,=†§¤@# #@#&¤§†=,,
,,,===§¤&@ SOCIETY IS GROWING DENSER AROUND YOU, @&¤§===,,,
,,=†§@## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##@#&§†=,,
,,=†§¤&@## SHACKS, BUILT OF METAL AND STONE, THEN ##@&¤§†=,,
,,,==§§¤¤& PROPER HOUSES WITH MORTAR TO KEEP THEM &¤¤§§==,,,
,,,,=†¤¤## TOGETHER... WHO IN TURN MAKE WAY FOR ##¤¤†=,,,,
,,,,,=§¤ THE INDUSTRIAL BUILDINGS, THE URBAN #&¤§=,,,,,
,,=†§¤@# MAZE, PROTECTIVE WALLS, JUNGLE #@#&¤§†=,,
,,=†§¤## NETWORK... ###&¤§†=,,
,,=†¤@## ##@#&¤†=,,
,,=†§¤@@ THE TRACKS LEAVE THE GROUND, WHICH IS @@#&¤§†=,,
,,=†§¤@# NEEDED FOR OTHER PURPOSES. YOU ARE #@#&¤§†=,,
,,=†§¤## CARRIED GENTLY, CURVING UPWARDS UNTIL ###&¤§†=,,
,,,,,=§§ YOU'RE MOVING UPWARD ALONG THE WALL OF #&§§=,,,,,
,,=†§¤&&&& A BUILDING. IT'S MADE OF SLABBY STONE, &&&&¤§†=,,
,,=†§¤@# WITH GREAT GLASSLESS WINDOW HOLES #@#&¤§†=,,
,,=†§¤@@ LOOKING OUT THE WAY YOU CAME. IT IS @@#&¤§†=,,
,,=†§¤## PITCH BLACK INSIDE. ###&¤§†=,,
,,=†§¤@# #@#&¤§†=,,
,,=†§¤&&&& &&&&¤§†=,,
,,,,=§¤&&& &&&¤§=,,,,
,,,,,=§§&@ @&§§=,,,,,
,,=†§¤¤# ##&¤¤§†=,,