.^»;=¤¤¤#@ @#¤¤¤=;»^.
.^»;=¤¤### ###¤¤=;»^.
.^»;=¤¤#@# #@#¤¤=;»^.
.^»;=¤¤¤¤# #¤¤¤¤=;»^.
.^»;=¤#@## ##@#¤=;»^.
.^»;=¤¤#@# TRAIN DREAM #@#¤¤=;»^.
.^»»;;;=¤@ ######....^»^^..##################### @¤=;;;»»^.
.^»;=¤#@## ;;; ##@#¤=;»^.
.^»;=¤¤¤¤@ » @¤¤¤¤=;»^.
.^»;=¤¤### » ###¤¤=;»^.
.....»=¤#@ @#¤=».....
......^»=¤ (SITUATION) ¤=»^......
.^»;=¤¤#@# #@#¤¤=;»^.
....^^^;¤# YOU FIND YOURSELF IN A RIFT - A #¤;^^^....
......^;¤# CLEARING, NARROW BUT IMMEASURABLY LONG. #¤;^......
.^»;=¤¤@## TO YOUR SIDES ARE WALLS MADE OF TREES, ##@¤¤=;»^.
.^»;=¤¤#@# THICK AND READY TO SWALLOW YOU. THE SUN #@#¤¤=;»^.
.^»»»»=¤¤¤ IS NOWHERE TO BE SEEN, BUT NONTHELESS ¤¤¤=»»»»^.
......^»=¤ IT IS VERY BRIGHT - THE AIR FEELS LIGHT ¤=»^......
.^»;=¤¤#@# BLUE, ALMOST WHITE. #@#¤¤=;»^.
.^»;=¤#@## ##@#¤=;»^.
.^»;=¤¤#@# ALONG THE SPAN OF THE CLEARING LAY TWO #@#¤¤=;»^.
.^»;=¤¤#@# PARALLEL SILVERY LINES, DARK HARD #@#¤¤=;»^.
.^»;=¤#@## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##@#¤=;»^.
.^»;=¤¤#@# THEY ARE. #@#¤¤=;»^.
.^»;=¤¤#@# #@#¤¤=;»^.
..^^»»;=¤@ THEY EMIT A HIGH PITCHED WHINE... @¤=;»»^^..
.^»;=¤#@## ##@#¤=;»^.
....^;;¤¤# » #¤¤;;^....
...^;;==¤# ..=.. #¤==;;^...
...^^»;¤¤# » #¤¤;»^^...
.^»;=¤¤#@# #@#¤¤=;»^.
.^»;=¤¤#@# (SITUATION) #@#¤¤=;»^.
....^»;==¤ ¤==;»^....
.^»;;;;¤¤¤ YOURE AT THE TRAIN STATION, ON A ¤¤¤;;;;»^.
.^»;=¤¤#@# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #@#¤¤=;»^.
.^»;=¤¤#@# LATE, OR YOU ARE LATE TO THE TRAIN. #@#¤¤=;»^.
...^;;¤¤## IT'S A SUMMER AFTERNOON AND THE STATION ##¤¤;;^...
.^»;=¤¤¤¤¤ IS BUSY, FULL OF RELAXED CONFIDENCE. ¤¤¤¤¤=;»^.
.^»;=¤¤### ###¤¤=;»^.
.^»;=¤¤#@# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #@#¤¤=;»^.
....^»;=¤# STRESSED ABOUT THE TIME, WHILE MOVING #¤=;»^....
....»;=¤¤# UP THE STAIRS TO YOUR PLATFORM. THE #¤¤=;»....
.^»;=¤¤### STATION IS IN SEVERAL LEVELS, ALL ###¤¤=;»^.
.^»;=¤¤#@# PLACED WITHIN EACHOTHER BY SOME #@#¤¤=;»^.
.^»;=¤¤@## INTELLIGENT DESIGNER, AND FULL OF ##@¤¤=;»^.
..^^^»;¤## STAIRS, ELEVATORS, SHORTCUTS, ##¤;»^^^..
.^»;=¤¤### BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ###¤¤=;»^.
...»;;;;¤¤ SOME GLASS WINDOWS. IT'S... NOT WHERE ¤¤;;;;»...
...^;;==¤# IT'S SUPPOSED TO BE? #¤==;;^...
.^»;=¤¤#@# #@#¤¤=;»^.
....^;;¤¤¤ » ¤¤¤;;^....
.^»;=¤¤@## ^^¤^^ ##@¤¤=;»^.
....^;¤¤## » ##¤¤;^....
...»»;¤¤## ##¤¤;»»...
.^»;=¤¤#@# (SITUATION) #@#¤¤=;»^.
...^^»;;¤¤ ¤¤;;»^^...
.^»;=¤¤¤¤¤ YOU'RE FINALLY ENTERING THE CITY. WHILE ¤¤¤¤¤=;»^.
....^»==¤¤ IT IS INDEED A VERY HIGH SPEED TRAIN ¤¤==»^....
.^»;=¤¤#@# YOU'RE TRAVELING IN, THE JOURNEY HAS #@#¤¤=;»^.
.^»;=¤¤¤## BEEN LONG. BUT IT'S ABOUT TO END! ##¤¤¤=;»^.
...^^»»;¤¤ ¤¤;»»^^...
....^^»=¤¤ SOCIETY IS GROWING DENSER AROUND YOU, ¤¤=»^^....
....^;¤¤¤@ THROUGH THE WINDOWS YOU SEE FIRST SMALL @¤¤¤;^....
....^^»»=¤ SHACKS, BUILT OF METAL AND STONE, THEN ¤=»»^^....
.^»;=¤¤#@@ PROPER HOUSES WITH MORTAR TO KEEP THEM @@#¤¤=;»^.
.^»;=¤¤¤#@ TOGETHER... WHO IN TURN MAKE WAY FOR @#¤¤¤=;»^.
.^»»;;;¤¤¤ THE INDUSTRIAL BUILDINGS, THE URBAN ¤¤¤;;;»»^.
.^»;=¤¤#@# MAZE, PROTECTIVE WALLS, JUNGLE #@#¤¤=;»^.
.^»;=¤¤#@# NETWORK... #@#¤¤=;»^.
....»»;;¤# #¤;;»»....
....^»==¤¤ THE TRACKS LEAVE THE GROUND, WHICH IS ¤¤==»^....
....^^^»=¤ NEEDED FOR OTHER PURPOSES. YOU ARE ¤=»^^^....
......^;¤¤ CARRIED GENTLY, CURVING UPWARDS UNTIL ¤¤;^......
.^»;=¤¤#@@ YOU'RE MOVING UPWARD ALONG THE WALL OF @@#¤¤=;»^.
.^»;=¤¤#@# A BUILDING. IT'S MADE OF SLABBY STONE, #@#¤¤=;»^.
.^»;=¤¤### WITH GREAT GLASSLESS WINDOW HOLES ###¤¤=;»^.
...^»;¤¤¤@ LOOKING OUT THE WAY YOU CAME. IT IS @¤¤¤;»^...
...»»»=¤## PITCH BLACK INSIDE. ##¤=»»»...
.^»;=¤¤#@# #@#¤¤=;»^.
.^»;=¤¤#@# #@#¤¤=;»^.
.^»;==¤¤¤¤ ¤¤¤¤==;»^.
.^^^^»»==¤ ¤==»»^^^^.
.»;=¤¤#@## ##@#¤¤=;».