,-~=%%@£## ##£@%%=~-,
,,-~=%%@£# #£@%%=~-,,
,,,-~=%%@£ £@%%=~-,,,
,,,,-~=%%@ @%%=~-,,,,
,,,,,-~=%% %%=~-,,,,,
,,,,-~=%%@ train dream @%%=~-,,,,
,,,-~=%%@£ ######,,,,-~--,,##################### £@%%=~-,,,
,,-~=%%@£# === #£@%%=~-,,
,-~=%%@£## ~ ##£@%%=~-,
,,-~=%%@£# ~ #£@%%=~-,,
,,,-~=%%@£ £@%%=~-,,,
,,,,-~=%%@ (situation) @%%=~-,,,,
,,,,,-~=%% %%=~-,,,,,
,,,,-~=%%@ you find yourself in a rift - a @%%=~-,,,,
,,,-~=%%@£ clearing, narrow but immeasurably long. £@%%=~-,,,
,,-~=%%@£# to your sides are walls made of trees, #£@%%=~-,,
,-~=%%@£## thick and ready to swallow you. the sun ##£@%%=~-,
,,-~=%%@£# is nowhere to be seen, but nontheless #£@%%=~-,,
,,,-~=%%@£ it is very bright - the air feels light £@%%=~-,,,
,,,,-~=%%@ blue, almost white. @%%=~-,,,,
,,,,,-~=%% %%=~-,,,,,
,,,,-~=%%@ along the span of the clearing lay two @%%=~-,,,,
,,,-~=%%@£ parallel silvery lines, dark hard £@%%=~-,,,
,,-~=%%@£# metal. somehow you can see how heavy #£@%%=~-,,
,-~=%%@£## they are. ##£@%%=~-,
,,-~=%%@£# #£@%%=~-,,
,,,-~=%%@£ they emit a high pitched whine... £@%%=~-,,,
,,,,-~=%%@ @%%=~-,,,,
,,,,,-~=%% ~ %%=~-,,,,,
,,,,-~=%%@ ,,%,, @%%=~-,,,,
,,,-~=%%@£ ~ £@%%=~-,,,
,,-~=%%@£# #£@%%=~-,,
,-~=%%@£## (situation) ##£@%%=~-,
,,-~=%%@£# #£@%%=~-,,
,,,-~=%%@£ youre at the train station, on a £@%%=~-,,,
,,,,-~=%%@ catwalk above the rails. your train is @%%=~-,,,,
,,,,,-~=%% late, or you are late to the train. %%=~-,,,,,
,,,,-~=%%@ it's a summer afternoon and the station @%%=~-,,,,
,,,-~=%%@£ is busy, full of relaxed confidence. £@%%=~-,,,
,,-~=%%@£# #£@%%=~-,,
,-~=%%@£## you're in high spirits, although a bit ##£@%%=~-,
,,-~=%%@£# stressed about the time, while moving #£@%%=~-,,
,,,-~=%%@£ up the stairs to your platform. the £@%%=~-,,,
,,,,-~=%%@ station is in several levels, all @%%=~-,,,,
,,,,,-~=%% placed within eachother by some %%=~-,,,,,
,,,,-~=%%@ intelligent designer, and full of @%%=~-,,,,
,,,-~=%%@£ stairs, elevators, shortcuts, £@%%=~-,,,
,,-~=%%@£# bazaars... you sight your train through #£@%%=~-,,
,-~=%%@£## some glass windows. it's... not where ##£@%%=~-,
,,-~=%%@£# it's supposed to be? #£@%%=~-,,
,,,-~=%%@£ £@%%=~-,,,
,,,,-~=%%@ ~ @%%=~-,,,,
,,,,,-~=%% --%-- %%=~-,,,,,
,,,,-~=%%@ ~ @%%=~-,,,,
,,,-~=%%@£ £@%%=~-,,,
,,-~=%%@£# (situation) #£@%%=~-,,
,-~=%%@£## ##£@%%=~-,
,,-~=%%@£# you're finally entering the city. while #£@%%=~-,,
,,,-~=%%@£ it is indeed a very high speed train £@%%=~-,,,
,,,,-~=%%@ you're traveling in, the journey has @%%=~-,,,,
,,,,,-~=%% been long. but it's about to end! %%=~-,,,,,
,,,,-~=%%@ @%%=~-,,,,
,,,-~=%%@£ society is growing denser around you, £@%%=~-,,,
,,-~=%%@£# through the windows you see first small #£@%%=~-,,
,-~=%%@£## shacks, built of metal and stone, then ##£@%%=~-,
,,-~=%%@£# proper houses with mortar to keep them #£@%%=~-,,
,,,-~=%%@£ together... who in turn make way for £@%%=~-,,,
,,,,-~=%%@ the industrial buildings, the urban @%%=~-,,,,
,,,,,-~=%% maze, protective walls, jungle %%=~-,,,,,
,,,,-~=%%@ network... @%%=~-,,,,
,,,-~=%%@£ £@%%=~-,,,
,,-~=%%@£# the tracks leave the ground, which is #£@%%=~-,,
,-~=%%@£## needed for other purposes. you are ##£@%%=~-,
,,-~=%%@£# carried gently, curving upwards until #£@%%=~-,,
,,,-~=%%@£ you're moving upward along the wall of £@%%=~-,,,
,,,,-~=%%@ a building. it's made of slabby stone, @%%=~-,,,,
,,,,,-~=%% with great glassless window holes %%=~-,,,,,
,,,,-~=%%@ looking out the way you came. it is @%%=~-,,,,
,,,-~=%%@£ pitch black inside. £@%%=~-,,,
,,-~=%%@£# #£@%%=~-,,
,-~=%%@£## ##£@%%=~-,
,,-~=%%@£# #£@%%=~-,,
,,,-~=%%@£ £@%%=~-,,,
,,,,-~=%%@ @%%=~-,,,,