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,-~;§%@££# #££@%§;~-,
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,-~;§%%%@£ £@%%%§;~-,
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,,,,,-;%@# ######,,,,-~--,,##################### #@%;-,,,,,
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,-~~~;%@£# #£@%;~~~-,
,-~;§%£### (SITUATION) ###£%§;~-,
,-~;§%£### ###£%§;~-,
,-~;§%@£## YOU FIND YOURSELF IN A RIFT - A ##£@%§;~-,
,-~;§%@@@# CLEARING, NARROW BUT IMMEASURABLY LONG. #@@@%§;~-,
,-~;§%%%£# TO YOUR SIDES ARE WALLS MADE OF TREES, #£%%%§;~-,
,-~;§%@£££ THICK AND READY TO SWALLOW YOU. THE SUN £££@%§;~-,
,,,--~~;§@ IS NOWHERE TO BE SEEN, BUT NONTHELESS @§;~~--,,,
,,,-~§%@@@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT @@@%§~-,,,
,----;%%%£ BLUE, ALMOST WHITE. £%%%;----,
,-~;§%@£## ##£@%§;~-,
,-~;;§§%@@ ALONG THE SPAN OF THE CLEARING LAY TWO @@%§§;;~-,
,-~;§%@£## PARALLEL SILVERY LINES, DARK HARD ##£@%§;~-,
,-~;§%@££# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #££@%§;~-,
,-~;§%@### THEY ARE. ###@%§;~-,
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,-;§%@£### THEY EMIT A HIGH PITCHED WHINE... ###£@%§;-,
,,,-;§§%@@ @@%§§;-,,,
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,,,---~§@# #@§~---,,,
,-~;§%@££# YOURE AT THE TRAIN STATION, ON A #££@%§;~-,
,-~;§%@££# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #££@%§;~-,
,,,,,,,~§@ LATE, OR YOU ARE LATE TO THE TRAIN. @§~,,,,,,,
,-~;§%@£## IT'S A SUMMER AFTERNOON AND THE STATION ##£@%§;~-,
,,,,-~~;%£ IS BUSY, FULL OF RELAXED CONFIDENCE. £%;~~-,,,,
,-~;§%@£## ##£@%§;~-,
,,,,-~;§§@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @§§;~-,,,,
,-~;§%@### STRESSED ABOUT THE TIME, WHILE MOVING ###@%§;~-,
,-~;§%@£## UP THE STAIRS TO YOUR PLATFORM. THE ##£@%§;~-,
,-~;§%@£££ STATION IS IN SEVERAL LEVELS, ALL £££@%§;~-,
,-~;§%@£## PLACED WITHIN EACHOTHER BY SOME ##£@%§;~-,
,,,,,-;§%@ INTELLIGENT DESIGNER, AND FULL OF @%§;-,,,,,
,-~;§%@£## STAIRS, ELEVATORS, SHORTCUTS, ##£@%§;~-,
,-~;§%@££# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #££@%§;~-,
,,,,,-;%@# SOME GLASS WINDOWS. IT'S... NOT WHERE #@%;-,,,,,
,,,--~§%£# IT'S SUPPOSED TO BE? #£%§~--,,,
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,-~;§%@£## (SITUATION) ##£@%§;~-,
,-~;§%£### ###£%§;~-,
,,,,-~§%@@ YOU'RE FINALLY ENTERING THE CITY. WHILE @@%§~-,,,,
,-~;§%@### IT IS INDEED A VERY HIGH SPEED TRAIN ###@%§;~-,
,-~~~;;%£# YOU'RE TRAVELING IN, THE JOURNEY HAS #£%;;~~~-,
,-~;§%£### BEEN LONG. BUT IT'S ABOUT TO END! ###£%§;~-,
,-~;§%@£## ##£@%§;~-,
,,,---;%@# SOCIETY IS GROWING DENSER AROUND YOU, #@%;---,,,
,,,,,~§§%@ THROUGH THE WINDOWS YOU SEE FIRST SMALL @%§§~,,,,,
,-~;§%%@@# SHACKS, BUILT OF METAL AND STONE, THEN #@@%%§;~-,
,,,,,~~§§@ PROPER HOUSES WITH MORTAR TO KEEP THEM @§§~~,,,,,
,-~;§%@£## TOGETHER... WHO IN TURN MAKE WAY FOR ##£@%§;~-,
,-~;§%@@££ THE INDUSTRIAL BUILDINGS, THE URBAN ££@@%§;~-,
,-~;§%@££# MAZE, PROTECTIVE WALLS, JUNGLE #££@%§;~-,
,,,---;;%@ NETWORK... @%;;---,,,
,-~;§%@£## ##£@%§;~-,
,-~;§%@£## THE TRACKS LEAVE THE GROUND, WHICH IS ##£@%§;~-,
,-~;§%@££# NEEDED FOR OTHER PURPOSES. YOU ARE #££@%§;~-,
,-~;§%@£## CARRIED GENTLY, CURVING UPWARDS UNTIL ##£@%§;~-,
,-~;§%@£££ YOU'RE MOVING UPWARD ALONG THE WALL OF £££@%§;~-,
,-~;§%@@£# A BUILDING. IT'S MADE OF SLABBY STONE, #£@@%§;~-,
,-~;§%@£££ WITH GREAT GLASSLESS WINDOW HOLES £££@%§;~-,
,-~;§%@£## LOOKING OUT THE WAY YOU CAME. IT IS ##£@%§;~-,
,-~;§%@£## PITCH BLACK INSIDE. ##£@%§;~-,
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