...@.@..@. ...@.....@
@.....@..@ @...@.....
.@.....@.. @@...@....
..@.....@. .@@...@...
...@.....@ .@@@...@..
....@..... TRAIN DREAM .@.@@...@.
.....@.... ######.....«....##################### ...@@@...@
@.....@... === ...@.@@...
.@.....@.. « .....@@@..
..@.....@. « @....@.@@.
...@.....@ .@.....@@@
@...@..... (SITUATION) ..@....@.@
@@...@.... ...@.....@
.@@...@... YOU FIND YOURSELF IN A RIFT - A ....@....@
.@@@...@.. CLEARING, NARROW BUT IMMEASURABLY LONG. @....@....
.@.@@...@. TO YOUR SIDES ARE WALLS MADE OF TREES, @@....@...
...@@@...@ THICK AND READY TO SWALLOW YOU. THE SUN .@@....@..
...@.@@... IS NOWHERE TO BE SEEN, BUT NONTHELESS .@@@....@.
.....@@@.. IT IS VERY BRIGHT - THE AIR FEELS LIGHT .@.@@....@
@....@.@@. BLUE, ALMOST WHITE. ...@@@....
.@.....@@@ ...@.@@...
..@....@.@ ALONG THE SPAN OF THE CLEARING LAY TWO .....@@@..
...@.....@ PARALLEL SILVERY LINES, DARK HARD @....@.@@.
....@....@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY .@.....@@@
@....@.... THEY ARE. ..@....@.@
@@....@... ...@.....@
.@@....@.. THEY EMIT A HIGH PITCHED WHINE... ....@....@
.@@@....@. .....@....
.@.@@....@ « ......@...
...@@@.... ..§.. @......@..
...@.@@... « @@......@.
.....@@@.. @@@......@
@....@.@@. (SITUATION) @.@@......
.@.....@@@ ..@@@.....
..@....@.@ YOURE AT THE TRAIN STATION, ON A ..@.@@....
...@.....@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS ....@@@...
....@....@ LATE, OR YOU ARE LATE TO THE TRAIN. ....@.@@..
.....@.... IT'S A SUMMER AFTERNOON AND THE STATION ......@@@.
......@... IS BUSY, FULL OF RELAXED CONFIDENCE. @.....@.@@
@......@.. .@......@@
@@......@. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ..@.....@.
@@@......@ STRESSED ABOUT THE TIME, WHILE MOVING ...@......
@.@@...... UP THE STAIRS TO YOUR PLATFORM. THE ....@.....
..@@@..... STATION IS IN SEVERAL LEVELS, ALL .....@....
..@.@@.... PLACED WITHIN EACHOTHER BY SOME @.....@...
....@@@... INTELLIGENT DESIGNER, AND FULL OF .@.....@..
....@.@@.. STAIRS, ELEVATORS, SHORTCUTS, ..@.....@.
......@@@. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @..@.....@
@.....@.@@ SOME GLASS WINDOWS. IT'S... NOT WHERE .@..@.....
.@......@@ IT'S SUPPOSED TO BE? ..@..@....
..@.....@. ...@..@...
...@...... « ....@..@..
....@..... ..§.. .....@..@.
.....@.... « @.....@..@
@.....@... .@.....@..
.@.....@.. (SITUATION) ..@.....@.
..@.....@. ...@.....@
@..@.....@ YOU'RE FINALLY ENTERING THE CITY. WHILE ....@.....
.@..@..... IT IS INDEED A VERY HIGH SPEED TRAIN .....@....
..@..@.... YOU'RE TRAVELING IN, THE JOURNEY HAS @.....@...
...@..@... BEEN LONG. BUT IT'S ABOUT TO END! .@.....@..
....@..@.. ..@.....@.
.....@..@. SOCIETY IS GROWING DENSER AROUND YOU, ...@.....@
@.....@..@ THROUGH THE WINDOWS YOU SEE FIRST SMALL @...@.....
.@.....@.. SHACKS, BUILT OF METAL AND STONE, THEN @@...@....
..@.....@. PROPER HOUSES WITH MORTAR TO KEEP THEM .@@...@...
...@.....@ TOGETHER... WHO IN TURN MAKE WAY FOR .@@@...@..
....@..... THE INDUSTRIAL BUILDINGS, THE URBAN .@.@@...@.
.....@.... MAZE, PROTECTIVE WALLS, JUNGLE ...@@@...@
@.....@... NETWORK... ...@.@@...
.@.....@.. .....@@@..
..@.....@. THE TRACKS LEAVE THE GROUND, WHICH IS @....@.@@.
...@.....@ NEEDED FOR OTHER PURPOSES. YOU ARE .@.....@@@
@...@..... CARRIED GENTLY, CURVING UPWARDS UNTIL ..@....@.@
@@...@.... YOU'RE MOVING UPWARD ALONG THE WALL OF ...@.....@
.@@...@... A BUILDING. IT'S MADE OF SLABBY STONE, ....@....@
.@@@...@.. WITH GREAT GLASSLESS WINDOW HOLES @....@....
.@.@@...@. LOOKING OUT THE WAY YOU CAME. IT IS @@....@...
...@@@...@ PITCH BLACK INSIDE. .@@....@..
...@.@@... .@@@....@.
.....@@@.. .@.@@....@
@....@.@@. ...@@@....
.@.....@@@ ...@.@@...
..@....@.@ .....@@@..