.~~:†@#£@# #@£#@†:~~.
.~~:†@#£@# #@£#@†:~~.
.~~:†@#£@# #@£#@†:~~.
.~~:††@@@# #@@@††:~~.
.~~:::@### ###@:::~~.
.~~:†@#££@ TRAIN DREAM @££#@†:~~.
.~~:†@#£@# ######....~~~~..##################### #@£#@†:~~.
.~~:†@##££ ::: ££##@†:~~.
.~~:†@#£@# ~ #@£#@†:~~.
.~~:†@£@## ~ ##@£@†:~~.
.~~:†††@££ ££@†††:~~.
.....~†### (SITUATION) ###†~.....
.~~:†@@### ###@@†:~~.
.~~:†#£@## YOU FIND YOURSELF IN A RIFT - A ##@£#†:~~.
...~~::@£@ CLEARING, NARROW BUT IMMEASURABLY LONG. @£@::~~...
.~~:†@#££@ TO YOUR SIDES ARE WALLS MADE OF TREES, @££#@†:~~.
.~~:†@#@## THICK AND READY TO SWALLOW YOU. THE SUN ##@#@†:~~.
.~~:†@#£## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##£#@†:~~.
.~~:†@@#££ IT IS VERY BRIGHT - THE AIR FEELS LIGHT ££#@@†:~~.
.~~:†@@@££ BLUE, ALMOST WHITE. ££@@@†:~~.
.~~:†#£@## ##@£#†:~~.
.~~†@#£@## ALONG THE SPAN OF THE CLEARING LAY TWO ##@£#@†~~.
.~~:††††#£ PARALLEL SILVERY LINES, DARK HARD £#††††:~~.
....~~~†@£ METAL. SOMEHOW YOU CAN SEE HOW HEAVY £@†~~~....
.~~:†@@##@ THEY ARE. @##@@†:~~.
...~~:†#£@ @£#†:~~...
.~~:†@#£@@ THEY EMIT A HIGH PITCHED WHINE... @@£#@†:~~.
.~~:†@#£@# #@£#@†:~~.
....~:††@# ~ #@††:~....
......~:@# ..†.. #@:~......
....~:@@#@ ~ @#@@:~....
.....~::†# #†::~.....
.~~:†@#£££ (SITUATION) £££#@†:~~.
.~~:†@#£@# #@£#@†:~~.
.~~~~~††#@ YOURE AT THE TRAIN STATION, ON A @#††~~~~~.
.....~~††# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #††~~.....
.~~:†@#£@# LATE, OR YOU ARE LATE TO THE TRAIN. #@£#@†:~~.
.~~:†@#£@@ IT'S A SUMMER AFTERNOON AND THE STATION @@£#@†:~~.
.....~::@# IS BUSY, FULL OF RELAXED CONFIDENCE. #@::~.....
.~~:†@#£@# #@£#@†:~~.
...~~:@@£@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @£@@:~~...
.~~:†@#£@# STRESSED ABOUT THE TIME, WHILE MOVING #@£#@†:~~.
.~~:†@#£@# UP THE STAIRS TO YOUR PLATFORM. THE #@£#@†:~~.
.~~~~~~:@£ STATION IS IN SEVERAL LEVELS, ALL £@:~~~~~~.
.~~:†@#£@# PLACED WITHIN EACHOTHER BY SOME #@£#@†:~~.
.....~:††# INTELLIGENT DESIGNER, AND FULL OF #††:~.....
.~~:†@#£## STAIRS, ELEVATORS, SHORTCUTS, ##£#@†:~~.
.~~:@#£@## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##@£#@:~~.
.~~:†@#£@# SOME GLASS WINDOWS. IT'S... NOT WHERE #@£#@†:~~.
.~~:†@@@££ IT'S SUPPOSED TO BE? ££@@@†:~~.
.~~:†@#£@# #@£#@†:~~.
...~::††@# ~ #@††::~...
.~:†@#£@## ~~@~~ ##@£#@†:~.
.....~:††# ~ #††:~.....
.~~:††@#££ ££#@††:~~.
.~~:†@#£@@ (SITUATION) @@£#@†:~~.
....~~†### ###†~~....
.~~~~::@@# YOU'RE FINALLY ENTERING THE CITY. WHILE #@@::~~~~.
.~~:†@#£@# IT IS INDEED A VERY HIGH SPEED TRAIN #@£#@†:~~.
~~:†@#£@## YOU'RE TRAVELING IN, THE JOURNEY HAS ##@£#@†:~~
...~::†#££ BEEN LONG. BUT IT'S ABOUT TO END! ££#†::~...
.~~:†@#£@# #@£#@†:~~.
.....~~†#@ SOCIETY IS GROWING DENSER AROUND YOU, @#†~~.....
.~~:†@#£## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##£#@†:~~.
.~~:†@#@## SHACKS, BUILT OF METAL AND STONE, THEN ##@#@†:~~.
.~~:†#£@## PROPER HOUSES WITH MORTAR TO KEEP THEM ##@£#†:~~.
.~~:†@#£££ TOGETHER... WHO IN TURN MAKE WAY FOR £££#@†:~~.
.~~:@#£@## THE INDUSTRIAL BUILDINGS, THE URBAN ##@£#@:~~.
.~~:†@#£@# MAZE, PROTECTIVE WALLS, JUNGLE #@£#@†:~~.
.~~:†@@@#@ NETWORK... @#@@@†:~~.
~~:†@#£@## ##@£#@†:~~
.~~::††@#£ THE TRACKS LEAVE THE GROUND, WHICH IS £#@††::~~.
....~:††#£ NEEDED FOR OTHER PURPOSES. YOU ARE £#††:~....
.~~:††@##@ CARRIED GENTLY, CURVING UPWARDS UNTIL @##@††:~~.
....~~††#£ YOU'RE MOVING UPWARD ALONG THE WALL OF £#††~~....
.~~:†@##£@ A BUILDING. IT'S MADE OF SLABBY STONE, @£##@†:~~.
.~~:†@#£@# WITH GREAT GLASSLESS WINDOW HOLES #@£#@†:~~.
.....~~:†# LOOKING OUT THE WAY YOU CAME. IT IS #†:~~.....
.~~:†@#£@# PITCH BLACK INSIDE. #@£#@†:~~.
.~~:†@#£@# #@£#@†:~~.
.~~:†@@@#£ £#@@@†:~~.
.~~:†@#£@# #@£#@†:~~.
.......~†# #†~.......
.....~†### ###†~.....