.¨,::\^@#@ @#@^\::,¨.
¨,¨,,¨:-%£ £%-:¨,,¨,¨
,~«^%£¤@## ##@¤£%^«~,
¨--^=¤#@@# #@@#¤=^--¨
,:-;§§@### ###@§§;-:,
,,.¨.-^%#¤ statuette ¤#%^-.¨.,,
¨~«;^%£¤&@ @&¤£%^;«~¨
,--=^£§£§¤ £%$£§$§§$£%%&¤§*-~~~»««~%¤$£@%@§%£¤@*%@& ¤§£§£^=--,
,¨¨,,~;:*£ *$*&&$*$£ £*:;~,,¨¨,
,,¨,~=%§¶# #¶§%=~,¨,,
¨--^%§@@@# forests around my childhood home. thick #@@@§%^--¨
¨..--$%% pine arcades that were planted and #&%%$--..¨
¨.«=$¤§£## forgotten. wild boars roaming ##£§¤$=«.¨
¨~»=%%#£## underneath, sniffing at the ground. it ##£#%%=»~¨
,,~\**£¶## is dark and moist, the canopy having ##¶£**\~,,
.~-\^:*^&@ already soaked up all the sun. @&^*:^\-~.
,.»:$£¤¶## ##¶¤£$:».,
¨^«^§%§# there's a river passing by, from east ##&§%§^«^¨
,.,¨,,.;$# to west, getting broader and deeper and #$;.,,¨,.,
¨^~^%@#### slower as it goes. equisetum grow just ####@%^~^¨
....¨¨~«=# where the pine hands start to let #=«~¨¨....
,--;^$£¶@# through light, horsemint on the rocky #@¶£$^;--,
.^«\£¤#### river bed. ####¤£\«^.
.-=~~^^&§# #§&^^~~=-.
.^»*§%¤%## * ##%¤%§*»^.
...¨-~=£@¶ ¶@£=~-¨...
.,«††£¤### the riverbanks reek of magic. tonight ###¤£††«,.
¨,¨,,\%£§& they had been a swampworld with sylvan &§£%\,,¨,¨
¨¨,¨.=%$¤# water, stone rings and floating moss. #¤$%=.¨,¨¨
.,-;%@¤### you could've found me wallowing around ###¤@%;-,.
¨.~~««*#££ on the southern shores until i got ££#*««~~.¨
,¨,,-,,*&@ bitten. @&*,,-,,¨,
.^**£@#@## ##@#@£**^.
,,=;^%%¤#@ but now i'm further back, on solid @#¤%%^;=,,
¨^-;%£¤¶## ground, in shoulder-high grass, with an ##¶¤£%;-^¨
¨~-**%#£## orange tin radio and a translucent ##£#%**-~¨
¨:~†%*¤@## umbrella which i'm sitting on. ##@¤*%†~:¨
,,«^^*=£@¤ ¤@£=*^^«,,
,,~**&@##@ ; @##@&**~,,
,¨.^=*=^^@ @^^=*=^.¨,
.¨¨.¨¨~»=£ somethings moving in the grass. it's £=»~¨¨.¨¨.
,,,¨,-\%*# invisible to my eyes but i can feel #*%\-,¨,,,
.,~*=%#@@# through the ground just how large it is. #@@#%=*~,.
¨~-†=%#### ####%=†-~¨
.:=;§%#### the soil is muddy. i slip when trying ####%§;=:.
¨.,.,«/†=£ to get up, still looking at the £=†/«,.,.¨
.,¨¨¨.-* direction of sound rather than at my #&*-.¨¨¨,.
¨,~-†*%¤&§ hands, who are busy putting things in §&¤%*†-~,¨
..-\$§#£@# my pockets. #@£#§$\-..
,¨..«;^$§# #§$^;«..¨,
,:~^%%¶### then i run east toward my home. ###¶%%^~:,
.^«\†@@### ###@@†\«^.
¨~»;§@§### ^ ###§@§;»~¨
,^-/%$£@## ##@£$%/-^,
¨.»\$%¤£## i am not followed, and slow down in the ##£¤%$\».¨
.¨,..,::£& clearing where you at first can spot &£::,..,¨.
.:»^†$£¶@# the house, not yet really in the #@¶£$†^»:.
¨-:,^^=¤#@ backyard. from my pockets i retrieve my @#¤=^^,:-¨
.,»/*@#@## radio (now dented) but also a small ##@#@*/»,.
¨¨.~~**%¤# clay figure i've never seen before. it #¤%**~~.¨¨
¨,-;*%£&@# must have been laying in the wet dirt, #@&£%*;-,¨
¨,»\§£#@ and i must've picked it up with my @##&£§\»,¨
.^»/$$¤#@@ other belongings. @@#¤$$/»^.
.,-\§£@£## ##£@£§\-,.
.,,::~/*@@ it's a statuette of a girl laying naked @@*/~::,,.
¨,¨^/§§*@# on her stomach, feet in the air, #@*§§/^¨,¨
,,~**%#£## roughly seven centimeters long. it's ##£#%**~,,
.,¨,,.:^*§ freshly made, not yet completely dried. §*^:.,,¨,.
,-»=†$¤### ###¤$†=»-,
.:»/§%§£## my mom is here now. i ask her for some ##£§%§/»:.
,,¨,,^\%%¶ particle board for it to dry on, but ¶%%\^,,¨,,
..«/;\^*§@ she is worried and wants me to @§*^\;/«..
¨~==%@#### throw it away. ####@%==~¨
.¨,.¨,/$§# #§$/,¨.,¨.
.~~**@£### ###£@**~~.
..»:^££### ###££^:»..
,¨¨~-%%*¤£ £¤*%%-~¨¨,
¨,-~**§%#@ @#%§**~-,¨
,,=\^£££&@ @&£££^\=,,