.~~†^£## ##£#&^†~~.
,¨,,--«*£# #£*«--,,¨,
¨.,,...\§& &§\...,,.¨
¨~»†§@## ##@#&§†»~¨
¨~»=$£&¶## ##¶&£$=»~¨
¨¨¨,~*%£¤# statuette #¤£%*~,¨¨¨
,¨.,^/*^%& &%^*/^,.¨,
,,¨.^^†£## %£@@£$¤%¤£%$@@%¤-«»»»~~=&£§$@%$$$*$§@§$§ ##£†^^.¨,,
,.¨...»= @%@£*§$£$ #&=»...¨.,
,,»^**$¤@& &@¤$**^»,,
,,»:%¤£### forests around my childhood home. thick ###£¤%:»,,
,~~/†**%¤@ pine arcades that were planted and @¤%**†/~~,
.^-*=$## forgotten. wild boars roaming ###&$=*-^.
,,..=~/$@@ underneath, sniffing at the ground. it @@$/~=..,,
¨~~\$*#@@# is dark and moist, the canopy having #@@#*$\~~¨
¨~=*%¤&@#@ already soaked up all the sun. @#@&¤%*=~¨
..¨,,»~%=¤ ¤=%~»,,¨..
.:-=*%@# there's a river passing by, from east #@#&%*=-:.
¨:~/%$§@§# to west, getting broader and deeper and #§@§$%/~:¨
,.,¨«=*£&@ slower as it goes. equisetum grow just @&£*=«¨,.,
.¨.~=^%£@£ where the pine hands start to let £@£%^=~.¨.
¨^«:^%£@@# through light, horsemint on the rocky #@@£%^:«^¨
,,,,*:*££# river bed. #££*:*,,,,
,~»:=£§¤#§ §#¤§£=:»~,
,,,.^\§§§@ \ @§§§\^.,,,
¨¨¨..«=^£@ @£^=«..¨¨¨
,,-*^*^&¤§ the riverbanks reek of magic. tonight §¤&^*^*-,,
.¨¨^=†;*@# they had been a swampworld with sylvan #@*;†=^¨¨.
,:«*†%§### water, stone rings and floating moss. ###§%†*«:,
,^~††%@£¶# you could've found me wallowing around #¶£@%††~^,
.,«^=^*:@§ on the southern shores until i got §@:*^=^«,.
¨,¨,.¨--*¤ bitten. ¤*--¨.,¨,¨
,¨¨^^^@¤#@ @#¤@^^^¨¨,
¨-«††%£¶## but now i'm further back, on solid ##¶£%††«-¨
..¨.¨¨«%§@ ground, in shoulder-high grass, with an @§%«¨¨.¨..
.:~/%&£@## orange tin radio and a translucent ##@£&%/~:.
¨¨..,.,»%§ umbrella which i'm sitting on. §%»,.,..¨¨
.,~††%££## ##££%††~,.
.,,,..~%## † ##%~..,,,.
¨,=\$@$%&¤ ¤&%$@$\=,¨
,.-\$%££## somethings moving in the grass. it's ##££%$\-.,
..»**$£@## invisible to my eyes but i can feel ##@£$**»..
.:~;†£#¶## through the ground just how large it is. ##¶#£†;~:.
,.¨¨...~=§ §=~...¨¨.,
,-»\%%£### the soil is muddy. i slip when trying ###£%%\»-,
¨~~;§£#¶## to get up, still looking at the ##¶#£§;~~¨
.^«††$§@## direction of sound rather than at my ##@§$††«^.
¨.-†§*&¶@# hands, who are busy putting things in #@¶&*§†-.¨
..-†^££#@# my pockets. #@#££^†-..
,,»*%$£### ###£$%*»,,
.~=†%£## then i run east toward my home. ##£#&%†=~.
,~»\$*@@@# #@@@*$\»~,
.,~:§@#@## \ ##@#@§:~,.
,,.,,~%@£# #£@%~,,.,,
¨-~=*£¶### i am not followed, and slow down in the ###¶£*=~-¨
.:«†*¤@@## clearing where you at first can spot ##@@¤*†«:.
¨^~;§£@# the house, not yet really in the #@£#&§;~^¨
¨^-=*$£££# backyard. from my pockets i retrieve my #£££$*=-^¨
¨-=;*£§¤@@ radio (now dented) but also a small @@¤§£*;=-¨
,--:*&¤££& clay figure i've never seen before. it &££¤&*:--,
.,.^=†%%£& must have been laying in the wet dirt, &£%%†=^.,.
¨~~:%&£@## and i must've picked it up with my ##@£&%:~~¨
,-/$¤£¶### other belongings. ###¶£¤$/-,
¨^~*^¤@#¶# #¶#@¤^*~^¨
¨.¨¨-;†$%£ it's a statuette of a girl laying naked £%$†;-¨¨.¨
¨.-;*&&@@# on her stomach, feet in the air, #@@&&*;-.¨
,,¨,~-*$¤£ roughly seven centimeters long. it's £¤$*-~,¨,,
,,~;$§¤@## freshly made, not yet completely dried. ##@¤§$;~,,
,.,¨.,==*§ §*==,.¨,.,
..»=*@@# my mom is here now. i ask her for some #@@#&*=»..
¨,»;*£#¶@@ particle board for it to dry on, but @@¶#£*;»,¨
,,«^*$@@## she is worried and wants me to ##@@$*^«,,
¨¨.:~:=\§¤ throw it away. ¤§\=:~:.¨¨
,^~†=%&£¶# #¶£&%=†~^,
¨.¨.,~†$&¤ ¤&$†~,.¨.¨
¨,¨¨.¨,^$§ §$^,¨.¨¨,¨
,,~=*%*££@ @££*%*=~,,
¨.¨.:»»*@@ @@*»»:.¨.¨
¨^=*$§¤#@# #@#¤§$*=^¨