£&¨&..@,£. ¤,&.&.,§.¨
¨@,§.£§¨§, &.@,¤.&@.#
¨&¨¤,¨#,@, &¨#.£,¨@¨§
,§,¤.¤£,@, #¨#.@,##¨§
,§.&,.¤,&. @,§,§¨,¤.@
¨#.§..§¨ statuette §¨#,£¨§@¨¤
.#¨@¨.¤,#¨ §¨£¨@..§¨#
,#¨#.¤¤,£. £%$@&$¤£¤%%$£@@§~~~«»-~~£%£§%*$£¤@¤%$£§¤ #.¤.¤,&&,¤
,&.£..§,§¨ @*@§$$%%% §¨#¨&,.@¨@
.¤,£,£&¨#. £¨£.&.#@,£
.#¨&,.&,@¨ forests around my childhood home. thick £.¤¨£,.@¨@
,§¨&.##,¤¨ pine arcades that were planted and £.¤.#¨£#¨£
¨§,£¨.&,£¨ forgotten. wild boars roaming #.¤,¤¨¨@¨@
.&¨@.&£¨#. underneath, sniffing at the ground. it §.£¨&,¤£.@
,@¨¤¨¨&.£, is dark and moist, the canopy having £,@¨#,.£¨¤
¨¤,&.£@¨£. already soaked up all the sun. £¨#,#.£§.&
¨&¨@¨.£.¤, ¤,£¨@,¨§.&
¨&.§,§@,§. there's a river passing by, from east §,@¨#¨£§¨§
,¤¨£¨,£¨&. to west, getting broader and deeper and &¨£,§¨¨§,§
.§¨#¨£@,@, slower as it goes. equisetum grow just @,&.£¨&§.£
,£.&¨,§.@¨ where the pine hands start to let ¤,&.&¨¨&.&
¨¤¨£,¤&,#, through light, horsemint on the rocky §,§.&¨@§,§
,£,£..£¨£¨ river bed. ¤,¤¨&¨,£.§
¨£¨#,¤@.£, @,&,#,#£.&
¨£¨&..@¨#¨ ; ¤.@.&¨.#.¤
¨£,&¨§&.#. #,§.¤¨&¤¨£
¨&.#.,&,£¨ the riverbanks reek of magic. tonight £.¤,¤,¨&.¤
¨&¨£.#£.&¨ they had been a swampworld with sylvan #,&.@.#&,¤
¨@¨@..&.¤, water, stone rings and floating moss. @¨¤¨&¨.#¨&
¨&¨@.¤@¨@, you could've found me wallowing around £,£¨#¨&&,¤
¨£.£,¨#.§¨ on the southern shores until i got ¤,&,@.¨@.&
.¤,@.#¤,@, bitten. #,§¨#.£¤¨§
¨§.#,,¤¨#. ¤.¤,§¨,#.¤
.¤.@.#&¨@. but now i'm further back, on solid §.@¨£.##¨@
¨§.#,,#.£. ground, in shoulder-high grass, with an §¨£¨§¨.§.§
,§.¤.£@.£. orange tin radio and a translucent &¨¤,&.@#,§
.§¨¤¨,§.¤, umbrella which i'm sitting on. ¤¨@,#,¨@,&
,@.¤¨¤#.#. §,¤.&.&@¨@
,#.&.¨£,§¨ / #.@¨¤.,¤¨@
.@¨@,£&.@, ¤.@¨¤.#@¨@
¨§,§¨.@,#, somethings moving in the grass. it's @.@,#.¨¤¨£
¨§,§¨§£,@¨ invisible to my eyes but i can feel @.¤.&.§£,¤
¨§,&¨,@¨@. through the ground just how large it is. &,&,§.¨#,¤
¨#.#¨#@¨§, ¤¨§¨§¨£§,¤
.§,#,,£,#¨ the soil is muddy. i slip when trying #.#.¤,,¤,§
¨¤.§¨§#.@, to get up, still looking at the &,#.&..@
,¤.§¨¨&,@. direction of sound rather than at my #¨£.£..&¨&
,#.§¨@&,£. hands, who are busy putting things in §,&,¤.£&.§
,§¨¤,,£.¤. my pockets. £¨§¨¤¨¨@¨§
.&.¤.#¤,£¨ §¨&¨¤,@¤,@
¨#.#,.§.&¨ then i run east toward my home. ¤.@¨§,¨£¨#
.@,@.§#¨#. £.§,¤,§¤¨¤
,£,@¨,¤¨£, † ¤.&.@,,£,&
.@.£,@@,#. ¤¨£.@,&¤.#
.¤¨#¨.¤,¤. i am not followed, and slow down in the @,§,&.,§,§
¨£¨¤.&§.&¨ clearing where you at first can spot ¤,§¨£¨§£,£
¨¤.¤¨,¤.#, the house, not yet really in the ¤,£¨§.,#¨@
.§.&.§£¨&. backyard. from my pockets i retrieve my §,#¨§.££.&
¨&.#,,§,§, radio (now dented) but also a small §.#.£,¨@,¤
,£¨#¨£@.§¨ clay figure i've never seen before. it §.#,¤¨§&¨§
.§.¤,¨@¨#, must have been laying in the wet dirt, &,§.¤¨.£,@
¨¤.&.@&.¤, and i must've picked it up with my @,&¨¤¨£#¨§
¨@.§.¨&,@¨ other belongings. @.£,§.,&,#
.@.@.#§,§¨ &,£,£,¤¤¨£
.&¨&,¨#.£¨ it's a statuette of a girl laying naked £.§.£.¨&¨¤
¨§.@,£&,@, on her stomach, feet in the air, #.&.&,.&
,£,@,,£.#¨ roughly seven centimeters long. it's #,§,@.¨£¨#
,§,§¨&£.&, freshly made, not yet completely dried. §¨¤.&,¤§¨&
.@¨¤,.#,#¨ £¨¤,#,¨&¨@
¨#¨#.##.§. my mom is here now. i ask her for some £,@,&.#@,¤
¨@.@,,£,@¨ particle board for it to dry on, but @.&.£,,£,#
.#¨@,@¤,#. she is worried and wants me to @.§.#¨@#¨£
.@¨£,¨&.¤. throw it away. #¨¤.@¨¨£.§
¨¤,§,¤§.£. @.¤¨§.@§¨&
.¤.#.,¤.@, £.&.£..§¨#
.#.@.#@¨&¨ @¨&,#¨##,&
.&¨§,¨&,@¨ &¨#,§,¨¤,£
,¤,§¨£§.@. £¨#¨¤¨¤@.&
.@,§.,@.§, ¤¨£,§,,£,§