¤&*:~,,,,, ,,,,,~:*&¤
&*:~,,,,,, ,,,,,,~:*&
*:~,,,,,,, ,,,,,,,~:*
:~,,,,,,,, ,,,,,,,,~:
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,,,,,,,,,, delay delay d,la# ¤ *a, , ,# ~ , ,,,,,,,,,,
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:~,,,,,,,, ,,,,,,,,~:
*:~,,,,,,, ,,,,,,,~:*
&*:~,,,,,, ,,,,,,~:*&
¤&*:~,,,,, "delay" means repetiton or likewise, ,,,,,~:*&¤
#¤&*:~,,,, but it's mainly useless without ,,,,~:*&¤#
##¤&*:~,,, feedback, ,,,~:*&¤##
###¤&*:~,, to allow the delay to eat of it's own ,,~:*&¤###
##¤&*:~,,, tail, like one of those eaty serpents. ,,,~:*&¤##
#¤&*:~,,,, thus: it's the serpent effect! ,,,,~:*&¤#
¤&*:~,,,,, ,,,,,~:*&¤
&*:~,,,,,, it's to be revered as a creator of ,,,,,,~:*&
*:~,,,,,,, ambience and of space, if you treat it ,,,,,,,~:*
:~,,,,,,,, right. a somewhat more solid and ,,,,,,,,~:
~,,,,,,,,, slippery sibling of reverb. ,,,,,,,,,~
,,,,,,,,,, ,,,,,,,,,,
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:~,,,,,,,, ,,,,,,,,~:
*:~,,,,,,, ,,,,,,,~:*
&*:~,,,,,, ,,,,,,~:*&