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,,,.=††^£@ ####@@@@@@£&^†=., CAVE ,.=†^&£@@@@@@#### @£^††=.,,,
,,,,.†&&@# #######@£&^†=., GEOMETRY ,.=†^&£@####### #@&&†.,,,,
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,.=†^&£@## = GIVING, BECAUSE OF COURSE THERE IS = ##@£&^†=.,
,,,=†^^£@@ NO REAL GEOMETRY IN THE CAVES. YOU MAY @@£^^†=,,,
,.=†^&£@## FEEL AS IF YOU ARE VENTURING INTO SOME ##@£&^†=.,
,,,,,,.†&£ VAST STRUCTURE, BUT YOU ARE IN FACT £&†.,,,,,,
,.=†^&£@## LEAVING ANY SUCH THING AT THE ENTRANCE. ##@£&^†=.,
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,,,,,=^£££ LEAVING PHYSICAL TETHERS BEHIND, £££^=,,,,,
,.=†^^&&@# SUBMITTING TO AN INESCAPABLE DARKNESS, #@&&^^†=.,
,,,=††&&&@ THE WORLD AROUND YOU BECOMES MORE OF A @&&&††=,,,
,.=†^&£@@# MANIFESTATION OF YOUR MIND, OR A #@@£&^†=.,
,.=†^&@### COLLECTIVE MIND, WITH A SHAPE AND A ###@&^†=.,
,.=†^&£@## DIRECTION AND A TASTE. ##@£&^†=.,
,.=†^&£@## ##@£&^†=.,
,.=†^&@### INESCAPEABLE DARKNESS, BECAUSE IF YOU ###@&^†=.,
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,.=†^&£@## LIGHTS, THE WALLS ONLY SERVES AS ##@£&^†=.,
,,,,,,=^^£ MARKERS TO WHERE THE TINY SPATIAL £^^=,,,,,,
,.=†^&&£££ EXISTENCE ENDS AND THE DARKNESS BENEATH £££&&^†=.,
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,.=†^&£@## ##@£&^†=.,
,,,.=†^&£# LIKE AN INVERTED MANDELBROT, THE REAL #£&^†=.,,,
,,,,,.†^££ CAVE IS ACTUALLY NOT THE POCKETS, BUT ££^†.,,,,,
,.=†^&£@## THE BLACK AROUND THEM. KEEP THAT IN ##@£&^†=.,
,.=†^&£@## MIND. ##@£&^†=.,
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,.=†^&£@@@ THE MOISTURE THAT PERMEATES ANY CAVE @@@£&^†=.,
,.=†^&£@## WORTH IT'S NAME... IT'S THE WATER THE ##@£&^†=.,
,.=†^&£@@@ WORLD ROSE FROM. IT'S THE WATER YOU @@@£&^†=.,
,,,,,=^^£@ DROWN IN, IN YOUR DREAMS. @£^^=,,,,,
,.=†††^^££ ££^^†††=.,
,,,,..†&£@ THE ONLY SOUNDS IN THE CAVE ARE THOSE @£&†..,,,,
,.=†^&£@## THAT YOU MAKE YOURSELVES. THEY MAY BE ##@£&^†=.,
,,,..††&@@ DISTORTED BY THE STONE STRUCTURE, AND @@&††..,,,
,,,,,=†&@# AMPLIFIED BY YOUR MIND. TRY NOT TO BE #@&†=,,,,,
,.=†^&£@## ALARMED, TRY TO REMEMBER THE PERSONS ##@£&^†=.,
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