.,~/*@£###                                          ###£@*/~,.
.....,~*£#                                          #£*~,.....
.,~/*@£###                                          ###£@*/~,.
.....~/@£#                                          #£@/~.....
....,,/@£#                                          #£@/,,....
.,~/*@£### delay  delay  d.la#  £ *a.  , .#   ~   , ###£@*/~,.
.,~/*@£###                                          ###£@*/~,.
.,~/*@£###                                          ###£@*/~,.
.,~~/*@££#                                          #££@*/~~,.
....,~~*@#                                          #@*~~,....
....,,/*@# "delay" means repetiton or likewise,     #@*/,,....
......~*@£ but it's mainly useless without          £@*~......
.~/*@£#### feedback,                                ####£@*/~.
......~*@# to allow the delay to eat of it's own    #@*~......
.,~/*£#### tail, like one of those eaty serpents.   ####£*/~,.
...~~/*@£# thus: it's the serpent effect!           #£@*/~~...
.....~/@£#                                          #£@/~.....
...,~~**@£ it's to be revered as a creator of       £@**~~,...
.,~/*@£### ambience and of space, if you treat it   ###£@*/~,.
....,~~*£# right. a somewhat more solid and         #£*~~,....
..,,//@£££ slippery sibling of reverb.              £££@//,,..
.,~~~//@£#                                          #£@//~~~,.
.,~/*@£###                                          ###£@*/~,.
.......~*£                                          £*~.......
...,/**££#                                          #££**/,...
.,~/*@£###                                          ###£@*/~,.