...-=:*¤@@ @@¤*:=-...
..-=:*¤@@# #@@¤*:=-..
.-=:*¤@@## ##@@¤*:=-.
..-=:*¤@@# #@@¤*:=-..
...-=:*¤@@ @@¤*:=-...
....-=:*¤@ delay delay d.la@ ¤ *a. - .@ = - @¤*:=-....
.....-=:*¤ ¤*:=-.....
....-=:*¤@ @¤*:=-....
...-=:*¤@@ @@¤*:=-...
..-=:*¤@@# #@@¤*:=-..
.-=:*¤@@## "delay" means repetiton or likewise, ##@@¤*:=-.
..-=:*¤@@# but it's mainly useless without #@@¤*:=-..
...-=:*¤@@ feedback, @@¤*:=-...
....-=:*¤@ to allow the delay to eat of it's own @¤*:=-....
.....-=:*¤ tail, like one of those eaty serpents. ¤*:=-.....
....-=:*¤@ thus: it's the serpent effect! @¤*:=-....
...-=:*¤@@ @@¤*:=-...
..-=:*¤@@# it's to be revered as a creator of #@@¤*:=-..
.-=:*¤@@## ambience and of space, if you treat it ##@@¤*:=-.
..-=:*¤@@# right. a somewhat more solid and #@@¤*:=-..
...-=:*¤@@ slippery sibling of reverb. @@¤*:=-...
....-=:*¤@ @¤*:=-....
.....-=:*¤ ¤*:=-.....
....-=:*¤@ @¤*:=-....
...-=:*¤@@ @@¤*:=-...
..-=:*¤@@# #@@¤*:=-..