¨,«\%@¤££# #££¤@%\«,¨
¨,«\@¤£### ###£¤@\«,¨
¨,«\%@¤£## ##£¤@%\«,¨
¨,«\%@@@@£ £@@@@%\«,¨
¨¨¨¨¨¨««%¤ ¤%««¨¨¨¨¨¨
¨,«\\%%¤¤# delay delay d¨la# ¤ %a¨ , ¨£ « , #¤¤%%\\«,¨
¨,«\%@¤£## ##£¤@%\«,¨
¨,«\%@¤£## ##£¤@%\«,¨
¨,«\%@¤£## ##£¤@%\«,¨
¨¨¨¨¨«\\@£ £@\\«¨¨¨¨¨
¨,«%@¤£### "delay" means repetiton or likewise, ###£¤@%«,¨
¨,«\%@¤£## but it's mainly useless without ##£¤@%\«,¨
¨,«\%@¤£## feedback, ##£¤@%\«,¨
¨,«\%@¤£## to allow the delay to eat of it's own ##£¤@%\«,¨
¨,«\%@@@@¤ tail, like one of those eaty serpents. ¤@@@@%\«,¨
¨,«\%@¤£## thus: it's the serpent effect! ##£¤@%\«,¨
¨,«\%@¤£## ##£¤@%\«,¨
¨,«\%@¤£## it's to be revered as a creator of ##£¤@%\«,¨
¨,«\%@¤£## ambience and of space, if you treat it ##£¤@%\«,¨
¨¨¨,,\\\@£ right. a somewhat more solid and £@\\\,,¨¨¨
¨¨¨¨«\%%@¤ slippery sibling of reverb. ¤@%%\«¨¨¨¨
¨,«\%@¤£## ##£¤@%\«,¨
¨,«««\@@@£ £@@@\«««,¨
¨,«\%@¤£## ##£¤@%\«,¨
¨,«\%@¤£## ##£¤@%\«,¨
¨,«\%@¤£## ##£¤@%\«,¨