¨---;;&&&@ @&&&;;---¨
¨--;;;;§§@ @§§;;;;--¨
¨--;§&§@@# #@@§&§;--¨
¨¨¨--;;&@@ @@&;;--¨¨¨
¨--;§&&§§@ @§§&&§;--¨
¨¨¨¨¨¨¨-§§ delay delay d¨la@ § §a¨ - ¨@ - - §§-¨¨¨¨¨¨¨
¨--;§&§@@# #@@§&§;--¨
¨--;§&§@@# #@@§&§;--¨
¨--;§&§@@# #@@§&§;--¨
¨¨¨¨-;§§§@ @§§§;-¨¨¨¨
¨--;§&§@@@ "delay" means repetiton or likewise, @@@§&§;--¨
¨¨¨--;&§§§ but it's mainly useless without §§§&;--¨¨¨
¨--;§&§@## feedback, ##@§&§;--¨
¨--;§§§&&@ to allow the delay to eat of it's own @&&§§§;--¨
¨--;§&&§§§ tail, like one of those eaty serpents. §§§&&§;--¨
¨--;§&§@## thus: it's the serpent effect! ##@§&§;--¨
¨--;§&§@@@ @@@§&§;--¨
¨--;§&§@## it's to be revered as a creator of ##@§&§;--¨
¨¨¨---;&§§ ambience and of space, if you treat it §§&;---¨¨¨
¨¨¨¨--§§&@ right. a somewhat more solid and @&§§--¨¨¨¨
¨---;§&§§§ slippery sibling of reverb. §§§&§;---¨
¨¨¨¨-§§§§§ §§§§§-¨¨¨¨
¨--;§&§@## ##@§&§;--¨
¨¨¨¨-;§&§@ @§&§;-¨¨¨¨
¨¨¨¨---§§§ §§§---¨¨¨¨
¨--;§&§@## ##@§&§;--¨