.-=^^££@## ##@££^^=-.
.-=^^^^^@@ @@^^^^^=-.
.-=^^£@£@# #@£@£^^=-.
.-=^£@£@## ##@£@£^=-.
.-=^^£@£@# #@£@£^^=-.
.....=^£@@ A DYSTOPIAN MC DONALDS TOILET STEALS MY @@£^=.....
.....-^£@@ AGENCY. TOO MUCH AGENCY ALREADY IN THIS @@£^-.....
...=^^£@@£ ROOM. SATURATED. I CAN ONLY DO WHAT IT £@@£^^=...
.-=^^^^^^@ WANTS IN THE WAY IT WANTS. @^^^^^^=-.
......=^@£ £@^=......
.-=^^£@@££ = ^ = = ^ = = ^ = ££@@£^^=-.
.-=^^£@£@@ @@£@£^^=-.
.-=^^££@## BUT: IN A MIRACOLOUS FRACTION OF A ##@££^^=-.
.-=^^^^@£@ SECOND, ITS TRUE THOUGHTS SLIP THROUGH @£@^^^^=-.
.....=^£££ TO ME, PREVIOUSLY UNHEARD EVEN BY ITS £££^=.....
......-^££ BUILDERS (THE ROOM WAS THOUGHT TO BE ££^-......
.-=^^£@£@# WITHOUT CONSCIOUSNESS). #@£@£^^=-.
.-=^^£@@£@ @£@@£^^=-.
.-=^^£@£@# THE ROOM THINKS ABOUT CREATURES LYING #@£@£^^=-.
.-=^^£@£@# DOWN, GOING OFF TO SLEEP, MAKING #@£@£^^=-.
.-=^^£@£@@ THEMSELVES COMFORTABLE FIRST... IS THIS @@£@£^^=-.
...---^£@@ ONLY OPTIMIZING A RESTING POSITION FOR @@£^---...
.-=^^£@@@£ THE BODY? OR IS THERE ANOTHER WILL £@@@£^^=-.
.-=^£@£@## INVOLVED? ##@£@£^=-.
.-^^£@£@## ##@£@£^^-.
.-=^^£@£@# A DARK LISTENING TAKING PLACE, #@£@£^^=-.
.-=^^^££££ A SILENT CONCERT. ££££^^^=-.
....==^^^@ @^^^==....
.-=^^£@@## IS THERE ANOTHER DESIRE INJECTED AT ##@@£^^=-.
.-=^^£@@## HYPNAGOGIA? SOMETHING FROM THE OTHER ##@@£^^=-.
..-==^^£££ SIDE, GUIDING THEM, £££^^==-..
.....-=^££ ARRANGING THEIR BODIES. ££^=-.....
....-^^^@@ @@^^^-....
.-=^^£@£@@ @@£@£^^=-.
.-=^^£@£@# #@£@£^^=-.
.-=^^£@££@ @££@£^^=-.
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