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£@$§\«-,,, (SITUATION) ,,,-«\§$@£
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$§\«-,,,,, YOU FIND YOURSELF IN A RIFT - A ,,,,,-«\§$
@$§\«-,,,, CLEARING, NARROW BUT IMMEASURABLY LONG. ,,,,-«\§$@
£@$§\«-,,, TO YOUR SIDES ARE WALLS MADE OF TREES, ,,,-«\§$@£
#£@$§\«-,, THICK AND READY TO SWALLOW YOU. THE SUN ,,-«\§$@£#
##£@$§\«-, IS NOWHERE TO BE SEEN, BUT NONTHELESS ,-«\§$@£##
#£@$§\«-,, IT IS VERY BRIGHT - THE AIR FEELS LIGHT ,,-«\§$@£#
£@$§\«-,,, BLUE, ALMOST WHITE. ,,,-«\§$@£
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$§\«-,,,,, ALONG THE SPAN OF THE CLEARING LAY TWO ,,,,,-«\§$
@$§\«-,,,, PARALLEL SILVERY LINES, DARK HARD ,,,,-«\§$@
£@$§\«-,,, METAL. SOMEHOW YOU CAN SEE HOW HEAVY ,,,-«\§$@£
#£@$§\«-,, THEY ARE. ,,-«\§$@£#
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#£@$§\«-,, THEY EMIT A HIGH PITCHED WHINE... ,,-«\§$@£#
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#£@$§\«-,, YOURE AT THE TRAIN STATION, ON A ,,-«\§$@£#
£@$§\«-,,, CATWALK ABOVE THE RAILS. YOUR TRAIN IS ,,,-«\§$@£
@$§\«-,,,, LATE, OR YOU ARE LATE TO THE TRAIN. ,,,,-«\§$@
$§\«-,,,,, IT'S A SUMMER AFTERNOON AND THE STATION ,,,,,-«\§$
@$§\«-,,,, IS BUSY, FULL OF RELAXED CONFIDENCE. ,,,,-«\§$@
£@$§\«-,,, ,,,-«\§$@£
#£@$§\«-,, YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ,,-«\§$@£#
##£@$§\«-, STRESSED ABOUT THE TIME, WHILE MOVING ,-«\§$@£##
#£@$§\«-,, UP THE STAIRS TO YOUR PLATFORM. THE ,,-«\§$@£#
£@$§\«-,,, STATION IS IN SEVERAL LEVELS, ALL ,,,-«\§$@£
@$§\«-,,,, PLACED WITHIN EACHOTHER BY SOME ,,,,-«\§$@
$§\«-,,,,, INTELLIGENT DESIGNER, AND FULL OF ,,,,,-«\§$
@$§\«-,,,, STAIRS, ELEVATORS, SHORTCUTS, ,,,,-«\§$@
£@$§\«-,,, BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ,,,-«\§$@£
#£@$§\«-,, SOME GLASS WINDOWS. IT'S... NOT WHERE ,,-«\§$@£#
##£@$§\«-, IT'S SUPPOSED TO BE? ,-«\§$@£##
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##£@$§\«-, YOU'RE FINALLY ENTERING THE CITY. WHILE ,-«\§$@£##
#£@$§\«-,, IT IS INDEED A VERY HIGH SPEED TRAIN ,,-«\§$@£#
£@$§\«-,,, YOU'RE TRAVELING IN, THE JOURNEY HAS ,,,-«\§$@£
@$§\«-,,,, BEEN LONG. BUT IT'S ABOUT TO END! ,,,,-«\§$@
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@$§\«-,,,, SOCIETY IS GROWING DENSER AROUND YOU, ,,,,-«\§$@
£@$§\«-,,, THROUGH THE WINDOWS YOU SEE FIRST SMALL ,,,-«\§$@£
#£@$§\«-,, SHACKS, BUILT OF METAL AND STONE, THEN ,,-«\§$@£#
##£@$§\«-, PROPER HOUSES WITH MORTAR TO KEEP THEM ,-«\§$@£##
#£@$§\«-,, TOGETHER... WHO IN TURN MAKE WAY FOR ,,-«\§$@£#
£@$§\«-,,, THE INDUSTRIAL BUILDINGS, THE URBAN ,,,-«\§$@£
@$§\«-,,,, MAZE, PROTECTIVE WALLS, JUNGLE ,,,,-«\§$@
$§\«-,,,,, NETWORK... ,,,,,-«\§$
@$§\«-,,,, ,,,,-«\§$@
£@$§\«-,,, THE TRACKS LEAVE THE GROUND, WHICH IS ,,,-«\§$@£
#£@$§\«-,, NEEDED FOR OTHER PURPOSES. YOU ARE ,,-«\§$@£#
##£@$§\«-, CARRIED GENTLY, CURVING UPWARDS UNTIL ,-«\§$@£##
#£@$§\«-,, YOU'RE MOVING UPWARD ALONG THE WALL OF ,,-«\§$@£#
£@$§\«-,,, A BUILDING. IT'S MADE OF SLABBY STONE, ,,,-«\§$@£
@$§\«-,,,, WITH GREAT GLASSLESS WINDOW HOLES ,,,,-«\§$@
$§\«-,,,,, LOOKING OUT THE WAY YOU CAME. IT IS ,,,,,-«\§$
@$§\«-,,,, PITCH BLACK INSIDE. ,,,,-«\§$@
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