,,-†*$¤@## ##@¤$*†-,,
¨-~\=¤§@## ##@§¤=\~-¨
¨.,.,-^*@& &@*^-,.,.¨
¨,¨~~%†§£# #£§†%~~¨,¨
¨~=/§%#@## ##@#%§/=~¨
¨,~^$%£¶## statuette ##¶£%$^~,¨
,-~;=%¤£## ##£¤%=;~-,
¨¨.«\=%§¤¤ &£§&£@%¤%££%$$*£-»~«~-»«@$¤%*&§§£¤%$@@%£ ¤¤§%=\«.¨¨
,,=/=$#£@# *$££¤$¤¤% #@£#$=/=,,
¨--^=£#@@# #@@#£=^--¨
¨,~/^$##@£ forests around my childhood home. thick £@##$^/~,¨
,,~=^§%¤§£ pine arcades that were planted and £§¤%§^=~,,
.--/%%#### forgotten. wild boars roaming ####%%/--.
¨.,..=:# underneath, sniffing at the ground. it ##&:=..,.¨
¨^-~~*=§*@ is dark and moist, the canopy having @*§=*~~-^¨
¨:~;/:^@ already soaked up all the sun. @#&^:/;~:¨
,--†*$@#@@ @@#@$*†--,
¨¨-~~;;$@# there's a river passing by, from east #@$;;~~-¨¨
..,¨:/\:$£ to west, getting broader and deeper and £$:\/:¨,..
.~~^=$££#@ slower as it goes. equisetum grow just @#££$=^~~.
.~=$*¤@@## where the pine hands start to let ##@@¤*$=~.
,¨.¨.,.~%# through light, horsemint on the rocky #%~.,.¨.¨,
,.»;%%£@## river bed. ##@£%%;».,
¨^~\%£§@## ##@§£%\~^¨
¨.¨.¨-%†$@ * @$†%-¨.¨.¨
,,~^†$§¶@@ @@¶§$†^~,,
....-==$@£ the riverbanks reek of magic. tonight £@$==-....
¨¨¨-*/^$@# they had been a swampworld with sylvan #@$^/*-¨¨¨
.¨..=«-%%@ water, stone rings and floating moss. @%%-«=..¨.
¨,.,=*†£@¶ you could've found me wallowing around ¶@£†*=,.,¨
.,~:†§#### on the southern shores until i got ####§†:~,.
,:=\†%##@@ bitten. @@##%†\=:,
.~~/§*§@@¶ ¶@@§*§/~~.
...,,.=%@§ but now i'm further back, on solid §@%=.,,...
.~«»~§$&££ ground, in shoulder-high grass, with an ££&$§~»«~.
.-«;*%@¶## orange tin radio and a translucent ##¶@%*;«-.
.^~\$§£### umbrella which i'm sitting on. ###£§$\~^.
.,¨,¨.=$%£ £%$=.¨,¨,.
¨:~†§$##@# = #@##$§†~:¨
¨,-^§£¤¶## ##¶¤£§^-,¨
,,«^*£¤£## somethings moving in the grass. it's ##£¤£*^«,,
,^==;:*:†£ invisible to my eyes but i can feel £†:*:;==^,
.,»†%$@#@# through the ground just how large it is. #@#@$%†»,.
..==†$%& #&&%$†==..
¨.-†%$@£## the soil is muddy. i slip when trying ##£@$%†-.¨
,^«†§$@### to get up, still looking at the ###@$§†«^,
..»^§*#§£¶ direction of sound rather than at my ¶£§#*§^»..
¨-~«~~%$££ hands, who are busy putting things in ££$%~~«~-¨
¨^~:^@£### my pockets. ###£@^:~^¨
.,,.,:/@£# #£@/:,.,,.
¨¨¨¨.,*†§£ then i run east toward my home. £§†*,.¨¨¨¨
.:-\§£§@#@ @#@§£§\-:.
,,.,^=@§¤£ ^ £¤§@=^,.,,
.:=**$¤¶@# #@¶¤$**=:.
,¨¨,~*@$£# i am not followed, and slow down in the #£$@*~,¨¨,
¨,,¨..~=§£ clearing where you at first can spot £§=~..¨,,¨
¨--*§&@£@@ the house, not yet really in the @@£@&§*--¨
¨¨,^-»%@£@ backyard. from my pockets i retrieve my @£@%»-^,¨¨
,,.,^^»$¤£ radio (now dented) but also a small £¤$»^^,.,,
,¨...»†¤%£ clay figure i've never seen before. it £%¤†»...¨,
,,~†%$#¶## must have been laying in the wet dirt, ##¶#$%†~,,
¨-«=*@#£## and i must've picked it up with my ##£#@*=«-¨
,,=†%$## other belongings. ###&$%†=,,
..-;$*@#§@ @§#@*$;-..
...,~$^§@# it's a statuette of a girl laying naked #@§^$~,...
.^»;^§£### on her stomach, feet in the air, ###£§^;»^.
.-«/%@¶£ roughly seven centimeters long. it's £¶#&@%/«-.
,¨,»»/¤£#¶ freshly made, not yet completely dried. ¶#£¤/»»,¨,
¨~~:*$@### ###@$*:~~¨
.,=\*$¤@@# my mom is here now. i ask her for some #@@¤$*\=,.
,.,:†*@£ particle board for it to dry on, but #&£@*†:,.,
¨^~;$££### she is worried and wants me to ###££$;~^¨
.¨¨¨.,^*§¶ throw it away. ¶§*^,.¨¨¨.
¨-~\*%@### ###@%*\~-¨
,,¨...=^$# #$^=...¨,,
.-;=@§¶### ###¶§@=;-.
..,..,\^@# #@^\,..,..
.~-\%§£@## ##@£§%\-~.
,¨,,~=*$#@ @#$*=~,,¨,