.,~/=@## ##@#&=/~,.
.,.¨,.,«%£ £%«,.,¨.,.
,--/§§¶### ###¶§§/--,
,¨.,^\*†¤# #¤†*\^,.¨,
,.»;§¤&@## ##@&¤§;».,
.~-^§$@### statuette ###@$§^-~.
,¨,..~%£@# #@£%~..,¨,
,,,.,-§$£¶ $&&£%%%£%£££§%££~»~-~-»~$£%£§$&@*$¤£*%@* ¶£$§-,.,,,
..¨,^*£@ %%$%*£§$@ @#&£*^,¨..
,~-:^@###@ @###@^:-~,
.,~/§%&£## forests around my childhood home. thick ##£&%§/~,.
...,.^/†@& pine arcades that were planted and &@†/^.,...
¨^~†%¤¤@@# forgotten. wild boars roaming #@@¤¤%†~^¨
,,-:*£#@## underneath, sniffing at the ground. it ##@#£*:-,,
.~~;*%¤@## is dark and moist, the canopy having ##@¤%*;~~.
,~~^%*£### already soaked up all the sun. ###£*%^~~,
.,~^§%@##@ @##@%§^~,.
¨:«=*@&@## there's a river passing by, from east ##@&@*=«:¨
,-»†*%#£## to west, getting broader and deeper and ##£#%*†»-,
.,~/%%*¤¤@ slower as it goes. equisetum grow just @¤¤*%%/~,.
.:~:*£££@# where the pine hands start to let #@£££*:~:.
,~~\**## through light, horsemint on the rocky ###&**\~~,
.,~^*$#@## river bed. ##@#$*^~,.
.¨-^*=†¤¤# #¤¤†=*^-¨.
,.=\%$££@@ ^ @@££$%\=.,
¨:-^§%## ###&%§^-:¨
¨-~†*&$§¤£ the riverbanks reek of magic. tonight £¤§$&*†~-¨
.~«;%§£$@¶ they had been a swampworld with sylvan ¶@$£§%;«~.
.~»†^*£@## water, stone rings and floating moss. ##@£*^†»~.
¨,..¨,**£# you could've found me wallowing around #£**,¨..,¨
.,»/%%@# on the southern shores until i got #@#&%%/»,.
.,-:%%£@## bitten. ##@£%%:-,.
,,~:%@£### ###£@%:~,,
¨:=*%¤§### but now i'm further back, on solid ###§¤%*=:¨
.¨.«†=$£@¶ ground, in shoulder-high grass, with an ¶@£$=†«.¨.
.,~;*@§&&& orange tin radio and a translucent &&&§@*;~,.
¨¨..-«»%@# umbrella which i'm sitting on. #@%»«-..¨¨
¨,,-†\&&%@ @%&&\†-,,¨
.~~\^&§@¶# / #¶@§&^\~~.
,.¨,,\£&£# #£&£\,,¨.,
.,,,¨-=*£§ somethings moving in the grass. it's §£*=-¨,,,.
¨^»=~^=§## invisible to my eyes but i can feel ##§=^~=»^¨
,.¨.~:§£@# through the ground just how large it is. #@£§:~.¨.,
.¨¨¨.-§%@@ @@%§-.¨¨¨.
.^-^§%§#@# the soil is muddy. i slip when trying #@#§%§^-^.
,:~**£§@@# to get up, still looking at the #@@§£**~:,
¨,==*†^*$¤ direction of sound rather than at my ¤$*^†*==,¨
.^»\§¤¤£## hands, who are busy putting things in ##£¤¤§\»^.
.,.¨..~*$¤ my pockets. ¤$*~..¨.,.
,^-*:=%=@# #@=%=:*-^,
,..¨.;=†§@ then i run east toward my home. @§†=;.¨..,
,:-:%*@#@# #@#@*%:-:,
.-»:=§¤@## * ##@¤§=:»-.
,:==»~\$£@ @£$\~»==:,
.~~;§*§¶## i am not followed, and slow down in the ##¶§*§;~~.
¨~=/^¤## clearing where you at first can spot ###&¤^/=~¨
,,«***#@## the house, not yet really in the ##@#***«,,
.,==§§##@# backyard. from my pockets i retrieve my #@##§§==,.
.~~\†%§### radio (now dented) but also a small ###§%†\~~.
.,»/$%¤@## clay figure i've never seen before. it ##@¤%$/»,.
.,.,,«§*§@ must have been laying in the wet dirt, @§*§«,,.,.
,,,^~»=^*# and i must've picked it up with my #*^=»~^,,,
¨.~**%§@## other belongings. ##@§%**~.¨
¨¨.=†^=^$@ @$^=^†=.¨¨
,¨~~»=:/§& it's a statuette of a girl laying naked &§/:=»~~¨,
,.~^%§@### on her stomach, feet in the air, ###@§%^~.,
.^.,~^%§@# roughly seven centimeters long. it's #@§%^~,.^.
¨¨..:†*&¤# freshly made, not yet completely dried. #¤&*†:..¨¨
,,,¨¨^::=# #=::^¨¨,,,
.,.¨.~:*$# my mom is here now. i ask her for some #$*:~.¨.,.
¨¨..~,«$%# particle board for it to dry on, but #%$«,~..¨¨
.¨^,~~/†=@ she is worried and wants me to @=†/~~,^¨.
,,¨:~†=$#§ throw it away. §#$=†~:¨,,
.:-;£#¶### ###¶#£;-:.
¨,==$$##@# #@##$$==,¨
¨.»**%@¶@# #@¶@%**».¨
.,=†§£§@@# #@@§£§†=,.
¨,,..;^%§@ @§%^;..,,¨
.,»†§$¤¶## ##¶¤$§†»,.