,,,¨¨§,¨#¨ ,@¨,,¨¤,,¨
§&¨.¨¨., ,,,££.,.§@
#£§,¨#§#§. ¨@¨¨.¨@,¨&
¤@,¨¨,&¤., ¨..¤@¨.¨¨¨
,¨¨¤§...,. .§¨..¨§§#,
&@¨¨..¤@@@ statuette ,..§¤¨¨§,,
,,.£@,,@@¤ ¨£,¨,¨,¨..
&£¨¨..,,@¤ ¤%$*£&$$*$£§$§$%»«~-«~=~$*££%¤¤¤§@@£$£*£ ¨..&¤##¤§¤
@¨,@@£¤,.. £§£&£%£%& ¨@.,§§§§¤¤
,¨..§¤..&@ ,.,..#£¤£#
,#@,,.,¨¨¤ forests around my childhood home. thick ¨£¤¤¨.£§£,
....@&@£¨, pine arcades that were planted and ..#.,,¨@.¨
§#@¨¨£&¨¨¨ forgotten. wild boars roaming .¨.¨##.,,§
£#,¨¨.,,§§ underneath, sniffing at the ground. it §@#.¨.¨#,.
..,@&¤@.,. is dark and moist, the canopy having §@,.##¨¨.,
§¤.,¨,@@ already soaked up all the sun. @,.¨¨.¨§§¤
#.¨.¨¨.¨,, ,¨¤#@@¨,&@
,¨@¤£@£&¤& there's a river passing by, from east ,¨.§#,¨,.#
,.¨££&¤#&¤ to west, getting broader and deeper and &@¨¨.,#§¨¨
&£.¨£¤£@§@ slower as it goes. equisetum grow just .¨.@§¨.,¨§
§,¨,,¤¤#££ where the pine hands start to let ¤¤.¨.¨#§,.
¨.§¤.¨¤££# through light, horsemint on the rocky ,¨,#£.¨.¨¨
#,,..,¨#§. river bed. &@.¨¨.&@§@
.,§&@§,,,. .¨.@&,.&¤¤
,¨,§¤¨,¤#¨ ^ £#.¨.¨,.¤¨
@§.,¨¨.¨,, §¨.§@&§.¨¨
,.,&§#§. the riverbanks reek of magic. tonight ¨¨¨,§¤¨,£.
#¤,,§§¤&,¨ they had been a swampworld with sylvan £££.,..¨¨.
.,.,,@&¨,. water, stone rings and floating moss. &¤¨.§&£#&.
£@¤#¨¨.¨£¤ you could've found me wallowing around ¨¨¨.¨¤¤§¨¨
¨@&.,@¤.,¨ on the southern shores until i got £&&¤,.&,..
¨,,,,,,.§& bitten. .&£,,...£§
,#£&¤¤§¨.@ .,,.#£¤¨,,
..@#¤@¨,,¨ but now i'm further back, on solid &£¤,¨¤,,&@
.,¨¤&,¨§#¨ ground, in shoulder-high grass, with an ¨,.¨,¨.,
#&.,,¨.,,, orange tin radio and a translucent £.¨#§§£&£@
§..§@¤¤&@. umbrella which i'm sitting on. ..,.&@§£@§
.¨¨.£&@§., £§¤.,@§&¤£
,#¤.¨&¤,¨, ; #&¨.¨¨@@#¨
.,,.....§§ ,¨.&@,¨¤,,
@@¤@¤,,, somethings moving in the grass. it's £&,,,¨¨,.¤
£#§¤@@,,§§ invisible to my eyes but i can feel &.¨£@@@&¨,
.##@#,...# through the ground just how large it is. ¨¨¨.@§#,¨.
¨.&£,¨¤@.. .#§,.&..£@
..¨,.¨.¨,. the soil is muddy. i slip when trying ,¨¨.¨..,,,
£#§&@@&£££ to get up, still looking at the ¤&¤&¤#@&¤§
¤¤@&£¤¤£@& direction of sound rather than at my @£&£¤§£§&¤
@¤§@#§§£&& hands, who are busy putting things in #£@&@§@#
@§&@#££#£§ my pockets. #£¤#¤@¤@&£
¤¤§¤§¤## £§§#£¤£&&¤
¤¤#¤#@§&@# then i run east toward my home. §£##&§@#§#
¤@@§¤¤&£§& £§@£@#£££¤
##§#@#@¤¤§ : £§#&§&§&@¤
#¤¤¤&§#&£# §@£@¤£§&£@
¤¤¤#£££&@¤ i am not followed, and slow down in the §&£&@£#@§¤
¤£@##£#£#& clearing where you at first can spot #@¤£¤@
&¤#@@#§#&@ the house, not yet really in the ¤@&££¤@@
£@§¤@££§£# backyard. from my pockets i retrieve my £&§@@#£##£
¤@§£¤#@§ radio (now dented) but also a small &§¤££@¤¤§£
&£@¤¤@&@£@ clay figure i've never seen before. it @¤#@@@&§£¤
§£¤#@§@§#¤ must have been laying in the wet dirt, £@£§#§§&&§
£@§£#& and i must've picked it up with my #§§§§@¤¤
§&§£&§§£¤# other belongings. £@#¤@§@§
&@§£§#§@¤& &¤¤¤£#£@@#
£§@¤¤££¤#@ it's a statuette of a girl laying naked §£&@&¤#£#§
@&§££@&¤ on her stomach, feet in the air, §@#¤§§@£
§@#§@@£#¤@ roughly seven centimeters long. it's &£#§¤¤@#@&
&¤¤&£¤¤§#& freshly made, not yet completely dried. ¤&@¤££§@
§#¤¤¤§&§&@ #§§@¤##@
¤&£@&£¤&¤§ my mom is here now. i ask her for some §&§#£§££
#&§¤§##§#§ particle board for it to dry on, but §¤@#££
£&§§@&@£§£ she is worried and wants me to ##¤§¤¤¤§§¤
£#¤§¤§#§£# throw it away. &§§@£¤¤#@§
£@££@¤¤§&@ @¤££#¤§&§#
¤@&&@£#@ #&@#§@¤¤
¤&§@§&@£¤¤ #¤&¤##§@##
&&&@@¤&¤ ¤£&&@£¤@§@
§£@§@¤£@#& ¤@&§@§¤@¤£
#@¤£&§§£@# @@@£¤£§¤&&