.¨,§,,,,¤¨ ,,.¨£¨.¨,,
¤&¨¨..¨. ¨£¤.¨¨£§¤&
@.¨§¨,¨¨#. ¨¨.¨@¨,£#§
.,..,#@.,. ,§£,,¨,¨@&
.£§@,,..£. ¨.¨,§§¤.,,
.,&¨¨¤&¨,, statuette §@&,¨#,,¤&
¨¨,.¨.¨¨£¨ &@¨.¨,¨¨¨¨
¤§@@#@§.,, §&£%@*£$$£$%%*£%==»««=»«§@¤$%%%%¤%*%%*@$ ,..£¤&§@§£
§£&@&¤.¨¤. %$&&&£*$@ &£,,@§£§#¤
§@&£@¨,.¨, ¨.,..&§@§@
¤£&&..¤@¤¨ forests around my childhood home. thick §£§&¨.¤££§
&¤@¨..,&., pine arcades that were planted and #§&¨¨.,@#£
§#..§¤..¨, forgotten. wild boars roaming ¨.§£.¨¤¤
@...,,¨¤#§ underneath, sniffing at the ground. it ¨¨.,¨¨,¨.£
¨¨&§¤&..@¤ is dark and moist, the canopy having §&§§#§#&¨,
@,¨#¤...,, already soaked up all the sun. ,¤£§§£#¨.&
,¨,,¨.@§&¤ .¨£&£&,,.,
¤&@#¤¨.#§£ there's a river passing by, from east ,¨,£#..¤#&
@§§&,,.¨#@ to west, getting broader and deeper and ¤¤,¨¨,¨,&£
£¤@,,§#,¨# slower as it goes. equisetum grow just &.,£#¤#,¨@
#@,,,..¨¨, where the pine hands start to let .,¨,§£¨¨..
¨..£@§§£@. through light, horsemint on the rocky £&£¨¨..£¤¨
£#.,@££#.¨ river bed. ¤¤,,@¤,,¨.
,,¨,,,,, ¨..¨...@§.
&££¤,.,.#§ ; ¤§@§£¤,¨,,
.£&¨,¤§,¨. ,@¤££¨.&§,
.¨.¨,¨¨¨@# the riverbanks reek of magic. tonight ¨.##.¨¨..¨
@¤#@&¨,, they had been a swampworld with sylvan ¨.¨..#£@¤@
§&¤§¤#¨¨&@ water, stone rings and floating moss. ¤¤@§,¨¤#&@
#§§§§,.¨,# you could've found me wallowing around ££#,..,&£¤
¤@¨.¤§¨. on the southern shores until i got £&¨¨&§,.£¤
#§#.,¨,.,, bitten. ¨,,,¨¨..¨£
¤¤¨¨£¤&& £#&@§£¤§¨,
¨.¨¨,£#&§, but now i'm further back, on solid #£&£¤££¨..
####¨.¤@.. ground, in shoulder-high grass, with an @@§£§&,,§#
&§£¨¨.¨,¨¨ orange tin radio and a translucent £@##@,,.¨£
#&,¨§#¤# umbrella which i'm sitting on. £#¤@¨.¤£.,
..¨,,¤#@@, £##,.,,¨,¨
£#@§¨¨§&,. * &§¨¨¤&£#
@#£¨..,,,, ¨.,¨¨##£§&
£@¨¨@#£§&§ somethings moving in the grass. it's @¤¤¤¨,@¤
&¨¨¨¨@¤¨ invisible to my eyes but i can feel #£¤.¨¨.#¤@
¨.&¤,.&£,, through the ground just how large it is. ¤#¨,§@¨¨&§
,,.,¨¨.,¨¨ .,..,.,,.,
¤§£#¤@@§## the soil is muddy. i slip when trying &¤@@¤¤@##£
¤§££&@@¤ to get up, still looking at the ££#¤§@¤£@#
¤#¤&&@§@#@ direction of sound rather than at my &¤§§@§£§
@&£##@£&@§ hands, who are busy putting things in @##¤¤&££#@
£¤§¤&¤¤@#§ my pockets. £§£@@&§¤£&
§£§¤¤¤¤££@ £@#§##¤¤§@
&§§@##@#@¤ then i run east toward my home. £&£@&§§@
#&&§¤&&¤#¤ #&§&¤§¤¤
#£#£@#£§§@ * #§@£@#@@#§
¤§#£§£@§££ ££&&£§§##¤
@£§#&¤#@@@ i am not followed, and slow down in the §&@@&£¤¤#¤
¤£&@¤@&§ clearing where you at first can spot ¤#&§&§§¤¤@
¤&@¤§¤¤#&£ the house, not yet really in the &¤#@§&¤§¤#
@£@§@#@¤ backyard. from my pockets i retrieve my ¤@#&&£&@£¤
¤@#¤&££# radio (now dented) but also a small £¤¤§¤¤@£§#
¤§&§#@¤§£@ clay figure i've never seen before. it ££§¤&@&§&§
§@@¤£¤§@@& must have been laying in the wet dirt, @#@&§#¤¤§&
#§¤#&@£¤@& and i must've picked it up with my §#¤£§&&&£&
#££¤£¤##@& other belongings. §§@&@§§§
¤&@£¤§£@¤£ ££#§###¤@£
¤@££@&¤¤&§ it's a statuette of a girl laying naked &§§#&¤##
£¤##&¤¤§§# on her stomach, feet in the air, £&&£##&£§§
££#£@£&&&§ roughly seven centimeters long. it's #&&@#¤@#@@
¤#@@@#¤#¤¤ freshly made, not yet completely dried. &@§§@¤
&¤£#£§@££¤ §§§§#¤¤@&&
££@&£@§##& my mom is here now. i ask her for some @£#£##§¤§@
#£#&§§£¤@& particle board for it to dry on, but #@¤£¤##¤&&
@#§££¤§# she is worried and wants me to @¤&¤££&&£¤
&¤@#&¤&¤@& throw it away. ££#@¤@#@££
§@&@@&&£#@ ¤£¤@#§#&£§
@###§¤#£§& &£&§&£@££§
&&§£&§£§@§ ¤@@§££#¤&@
¤##£#§¤§ #§@¤§@¤@£@
#§#@§&¤#§@ @§&§#§&§#¤
£¤@@#@@£§¤ #@££¤¤§¤§@