,-«=%£#¶## ##¶#£%=«-,
..,¨~:%%£# #£%%:~¨,..
.,~:*§#### ####§*:~,.
,:«^^%§@@# #@@§%^^«:,
.,«\§%¤¶## ##¶¤%§\«,.
¨,,,^%§*§# statuette #§*§%^,,,¨
.,-\^&§### ###§&^\-,.
..¨..*$£&@ *%@@*%&$£%&££££&«~«~-»-~£%%@$%£*$&$&**$¤ @&£$*..¨..
,--\%&## &%%£$£&%& ###&&%\--,
¨~=/$£## ##£#&$/=~¨
,,.,.=;§£@ forests around my childhood home. thick @£§;=.,.,,
.~-:%$&£@# pine arcades that were planted and #@£&$%:-~.
,.»;*%£§¤¤ forgotten. wild boars roaming ¤¤§£%*;».,
.,==^^£@¤@ underneath, sniffing at the ground. it @¤@£^^==,.
.,¨¨«%*§#@ is dark and moist, the canopy having @#§*%«¨¨,.
¨,^,/:@&¶@ already soaked up all the sun. @¶&@:/,^,¨
¨,,--,;%&@ @&%;,--,,¨
¨,-:^@§@## there's a river passing by, from east ##@§@^:-,¨
..../§££#@ to west, getting broader and deeper and @#££§/....
,~«;%§#### slower as it goes. equisetum grow just ####§%;«~,
¨¨,.¨^~~§£ where the pine hands start to let £§~~^¨.,¨¨
..«†%¤&£@# through light, horsemint on the rocky #@£&¤%†«..
.,^-*/§#@# river bed. #@#§/*-^,.
.:«*%@#¶@# #@¶#@%*«:.
¨-~;§&§£@# ^ #@£§&§;~-¨
¨.«=%$@¤¤# #¤¤@$%=«.¨
¨^«^^$@@## the riverbanks reek of magic. tonight ##@@$^^«^¨
,~~=^£&@## they had been a swampworld with sylvan ##@&£^=~~,
,.~†=@£@## water, stone rings and floating moss. ##@£@=†~.,
,,.,~/§%¤& you could've found me wallowing around &¤%§/~,.,,
,.,.,~%†%@ on the southern shores until i got @%†%~,.,.,
,¨¨.:/&*$# bitten. #$*&/:.¨¨,
,.~†^%#£## ##£#%^†~.,
.^~;**%¤§@ but now i'm further back, on solid @§¤%**;~^.
¨~~:†£§### ground, in shoulder-high grass, with an ###§£†:~~¨
,,.¨,,\$&¶ orange tin radio and a translucent ¶&$\,,¨.,,
.^==$£&@## umbrella which i'm sitting on. ##@&£$==^.
.~~=*£¤@## ##@¤£*=~~.
.--*=&££@# / #@££&=*--.
,^=†=££#@# #@#££=†=^,
.,~;*¤¤£@# somethings moving in the grass. it's #@£¤¤*;~,.
.~~:$%%%£# invisible to my eyes but i can feel #£%%%$:~~.
¨~=;§$## through the ground just how large it is. ###&$§;=~¨
,,-.^~^$£# #£$^~^.-,,
¨,-^*£%£%& the soil is muddy. i slip when trying &%£%£*^-,¨
¨.«††££@¶@ to get up, still looking at the @¶@££††«.¨
,.¨¨,^\*%# direction of sound rather than at my #%*\^,¨¨.,
.,=:%&§¶@# hands, who are busy putting things in #@¶§&%:=,.
.,-*/†**$# my pockets. #$**†/*-,.
¨.¨,~^/§## ##§/^~,¨.¨
,^«=%£@# then i run east toward my home. #@#&£%=«^,
,,~**$¤### ###¤$**~,,
¨~~**%@@## : ##@@%**~~¨
¨:~*%$¶@ @¶#&$%*~:¨
¨.»;%¤£#@# i am not followed, and slow down in the #@#£¤%;».¨
¨.,.«%†@## clearing where you at first can spot ##@†%«.,.¨
.-»^*§¤£*£ the house, not yet really in the £*£¤§*^»-.
.¨,,,\†$¶@ backyard. from my pockets i retrieve my @¶$†\,,,¨.
,.¨.,,=**@ radio (now dented) but also a small @**=,,.¨.,
..¨¨.-**## clay figure i've never seen before. it ##**-.¨¨..
,,=*§*¤@## must have been laying in the wet dirt, ##@¤*§*=,,
,,~^:,^=§@ and i must've picked it up with my @§=^,:^~,,
.-»†*&§@@# other belongings. #@@§&*†»-.
,¨¨,~«;$¤@ @¤$;«~,¨¨,
.-~=**¤£@# it's a statuette of a girl laying naked #@£¤**=~-.
¨-~^**#¶@# on her stomach, feet in the air, #@¶#**^~-¨
.,,,~/%%*# roughly seven centimeters long. it's #*%%/~,,,.
,-~†§@£### freshly made, not yet completely dried. ###£@§†~-,
,~~*§$£@## ##@£$§*~~,
.¨,,,«=\†¤ my mom is here now. i ask her for some ¤†\=«,,,¨.
.:»;%*#@@# particle board for it to dry on, but #@@#*%;»:.
.,~;%£#¶## she is worried and wants me to ##¶#£%;~,.
.¨,,:-^£@@ throw it away. @@£^-:,,¨.
,:~/$*@@## ##@@*$/~:,
,:~:%$¤£@# #@£¤$%:~:,
¨-«\*¤£#@@ @@#£¤*\«-¨
¨..-«;$%¤# #¤%$;«-..¨
¨,-\†@#@## ##@#@†\-,¨
..,¨¨~~^£@ @£^~~¨¨,..