¨¨.=*$$#@# #@#$$*=.¨¨
,.~†%§§@## ##@§§%†~.,
¨..-^%*# ##&*%^-..¨
,¨¨~~**¤§£ £§¤**~~¨¨,
,.,-=§@¤@# #@¤@§=-,.,
,~»^$%££## statuette ##££%$^»~,
,¨~~:*%£¶# #¶£%*:~~¨,
..¨~=;§$@# &@%&£%@¤¤*¤£¤$¤*-«=~~~»»$£%££$%%%§*$@$** #@$§;=~¨..
..^=:†$¤@# ¤&$$$§$$§ #@¤$†:=^..
,-~;$§@¶## ##¶@§$;~-,
,.,~†$$£## forests around my childhood home. thick ##£$$†~,.,
¨.,-=^=$## pine arcades that were planted and ##$=^=-,.¨
..,=;*§#@# forgotten. wild boars roaming #@#§*;=,..
,,-/%¤#¶## underneath, sniffing at the ground. it ##¶#¤%/-,,
.,^~=§%&¶# is dark and moist, the canopy having #¶&%§=~^,.
,¨¨,-^%*@£ already soaked up all the sun. £@*%^-,¨¨,
,¨,=*%$£@# #@£$%*=,¨,
,,-=^@§@## there's a river passing by, from east ##@§@^=-,,
,¨:«\*@&£# to west, getting broader and deeper and #£&@*\«:¨,
,.,~»==£@¶ slower as it goes. equisetum grow just ¶@£==»~,.,
,,,~/**# where the pine hands start to let ##&**/~,,,
.--^*@¤£## through light, horsemint on the rocky ##£¤@*^--.
¨,^-\^@§## river bed. ##§@^\-^,¨
¨.¨-»**£@@ @@£**»-¨.¨
¨.,=*†%### ; ###%†*=,.¨
¨,~=$§&£## ##£&§$=~,¨
¨,^~*†%§£# the riverbanks reek of magic. tonight #£§%†*~^,¨
¨,.--/%@@¶ they had been a swampworld with sylvan ¶@@%/--.,¨
,..«^*%£## water, stone rings and floating moss. ##£%*^«..,
.,~\=%## you could've found me wallowing around ###&%=\~,.
,.^~;†*¤## on the southern shores until i got ##¤*†;~^.,
,¨.,«/†$## bitten. ##$†/«,.¨,
..^»/=§¤¶# #¶¤§=/»^..
¨~=\$£@@## but now i'm further back, on solid ##@@£$\=~¨
,.-»^†£@£# ground, in shoulder-high grass, with an #£@£†^»-.,
¨¨,,»:§%## orange tin radio and a translucent ##%§:»,,¨¨
,,:«:=£@## umbrella which i'm sitting on. ##@£=:«:,,
.^»=%%#¶## ##¶#%%=»^.
.¨.-/**£## * ##£**/-.¨.
,¨.:~=$£&¶ ¶&£$=~:.¨,
,¨~~:=§¤## somethings moving in the grass. it's ##¤§=:~~¨,
,.~^%£@### invisible to my eyes but i can feel ###@£%^~.,
¨¨~=;*%§@# through the ground just how large it is. #@§%*;=~¨¨
,¨.,«:†*@# #@*†:«,.¨,
..,«=*%&£# the soil is muddy. i slip when trying #£&%*=«,..
¨:~:^$#¶## to get up, still looking at the ##¶#$^:~:¨
,¨,~*%£¤## direction of sound rather than at my ##¤£%*~,¨,
¨,.-«=%@¤@ hands, who are busy putting things in @¤@%=«-.,¨
..,«**¤&¶# my pockets. #¶&¤**«,..
..»/$@£### ###£@$/»..
,.:~==£#@# then i run east toward my home. #@#£==~:.,
¨,.-=*%¤ #&¤%*=-.,¨
.,,==$&¤£# : #£¤&$==,,.
.:-/§§&£## ##£&§§/-:.
.¨.»;%*¤@# i am not followed, and slow down in the #@¤*%;».¨.
.¨,.-:*%§¶ clearing where you at first can spot ¶§%*:-.,¨.
..~«\^¤§£# the house, not yet really in the #£§¤^\«~..
¨~-=†%§### backyard. from my pockets i retrieve my ###§%†=-~¨
...«/§$¤@# radio (now dented) but also a small #@¤$§/«...
,¨¨,=*$£¤£ clay figure i've never seen before. it £¤£$*=,¨¨,
,¨.-^**¤@# must have been laying in the wet dirt, #@¤**^-.¨,
,^»/†$&¶## and i must've picked it up with my ##¶&$†/»^,
..~«*^$@## other belongings. ##@$^*«~..
¨,,^«/§$£@ @£$§/«^,,¨
..:«=§¶# it's a statuette of a girl laying naked #¶#&§=«:..
¨,»^*%£### on her stomach, feet in the air, ###£%*^»,¨
.¨-=**£@@# roughly seven centimeters long. it's #@@£**=-¨.
¨..~«;§£@£ freshly made, not yet completely dried. £@£§;«~..¨
,,^«\§¤&£# #£&¤§\«^,,
¨.-^$£&¶## my mom is here now. i ask her for some ##¶&£$^-.¨
..^~\$$¤## particle board for it to dry on, but ##¤$$\~^..
¨,,^~†§*#@ she is worried and wants me to @#*§†~^,,¨
¨¨-~/%§# throw it away. ##&§%/~-¨¨
.~~;§§§£## ##£§§§;~~.
.,:~=*§#@# #@#§*=~:,.
.¨,~==**@@ @@**==~,¨.
,¨,~/§£# #£#&§/~,¨,
¨,~;**## ###&**;~,¨
..,»\*$#@# #@#$*\»,..