,-~==£#£## ##£#£==~-,
,^~†*£#¶## ##¶#£*†~^,
¨,»=†&¤### ###¤&†=»,¨
.,-,»«=/¤£ £¤/=«»,-,.
¨:«;^*£# #£#&*^;«:¨
¨:»\†$££## statuette ##££$†\»:¨
,-«;=%§@#@ @#@§%=;«-,
¨,,¨,.=%#¶ @%£&&¤¤%¤£$*§%$£~~~=»===¤£$%%$*&¤£§%&$$£ ¶#%=.,¨,,¨
...,~^*%£@ $**%£&%@% @£%*^~,...
,:-/$%*¤## ##¤*%$/-:,
¨.:,†\*$£@ forests around my childhood home. thick @£$*\†,:.¨
.~~;^££### pine arcades that were planted and ###££^;~~.
¨.-\$&¤%£¤ forgotten. wild boars roaming ¤£%¤&$\-.¨
,-«^*£@### underneath, sniffing at the ground. it ###@£*^«-,
.,~^%§@### is dark and moist, the canopy having ###@§%^~,.
,:«/**£@@# already soaked up all the sun. #@@£**/«:,
,-~†=%%£*¤ ¤*£%%=†~-,
.,,.,~†%£@ there's a river passing by, from east @£%†~,.,,.
,,~††$£### to west, getting broader and deeper and ###£$††~,,
¨:=/^\§=$& slower as it goes. equisetum grow just &$=§\^/=:¨
¨:-/=&£### where the pine hands start to let ###£&=/-:¨
¨,.¨,:=§¤£ through light, horsemint on the rocky £¤§=:,¨.,¨
,¨¨¨,,-=¤§ river bed. §¤=-,,¨¨¨,
¨--;$§§### ###§§$;--¨
,¨.,¨.~=£# / #£=~.¨,.¨,
,~^,..^¤££ ££¤^..,^~,
¨~-=†%&£## the riverbanks reek of magic. tonight ##£&%†=-~¨
,,=^$&%*¤& they had been a swampworld with sylvan &¤*%&$^=,,
.,.,¨,»†$¶ water, stone rings and floating moss. ¶$†»,¨,.,.
¨-«=$¤¤£@# you could've found me wallowing around #@£¤¤$=«-¨
.^«=†%#@## on the southern shores until i got ##@#%†=«^.
,.:,^/*@@£ bitten. £@@*/^,:.,
,.==*/==££ ££==/*==.,
¨-~=%@%@¤@ but now i'm further back, on solid @¤@%@%=~-¨
¨.,.~===§@ ground, in shoulder-high grass, with an @§===~.,.¨
.¨¨¨¨¨»^&£ orange tin radio and a translucent £&^»¨¨¨¨¨.
¨¨,.»;$$@@ umbrella which i'm sitting on. @@$$;».,¨¨
¨~~\^%@### ###@%^\~~¨
.,~/*@$§¤# † #¤§$@*/~,.
¨:~†==§£££ £££§==†~:¨
,.~^\=$¤£@ somethings moving in the grass. it's @£¤$=\^~.,
.^=*=¤@#£@ invisible to my eyes but i can feel @£#@¤=*=^.
,:»;^£#@ through the ground just how large it is. @##&£^;»:,
,:==%*¤# #¤#&*%==:,
.¨.¨.~†#£# the soil is muddy. i slip when trying #£#†~.¨.¨.
,-~**@#@@# to get up, still looking at the #@@#@**~-,
,,....»:*# direction of sound rather than at my #*:»....,,
.^~/$%¤¶@# hands, who are busy putting things in #@¶¤%$/~^.
.¨,-~-†§¤@ my pockets. @¤§†-~-,¨.
¨:~^%&@%¶# #¶%@&%^~:¨
¨.~:=£¤@## then i run east toward my home. ##@¤£=:~.¨
.,..,.¨-*& &*-¨.,..,.
.,,.¨¨»;%# * #%;»¨¨.,,.
,~~*=††^%# #%^††=*~~,
.:«==@£@## i am not followed, and slow down in the ##@£@==«:.
.,~**£§@@# clearing where you at first can spot #@@§£**~,.
,,»†§@&¤@@ the house, not yet really in the @@¤&@§†»,,
.¨.,.,-»$§ backyard. from my pockets i retrieve my §$»-,.,.¨.
¨,,,¨~$@§@ radio (now dented) but also a small @§@$~¨,,,¨
¨^«/†¤$&$& clay figure i've never seen before. it &$&$¤†/«^¨
,...,««%%@ must have been laying in the wet dirt, @%%««,...,
.,~^$$#@@# and i must've picked it up with my #@@#$$^~,.
¨~~†*$## other belongings. ###&$*†~~¨
.,«/*$###@ @###$*/«,.
,^=:^**@@# it's a statuette of a girl laying naked #@@**^:=^,
,-~=†$&¶@# on her stomach, feet in the air, #@¶&$†=~-,
.-»*§$§@## roughly seven centimeters long. it's ##@§$§*»-.
¨¨,¨=;^&£# freshly made, not yet completely dried. #£&^;=¨,¨¨
¨.,-,~=$$& &$$=~,-,.¨
.,=†^$$£§# my mom is here now. i ask her for some #§£$$^†=,.
¨,,.»%%¤@¶ particle board for it to dry on, but ¶@¤%%».,,¨
,~=\†***£¶ she is worried and wants me to ¶£***†\=~,
.¨,,¨^::$¶ throw it away. ¶$::^¨,,¨.
.,.,.---*@ @*---.,.,.
¨^«^$¤@### ###@¤$^«^¨
¨:-\^££¶@# #@¶££^\-:¨
,.,.~;:*¤# #¤*:;~.,.,
¨.~\*$£#@@ @@#£$*\~.¨
.:=;^£¤£## ##£¤£^;=:.