.,~†%%¤### ###¤%%†~,.
,^=\^§£¶#@ @#¶£§^\=^,
.^~==£#£@¶ ¶@£#£==~^.
.^~;$@£### ###£@$;~^.
,..,.«†¶ ¶#&†«.,..,
¨:~*§%§#@# statuette #@#§%§*~:¨
¨^~;%%£@## ##@£%%;~^¨
,,=\%§#@## %¤$&*%$£%%@*%$$$~~=«~»»~$£$%¤%£¤¤¤%&*%$¤ ##@#§%\=,,
.--:**†^=& $%§£$@$§@ &=^†**:--.
¨,.:-~-:=# #=:-~-:.,¨
¨--/=¤§£@# forests around my childhood home. thick #@£§¤=/--¨
,,.¨¨.^*§@ pine arcades that were planted and @§*^.¨¨.,,
¨.~;§$¤¶## forgotten. wild boars roaming ##¶¤$§;~.¨
,.»^%$#@## underneath, sniffing at the ground. it ##@#$%^».,
.¨¨~:,^**& is dark and moist, the canopy having &**^,:~¨¨.
¨,«\§¤£### already soaked up all the sun. ###£¤§\«,¨
,:==§@#@@# #@@#@§==:,
,.»;^*@# there's a river passing by, from east #@#&*^;».,
¨:~†^&§### to west, getting broader and deeper and ###§&^†~:¨
.^-/*%£### slower as it goes. equisetum grow just ###£%*/-^.
.¨...,†%## where the pine hands start to let ##%†,...¨.
¨~»\^%@@## through light, horsemint on the rocky ##@@%^\»~¨
¨.-*^§&@## river bed. ##@&§^*-.¨
¨~~=%@§@## ##@§@%=~~¨
.-=\%$§### \ ###§$%\=-.
¨.-**&¤### ###¤&**-.¨
¨^~/*£££## the riverbanks reek of magic. tonight ##£££*/~^¨
¨-»=%%¶### they had been a swampworld with sylvan ###¶%%=»-¨
,~~==%@£## water, stone rings and floating moss. ##£@%==~~,
.:=†$%§¶## you could've found me wallowing around ##¶§%$†=:.
,,«**%#¶## on the southern shores until i got ##¶#%**«,,
.^-:%££¶@# bitten. #@¶££%:-^.
,,«/%¤#### ####¤%/«,,
,..,¨~=%%# but now i'm further back, on solid #%%=~¨,..,
..-/*%#¶@# ground, in shoulder-high grass, with an #@¶#%*/-..
.¨¨.¨~:=§£ orange tin radio and a translucent £§=:~¨.¨¨.
¨:«^^%§£## umbrella which i'm sitting on. ##£§%^^«:¨
.,,.,~,=¤& &¤=,~,.,,.
.~»/^§@@£# † #£@@§^/»~.
,,-†%*&§#£ £#§&*%†-,,
.¨.,.;§&@# somethings moving in the grass. it's #@&§;.,.¨.
,,,,¨¨~†%& invisible to my eyes but i can feel &%†~¨¨,,,,
,~=\§%¤@## through the ground just how large it is. ##@¤%§\=~,
¨--=$*&@## ##@&*$=--¨
,:=*†£@¶## the soil is muddy. i slip when trying ##¶@£†*=:,
¨.,¨=$$$§@ to get up, still looking at the @§$$$=¨,.¨
,,-:%§#¶## direction of sound rather than at my ##¶#§%:-,,
.~»*=£#¶@# hands, who are busy putting things in #@¶#£=*»~.
,~-=*$§@## my pockets. ##@§$*=-~,
,~-/%£@@## ##@@£%/-~,
,~~^†$@# then i run east toward my home. #@#&$†^~~,
¨^-:;†^%@# #@%^†;:-^¨
¨.~;^%@### * ###@%^;~.¨
¨,¨¨:--=§@ @§=--:¨¨,¨
¨,=†*££@£# i am not followed, and slow down in the #£@££*†=,¨
.,¨-~*$§§# clearing where you at first can spot #§§$*~-¨,.
.~~†^§#### the house, not yet really in the ####§^†~~.
,:»\†@#¶## backyard. from my pockets i retrieve my ##¶#@†\»:,
.~«:*$@##@ radio (now dented) but also a small @##@$*:«~.
.,.,.~/%$£ clay figure i've never seen before. it £$%/~.,.,.
¨.=^%%&@## must have been laying in the wet dirt, ##@&%%^=.¨
¨,-*:^%#§# and i must've picked it up with my #§#%^:*-,¨
..~*§$@@## other belongings. ##@@$§*~..
¨¨,,,«§%%# #%%§«,,,¨¨
,,¨,»†**^# it's a statuette of a girl laying naked #^**†»,¨,,
..,¨:=%£@# on her stomach, feet in the air, #@£%=:¨,..
,.¨.,~†£§# roughly seven centimeters long. it's #§£†~,.¨.,
¨^~=%@£&§# freshly made, not yet completely dried. #§&£@%=~^¨
¨.-/$*#@£# #£@#*$/-.¨
,:»†^%£&@# my mom is here now. i ask her for some #@&£%^†»:,
¨,==†%@### particle board for it to dry on, but ###@%†==,¨
.¨.,-†$=@£ she is worried and wants me to £@=$†-,.¨.
.:-*$%@### throw it away. ###@%$*-:.
¨¨..«*=%@# #@%=*«..¨¨
¨~:^†§££@# #@££§†^:~¨
¨¨,¨,-*£@# #@£*-,¨,¨¨
.¨.¨«*¤£§§ §§£¤*«¨.¨.
...-»=†&@@ @@&†=»-...
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