,:~^†$¤@## ##@¤$†^~:,
¨.~=**§@## ##@§**=~.¨
.,~/§@&@## ##@&@§/~,.
,.,»:%$¤#@ @#¤$%:»,.,
.^«\=££### ###££=\«^.
,.~»/†§§#@ statuette @#§§†/»~.,
¨.-:$%#### ####%$:-.¨
¨.^=^^§§¶# £*¤%&£%§%*$*%££%=««=«~»=£$§£@%£%¤§&$§§%$ #¶§§^^=^.¨
.:~/%@@### $§&*£*$££ ###@@%/~:.
...»\*%@@# #@@%*\»...
¨^»\$$§¶@# forests around my childhood home. thick #@¶§$$\»^¨
¨.^~\*£@ pine arcades that were planted and @#&£*\~^.¨
,-~\†£§@## forgotten. wild boars roaming ##@§£†\~-,
.,:«/§¤¤£@ underneath, sniffing at the ground. it @£¤¤§/«:,.
,^=\^¤£¶@# is dark and moist, the canopy having #@¶£¤^\=^,
...~*†£@## already soaked up all the sun. ##@£†*~...
,~~††£&@## ##@&£††~~,
...~^†*§¶# there's a river passing by, from east #¶§*†^~...
,^~/^£§@## to west, getting broader and deeper and ##@§£^/~^,
¨,,»/=¤£@@ slower as it goes. equisetum grow just @@£¤=/»,,¨
,:=\*¤££@# where the pine hands start to let #@££¤*\=:,
¨.-~;%$§¶# through light, horsemint on the rocky #¶§$%;~-.¨
¨-~:%%£### river bed. ###£%%:~-¨
.,^»=*@@@@ @@@@*=»^,.
¨.»=*$#### / ####$*=».¨
,¨^~/§§§## ##§§§/~^¨,
¨,-\*@§@## the riverbanks reek of magic. tonight ##@§@*\-,¨
,,^~†^%¤@@ they had been a swampworld with sylvan @@¤%^†~^,,
.~-†=$#¶@# water, stone rings and floating moss. #@¶#$=†-~.
¨.-=;%£&¶@ you could've found me wallowing around @¶&£%;=-.¨
¨.=;§£§£## on the southern shores until i got ##£§£§;=.¨
¨,^~/§££## bitten. ##££§/~^,¨
,,==%&@# #@#&&%==,,
¨.:»=$%@## but now i'm further back, on solid ##@%$=»:.¨
¨^=^*£&@## ground, in shoulder-high grass, with an ##@&£*^=^¨
..:«;=§### orange tin radio and a translucent ###§=;«:..
..«†^*¤@## umbrella which i'm sitting on. ##@¤*^†«..
,.,-;*@£¶# #¶£@*;-,.,
¨,-;=%#@## : ##@#%=;-,¨
.,-~^*££@# #@££*^~-,.
,.-;**#£## somethings moving in the grass. it's ##£#**;-.,
.¨,~;*%@@# invisible to my eyes but i can feel #@@%*;~,¨.
,~»\%§¤#@# through the ground just how large it is. #@#¤§%\»~,
..,~/%$¤#@ @#¤$%/~,..
¨:«=%%#¶## the soil is muddy. i slip when trying ##¶#%%=«:¨
,¨.«=%@&¶# to get up, still looking at the #¶&@%=«.¨,
.:-\§§#### direction of sound rather than at my ####§§\-:.
¨.-»==&£@@ hands, who are busy putting things in @@£&==»-.¨
,-«\§$@¶## my pockets. ##¶@$§\«-,
...»††@¤## ##¤@††»...
..~\*¤§#@# then i run east toward my home. #@#§¤*\~..
,¨,~/†&£## ##£&†/~,¨,
,.«;$$§### * ###§$$;«.,
¨.,~*$&§## ##§&$*~,.¨
..«*=%&@@# i am not followed, and slow down in the #@@&%=*«..
¨¨,«:%$¤## clearing where you at first can spot ##¤$%:«,¨¨
,,=**£## the house, not yet really in the ###&£**=,,
,..»†=&££# backyard. from my pockets i retrieve my #££&=†»..,
,.-^*££### radio (now dented) but also a small ###££*^-.,
¨.:-/**¤## clay figure i've never seen before. it ##¤**/-:.¨
¨~»:=£&£@# must have been laying in the wet dirt, #@£&£=:»~¨
...~=†@§#@ and i must've picked it up with my @#§@†=~...
,,-\$£¤@@# other belongings. #@@¤£$\-,,
¨.,=^*%¤## ##¤%*^=,.¨
¨^~^†£#### it's a statuette of a girl laying naked ####£†^~^¨
,,,~†$$§@# on her stomach, feet in the air, #@§$$†~,,,
¨:~**$£### roughly seven centimeters long. it's ###£$**~:¨
,,,=^†$¤@# freshly made, not yet completely dried. #@¤$†^=,,,
¨,=/†%¤@## ##@¤%†/=,¨
,.-~/*$#¶# my mom is here now. i ask her for some #¶#$*/~-.,
¨:=:%@£¶@# particle board for it to dry on, but #@¶£@%:=:¨
,.~»/%*@£# she is worried and wants me to #£@*%/»~.,
.:=†^§¤### throw it away. ###¤§^†=:.
.,,»^§*£@# #@£*§^»,,.
.-«:%§£¶@# #@¶£§%:«-.
..:«/=£@£# #£@£=/«:..
,-«†^%¤### ###¤%^†«-,
,,,~*^@### ###@^*~,,,
..»†§@§¶@# #@¶§@§†»..