#..#..#..# #..#.##.#.
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#..#..#..# #..#.##.#.
#.##.##.## #.##..#.#.
#..#..#..# #..#.##.#.
#.##.##.## @ DREAM PALACE @ #.##..#.#.
#..#..#..# , ----- ------ , #..#.##.#.
#.##.##.## @ ..... ...... @ #.##..#.#.
#..#..#..# = ..... ...... = #..#.##.#.
#.##.##.## , ..... ...... , #.##..#.#.
#..#..#..# , ..... ...... , #..#.##.#.
#.##.##.## . ..... ...... . #.##..#.#.
#..#..#..# #..#.##.#.
#.##.##.## #.##..#.#.
#..#..#..# NOT ACTUALLY A PALACE. A COTTAGE IN THE #..#.##.#.
#.##.##.## WOODS (TEMPERATE CLIMATE, RAINS EVERY #.##..#.#.
#..#..#..# OTHER DAY, SPRINGS AND STREAMS AND #..#.##.#.
#.##.##.## MYSTERIOUS IRON AND STONE ARTIFACTS, #.##..#.#.
#..#..#..# BIRDLAND-ISH ETERNAL SPRING (LATE #..#.##.#.
#.##.##.## SPRING)) #.##..#.#.
#..#..#..# #..#.##.#.
#.##.##.## - #.##..#.#.
#..#..#..# #..#.##.#.
#.##.##.## I WAKE UP EVERY MORNING AT SIX AM. IT'S #.##..#.#.
#..#..#..# DARK, AND THE STARS ARE OUT, BUT THE #..#.##.#.
#.##.##.## SUN IS ABOUT TO RISE. ITS A LONG DAY, #.##..#.#.
#..#..#..# BEFORE IT FADES TO NIGHT AGAIN, AND #..#.##.#.
#.##.##.## THEN IT STAYS SO UNTIL I FALL ASLEEP. #.##..#.#.
#..#..#..# IT DOESN'T RISE UNLESS I'VE HAD MY #..#.##.#.
#.##.##.## DREAMS. #.##..#.#.
#..#..#..# #..#.##.#.
#.##.##.## * #.##..#.#.
#..#..#..# #..#.##.#.
#.##.##.## IN THIS COTTAGE THERE'S A LOT OF RADIO #.##..#.#.
#..#..#..# EQUIPMENT, SOUND STUFF, SYNTHS, TAPE #..#.##.#.
#.##.##.## PLAYERS. PEN AND PAPER, BOOKS, CAMERAS, #.##..#.#.
#..#..#..# MIRRORS, PRISMS, AND VARIOUS THINGS TO #..#.##.#.
#.##.##.## DO ART WITH. THE FRIDGE IS FILLED WITH #.##..#.#.
#..#..#..# DIFFERET FOODS, ALL OF THEM INTRIGUING, #..#.##.#.
#.##.##.## SLIGHTLY WEIRD. #.##..#.#.
#..#..#..# #..#.##.#.
#.##.##.## # #.##..#.#.
#..#..#..# #..#.##.#.
#.##.##.## I HAVE FRIENDS - THERE'S A CAT, AND A #.##..#.#.
#..#..#..# DOG (WHO IS RIDICOLOUSLY LARGE AND #..#.##.#.
#.##.##.## WANTS TO BE THE BIG SPOON). I LISTEN TO #.##..#.#.
#..#..#..# THE SHORTWAVE RADIO, AND TRANSMIT A BIT #..#.##.#.
#.##.##.## MYSELF, SONGS AND POETRY, AND FOUND #.##..#.#.
#..#..#..# SOUNDS FROM THE FOREST. THE OTHERS TELL #..#.##.#.
#.##.##.## OF THEIR LIVES, PLAY THE GUITAR FOR ME, #.##..#.#.
#..#..#..# AND TELL TALES OF THE OLD WORLD. I #..#.##.#.
#.##.##.## CONSIDER THEM FRIENDS AS WELL. #.##..#.#.
#..#..#..# #..#.##.#.
#.##.##.## # #.##..#.#.
#..#..#..# #..#.##.#.
#.##.##.## MOST IMPORTANTLY, THERE'S A TWO SQUARE #.##..#.#.
#..#..#..# METER AREA ON THE FLOOR WHERE I CAN #..#.##.#.
#.##.##.## "SAVE" THINGS. WHATEVER I PUT IN HERE #.##..#.#.
#..#..#..# WILL NOT BE AFFECTED BY THE NIGHTLY #..#.##.#.
#.##.##.## RESET. EVERYTHING ELSE, HOWEVER, IS #.##..#.#.
#..#..#..# COMPLETELY RESET OVERNIGHT: SYNTH #..#.##.#.
#.##.##.## PATCHES REMOVED, FOOD UNEATEN, WOUNDS #.##..#.#.
#..#..#..# HEALED, AND WHEREVER AND WHENEVER I'D #..#.##.#.
#.##.##.## FALL ASLEEP I'D ALWAYS WAKE UP FULLY #.##..#.#.
#..#..#..# RESTED IN MY BED. SOMETIMES THERE'S #..#.##.#.
#.##.##.## ACCIDENTS WHERE I LOSE STUFF BY #.##..#.#.
#..#..#..# FORGETTING TO PUT THEM IN THE SQUARE. #..#.##.#.
#.##.##.## #.##..#.#.
#..#..#..# . #..#.##.#.
#.##.##.## #.##..#.#.
#..#..#..# AT NIGHT, I HAVE DEMI-LUCID DREAMS #..#.##.#.
#.##.##.## WHERE THE SPIRITS OF THE FOREST AROUND #.##..#.#.
#..#..#..# THE COTTAGE TRIES TO COMMUNICATE. HERE, #..#.##.#.
#.##.##.## IT'S NOT ENDLESS BUT CONNECTED TO A #.##..#.#.
#..#..#..# LARGE SPRAWLING CITY, WHERE MY RADIO #..#.##.#.
#.##.##.## FRIENDS LIVE. WE GO EXPLORING TOGETHER #.##..#.#.
#..#..#..# - THINGS ARE DEEP AND DARK - BUT UNLIKE #..#.##.#.
#.##.##.## ME, THEY NEVER REMEMBER DURING THE DAY. #.##..#.#.
#..#..#..# THIS IS A MYSTERY WE OFTEN DISCUSS. #..#.##.#.
#.##.##.## #.##..#.#.
#..#..#..# #..#.##.#.
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#..#..#..# #..#.##.#.
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