¨¨,§,.¨,¨¨ #¨,¨.¨&,,,
#£,.¨£§§&¤ ¨¨£#£.¨.
¤.,¤,.@£§@ ¤,.£¨¨@¨¨#
,¨¨,¨¨,£## .,¨¨.,¨.,,
£##§¨,¤@ ¨&§&&£#££@
¤§#@§.¨¨,¤ statuette .,&@#&££¤#
¤&££,.#@,¨ &¨,§#¤#¤#¤
£&£,,.,¨., @££§¤*¤@¤@$*¤£*¤»~»~~~~~*@@£%$$£$£%§£@%* ...¨@§§£#£
@#,¨¤#&£#§ $$£$&@*£% ,£¤,.§§&@@
@.¨,.¤§@¤, ¨,.,¨.##&¤
.,#&.¨¤§¨. forests around my childhood home. thick &§##£..¤§§
.¨,...¨¨,, pine arcades that were planted and #£,.¨,£.
&¤¤@#@¤##& forgotten. wild boars roaming &§@¨¨¤¤¨¨¨
.&@@#¤§&@£ underneath, sniffing at the ground. it @¤.¨..¨¨#,
¨¨£&§§§¤££ is dark and moist, the canopy having #.¨#¤¤£,¨.
¤.¨#§§£¤¤¤ already soaked up all the sun. ¨,,.¤&,¨##
,.¨.£§&&@& .¤@,.,.,.¤
¨,.£§@£@ there's a river passing by, from east ,,¨,£@&§..
¨¨.¨,.#£@& to west, getting broader and deeper and ¤#&,¨@¤.,@
.££&¤.¨#&§ slower as it goes. equisetum grow just ##¨¨.,¨¨¨.
,.£@...¨&& where the pine hands start to let &,¨£§@&£§@
.,¨..§£¨.& through light, horsemint on the rocky ¨.,.£#£@§¨
§@,¨,... river bed. ,£#..£#¤,¨
,£#,.&&££. ,....¨#..,
.¨¨...@§.. / ££@&¤..¨#@
.##@£¨.¨.¤ £##£¨.§,.¨
,¨§¤,¨@@.¨ the riverbanks reek of magic. tonight ¨#¤.¨,¨,§§
..,,,,¨,.£ they had been a swampworld with sylvan .¨¨,##¤.,,
&&§#@@,, water, stone rings and floating moss. @£@¨,@¨,£¤
§¤&§§£¤.¨¨ you could've found me wallowing around £§,,.,¨.,#
¤###@#..@¤ on the southern shores until i got #.,¤££¤@,.
,£#¤¤¨¨.¨@ bitten. ...,@¤§,..
¨,@@,¨§@.. ,§¤¨,£¨¨@£
,,¨,...¨¨. but now i'm further back, on solid ,..¨¨,,¨.¨
#&£&¤§ ground, in shoulder-high grass, with an §&@§@&&£§£
&&§§&¤¤¤£# orange tin radio and a translucent @#&&@@£§¤¤
@@@#@§ umbrella which i'm sitting on. &@####@#&§
¤@£&£&¤#@@ @£@££@#&@@
#&£&¤¤#&¤¤ * @@¤¤&§§@£§
&¤@§££¤& @¤§#§@@¤¤&
£§¤&£¤¤£ somethings moving in the grass. it's #£#@¤@§§¤&
¤§£@£#£@&§ invisible to my eyes but i can feel ¤¤#£#¤&@£&
§#¤¤@£&¤£@ through the ground just how large it is. §§§¤¤¤£§¤£
¤£¤&§¤&£&§ @#&§&&£@@&
&¤£@#£@¤§& the soil is muddy. i slip when trying @@@@&@&&£§
£&@@§#§#££ to get up, still looking at the @¤§§&§@§§§
##@#§££¤ direction of sound rather than at my ¤§£#¤¤#&§&
#&¤¤£@#& hands, who are busy putting things in §@¤¤§£££#§
@§#@§£§#&§ my pockets. #@§@@¤§#¤&
§@@£§#¤& §¤¤#@§&&£¤
@¤£££§#§¤£ then i run east toward my home. &¤£§£§£¤£&
¤@§¤@##@ &£#@&@£&£&
#§&@£#@&££ : @¤£££££&£#
#¤##@#@#&¤ &¤§#§¤£#¤¤
¤#£§@¤£@#& i am not followed, and slow down in the £@§¤¤#¤#
@&@@£#¤¤@& clearing where you at first can spot #¤##&§@#@§
§#§@§@&¤@@ the house, not yet really in the &£§@#@@@&¤
§#¤@¤££§¤& backyard. from my pockets i retrieve my ¤§@&§¤¤#
&££#@&@&¤¤ radio (now dented) but also a small §§££¤£££#¤
§§§&¤£@£ clay figure i've never seen before. it §¤#@¤£££&§
£¤&@§¤@&§# must have been laying in the wet dirt, #¤&@£#&§¤@
§@§¤&@§#£@ and i must've picked it up with my &£@£¤&£#&§
@§£#¤¤@§#¤ other belongings. ¤#&@§¤&§¤§
§£¤&§£§@ §&¤#@###
§§¤£#£@# it's a statuette of a girl laying naked #£¤£#&£&§#
§@@§@@¤#¤@ on her stomach, feet in the air, @££§¤£#&£#
@£§¤§£@¤&& roughly seven centimeters long. it's £#¤£¤&§@
#£&&§£¤&&£ freshly made, not yet completely dried. #@@§§§#¤
£#§&£#§¤@£ ¤&§§##£§#¤
£§§£&¤£§ my mom is here now. i ask her for some @§&££#&§#¤
@£¤&¤#§#§£ particle board for it to dry on, but ##§&&¤@¤££
@###&@#§## she is worried and wants me to &&¤§#&¤£#¤
§#¤#@£@¤§@ throw it away. ££§§¤§¤£#§
&&£¤§¤##&¤ ££¤&¤§&§@&
#¤#¤@@&£@@ #¤@£#§@#&£
@@#¤§@ §§@&§§####
¤@#£¤&&§¤£ &¤#@&¤¤¤&&
§§£#£&@§§# #@#§¤#§§#¤
§##&§& §§&@##@§#§