.-~=^@#£#@ @#£#@^=~-.
,,~^%*¶### ###¶*%^~,,
.¨,.,,\$££ ££$\,,.,¨.
¨.»^*$#@## ##@#$*^».¨
¨:~=†$&@## ##@&$†=~:¨
,-«\%¤#¤@& statuette &@¤#¤%\«-,
..~;*$¤¶## ##¶¤$*;~..
.~=*%$## $%%$%¤%§$£%*$%£$~»«=~»~»@@@&$&*§§%£*£$£$ ###&$%*=~.
,,-=*§¤### £%$¤$*$** ###¤§*=-,,
..»^†### ####&†^»..
¨¨¨.,,†%&¤ forests around my childhood home. thick ¤&%†,,.¨¨¨
¨.¨,«§$%§# pine arcades that were planted and #§%$§«,¨.¨
¨¨,.¨,»;*§ forgotten. wild boars roaming §*;»,¨.,¨¨
,,,.:,/%#£ underneath, sniffing at the ground. it £#%/,:.,,,
,,»=^*¤#@# is dark and moist, the canopy having #@#¤*^=»,,
..,:=^*^%¶ already soaked up all the sun. ¶%^*^=:,..
¨^»\†£##@# #@##£†\»^¨
.,-=*$¤### there's a river passing by, from east ###¤$*=-,.
,,~**§&@@# to west, getting broader and deeper and #@@&§**~,,
..¨~†//§£¶ slower as it goes. equisetum grow just ¶£§//†~¨..
.^~\*¤§@## where the pine hands start to let ##@§¤*\~^.
¨-«;§§#£## through light, horsemint on the rocky ##£#§§;«-¨
,,.,«-*&@# river bed. #@&*-«,.,,
¨^-=^§§@@@ @@@§§^=-^¨
¨,«*$¤¶### \ ###¶¤$*«,¨
¨.-;*§&¶£# #£¶&§*;-.¨
.:~/†%§@## the riverbanks reek of magic. tonight ##@§%†/~:.
,¨,¨.=:=£¶ they had been a swampworld with sylvan ¶£=:=.¨,¨,
.-~^§%£@## water, stone rings and floating moss. ##@£%§^~-.
.,-;$%££¶# you could've found me wallowing around #¶££%$;-,.
¨,..,†/†§# on the southern shores until i got #§†/†,..,¨
.:~==£## bitten. ##£==~:.
.¨¨.¨~§££¶ ¶££§~¨.¨¨.
.^~:=£#§@# but now i'm further back, on solid #@§#£=:~^.
.^~††§¤### ground, in shoulder-high grass, with an ###¤§††~^.
,,:-«/&££@ orange tin radio and a translucent @££&/«-:,,
,¨.¨-~*†§# umbrella which i'm sitting on. #§†*~-¨.¨,
.,»††%@£@# #@£@%††»,.
.,~†*§@### / ###@§*†~,.
.,,¨¨-»\§£ £§\»-¨¨,,.
,.~:†££@## somethings moving in the grass. it's ##@££†:~.,
..=\%†@&&§ invisible to my eyes but i can feel §&&@†%\=..
,,-\%$@£## through the ground just how large it is. ##£@$%\-,,
¨-»/§$&@## ##@&$§/»-¨
¨~»†^@#¶## the soil is muddy. i slip when trying ##¶#@^†»~¨
..»:*¤#@@# to get up, still looking at the #@@#¤*:»..
¨,,-†*^@§# direction of sound rather than at my #§@^*†-,,¨
¨-~^/**&§# hands, who are busy putting things in #§&**/^~-¨
¨,=;=@## my pockets. ###&@=;=,¨
.:«;%&@£## ##£@&%;«:.
¨^~^%§@§@# then i run east toward my home. #@§@§%^~^¨
¨¨.-;%&¤## ##¤&%;-.¨¨
.,~=†*%* ^ #&*%*†=~,.
,,~;%%£#@# #@#£%%;~,,
,~»†$£§### i am not followed, and slow down in the ###§£$†»~,
,.¨.,-~*§@ clearing where you at first can spot @§*~-,.¨.,
,.~**$¤### the house, not yet really in the ###¤$**~.,
,:~=**¤@@# backyard. from my pockets i retrieve my #@@¤**=~:,
.,==%&@£@# radio (now dented) but also a small #@£@&%==,.
¨.,«†%=$@# clay figure i've never seen before. it #@$=%†«,.¨
.~«=¤§£@## must have been laying in the wet dirt, ##@£§¤=«~.
,,¨:=~%% and i must've picked it up with my #&%%~=:¨,,
¨^«=†&£@## other belongings. ##@£&†=«^¨
,¨.«»:$* #&*$:»«.¨,
,,¨¨,;$*%£ it's a statuette of a girl laying naked £%*$;,¨¨,,
¨¨¨:,^¤§£# on her stomach, feet in the air, #£§¤^,:¨¨¨
.^~:^@## roughly seven centimeters long. it's ##@#&^:~^.
¨¨¨¨~=£@ freshly made, not yet completely dried. @£#&=~¨¨¨¨
,:«=*£@#@¶ ¶@#@£*=«:,
.,,¨:;*£&£ my mom is here now. i ask her for some £&£*;:¨,,.
¨,~:§£§### particle board for it to dry on, but ###§£§:~,¨
..~«/*$§@# she is worried and wants me to #@§$*/«~..
¨,»\=&¤§ throw it away. #&§¤&=\»,¨
¨¨¨.,»:§@@ @@§:»,.¨¨¨
,-«/†£#### ####£†/«-,
¨.=*^$§#@# #@#§$^*=.¨
,~-/=*¶@## ##@¶*=/-~,
,.,,,.*$££ ££$*.,,,.,
,,=†§£&@## ##@&£§†=,,