,,.¨¨,,,¨¨ £,¨...,#¨¨
@@£§#¤£§§& ¨,@¤#@..,#
&§&&£§@@£¨ §,,#@.,&.¨
¨§&@£§£§,¨ ..,¨.¨¨,,¨
..£@£&@,.£ @¤£§#£&§
.¨,###..¨. statuette .§@@§¤§&&,
§§¨.¤¨¨§@. .,£&@¤£§,.
¨,¨¨¨,¨,¨. *¤§%££§%$@$§*$$£~=»=~-=»£¤*$$$@*$£££@*$% &¨.@@..¨
&¤§#§#£@§. §££&£§£$& .¨¨,#£,¨&§
§££@§£@§., ¨£&,,,..¨£
§¤##§&£¨,# forests around my childhood home. thick ,.¨,§§¤&..
,¤@§££..¨, pine arcades that were planted and @#@.¨@¤,,,
¨¨¤§§¨,#££ forgotten. wild boars roaming @@.¨¨.,¨§@
,,¨@.,.¨§& underneath, sniffing at the ground. it ¤.¨§¤§@.,.
@@.,,#@,,£ is dark and moist, the canopy having ,.,¨&£..§§
@,.¤,.,.¨. already soaked up all the sun. ¨@@¨,.¨.,@
¨¨¨¨¨&&@&& ,.¨,@£§#¨,
&£@#.¨@¤#¤ there's a river passing by, from east ¤@#¨,&@,.¤
@§§...¨#§§ to west, getting broader and deeper and ¤&,,...,.,
,#.,&§,¨§¤ slower as it goes. equisetum grow just ¤,,§£§£¤@.
,,.,,,.,.¨ where the pine hands start to let ¨,..@¤&¤¨¨
¤&§&¤£#@## through light, horsemint on the rocky ¨¤¤,.#¤¨,@
§&¤¤@#@#@£ river bed. ..¨¨...,..
,§§#£§£@£@ ¨@¤££&£&£¨
¨.&££#&£&& † ,,£¤¤@£§.,
¤¨.#@@&£¤£ ,,.#£§&.¨§
,¨¨.&§@&¤, the riverbanks reek of magic. tonight §¤.¨£&¨.¨,
§@@,.&§§.¨ they had been a swampworld with sylvan §¨..¨¨¨¤@¤
@¤,¨.¨¤¨¨. water, stone rings and floating moss. ,,£##¤¨,¤&
@,¨@£¨¨,#£ you could've found me wallowing around ,.,&@.¨,.#
..¨¨,,@.,. on the southern shores until i got §§¨¨¨,££,.
§¤¤&@,.,#£ bitten. .,¨§¤¨...#
@¤@@..&,¨, #¤¨,¨¨£¤.¨
.@@¨¨,,¨@@ but now i'm further back, on solid ,..¤&¨,,,,
.¨¨.#&@¨,¨ ground, in shoulder-high grass, with an §&¨,,.&£§@
¨#@,.#¨.§£ orange tin radio and a translucent ¤,.@§..@£.
.¨,,..¨¨,. umbrella which i'm sitting on. .¨¨..,.,.¨
¤&§§@&@@¤¤ §§££¤§£#
##£§¤@¤##§ ^ §¤#§£@&&¤£
§&@¤#£¤@£& §#¤#§@£&§@
@&¤#£@@¤§£ somethings moving in the grass. it's @#@¤£¤£@
§#§@§£#¤&¤ invisible to my eyes but i can feel §@@§&&@&£@
&@£&@@&@&@ through the ground just how large it is. ¤£#¤£§@@£§
#£#@¤¤@@¤¤ &@¤£¤#¤¤¤&
§¤&@&&¤&¤¤ the soil is muddy. i slip when trying ¤@£¤#¤&§££
§¤@¤#@¤¤#§ to get up, still looking at the §@¤¤¤#§@§¤
#¤@£¤£§@&@ direction of sound rather than at my §££&&§£@#£
¤¤¤#@&§@## hands, who are busy putting things in ¤#@£&&¤#
£@§&&¤@#&& my pockets. #¤&§@¤£&@£
£§###§&£ @¤@¤&&£¤@¤
@¤@#&@££&& then i run east toward my home. @£#¤¤@¤£
&££§@£§@ @@§#£#&£§£
@¤££§&&@§¤ ^ £#§¤¤¤¤£§¤
¤#£§@#@£&@ §¤&¤§¤£@@#
¤##&£¤#&§§ i am not followed, and slow down in the §&@£§@@@£&
¤§§@@&§¤ clearing where you at first can spot £#§&@¤§§@@
@§£#@#¤##& the house, not yet really in the &¤&@&§§@@§
§¤¤¤¤§¤£@& backyard. from my pockets i retrieve my ¤££#§£##
¤¤@@¤&¤&§§ radio (now dented) but also a small ¤##¤¤§¤@#§
@¤¤@#£¤§¤& clay figure i've never seen before. it &¤@@£&&@#§
##£§£§¤##¤ must have been laying in the wet dirt, #¤#§#@£§£§
@##&¤¤&@ and i must've picked it up with my &§§&§&¤#
§§§#&§@£#§ other belongings. &££#§#¤¤¤¤
¤§¤&@#&£ @£&££@¤@
@&&££@¤&§§ it's a statuette of a girl laying naked ##¤@@&§££¤
##@@@¤¤¤ on her stomach, feet in the air, ¤&§@§#§¤§&
¤§&§#§#§£@ roughly seven centimeters long. it's @§&£§£&@
@££££&&¤¤¤ freshly made, not yet completely dried. @&£@@&&£##
¤&£&@&£# &&&@¤¤¤@£@
@@¤@&£@#¤¤ my mom is here now. i ask her for some §§&@#&&@§@
¤&&¤£# particle board for it to dry on, but &@£¤£@#@@£
@§#@&¤§# she is worried and wants me to §&@&¤@&§££
§@£&¤@@¤ throw it away. #&£§§§&§§§
§£££#£§&&@ ¤§#¤§¤§¤@&
#¤§£#§#£§# §£&§#¤£§
##&¤¤§#£ £§#¤&@#@&¤
&§&&@§#@ @§§§§§¤@
&@¤#§£#& ¤§#&&££#§&
¤§@£§#§& £&¤§£§#§