.~~;†¤#### ####¤†;~~.
,.,~:%¤@@# #@@¤%:~,.,
..»:$#¶@## ##@¶#$:»..
¨¨.-;%££## ##££%;-.¨¨
.~~:§@#@## ##@#@§:~~.
,,,~^^#### statuette ####^^~,,,
¨,-^$£@### ###@£$^-,¨
..,-*§@@## @£%%¤$&%&£*%*$%¤~«=~-»«»$£%*£$£¤£%&%¤$$¤ ##@@§*-,..
.,»†=#£@## %*%$£&£££ ##@£#=†»,.
,,:~/§£¶## ##¶£§/~:,,
¨--^%¤#### forests around my childhood home. thick ####¤%^--¨
¨,,=\*@¶## pine arcades that were planted and ##¶@*\=,,¨
.:~/=£¶@## forgotten. wild boars roaming ##@¶£=/~:.
¨,~-/*#£## underneath, sniffing at the ground. it ##£#*/-~,¨
,:~†*§@### is dark and moist, the canopy having ###@§*†~:,
¨.-»/†¤¶@# already soaked up all the sun. #@¶¤†/»-.¨
,~«;*### ####&*;«~,
¨.~=**§¶## there's a river passing by, from east ##¶§**=~.¨
,-»=$#¶### to west, getting broader and deeper and ###¶#$=»-,
,¨-=*^&£## slower as it goes. equisetum grow just ##£&^*=-¨,
¨:-\=¤@### where the pine hands start to let ###@¤=\-:¨
¨.-«†$¤#@# through light, horsemint on the rocky #@#¤$†«-.¨
¨:«/*£@### river bed. ###@£*/«:¨
¨,.~:*@# #@#&*:~.,¨
.^~/%¤@### / ###@¤%/~^.
¨¨~-/†&£@# #@£&†/-~¨¨
..-†§£@@## the riverbanks reek of magic. tonight ##@@£§†-..
,,:~;*@@## they had been a swampworld with sylvan ##@@*;~:,,
,:~\$£@@## water, stone rings and floating moss. ##@@£$\~:,
¨,.»=^£#@# you could've found me wallowing around #@#£^=».,¨
.,»†*§¶### on the southern shores until i got ###¶§*†»,.
,.~~^†£#@# bitten. #@#£†^~~.,
¨-=†^### ####&^†=-¨
,,,«/*&£## but now i'm further back, on solid ##£&*/«,,,
.:=;%@£### ground, in shoulder-high grass, with an ###£@%;=:.
.¨:~^*£### orange tin radio and a translucent ###£*^~:¨.
,:»^%### umbrella which i'm sitting on. ####&%^»:,
,,,-\=§£## ##£§=\-,,,
.,»††@#@## * ##@#@††»,.
..^»;*£### ###£*;»^..
.-=;%&@### somethings moving in the grass. it's ###@&%;=-.
,,.~*^¤@@# invisible to my eyes but i can feel #@@¤^*~.,,
.,«=%#¶@## through the ground just how large it is. ##@¶#%=«,.
.¨,«*$#¶@# #@¶#$*«,¨.
¨~~;§### the soil is muddy. i slip when trying ####&§;~~¨
.¨:»:%£@@# to get up, still looking at the #@@£%:»:¨.
¨.=†^##### direction of sound rather than at my #####^†=.¨
..~~:†§#@# hands, who are busy putting things in #@#§†:~~..
,,=/^£¶### my pockets. ###¶£^/=,,
,.~«:%§¶@# #@¶§%:«~.,
¨:«;$@£@## then i run east toward my home. ##@£@$;«:¨
¨.,~=*#@## ##@#*=~,.¨
¨,~^%#@### † ###@#%^~,¨
.¨,-†%£@@# #@@£%†-,¨.
,:«\*@@### i am not followed, and slow down in the ###@@*\«:,
,¨,=†*£@## clearing where you at first can spot ##@£*†=,¨,
,,~/§£#### the house, not yet really in the ####£§/~,,
,¨,~*%£@@# backyard. from my pockets i retrieve my #@@£%*~,¨,
.,»\§@@### radio (now dented) but also a small ###@@§\»,.
¨,^-*§#@## clay figure i've never seen before. it ##@#§*-^,¨
.^»:=¤#### must have been laying in the wet dirt, ####¤=:»^.
.,^=*%@£## and i must've picked it up with my ##£@%*=^,.
,,»/*&¶@## other belongings. ##@¶&*/»,,
,,.»:%¤### ###¤%:».,,
¨,=\†&@### it's a statuette of a girl laying naked ###@&†\=,¨
..-»/*§@## on her stomach, feet in the air, ##@§*/»-..
.,»†^¤@@## roughly seven centimeters long. it's ##@@¤^†»,.
,,-=\§¤¶## freshly made, not yet completely dried. ##¶¤§\=-,,
¨^»=$##@## ##@##$=»^¨
.,,«*=¤### my mom is here now. i ask her for some ###¤=*«,,.
¨~-:%##### particle board for it to dry on, but #####%:-~¨
.,.~=%@¶## she is worried and wants me to ##¶@%=~.,.
¨:-\%£#### throw it away. ####£%\-:¨
¨,~~;$&£## ##£&$;~~,¨
¨:=^†¤¶### ###¶¤†^=:¨
.,:~\*&£## ##£&*\~:,.
.--†*¤#### ####¤*†--.
¨.-~†=@¶## ##¶@=†~-.¨
¨.~=^§@@## ##@@§^=~.¨