###&*$;«,. .,«;$*##
##&*$;«,.. ..,«;$*#
#&*$;«,... ...,«;$*
##&*$;«,.. ..,«;$*#
###&*$;«,. .,«;$*##
##&*$;«,.. #&#&#&#&#&#&#&#&#&#& ..,«;$*#
#&*$;«,... & BUILDINGS, TOWERS IN THE "GOLDEN & ...,«;$*
##&*$;«,.. & BAY" (EVERYTHING MADE OF SANDSTONE). & ..,«;$*#
###&*$;«,. # FIVE PARTICULAR HOUSES FOURTY # .,«;$*##
##&*$;«,.. # STORIES TALL, HUNDRED METERS APART, # ..,«;$*#
#&*$;«,... & IN A SLIGHT ARC INWARDS. & ...,«;$*
##&*$;«,.. & & ..,«;$*#
###&*$;«,. # BETWEEN TWO MOUNTAINS; TO THE RIGHT # .,«;$*##
##&*$;«,.. # AND LEFT THE CITY CLIMBS QUICKLY. # ..,«;$*#
#&*$;«,... & THE RIGHT PLATEAU HOSTS A LUSH AND & ...,«;$*
##&*$;«,.. & SHADED GARDEN WHICH MORPHS INTO A & ..,«;$*#
###&*$;«,. # TERRACE OVERLOOKING THE SEA AND # .,«;$*##
##&*$;«,.. # THE BUILDINGS. # ..,«;$*#
#&*$;«,... & & ...,«;$*
##&*$;«,.. & TO THE LEFT THE HOUSES CLIMB & ..,«;$*#
###&*$;«,. # SIMILARLY BUT A LOT OF TUNNELS AND # .,«;$*##
##&*$;«,.. # HALLS HAVE BEEN DUG FROM THE # ..,«;$*#
#&*$;«,... & MOUNTAIN. SOME HOUSES STAND & ...,«;$*
##&*$;«,.. & COMPLETELY "INSIDE". BECAUSE OF CAVE & ..,«;$*#
###&*$;«,. # CONDITIONS THE LOWER FLOORS HERE # .,«;$*##
##&*$;«,.. # ARE COVERED IN DARK ALGAE THAT THE # ..,«;$*#
#&*$;«,... & CITY LONG AGO STOPPED TRYING TO & ...,«;$*
##&*$;«,.. & REMOVE. ESTABLISHMENTS USE NEON & ..,«;$*#
###&*$;«,. # SIGNS AS AN ACCENT TO THE DARK. # .,«;$*##
##&*$;«,.. # THERE'S A CASINO. # ..,«;$*#
#&*$;«,... & THERE'S AN INTERNET CAFE. & ...,«;$*
##&*$;«,.. & & ..,«;$*#
###&*$;«,. # MOST PEOPLE LIVING HERE HAVE LONG # .,«;$*##
##&*$;«,.. # SNOUTS AND BIG EARS. ALL SPACE IS # ..,«;$*#
#&*$;«,... & SHARED (FEW ROOMS HAVE LOCKS OR & ...,«;$*
##&*$;«,.. & EVEN DOORS). INTERIOR DESIGN IS & ..,«;$*#
###&*$;«,. # MOSTLY ART NOUVEAU AND MADE # .,«;$*##
##&*$;«,.. # OUT OF COPPER. # ..,«;$*#
#&*$;«,... &#&#&#&#&###&#&#&#&#&& ...,«;$*
##&*$;«,.. ..,«;$*#
###&*$;«,. .,«;$*##
##&*$;«,.. ..,«;$*#
#&*$;«,... ...,«;$*
##&*$;«,.. ..,«;$*#