@$;-,,,,,, ,,,,,,-;$@
##@@$%;=-, ,-=;%$@@##
@$%=--,,,, ,,,,--=%$@
##@@$%;=-, ,-=;%$@@##
##@@$%;=-, ,-=;%$@@##
@%%;;=--,, #### ##### ,,--=;;%%@
#@@%%;==-, TAPE DREAM ,-==;%%@@#
#@@$%;-,,, #### ##### ,,,-;%$@@#
@@@@$%;=-, ,-=;%$@@@@
##@@$%;=-, FOR STORING MUSIC ON. ALSO DATA BUT ,-=;%$@@##
@%;---,,,, AT THIS POINT IN TIME THAT'S NOT ,,,,---;%@
##@@$%;=-, REALLY IMPORTANT I THINK. ,-=;%$@@##
##@@$%;=-, ,-=;%$@@##
##@@$%;=-, ,-=;%$@@##
##@@$%;=-, ;;;;;;;; TYPES OF TAPE ;;;;;;;; ,-=;%$@@##
@$;;;-,,,, ,,,,-;;;$@
##@@$%;=-, CLASS I - "BAD" IRON ,-=;%$@@##
##@@$%;=-, CLASS II - GOOD CHROMIUM ,-=;%$@@##
#@@@$%;=-, CLASS III - BAD IRON PART TWO ,-=;%$@@@#
@$%%;-,,,, CLASS IV - DANGEROUS METALS ,,,,-;%%$@
#@@$$%;=-, ,-=;%$$@@#
##@@$%;=-, RUMORS EXIST ABOUT A SECRET CLASS V TAPE ,-=;%$@@##
#@@$;=-,,, THAT IS ACTUALLY USEFUL. ,,,-=;$@@#
@$%;=,,,,, ,,,,,=;%$@
@@%==,,,,, ;; BIAS ;; ,,,,,==%@@
#@$;--,,,, ,,,,--;$@#
#@$%=,,,,, CLASS I USES ONE HUNDRED AND TWENTY ,,,,,=%$@#
##@@$%;=-, MICRO-SOMETHING WHILE THE OTHERS ALL ,-=;%$@@##
@@@$%=,,,, USE SEVENTY OF THE SAME UNIT. ,,,,=%$@@@
@%;---,,,, ,,,,---;%@
#@@%=-,,,, ,,,,-=%@@#
@$;;=,,,,, %%%%%%%%% AHA AND %%%%%%%%% ,,,,,=;;$@
@@%%%%;=-, ,-=;%%%%@@
@@$$%=---, CLASS IV IS APPARENTLY TOO STRONG TO ,---=%$$@@
##@@$%;=-, BE USED ON CLASS I PLAYERS. IT WILL ,-=;%$@@##
##@@$%;=-, SOUND TOO LOUND AND IT CANNOT BE ,-=;%$@@##
@@@%=,,,,, COMPLETELY ERASED. THIS IS VERY WELL. ,,,,,=%@@@
##@@$%;=-, MAYBE SOME WONDERFUL BLENDING EFFECTS ,-=;%$@@##
@@@@$%;=-, COULD BE ACHIEVED? ,-=;%$@@@@
##@@$%;=-, ,-=;%$@@##
@@$%=,,,,, THEY ALSO GNAW AT THE TAPE HEADS A BIT ,,,,,=%$@@
##@@$%;=-, BETTER THAN EARLIER TAPE TYPES. ,-=;%$@@##
##@@$%;=-, ,-=;%$@@##
###@@$;=-, ,-=;$@@###
@$;-,,,,,, ;;;;;;;; ARTIFACTS ;;;;;;;; ,,,,,,-;$@
@%;;=-,,,, ,,,,-=;;%@
@%%=--,,,, GOOD TAPES ARE DECENT AND HAVE A GOOD ,,,,--=%%@
@@%=,,,,,, HIGH FREQUENCY PRESENCE, BAD TAPES ARE ,,,,,,=%@@
##@@$%;=-, LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ,-=;%$@@##
##@@$%;=-, LIKE IT. ,-=;%$@@##
#@$$;----, ,----;$$@#
##@@$%;=-, BIAS LOSS: IF YOU FORGET THE BIAS WHO ,-=;%$@@##
@$%%=,,,,, KNOWS WHATS EVEN ON THERE ANYMORE ,,,,,=%%$@
@$%;;=---, ,---=;;%$@
@@@%%%;=-, FLUTTER: KINDA QUICK PITCH VARIATIONS. ,-=;%%%@@@
##@@$%;=-, BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ,-=;%$@@##
@@$;=,,,,, ,,,,,=;$@@
@@@@$%;=-, WOW: A SLOWER FLUTTER, USUALLY SEVERAL ,-=;%$@@@@
##@@$%;=-, SECONDS LONG. WHAT UP. BOTH OF THESE ,-=;%$@@##
##@@$%;=-, INCREASE WHEN TAPE SPEED DECREASES. ,-=;%$@@##
##@@$%;=-, ,-=;%$@@##
###@@$%=-, PRINT THROUGH: TAPES RUB SOUND ON EACH ,-=%$@@###
@@%%%;;=-, OTHER IF THEYRE ALONE FOR TOO LONG ,-=;;%%%@@
@@$$$%;=-, ,-=;%$$$@@
@@$;==-,,, ,,,-==;$@@
#@@$%;---, ,---;%$@@#
@@%=,,,,,, ,,,,,,=%@@
@@$;===,,, ,,,===;$@@
#@@%;;;=-, ,-=;;;%@@#