¨¨¨¨¨~*&@@ @@&*~¨¨¨¨¨
¨¨¨¨¨~**&@ @&**~¨¨¨¨¨
¨.~^*&¤¤¤¤ ¤¤¤¤&*^~.¨
¨.~^*&¤@@# #@@¤&*^~.¨
¨.~^*&¤¤¤@ @¤¤¤&*^~.¨
¨.~^*&¤@@@ @@@@ ##### @@@¤&*^~.¨
¨.~^^*&&&¤ TAPE DREAM ¤&&&*^^~.¨
¨.~^*&¤@@@ #### @@@@@ @@@¤&*^~.¨
¨.~^*&¤@@# #@@¤&*^~.¨
¨.~^*&¤@@# FOR STORING MUSIC ON. ALSO DATA BUT #@@¤&*^~.¨
¨.~^*&¤@@@ AT THIS POINT IN TIME THAT'S NOT @@@¤&*^~.¨
¨.~^*&¤@@# REALLY IMPORTANT I THINK. #@@¤&*^~.¨
¨.~^*&¤@## ##@¤&*^~.¨
¨.~^*&¤@@# #@@¤&*^~.¨
¨.~^*&¤@@# ^^^^^^^^ TYPES OF TAPE ^^^^^^^^ #@@¤&*^~.¨
¨.~^*&¤@## ##@¤&*^~.¨
¨.~^*&¤@@# CLASS I - "BAD" IRON #@@¤&*^~.¨
¨.~^*&¤@@# CLASS II - GOOD CHROMIUM #@@¤&*^~.¨
¨.~^*&¤@@# CLASS III - BAD IRON PART TWO #@@¤&*^~.¨
¨¨¨¨¨¨~*¤¤ CLASS IV - DANGEROUS METALS ¤¤*~¨¨¨¨¨¨
¨.~^*&¤@@# #@@¤&*^~.¨
¨¨¨¨~**&&@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @&&**~¨¨¨¨
¨¨¨¨¨~**¤@ THAT IS ACTUALLY USEFUL. @¤**~¨¨¨¨¨
¨¨¨..^**¤@ @¤**^..¨¨¨
¨.~^*&¤@@@ ^^ BIAS ^^ @@@¤&*^~.¨
¨¨¨¨.^^^*¤ ¤*^^^.¨¨¨¨
¨.~^*&¤@@# CLASS I USES ONE HUNDRED AND TWENTY #@@¤&*^~.¨
¨¨..^*&¤¤@ MICRO-SOMETHING WHILE THE OTHERS ALL @¤¤&*^..¨¨
¨.~^*&¤@@# USE SEVENTY OF THE SAME UNIT. #@@¤&*^~.¨
¨.~^*&¤@## ##@¤&*^~.¨
¨.~^*&¤@@@ @@@¤&*^~.¨
¨.~^*&¤@@# ********* AHA AND ********* #@@¤&*^~.¨
¨.~^*&¤@## ##@¤&*^~.¨
¨¨¨¨~^^*¤@ CLASS IV IS APPARENTLY TOO STRONG TO @¤*^^~¨¨¨¨
¨¨¨¨¨¨.~*¤ BE USED ON CLASS I PLAYERS. IT WILL ¤*~.¨¨¨¨¨¨
¨.~^*&¤@@# SOUND TOO LOUND AND IT CANNOT BE #@@¤&*^~.¨
¨.~^*&¤@@# COMPLETELY ERASED. THIS IS VERY WELL. #@@¤&*^~.¨
¨.~^*&¤@@@ MAYBE SOME WONDERFUL BLENDING EFFECTS @@@¤&*^~.¨
¨.~^*¤@@## COULD BE ACHIEVED? ##@@¤*^~.¨
¨¨¨¨¨.^^*¤ ¤*^^.¨¨¨¨¨
¨.~^*&¤@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@¤&*^~.¨
¨...^^&&&¤ BETTER THAN EARLIER TAPE TYPES. ¤&&&^^...¨
¨.~^*&¤@@# #@@¤&*^~.¨
¨.~^***&@@ @@&***^~.¨
¨¨¨¨.^^**¤ ^^^^^^^^ ARTIFACTS ^^^^^^^^ ¤**^^.¨¨¨¨
¨.~^*&¤@@# #@@¤&*^~.¨
¨¨¨¨.~**&¤ GOOD TAPES ARE DECENT AND HAVE A GOOD ¤&**~.¨¨¨¨
¨.~~^*&&¤@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @¤&&*^~~.¨
¨.~^*&¤@@# LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #@@¤&*^~.¨
¨.~^*&¤@## LIKE IT. ##@¤&*^~.¨
¨.~^*&¤@@# #@@¤&*^~.¨
¨¨¨¨¨¨.~*¤ BIAS LOSS: IF YOU FORGET THE BIAS WHO ¤*~.¨¨¨¨¨¨
¨¨¨¨¨..^&@ KNOWS WHATS EVEN ON THERE ANYMORE @&^..¨¨¨¨¨
¨.~^*&¤@@# #@@¤&*^~.¨
¨¨¨¨~^^*¤@ FLUTTER: KINDA QUICK PITCH VARIATIONS. @¤*^^~¨¨¨¨
¨¨¨¨¨~^&&@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @&&^~¨¨¨¨¨
¨¨...^^**¤ ¤**^^...¨¨
¨.~^*&¤@@@ WOW: A SLOWER FLUTTER, USUALLY SEVERAL @@@¤&*^~.¨
¨.^*&¤@@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@@¤&*^.¨
¨.~^*&¤@@@ INCREASE WHEN TAPE SPEED DECREASES. @@@¤&*^~.¨
¨.~^*&¤@## ##@¤&*^~.¨
¨¨¨¨¨~^**¤ PRINT THROUGH: TAPES RUB SOUND ON EACH ¤**^~¨¨¨¨¨
¨¨¨¨~~~^&@ OTHER IF THEYRE ALONE FOR TOO LONG @&^~~~¨¨¨¨
¨.~^*&¤@@# #@@¤&*^~.¨
¨¨¨¨¨..^&@ @&^..¨¨¨¨¨
¨.~^*&¤¤¤@ @¤¤¤&*^~.¨
¨.~^*&¤@@# #@@¤&*^~.¨
¨.~^*&¤@@@ @@@¤&*^~.¨
¨¨¨..^&¤¤¤ ¤¤¤&^..¨¨¨