.^»*§$$¤¤@ @¤¤$$§*»^.
.^»*§$¤@@# #@@¤$§*»^.
..^»»§$$@@ @@$$§»»^..
.^»*§¤@@## ##@@¤§*»^.
...^»*§§§¤ ¤§§§*»^...
.....^*§¤@ @@@@ ##### @¤§*^.....
......^*§¤ TAPE DREAM ¤§*^......
.^»*§¤@@## #### @@@@@ ##@@¤§*»^.
.^»*§$¤@@# #@@¤$§*»^.
.^»*§$¤@## FOR STORING MUSIC ON. ALSO DATA BUT ##@¤$§*»^.
.^»*§$@@## AT THIS POINT IN TIME THAT'S NOT ##@@$§*»^.
...^^»§¤@@ REALLY IMPORTANT I THINK. @@¤§»^^...
.^»*§$¤@## ##@¤$§*»^.
.^»*§$¤@@# #@@¤$§*»^.
.^»*§$¤@@@ ******** TYPES OF TAPE ******** @@@¤$§*»^.
....^^^»§¤ ¤§»^^^....
.^»*§$¤@## CLASS I - "BAD" IRON ##@¤$§*»^.
.^»»»»*$@@ CLASS II - GOOD CHROMIUM @@$*»»»»^.
....^»§§$¤ CLASS III - BAD IRON PART TWO ¤$§§»^....
.^»*§§§¤@@ CLASS IV - DANGEROUS METALS @@¤§§§*»^.
.^»*§$¤@@# #@@¤$§*»^.
...»»*§$@@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @@$§*»»...
.^»*§$¤@@@ THAT IS ACTUALLY USEFUL. @@@¤$§*»^.
.^»*§$¤@## ##@¤$§*»^.
.^»*§$¤@@# ** BIAS ** #@@¤$§*»^.
.^»*§$¤@@# #@@¤$§*»^.
.^»*§$¤@@# CLASS I USES ONE HUNDRED AND TWENTY #@@¤$§*»^.
.^»*§§$¤¤@ MICRO-SOMETHING WHILE THE OTHERS ALL @¤¤$§§*»^.
.^»*§$¤@@@ USE SEVENTY OF THE SAME UNIT. @@@¤$§*»^.
.^»*§$¤¤¤¤ ¤¤¤¤$§*»^.
.....^»§¤@ @¤§»^.....
.^»*§$¤@@# §§§§§§§§§ AHA AND §§§§§§§§§ #@@¤$§*»^.
.^»*§$@@## ##@@$§*»^.
.^»*§$@@## CLASS IV IS APPARENTLY TOO STRONG TO ##@@$§*»^.
...»»§§¤@@ BE USED ON CLASS I PLAYERS. IT WILL @@¤§§»»...
.^»*§$@@## SOUND TOO LOUND AND IT CANNOT BE ##@@$§*»^.
......^*§¤ COMPLETELY ERASED. THIS IS VERY WELL. ¤§*^......
..^^^*§§$@ MAYBE SOME WONDERFUL BLENDING EFFECTS @$§§*^^^..
.^»*§$¤@@# COULD BE ACHIEVED? #@@¤$§*»^.
...^»§§$¤¤ ¤¤$§§»^...
.^»*§$¤@@# THEY ALSO GNAW AT THE TAPE HEADS A BIT #@@¤$§*»^.
.^»*§$¤@@# BETTER THAN EARLIER TAPE TYPES. #@@¤$§*»^.
.^»*§$¤@@# #@@¤$§*»^.
....^^»*§¤ ¤§*»^^....
.^»*§$¤@## ******** ARTIFACTS ******** ##@¤$§*»^.
.^»**§$¤¤¤ ¤¤¤$§**»^.
.^»*§$¤@@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@@¤$§*»^.
.^»*§$¤@@# HIGH FREQUENCY PRESENCE, BAD TAPES ARE #@@¤$§*»^.
....^»§§¤¤ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ¤¤§§»^....
.^»*§$¤@## LIKE IT. ##@¤$§*»^.
.^»*§$¤@@@ @@@¤$§*»^.
.^»*§$¤@## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##@¤$§*»^.
.^»*§$¤@## KNOWS WHATS EVEN ON THERE ANYMORE ##@¤$§*»^.
.^»*§$¤@@@ @@@¤$§*»^.
.^»*§$¤¤¤¤ FLUTTER: KINDA QUICK PITCH VARIATIONS. ¤¤¤¤$§*»^.
.^»*§$¤@## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##@¤$§*»^.
.^»*§$¤@@# #@@¤$§*»^.
.^»*§$¤@@# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #@@¤$§*»^.
......»§$¤ SECONDS LONG. WHAT UP. BOTH OF THESE ¤$§»......
.^»*§$¤@## INCREASE WHEN TAPE SPEED DECREASES. ##@¤$§*»^.
.^»*§$¤@@# #@@¤$§*»^.
.^»*§$@@## PRINT THROUGH: TAPES RUB SOUND ON EACH ##@@$§*»^.
....^^»§¤¤ OTHER IF THEYRE ALONE FOR TOO LONG ¤¤§»^^....
.^»*§$¤¤¤@ @¤¤¤$§*»^.
.^»*§$¤@## ##@¤$§*»^.
..^»»»**§¤ ¤§**»»»^..
.....»*$@@ @@$*».....
.^»*§$¤@@# #@@¤$§*»^.
.^»*§$¤@@@ @@@¤$§*»^.