..^^^^^«%@ @%«^^^^^..
.....^*§@@ @@§*^.....
.^«*%§@@## ##@@§%*«^.
.^«*%§@@@@ @@@@§%*«^.
.^«*%§@@@# #@@@§%*«^.
.^«*%§@### #### ##### ###@§%*«^.
.^«*%§@@## tape dream ##@@§%*«^.
....««%%@@ #### ##### @@%%««....
....^***%@ @%***^....
.^«*%§@@## for storing music on. also data but ##@@§%*«^.
.....^«%@@ at this point in time that's not @@%«^.....
......«%§@ really important i think. @§%«......
.^«*%§@@## ##@@§%*«^.
.^«*%§@@@@ @@@@§%*«^.
.^«*%§@@## ******** types of tape ******** ##@@§%*«^.
.^«*%§@@## ##@@§%*«^.
.^«*%§@@@@ class i - "bad" iron @@@@§%*«^.
.^«*%§@@## class ii - good chromium ##@@§%*«^.
.^«*%§@@## class iii - bad iron part two ##@@§%*«^.
.^«*%§@@@@ class iv - dangerous metals @@@@§%*«^.
.^«*%§@@## ##@@§%*«^.
.^«*%§@@## rumors exist about a secret class v tape ##@@§%*«^.
.^«*%§@### that is actually useful. ###@§%*«^.
.^«*%§@@## ##@@§%*«^.
.^«*%§@### ** bias ** ###@§%*«^.
.^«*%§@@## ##@@§%*«^.
......^*§@ class i uses one hundred and twenty @§*^......
.^«*%§@@## micro-something while the others all ##@@§%*«^.
.^«*%§@### use seventy of the same unit. ###@§%*«^.
.^«*%§@@## ##@@§%*«^.
.^«*%§@@@@ @@@@§%*«^.
......«%@# %%%%%%%%% aha and %%%%%%%%% #@%«......
.^«*§@@### ###@@§*«^.
..^^^*§§§@ class iv is apparently too strong to @§§§*^^^..
...^^^*%@# be used on class i players. it will #@%*^^^...
.^«*%§@@## sound too lound and it cannot be ##@@§%*«^.
.^«*%§@@@@ completely erased. this is very well. @@@@§%*«^.
.^«*%§@@## maybe some wonderful blending effects ##@@§%*«^.
...^^***§@ could be achieved? @§***^^...
..^^***§§@ @§§***^^..
.^^^^*%%§@ they also gnaw at the tape heads a bit @§%%*^^^^.
.^«**%%§§@ better than earlier tape types. @§§%%**«^.
...^«%%§@# #@§%%«^...
.^«*%§@@## ##@@§%*«^.
.....^*§@# ******** artifacts ******** #@§*^.....
......«*%@ @%*«......
...^^*%§@@ good tapes are decent and have a good @@§%*^^...
.^«*%§@@## high frequency presence, bad tapes are ##@@§%*«^.
.^«*%§@@@@ lofi if not outright bad. idk, i kinda @@@@§%*«^.
.^«*%§@@## like it. ##@@§%*«^.
.^«*%§@@## ##@@§%*«^.
..^^^«*§@@ bias loss: if you forget the bias who @@§*«^^^..
......^«%@ knows whats even on there anymore @%«^......
.^«*%§@@## ##@@§%*«^.
...««*%%§@ flutter: kinda quick pitch variations. @§%%*««...
.^«*%§@@## beautiful, wonderful, extraordinary. ##@@§%*«^.
.^«*%§@### ###@§%*«^.
.^««**§§§@ wow: a slower flutter, usually several @§§§**««^.
.^«*%§@@## seconds long. what up. both of these ##@@§%*«^.
.^«*§@@### increase when tape speed decreases. ###@@§*«^.
.^«****%@# #@%****«^.
.....«*§@@ print through: tapes rub sound on each @@§*«.....
..^^***§§@ other if theyre alone for too long @§§***^^..
.^«*%§§§§@ @§§§§%*«^.
.^«*%§@@## ##@@§%*«^.
.^«**%%§@@ @@§%%**«^.
.^«*%§@@## ##@@§%*«^.
.^«*%§@@## ##@@§%*«^.
.^«*%§@@## ##@@§%*«^.