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....~†%£@#                                          #@£%†~....
...~†%£@##                                          ##@£%†~...
..~†%£@###                #### #####                ###@£%†~..
...~†%£@##                TAPE DREAM                ##@£%†~...
....~†%£@#                #### #####                #@£%†~....
.....~†%£@                                          @£%†~.....
......~†%£ FOR  STORING  MUSIC  ON. ALSO  DATA  BUT £%†~......
.....~†%£@ AT   THIS  POINT  IN  TIME  THAT'S   NOT @£%†~.....
....~†%£@#         REALLY IMPORTANT I THINK.        #@£%†~....
...~†%£@##                                          ##@£%†~...
..~†%£@###                                          ###@£%†~..
...~†%£@##      †††††††† TYPES OF TAPE ††††††††     ##@£%†~...
....~†%£@#                                          #@£%†~....
.....~†%£@           CLASS I - "BAD" IRON           @£%†~.....
......~†%£         CLASS II - GOOD CHROMIUM         £%†~......
.....~†%£@      CLASS III - BAD IRON PART TWO       @£%†~.....
....~†%£@#       CLASS IV - DANGEROUS METALS        #@£%†~....
...~†%£@##                                          ##@£%†~...
..~†%£@### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###@£%†~..
...~†%£@##         THAT IS ACTUALLY USEFUL.         ##@£%†~...
....~†%£@#                                          #@£%†~....
.....~†%£@                †† BIAS ††                @£%†~.....
......~†%£                                          £%†~......
.....~†%£@ CLASS  I  USES ONE  HUNDRED  AND  TWENTY @£%†~.....
....~†%£@#   MICRO-SOMETHING WHILE THE OTHERS ALL   #@£%†~....
...~†%£@## USE   SEVENTY   OF   THE   SAME    UNIT. ##@£%†~...
..~†%£@###                                          ###@£%†~..
...~†%£@##                                          ##@£%†~...
....~†%£@#        %%%%%%%%% AHA AND %%%%%%%%%       #@£%†~....
.....~†%£@                                          @£%†~.....
......~†%£ CLASS  IV  IS APPARENTLY TOO  STRONG  TO £%†~......
.....~†%£@ BE  USED  ON CLASS  I  PLAYERS.  IT WILL @£%†~.....
....~†%£@# SOUND  TOO   LOUND  AND   IT  CANNOT  BE #@£%†~....
...~†%£@## COMPLETELY  ERASED.  THIS IS VERY  WELL. ##@£%†~...
..~†%£@###   MAYBE SOME WONDERFUL BLENDING EFFECTS  ###@£%†~..
...~†%£@##            COULD BE ACHIEVED?            ##@£%†~...
....~†%£@#                                          #@£%†~....
.....~†%£@ THEY ALSO GNAW AT  THE TAPE HEADS  A BIT @£%†~.....
......~†%£      BETTER THAN EARLIER TAPE TYPES.     £%†~......
.....~†%£@                                          @£%†~.....
....~†%£@#                                          #@£%†~....
...~†%£@##        †††††††† ARTIFACTS ††††††††       ##@£%†~...
..~†%£@###                                          ###@£%†~..
...~†%£@## GOOD TAPES  ARE  DECENT  AND HAVE A GOOD ##@£%†~...
....~†%£@# HIGH  FREQUENCY PRESENCE, BAD  TAPES ARE #@£%†~....
.....~†%£@ LOFI IF NOT OUTRIGHT  BAD.  IDK, I KINDA @£%†~.....
......~†%£                 LIKE IT.                 £%†~......
.....~†%£@                                          @£%†~.....
....~†%£@# BIAS LOSS:  IF  YOU FORGET THE BIAS  WHO #@£%†~....
...~†%£@## KNOWS  WHATS  EVEN   ON  THERE   ANYMORE ##@£%†~...
..~†%£@###                                          ###@£%†~..
...~†%£@##  FLUTTER: KINDA QUICK PITCH VARIATIONS.  ##@£%†~...
....~†%£@#   BEAUTIFUL, WONDERFUL, EXTRAORDINARY.   #@£%†~....
.....~†%£@                                          @£%†~.....
......~†%£ WOW: A  SLOWER FLUTTER, USUALLY  SEVERAL £%†~......
.....~†%£@ SECONDS LONG.  WHAT UP.  BOTH  OF  THESE @£%†~.....
....~†%£@#   INCREASE WHEN TAPE SPEED DECREASES.    #@£%†~....
...~†%£@##                                          ##@£%†~...
..~†%£@### PRINT THROUGH: TAPES  RUB SOUND ON  EACH ###@£%†~..
...~†%£@## OTHER  IF  THEYRE  ALONE  FOR  TOO  LONG ##@£%†~...
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