£&*=».,,,, ,,,,.»=*&£
&*=».,,,,, ,,,,,.»=*&
*=».,,,,,, ,,,,,,.»=*
&*=».,,,,, ,,,,,.»=*&
£&*=».,,,, ,,,,.»=*&£
@£&*=».,,, @@@@ ##### ,,,.»=*&£@
#@£&*=».,, TAPE DREAM ,,.»=*&£@#
##@£&*=»., #### @@@@@ ,.»=*&£@##
#@£&*=».,, ,,.»=*&£@#
@£&*=».,,, FOR STORING MUSIC ON. ALSO DATA BUT ,,,.»=*&£@
£&*=».,,,, AT THIS POINT IN TIME THAT'S NOT ,,,,.»=*&£
&*=».,,,,, REALLY IMPORTANT I THINK. ,,,,,.»=*&
*=».,,,,,, ,,,,,,.»=*
&*=».,,,,, ,,,,,.»=*&
£&*=».,,,, ======== TYPES OF TAPE ======== ,,,,.»=*&£
@£&*=».,,, ,,,.»=*&£@
#@£&*=».,, CLASS I - "BAD" IRON ,,.»=*&£@#
##@£&*=»., CLASS II - GOOD CHROMIUM ,.»=*&£@##
#@£&*=».,, CLASS III - BAD IRON PART TWO ,,.»=*&£@#
@£&*=».,,, CLASS IV - DANGEROUS METALS ,,,.»=*&£@
£&*=».,,,, ,,,,.»=*&£
&*=».,,,,, RUMORS EXIST ABOUT A SECRET CLASS V TAPE ,,,,,.»=*&
*=».,,,,,, THAT IS ACTUALLY USEFUL. ,,,,,,.»=*
&*=».,,,,, ,,,,,.»=*&
£&*=».,,,, == BIAS == ,,,,.»=*&£
@£&*=».,,, ,,,.»=*&£@
#@£&*=».,, CLASS I USES ONE HUNDRED AND TWENTY ,,.»=*&£@#
##@£&*=»., MICRO-SOMETHING WHILE THE OTHERS ALL ,.»=*&£@##
#@£&*=».,, USE SEVENTY OF THE SAME UNIT. ,,.»=*&£@#
@£&*=».,,, ,,,.»=*&£@
£&*=».,,,, ,,,,.»=*&£
&*=».,,,,, ********* AHA AND ********* ,,,,,.»=*&
*=».,,,,,, ,,,,,,.»=*
&*=».,,,,, CLASS IV IS APPARENTLY TOO STRONG TO ,,,,,.»=*&
£&*=».,,,, BE USED ON CLASS I PLAYERS. IT WILL ,,,,.»=*&£
@£&*=».,,, SOUND TOO LOUND AND IT CANNOT BE ,,,.»=*&£@
#@£&*=».,, COMPLETELY ERASED. THIS IS VERY WELL. ,,.»=*&£@#
##@£&*=»., MAYBE SOME WONDERFUL BLENDING EFFECTS ,.»=*&£@##
#@£&*=».,, COULD BE ACHIEVED? ,,.»=*&£@#
@£&*=».,,, ,,,.»=*&£@
£&*=».,,,, THEY ALSO GNAW AT THE TAPE HEADS A BIT ,,,,.»=*&£
&*=».,,,,, BETTER THAN EARLIER TAPE TYPES. ,,,,,.»=*&
*=».,,,,,, ,,,,,,.»=*
&*=».,,,,, ,,,,,.»=*&
£&*=».,,,, ======== ARTIFACTS ======== ,,,,.»=*&£
@£&*=».,,, ,,,.»=*&£@
#@£&*=».,, GOOD TAPES ARE DECENT AND HAVE A GOOD ,,.»=*&£@#
##@£&*=»., HIGH FREQUENCY PRESENCE, BAD TAPES ARE ,.»=*&£@##
#@£&*=».,, LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ,,.»=*&£@#
@£&*=».,,, LIKE IT. ,,,.»=*&£@
£&*=».,,,, ,,,,.»=*&£
&*=».,,,,, BIAS LOSS: IF YOU FORGET THE BIAS WHO ,,,,,.»=*&
*=».,,,,,, KNOWS WHATS EVEN ON THERE ANYMORE ,,,,,,.»=*
&*=».,,,,, ,,,,,.»=*&
£&*=».,,,, FLUTTER: KINDA QUICK PITCH VARIATIONS. ,,,,.»=*&£
@£&*=».,,, BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ,,,.»=*&£@
#@£&*=».,, ,,.»=*&£@#
##@£&*=»., WOW: A SLOWER FLUTTER, USUALLY SEVERAL ,.»=*&£@##
#@£&*=».,, SECONDS LONG. WHAT UP. BOTH OF THESE ,,.»=*&£@#
@£&*=».,,, INCREASE WHEN TAPE SPEED DECREASES. ,,,.»=*&£@
£&*=».,,,, ,,,,.»=*&£
&*=».,,,,, PRINT THROUGH: TAPES RUB SOUND ON EACH ,,,,,.»=*&
*=».,,,,,, OTHER IF THEYRE ALONE FOR TOO LONG ,,,,,,.»=*
&*=».,,,,, ,,,,,.»=*&
£&*=».,,,, ,,,,.»=*&£
@£&*=».,,, ,,,.»=*&£@
#@£&*=».,, ,,.»=*&£@#
##@£&*=»., ,.»=*&£@##
#@£&*=».,, ,,.»=*&£@#