...^==††&@ @&††==^...
.^=\†£&@@# #@@&£†\=^.
.^=\†£&@@# #@@&£†\=^.
..^^=\\†£@ @£†\\=^^..
.^=\†£&@@# #@@&£†\=^.
.^=\†£&@@# @@@@ ##### #@@&£†\=^.
.^=\†£&@@# TAPE DREAM #@@&£†\=^.
.^=\†£&@@@ #### @@@@@ @@@&£†\=^.
.^=\†£&@## ##@&£†\=^.
.......=†& FOR STORING MUSIC ON. ALSO DATA BUT &†=.......
.^=\†£&@## AT THIS POINT IN TIME THAT'S NOT ##@&£†\=^.
....=\££@@ REALLY IMPORTANT I THINK. @@££\=....
.^=\†£££&& &&£££†\=^.
.^^=\\£&&& &&&£\\=^^.
....^=†£@@ \\\\\\\\ TYPES OF TAPE \\\\\\\\ @@£†=^....
....^=\£@@ @@£\=^....
.^=\†£&&&@ CLASS I - "BAD" IRON @&&&£†\=^.
....^\£&&@ CLASS II - GOOD CHROMIUM @&&£\^....
.^=\†£&@@# CLASS III - BAD IRON PART TWO #@@&£†\=^.
....^^=††& CLASS IV - DANGEROUS METALS &††=^^....
.^=\†£££&& &&£££†\=^.
...^=†££&@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @&££†=^...
.^=\†£&@@# THAT IS ACTUALLY USEFUL. #@@&£†\=^.
..^=\†£&@@ @@&£†\=^..
.....==†£& \\ BIAS \\ &£†==.....
.^=\†£&@@# #@@&£†\=^.
....^==\£@ CLASS I USES ONE HUNDRED AND TWENTY @£\==^....
.......=†& MICRO-SOMETHING WHILE THE OTHERS ALL &†=.......
.^=\\\£&&& USE SEVENTY OF THE SAME UNIT. &&&£\\\=^.
....^\†&@@ @@&†\^....
.^=\††††&& &&††††\=^.
.^=\†£&&&@ ††††††††† AHA AND ††††††††† @&&&£†\=^.
.^=\†£&@## ##@&£†\=^.
.^=\†£&@@# CLASS IV IS APPARENTLY TOO STRONG TO #@@&£†\=^.
....^=†&&@ BE USED ON CLASS I PLAYERS. IT WILL @&&†=^....
..^^^\\£&@ SOUND TOO LOUND AND IT CANNOT BE @&£\\^^^..
.....=††£& COMPLETELY ERASED. THIS IS VERY WELL. &£††=.....
....^\††&@ MAYBE SOME WONDERFUL BLENDING EFFECTS @&††\^....
.^=\†£&@@# COULD BE ACHIEVED? #@@&£†\=^.
.^=\\\£&@@ @@&£\\\=^.
.^=\†£&@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@&£†\=^.
.^=\†£&@@# BETTER THAN EARLIER TAPE TYPES. #@@&£†\=^.
.^=\†£&@## ##@&£†\=^.
..^==†£&&& &&&£†==^..
.^=\†††&@@ \\\\\\\\ ARTIFACTS \\\\\\\\ @@&†††\=^.
.....^=†&@ @&†=^.....
.^=\†£&@## GOOD TAPES ARE DECENT AND HAVE A GOOD ##@&£†\=^.
....=\††£@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @£††\=....
....^=†&&& LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA &&&†=^....
.^=\†£&@@# LIKE IT. #@@&£†\=^.
.^=\†££££@ @££££†\=^.
.^=\†£&@@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@@&£†\=^.
..^^=\\\£@ KNOWS WHATS EVEN ON THERE ANYMORE @£\\\=^^..
.^=\†£&@@@ @@@&£†\=^.
.^=\††££@@ FLUTTER: KINDA QUICK PITCH VARIATIONS. @@££††\=^.
.^=\†£&@@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@@&£†\=^.
.....=†£&@ @&£†=.....
....^=†&&& WOW: A SLOWER FLUTTER, USUALLY SEVERAL &&&†=^....
.^=\†£&@@@ SECONDS LONG. WHAT UP. BOTH OF THESE @@@&£†\=^.
.^=\†£&@## INCREASE WHEN TAPE SPEED DECREASES. ##@&£†\=^.
.^=\†£&&&@ @&&&£†\=^.
......=†£& PRINT THROUGH: TAPES RUB SOUND ON EACH &£†=......
..^^\\†&@@ OTHER IF THEYRE ALONE FOR TOO LONG @@&†\\^^..
.^^^\††&&& &&&††\^^^.
....^==\†& &†\==^....
.^^====\†& &†\====^^.
....=\\\£@ @£\\\=....
.^=\†£&@@@ @@@&£†\=^.
.......=†& &†=.......