THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE  WENT ON AN OUTING TO 
 THE GLASS  FACTORY  THAT BORE OUR FAMILY 
 NAME.  IT HAD CHANGED OWNERS  MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD   ABANDONED  FOR  A   LONG  WHILE. 
 FINALLY, THE  NATURAL  END  STATION  FOR 
 THE BUILDINGS THAT  SURVIVE:  A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S A  LONG  TIME  SINCE  MY  FAMILY 
 MADE  ANYTHING.  BY  MANY,  WE WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE ARE  TWO  MAIN FACTORY  BUILDINGS, 
 DOMED THINGS  OF SEVERAL FLOORS, MADE IN 
 YELLOW  BRICK. LARGE BUT NARROW WINDOWS, 
 REMINESCENT    OF    SOME     CATHEDRAL. 
 CUSTOM-MADE GLASS, OF  COURSE, LARGE AND 
 LEADED, AND ASHEN. A BIT TOO DARK  TO BE 
 PRACTICAL.  ON   THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE  IS PUBLICLY OPEN. THERE'S 
 A MUSEUM, WITH  WAX FIGURES OF  MY GREAT 
 GREAT GREAT  GRANDFATHER,  OR SOMETHING. 
 VARIOUS TOOLS  (OR REPLICAS) LAID OUT ON 
 TABLES, WITH EXPLAINING TEXTS. A LOT  OF 
 GLASS     OF     VARYING      THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK  OUT, AND CLIMB INTO THE 
 OTHER    BUILDING.   THE   CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT   FOR   A  LONG  TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL  OVER   THE  FLOOR.  NO 
 ELECTRIC  LIGHTS,  BUT I CAN  SEE BY THE 
 LIGHT THAT  SHINES IN WHEREVER  THE DARK 
 WINDOWS    ARE    MISSING     A    PANE. 
                                          
 HOWEVER, THE  GREATEST DIFFERENCE IS THE 
 HIGHER  FLOORS: THIS BUILDING  HAS NONE. 
 IT IS ONE  MASSIVE HALL, STRETCHING AWAY 
 INFINITELY ABOVE  ME. SOMEWHERE UP THERE 
 IS  SOME  GREAT  IRON  LATTICEWORK, FROM 
 WHERE CHAINS ARE  SUSPENDED,  AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE  IS,  IN THE  MIDDLE  OF THE GREAT 
 HALL,  A   THIN  SPIRAL  STAIRCASE  THAT 
 LEADS UP THERE. I SNEAK OVER  THERE, AND 
 TAKE  A  FEW RELUCTANT STEPS. AFTER JUST 
 A REVOLUTION, I  NOTICE  THAT  FOR  EACH 
 STEP THE  BUILDING  STARTS TO GLOW,  THE 
 BRICKS  TURNING  A  DARK  RED,  AND THEN 
 ORANGE, ALL  THE PILED  UP  DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I  STOP READY TO  RUN DOWN  AND OUT, BUT 
 THERE'S  SOMEONE  ELSE ON  THE STAIRCASE 
 WITH   ME   NOW,   PRESSED  CLOSE.  HE'S 
 LOOKING LIKE  ME,  SHORT HAIR  AND  THIN 
 ARMS,  BUT WITH  EARS  FROM SOME ANIMAL, 
 AND  MORE  DISTURBINGLY, COMPLETELY MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY FEAR  HOLDS  ME  IN  PLACE  WHILE  HE 
 STARTS  OPERATING  LEVERS AND  DIALS SET 
 IN THE CENTER  OF THE STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S   AN  ELEVATOR!   I  START  TO  RUN 
 DOWNWARDS,  BUT   NOW  THE  LIQUID   BOY 
 CREATURE GRABS  HOLD  OF  ME. I  TRY  TO 
 SHAKE HIM OFF, BUT  HE'S TOO STRONG, AND 
 PULLS   ME    BACK   UP   BESIDE    HIM. 
                                          
 THIS TIME, I  TURN  ANGRY INSTEAD.  WHAT 
 THE HELL? WHO IS  THIS GUY,  ACTING LIKE 
 THIS?  I REACH  OUT MY FREE ARM AND SLAM 
 A  RANDOM  LEVER.  SOME  METAL   BAR  IS 
 SUDDENLY RELEASED  BETWEEN  US,  HITTING 
 HIM  ON THE  ARM, FORCING MY RELEASE.  I 
 SHOVE HIM OFF OF ME,  AND HE FALLS  INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,   A  THIN  RUSTY  CHAINMAIL 
 CURTAIN  IS DROPPED  AROUND ME.  BUT THE 
 ELEVATOR ALSO  SPEEDS  UP SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE  FLARING  NOW,   YELLOW, 
 WHITE, ALMOST BLUE. I  CLOSE MY EYES AND 
 CURL INTO  A BALL.  BUT THEN, THE  GLASS 
 BOY  SCREAMS,  A   PIERCING  SOUND  THAT 
 FORCES MY EYES  BACK OPEN. I WATCH AS HE 
 BECOMES  TOO  LIQUID,  HIS BODY  POOLING 
 DOWN  IN  HIS  NOW MASSIVE TAIL, AND THE 
 TIP OF  IT SUDDENLY BREAKS OF IN A GLASS 
 DROP  THAT  FALLS  TOWARD   THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S  CRAWLING ON  THE STAIRS, UNABLE TO 
 KEEP HIS  BODY UPRIGHT. CAN'T  REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY IS  TURNING  INTO  DARK 
 PEARLS.  FINALLY, HE'S LOST TOO MUCH  OF 
 HIMSELF AND  THE  SCREAM  IS  CUT SHORT. 
 THE    LAST    OF   HIM   RAINS    DOWN. 
                                          
 I  STILL  CAN'T  REACH  THE  LEVERS FROM 
 WITHIN  MY  CAGE. LOOKING  UP, I TRY  TO 
 MAKE OUT THE  CEILING,  BUT IT'S  ALL  A 
 WHIRLING SEA OF COLOURS. BELOW  ME GLOWS 
 THE HELLFIRE OF THE FACTORY  WALLS,  BUT 
 VERY FAINT.  I  SIT DOWN,  CURL BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A LARGE  CLUNK  SHAKES MY  ENTIRE  BODY, 
 AND SNAPS  ME  BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL   MOVING  SLIGHTLY, 
 CLICKING  IN PLACE, CARRYING ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND   I  SLOWLY   DISMOUNT  THE  STAIRS. 
                                          
 SHAKING AND CRYING,  I MAKE MY  WAY OVER 
 THE FACTORY FLOOR,  WADING  THROUGH DARK 
 GLASS MARBLES. A  QUICK GLANCE DOWN, AND 
 I  SEE THERE'S  SOMETHING  FAINT  INSIDE 
 THEM.   EMBRYOS?   ARE    THESE    EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.