THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO  US, WE WENT ON AN OUTING TO 
 THE GLASS FACTORY THAT BORE  OUR  FAMILY 
 NAME. IT  HAD  CHANGED OWNERS MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD   ABANDONED  FOR   A  LONG  WHILE. 
 FINALLY, THE  NATURAL  END  STATION  FOR 
 THE  BUILDINGS  THAT  SURVIVE: A MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME SINCE  MY  FAMILY 
 MADE  ANYTHING.  BY MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE  TWO MAIN FACTORY  BUILDINGS, 
 DOMED THINGS  OF SEVERAL FLOORS, MADE IN 
 YELLOW BRICK. LARGE BUT  NARROW WINDOWS, 
 REMINESCENT    OF     SOME    CATHEDRAL. 
 CUSTOM-MADE GLASS, OF COURSE, LARGE  AND 
 LEADED, AND ASHEN. A BIT TOO DARK TO  BE 
 PRACTICAL.   ON  THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE  OTHER ONE IS PUBLICLY OPEN. THERE'S 
 A MUSEUM, WITH  WAX FIGURES OF MY  GREAT 
 GREAT GREAT GRANDFATHER,  OR  SOMETHING. 
 VARIOUS TOOLS (OR  REPLICAS) LAID OUT ON 
 TABLES, WITH EXPLAINING TEXTS.  A LOT OF 
 GLASS     OF      VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY  SNEAK OUT, AND CLIMB INTO THE 
 OTHER   BUILDING.    THE   CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR   A   LONG  TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL   OVER  THE  FLOOR.  NO 
 ELECTRIC LIGHTS,  BUT  I CAN SEE BY  THE 
 LIGHT THAT SHINES IN  WHEREVER  THE DARK 
 WINDOWS    ARE     MISSING    A    PANE. 
                                          
 HOWEVER, THE GREATEST  DIFFERENCE IS THE 
 HIGHER  FLOORS:  THIS BUILDING HAS NONE. 
 IT IS ONE MASSIVE HALL,  STRETCHING AWAY 
 INFINITELY ABOVE ME.  SOMEWHERE UP THERE 
 IS  SOME GREAT  IRON  LATTICEWORK,  FROM 
 WHERE CHAINS  ARE  SUSPENDED, AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE IS, IN  THE  MIDDLE  OF  THE GREAT 
 HALL,  A  THIN   SPIRAL  STAIRCASE  THAT 
 LEADS  UP THERE. I SNEAK OVER THERE, AND 
 TAKE A  FEW RELUCTANT STEPS.  AFTER JUST 
 A  REVOLUTION,  I NOTICE  THAT FOR  EACH 
 STEP THE  BUILDING STARTS  TO GLOW,  THE 
 BRICKS  TURNING A  DARK  RED,  AND  THEN 
 ORANGE,  ALL  THE  PILED UP DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I  STOP READY  TO  RUN DOWN AND OUT, BUT 
 THERE'S SOMEONE  ELSE  ON THE  STAIRCASE 
 WITH  ME   NOW,  PRESSED   CLOSE.   HE'S 
 LOOKING  LIKE ME, SHORT  HAIR  AND  THIN 
 ARMS, BUT WITH EARS  FROM  SOME  ANIMAL, 
 AND MORE DISTURBINGLY,  COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR HOLDS  ME  IN  PLACE  WHILE  HE 
 STARTS  OPERATING LEVERS  AND DIALS  SET 
 IN THE CENTER OF THE STAIRCASE.  SLOWLY, 
 IT  STARTS SPINNING,  CIRCLING  UPWARDS. 
 IT'S  AN  ELEVATOR!   I  START   TO  RUN 
 DOWNWARDS,   BUT  NOW  THE  LIQUID   BOY 
 CREATURE GRABS  HOLD OF  ME.  I  TRY  TO 
 SHAKE HIM  OFF, BUT HE'S TOO STRONG, AND 
 PULLS    ME   BACK    UP   BESIDE   HIM. 
                                          
 THIS TIME,  I  TURN ANGRY INSTEAD.  WHAT 
 THE HELL? WHO  IS  THIS GUY, ACTING LIKE 
 THIS? I REACH OUT  MY FREE ARM  AND SLAM 
 A  RANDOM   LEVER.  SOME  METAL  BAR  IS 
 SUDDENLY  RELEASED BETWEEN  US,  HITTING 
 HIM ON THE  ARM, FORCING MY  RELEASE.  I 
 SHOVE  HIM OFF OF ME, AND  HE FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,   A  THIN  RUSTY  CHAINMAIL 
 CURTAIN  IS DROPPED  AROUND  ME. BUT THE 
 ELEVATOR ALSO  SPEEDS  UP SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE  FLARING   NOW,  YELLOW, 
 WHITE, ALMOST BLUE.  I CLOSE MY EYES AND 
 CURL INTO A BALL.  BUT  THEN, THE  GLASS 
 BOY  SCREAMS,  A   PIERCING  SOUND  THAT 
 FORCES MY EYES BACK OPEN. I WATCH AS  HE 
 BECOMES  TOO  LIQUID, HIS  BODY  POOLING 
 DOWN  IN HIS NOW MASSIVE  TAIL,  AND THE 
 TIP OF IT SUDDENLY  BREAKS OF IN A GLASS 
 DROP  THAT   FALLS  TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S  CRAWLING ON THE STAIRS,  UNABLE TO 
 KEEP HIS  BODY UPRIGHT. CAN'T REACH  THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY  IS  TURNING  INTO DARK 
 PEARLS.  FINALLY, HE'S LOST TOO MUCH  OF 
 HIMSELF  AND  THE  SCREAM IS CUT  SHORT. 
 THE    LAST    OF   HIM    RAINS   DOWN. 
                                          
 I  STILL CAN'T  REACH  THE  LEVERS  FROM 
 WITHIN  MY  CAGE. LOOKING  UP, I TRY  TO 
 MAKE OUT THE  CEILING, BUT  IT'S  ALL  A 
 WHIRLING SEA OF COLOURS. BELOW ME  GLOWS 
 THE HELLFIRE OF THE FACTORY  WALLS,  BUT 
 VERY FAINT. I  SIT  DOWN, CURL BACK  UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A LARGE  CLUNK  SHAKES MY  ENTIRE  BODY, 
 AND  SNAPS  ME BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL   MOVING  SLIGHTLY, 
 CLICKING  IN PLACE, CARRYING ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND  I  SLOWLY  DISMOUNT   THE   STAIRS. 
                                          
 SHAKING  AND CRYING, I  MAKE MY WAY OVER 
 THE  FACTORY FLOOR,  WADING THROUGH DARK 
 GLASS  MARBLES. A QUICK GLANCE DOWN, AND 
 I SEE  THERE'S  SOMETHING  FAINT  INSIDE 
 THEM.    EMBRYOS?   ARE    THESE   EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.