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.^»^†@&£## #.#          CAVE     SENSE          #.# ##£&@†^»^.
....^^»†&&                                          &&†»^^....
.^»^†@&££#                  #@...@#                 #££&@†^»^.
.^»^†@&£##                    #.#                   ##£&@†^»^.
.^»^†@&£##                                          ##£&@†^»^.
.^»^†@&£## YOU CAN  TAP INTO THE CAVE  WHEREVER YOU ##£&@†^»^.
.^»^^^^@@& GO.  WITH  TRAINING,  OR  WITH  DRUGS... &@@^^^^»^.
.^»^†@&£££ SOME  PEOPLE  ARE   ALWAYS   LIKE  THIS. £££&@†^»^.
.^»^†@&£##                                          ##£&@†^»^.
....^»†††& THE  CAVE  IS  BUILT  IN,  AN  INTRINSIC &†††»^....
.^»^†@&£## ANIMAL  PART. IT'S COME TO BE ASSOCIATED ##£&@†^»^.
.^»^†@&£## WITH THE  LIZARDS, AND  IT'S  TRUE  THAT ##£&@†^»^.
.^»^†@£### THEY  ARE VERY  CLOSE  TO  IT  IN  THEIR ###£@†^»^.
.^»^@&£### LIVES.  BUT AS LONG AS  YOURE AN ANIMAL, ###£&@^»^.
...^^^††&# IT'S ALWAYS THERE,  CHANGING SHAPE  WITH #&††^^^...
.^^^^††@£#                   YOU.                   #£@††^^^^.
.....»†&&#                                          #&&†».....
......»†@& THE   MIND   IS   GOOD  AT  RELATIVIZING &@†»......
.^»^†@&£## THINGS, PLACING THEM WITHIN ITS  CURRENT ##£&@†^»^.
.^»^†@&£## FRAME  OF   REFERENCE.  AND  THE  LIZARD ##£&@†^»^.
.^»^@&£### BRAIN IS GOOD AT ABSOLUTES. IN  THE END, ###£&@^»^.
....^»†&££ THE  BEST  AND  WORST  THINGS  ARE  BOTH ££&†»^....
.^»^†@&&&#   WITHIN HEARING RANGE. EVERYTHING ELSE  #&&&@†^»^.
.....»†&&#              IS FORGOTTEN.               #&&†».....
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..^^^^»^@&                    #.#                   &@^»^^^^..
.^»^†@&£££                                          £££&@†^»^.
.^»^†@£### EVERYTHING IS SPECIFIC, AND LOCAL.       ###£@†^»^.
.^»^†@&&££ THERE ARE NO GENERALIZATIONS. THERE IS   ££&&@†^»^.
.^»^†@&£## NO OBJECT PERMANENCE. WHAT YOU           ##£&@†^»^.
...^^»^††& EXPERIENCE IS ACUTE, INEFFABLE, AND YOU  &††^»^^...
.^»^†@&£## NEED TO ACT. EVERY SUBSECTION OF YOUR    ##£&@†^»^.
.^»^†@&£## BODY HAS A CONSCIOUSNESS AND A VOICE.    ##£&@†^»^.
.^»^†@&£## EVERYTHING YOU SEE CAN ALSO SEE YOU,     ##£&@†^»^.
.^»^†@&£## THROUGH THE PUPIL IN YOUR EYE. THE       ##£&@†^»^.
.^»^†@&£## STONES ARE SLIPPERY. THE AIR IS INSIDE   ##£&@†^»^.
.^»^†@&£## YOU.                                     ##£&@†^»^.
.^»^††@&£#                                          #£&@††^»^.
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