,,,.-/*$&@ @&$*/-.,,,
,,.-/*$&@# #@&$*/-.,,
,.-/*$&@## ##@&$*/-.,
,,.-/*$&@# #@&$*/-.,,
,,,.-/*$&@ @&$*/-.,,,
,,,,.-/*$& hilbert curve. &$*/-.,,,,
,,,,,.-/*$ $*/-.,,,,,
,,,,,,.-/* a hilbert curve is a type of fractal. */-.,,,,,,
,,,,,,,.-/ right? hmm, how does it go. it's about /-.,,,,,,,
,,,,,,,,.- scrunge. about squinking a lot of -.,,,,,,,,
,,,,,,,.-/ surface area down a tube. /-.,,,,,,,
,,,,,,.-/* */-.,,,,,,
,,,,,.-/*$ a notable example is the capacitor $*/-.,,,,,
,,,,.-/*$& (electric component) where they make a &$*/-.,,,,
,,,.-/*$&@ kind of three dimensional metal hilbert @&$*/-.,,,
,,.-/*$&@# that's then also filled with some sorta #@&$*/-.,,
,.-/*$&@## electrolyte juice. oh shit here come ##@&$*/-.,
,,.-/*$&@# the cops, ,.. ,.. ,.. ,.. .... .... #@&$*/-.,,
,,,.-/*$&@ .... .... .- -- .- -- -// -// -// *$ $& @&$*/-.,,,
,,,,.-/*$& && && && && &$ $* //- //- -- -. -- -. &$*/-.,,,,
,,,,,.-/*$ .... .... .... .., .., .., .., ,ah as i $*/-.,,,,,
,,,,,,.-/* was saying. we need these for */-.,,,,,,
,,,,,,,.-/ continuous operation of various /-.,,,,,,,
,,,,,,,,.- instruments. -.,,,,,,,,
,,,,,,,.-/ /-.,,,,,,,
,,,,,,.-/* (it's comforting that most circuits are */-.,,,,,,
,,,,,.-/*$ still built on a deeper layer of spells $*/-.,,,,,
,,,,.-/*$& and semaphores like this. physical &$*/-.,,,,
,,,.-/*$&@ semantics. shapes) @&$*/-.,,,
,,.-/*$&@# #@&$*/-.,,
,.-/*$&@## ##@&$*/-.,
,,.-/*$&@# #@&$*/-.,,
,,,.-/*$&@ @&$*/-.,,,
,,,,.-/*$& &$*/-.,,,,