¨.»:†$§### ###§$†:».¨
¨,~«^%*§## ##§*%^«~,¨
.,,--=$§£# #£§$=--,,.
.¨^-/*£&@# #@&£*/-^¨.
,:«;^@@### ###@@^;«:,
,,:=*^¤¤## statuette ##¤¤^*=:,,
...:»\=%£@ @£%=\»:...
..-=^$%# §$¤%$$£&@%¤§$¤¤¤«=~=~«»~¤@$%£&§&%§%£%@§& ##&%$^=-..
.,=††$@### ¤$¤%££$£¤ ###@$††=,.
¨,,«/*£¤@# #@¤£*/«,,¨
,¨.~»†%*@# forests around my childhood home. thick #@*%†»~.¨,
,¨:~=%$### pine arcades that were planted and ###$%=~:¨,
,^~=*£@@## forgotten. wild boars roaming ##@@£*=~^,
.,:=†$¤§## underneath, sniffing at the ground. it ##§¤$†=:,.
¨¨..~/%£§# is dark and moist, the canopy having #§£%/~..¨¨
.,.~==*@## already soaked up all the sun. ##@*==~.,.
¨,~*†*§@## ##@§*†*~,¨
..^-:%*¤@# there's a river passing by, from east #@¤*%:-^..
¨¨.,~:^£@# to west, getting broader and deeper and #@£^:~,.¨¨
,¨^~:§£§## slower as it goes. equisetum grow just ##§£§:~^¨,
.^~*%%#@## where the pine hands start to let ##@#%%*~^.
¨.,«=^£#@# through light, horsemint on the rocky #@#£^=«,.¨
..¨.«/$¤£@ river bed. @£¤$/«.¨..
.¨-==%%¤@# #@¤%%==-¨.
¨.~;%*£@## \ ##@£*%;~.¨
,.,»**$£## ##£$**»,.,
¨¨,,~\**£@ the riverbanks reek of magic. tonight @£**\~,,¨¨
.,,«=^%§@# they had been a swampworld with sylvan #@§%^=«,,.
.,=:*@## water, stone rings and floating moss. ###&@*:=,.
,¨~~†$*£@# you could've found me wallowing around #@£*$†~~¨,
.¨¨,=\§%£# on the southern shores until i got #£%§\=,¨¨.
¨¨,=*§$§## bitten. ##§$§*=,¨¨
,:=;*$@@## ##@@$*;=:,
¨¨-~\^%£## but now i'm further back, on solid ##£%^\~-¨¨
..¨:=;^£§# ground, in shoulder-high grass, with an #§£^;=:¨..
.,,=†%*¤## orange tin radio and a translucent ##¤*%†=,,.
.:-\%$£### umbrella which i'm sitting on. ###£$%\-:.
,,:~†*¤# ##&¤*†~:,,
.,.:=/=&¤@ † @¤&=/=:.,.
,.,»:^¤### ###¤^:»,.,
..»†*&## somethings moving in the grass. it's ###&&*†»..
.¨,~*§$@## invisible to my eyes but i can feel ##@$§*~,¨.
¨¨.-~^^¤&@ through the ground just how large it is. @&¤^^~-.¨¨
.¨,»/%$£## ##£$%/»,¨.
¨-=;$$§### the soil is muddy. i slip when trying ###§$$;=-¨
,¨^=\*&§@# to get up, still looking at the #@§&*\=^¨,
¨,¨^-\§@&@ direction of sound rather than at my @&@§\-^¨,¨
.,^~\%£&@# hands, who are busy putting things in #@&£%\~^,.
¨~==%£&@## my pockets. ##@&£%==~¨
¨¨,=\%@§@# #@§@%\=,¨¨
.¨,.==%%£# then i run east toward my home. #£%%==.,¨.
,¨^-/§¤@## ##@¤§/-^¨,
,,»†$§§### * ###§§$†»,,
.¨^«\%¤&@# #@&¤%\«^¨.
¨,.^»=†@ i am not followed, and slow down in the #&@†=»^.,¨
,..-*%$£@# clearing where you at first can spot #@£$%*-..,
.,~;$£¤@## the house, not yet really in the ##@¤£$;~,.
¨¨,-*%£§## backyard. from my pockets i retrieve my ##§£%*-,¨¨
,¨¨,~^§$## radio (now dented) but also a small ##$§^~,¨¨,
¨.:»†**### clay figure i've never seen before. it ###**†»:.¨
..»\^§#### must have been laying in the wet dirt, ####§^\»..
,.~~=§%### and i must've picked it up with my ###%§=~~.,
¨..^«\$%#@ other belongings. @#%$\«^..¨
¨¨-«^†*¤## ##¤*†^«-¨¨
.,-^$@£@## it's a statuette of a girl laying naked ##@£@$^-,.
,.,~^^@# on her stomach, feet in the air, ##&@^^~,.,
.¨,~«:%%@@ roughly seven centimeters long. it's @@%%:«~,¨.
..~==%$&@# freshly made, not yet completely dried. #@&$%==~..
¨:-=†§#### ####§†=-:¨
¨¨-~==%@## my mom is here now. i ask her for some ##@%==~-¨¨
¨¨,^~;$%§# particle board for it to dry on, but #§%$;~^,¨¨
¨.:~†*¤# she is worried and wants me to ##&¤*†~:.¨
¨~-==&## throw it away. ###&&==-~¨
.¨^-^%*§## ##§*%^-^¨.
¨.¨-=†*$£# #£$*†=-¨.¨
¨.~==^$£## ##£$^==~.¨
¨,«*%$#@## ##@#$%*«,¨
¨.:-\$%§@# #@§%$\-:.¨
,,.:«^*§£# #£§*^«:.,,