.~~;*%§¶## ##¶§%*;~~.
..,¨~~~%%¤ ¤%%~~~¨,..
.:«=†*#£@# #@£#*†=«:.
.~-;%£¤### ###¤£%;-~.
¨.^~;*$%¤& &¤%$*;~^.¨
¨.«\§$@##@ statuette @##@$§\«.¨
,,~;^¤¤£@# #@£¤¤^;~,,
,,=^*$#@@# £&@££&&£¤$£§$*$*===-~--~¤£¤*@§£§£&%&$@*% #@@#$*^=,,
,«*=%#¶### ¤*@§£@@%£ ###¶#%=*«,
.~«=†¤@¶@# #@¶@¤†=«~.
,,«\**&@## forests around my childhood home. thick ##@&**\«,,
,,«†§$&@## pine arcades that were planted and ##@&$§†«,,
,.~,^%*£@@ forgotten. wild boars roaming @@£*%^,~.,
..-/%£¤### underneath, sniffing at the ground. it ###¤£%/-..
¨,.¨,-:*§@ is dark and moist, the canopy having @§*:-,¨.,¨
¨..,,-%$$£ already soaked up all the sun. £$$%-,,..¨
¨~\^&&¶@## ##@¶&&^\~¨
¨.,.-/††%# there's a river passing by, from east #%††/-.,.¨
¨:»\†@§@## to west, getting broader and deeper and ##@§@†\»:¨
.,=;%%$### slower as it goes. equisetum grow just ###$%%;=,.
.,,--/\*%¶ where the pine hands start to let ¶%*\/--,,.
..¨..=$¤#@ through light, horsemint on the rocky @#¤$=..¨..
,^^$§£@### river bed. ###@£§$^^,
,^«;§%£# #£#&%§;«^,
..¨,.;;=§# \ #§=;;.,¨..
¨¨¨,-†$@%# #%@$†-,¨¨¨
,--:†@§### the riverbanks reek of magic. tonight ###§@†:--,
,:=\§%@#@# they had been a swampworld with sylvan #@#@%§\=:,
¨^-††£#@## water, stone rings and floating moss. ##@#£††-^¨
,:«^%%## you could've found me wallowing around ###&%%^«:,
,,»\=*&£## on the southern shores until i got ##£&*=\»,,
¨-~*%*£¤§# bitten. #§¤£*%*~-¨
¨.¨^~^†§## ##§†^~^¨.¨
,..,¨«%@¤@ but now i'm further back, on solid @¤@%«¨,..,
,,«\%@#### ground, in shoulder-high grass, with an ####@%\«,,
,^=^%££### orange tin radio and a translucent ###££%^=^,
.,-~»~%*@@ umbrella which i'm sitting on. @@*%~»~-,.
.~-=%£## ###&£%=-~.
.~»^^*%&£¶ / ¶£&%*^^»~.
¨¨¨«=*§%@@ @@%§*=«¨¨¨
¨-»/%££#@@ somethings moving in the grass. it's @@#££%/»-¨
,.~/*$£@## invisible to my eyes but i can feel ##@£$*/~.,
¨:-/^$@### through the ground just how large it is. ###@$^/-:¨
.¨.-«=†;£@ @£;†=«-.¨.
¨,~\$&@@## the soil is muddy. i slip when trying ##@@&$\~,¨
,~~:%†*%¤¶ to get up, still looking at the ¶¤%*†%:~~,
,¨.,-~==*# direction of sound rather than at my #*==~-,.¨,
,-»=$£&@## hands, who are busy putting things in ##@&£$=»-,
.,..,¨~*$@ my pockets. @$*~¨,..,.
.^~*†£¤£## ##£¤£†*~^.
.,-†§%¤@## then i run east toward my home. ##@¤%§†-,.
.,,»:*%$§@ @§$%*:»,,.
¨^=*^$$$#£ / £#$$$^*=^¨
¨.~;$@#@@# #@@#@$;~.¨
¨:=\$¤## i am not followed, and slow down in the ###&¤$\=:¨
¨:«:§£&@## clearing where you at first can spot ##@&£§:«:¨
.,=^%%¤¶@# the house, not yet really in the #@¶¤%%^=,.
,,-^†@#£## backyard. from my pockets i retrieve my ##£#@†^-,,
.,.,:\££¶@ radio (now dented) but also a small @¶££\:,.,.
.-=**@§### clay figure i've never seen before. it ###§@**=-.
,~»\=%#£@# must have been laying in the wet dirt, #@£#%=\»~,
...-,\†=$¤ and i must've picked it up with my ¤$=†\,-...
,¨,,.,¨~=@ other belongings. @=~¨,.,,¨,
,:~/%¤¤### ###¤¤%/~:,
,:,,~/%&@# it's a statuette of a girl laying naked #@&%/~,,:,
.~~~==:**¤ on her stomach, feet in the air, ¤**:==~~~.
¨:-†%$#£@§ roughly seven centimeters long. it's §@£#$%†-:¨
..¨.¨~^££# freshly made, not yet completely dried. #££^~¨.¨..
¨:-††%¤@## ##@¤%††-:¨
.:~**££### my mom is here now. i ask her for some ###££**~:.
¨,¨.:=-;@§ particle board for it to dry on, but §@;-=:.¨,¨
.,~;%¤@@@# she is worried and wants me to #@@@¤%;~,.
,,.,¨-§£§¤ throw it away. ¤§£§-¨,.,,
¨¨,¨¨,,*%¶ ¶%*,,¨¨,¨¨
.:~~*†&¤@@ @@¤&†*~~:.
¨,~^%£## ###&£%^~,¨
,.»*:;:;$@ @$;:;:*».,
¨-~;*%£### ###£%*;~-¨
.-~†%*¤### ###¤*%†~-.