,:-:†&§### ###§&†:-:,
,¨-==$$# ##&$$==-¨,
¨¨.:-:^*¤# #¤*^:-:.¨¨
¨.,¨,-†^%¤ ¤%^†-,¨,.¨
,¨,-~^^%&@ @&%^^~-,¨,
¨,.»:=$£## statuette ##£$=:».,¨
,.-*%&§### ###§&%*-.,
.¨.~†§§£## $$%£%£$*£§£§$%££=~=~-~«~£$¤$*£¤£$£¤$$£*$ ##£§§†~.¨.
¨..,«^§$ $&§£§*§£% #&$§^«,..¨
,,,¨,-/$£¤ ¤£$/-,¨,,,
.¨¨,«*%%&@ forests around my childhood home. thick @&%%*«,¨¨.
¨.:~;*§### pine arcades that were planted and ###§*;~:.¨
.,~/%&£### forgotten. wild boars roaming ###£&%/~,.
,.,~/†&@## underneath, sniffing at the ground. it ##@&†/~,.,
,¨.~»^%&§@ is dark and moist, the canopy having @§&%^»~.¨,
.,.,-~^=@& already soaked up all the sun. &@=^~-,.,.
.,.~«:§£¤# #¤£§:«~.,.
.,,»:^$§## there's a river passing by, from east ##§$^:»,,.
.^-;%%&@## to west, getting broader and deeper and ##@&%%;-^.
,,~=/†@### slower as it goes. equisetum grow just ###@†/=~,,
¨¨.,»\%¤## where the pine hands start to let ##¤%\»,.¨¨
¨¨¨,:~*%*¤ through light, horsemint on the rocky ¤*%*~:,¨¨¨
.,,:«†*§§# river bed. #§§*†«:,,.
.¨~-/^%&@# #@&%^/-~¨.
¨,=\*£§### ; ###§£*\=,¨
..,~:**§## ##§**:~,..
¨.,^-:§$#@ the riverbanks reek of magic. tonight @#$§:-^,.¨
,,¨,,«/%*§ they had been a swampworld with sylvan §*%/«,,¨,,
¨¨¨~«=**¤# water, stone rings and floating moss. #¤**=«~¨¨¨
..^~=%*£@# you could've found me wallowing around #@£*%=~^..
,,»:%%#### on the southern shores until i got ####%%:»,,
.,^=*^%§## bitten. ##§%^*=^,.
..,^~^*$ #&$*^~^,..
,..¨.==^%@ but now i'm further back, on solid @%^==.¨..,
,.¨,~*†@§# ground, in shoulder-high grass, with an #§@†*~,¨.,
¨¨:-\%$@## orange tin radio and a translucent ##@$%\-:¨¨
.~«;%$#### umbrella which i'm sitting on. ####$%;«~.
¨.,»=$&@@# #@@&$=»,.¨
...~«:^§## : ##§^:«~...
,.¨,,»^†&@ @&†^»,,¨.,
....«;$$¤@ somethings moving in the grass. it's @¤$$;«....
..:=†^£§## invisible to my eyes but i can feel ##§£^†=:..
,-~*%%@### through the ground just how large it is. ###@%%*~-,
,,:~:^*¤## ##¤*^:~:,,
,..:»;%%## the soil is muddy. i slip when trying ##%%;»:..,
¨.¨¨,»;=$@ to get up, still looking at the @$=;»,¨¨.¨
.¨,:«^§£@# direction of sound rather than at my #@£§^«:,¨.
,.-«*%&# hands, who are busy putting things in ##&&%*«-.,
,^»\*$#### my pockets. ####$*\»^,
.,~»^†£§## ##§£†^»~,.
,,.^«*=£## then i run east toward my home. ##£=*«^.,,
.,,.^»\=%# #%=\»^.,,.
..¨,=^*%&@ = @&%*^=,¨..
¨¨~===$# ##&$===~¨¨
.,~:=£@@## i am not followed, and slow down in the ##@@£=:~,.
..:«:$£§## clearing where you at first can spot ##§£$:«:..
¨.,:»†*&£@ the house, not yet really in the @£&*†»:,.¨
.¨...~\†*£ backyard. from my pockets i retrieve my £*†\~...¨.
,¨.^-/=$¤# radio (now dented) but also a small #¤$=/-^.¨,
.¨~-=*@¤@# clay figure i've never seen before. it #@¤@*=-~¨.
.,~††§¤### must have been laying in the wet dirt, ###¤§††~,.
..-«\=£§@# and i must've picked it up with my #@§£=\«-..
,¨.^-;^*## other belongings. ##*^;-^.¨,
¨¨¨,^~†^@¤ ¤@^†~^,¨¨¨
.,..~;%££# it's a statuette of a girl laying naked #££%;~..,.
,¨,-\$&# on her stomach, feet in the air, ##&&$\-,¨,
,~«/^£¤### roughly seven centimeters long. it's ###¤£^/«~,
¨¨,~\%*£## freshly made, not yet completely dried. ##£*%\~,¨¨
,,,^=/^% #&%^/=^,,,
,.,,.«;*&¤ my mom is here now. i ask her for some ¤&*;«.,,.,
,¨.-~\=$£# particle board for it to dry on, but #£$=\~-.¨,
¨,,«/*@@@# she is worried and wants me to #@@@*/«,,¨
¨~~*%%@### throw it away. ###@%%*~~¨
¨,,~;*¤### ###¤*;~,,¨
¨¨,,=\=$£# #£$=\=,,¨¨
¨,¨,,~\=¤§ §¤=\~,,¨,¨
¨.,,»*%§@@ @@§%*»,,.¨
,¨-»;%%¤@# #@¤%%;»-¨,
..-†%£@### ###@£%†-..