.#..#.##.. #.###..##.
##.##..#.# #..##.#.#.
.#..#.##.. #.#.#.#.#.
##.##..#.# #.#.#.#.#.
.#..#.##.. #.#.#.#.#.
##.##..#.# * DREAM PALACE * #.#.#.#.#.
.#..#.##.. - ----- ------ - #.#.#.#.#.
##.##..#.# * ..... ...... * #.#.#.#.#.
.#..#.##.. = ..... ...... = #.#.#.#.#.
##.##..#.# - ..... ...... - #.#.#.#.#.
.#..#.##.. - ..... ...... - #.#.#.#.#.
##.##..#.# . ..... ...... . #.#.#.#.#.
.#..#.##.. #.#.#.#.#.
##.##..#.# #.#.#.#.#.
.#..#.##.. NOT ACTUALLY A PALACE. A COTTAGE IN THE #.#.#.#.#.
##.##..#.# WOODS (TEMPERATE CLIMATE, RAINS EVERY #.#.#.#.#.
.#..#.##.. OTHER DAY, SPRINGS AND STREAMS AND #.#.#.#.#.
##.##..#.# MYSTERIOUS IRON AND STONE ARTIFACTS, #.#.#.#.#.
.#..#.##.. BIRDLAND-ISH ETERNAL SPRING (LATE #.#.#.#.#.
##.##..#.# SPRING)) #.#.#.#.#.
.#..#.##.. #.#.#.#.#.
##.##..#.# - #.#.#.#.#.
.#..#.##.. #.#.#.#.#.
##.##..#.# I WAKE UP EVERY MORNING AT SIX AM. IT'S #.#.#.#.#.
.#..#.##.. DARK, AND THE STARS ARE OUT, BUT THE #.#.#.#.#.
##.##..#.# SUN IS ABOUT TO RISE. ITS A LONG DAY, #.#.#.#.#.
.#..#.##.. BEFORE IT FADES TO NIGHT AGAIN, AND #.#.#.#.#.
##.##..#.# THEN IT STAYS SO UNTIL I FALL ASLEEP. #.#.#.#.#.
.#..#.##.. IT DOESN'T RISE UNLESS I'VE HAD MY #.#.#.#.#.
##.##..#.# DREAMS. #.#.#.#.#.
.#..#.##.. #.#.#.#.#.
##.##..#.# ยง #.#.#.#.#.
.#..#.##.. #.#.#.#.#.
##.##..#.# IN THIS COTTAGE THERE'S A LOT OF RADIO #.#.#.#.#.
.#..#.##.. EQUIPMENT, SOUND STUFF, SYNTHS, TAPE #.#.#.#.#.
##.##..#.# PLAYERS. PEN AND PAPER, BOOKS, CAMERAS, #.#.#.#.#.
.#..#.##.. MIRRORS, PRISMS, AND VARIOUS THINGS TO #.#.#.#.#.
##.##..#.# DO ART WITH. THE FRIDGE IS FILLED WITH #.#.#.#.#.
.#..#.##.. DIFFERET FOODS, ALL OF THEM INTRIGUING, #.#.#.#.#.
##.##..#.# SLIGHTLY WEIRD. #.#.#.#.#.
.#..#.##.. #.#.#.#.#.
##.##..#.# # #.#.#.#.#.
.#..#.##.. #.#.#.#.#.
##.##..#.# I HAVE FRIENDS - THERE'S A CAT, AND A #.#.#.#.#.
.#..#.##.. DOG (WHO IS RIDICOLOUSLY LARGE AND #.#.#.#.#.
##.##..#.# WANTS TO BE THE BIG SPOON). I LISTEN TO #.#.#.#.#.
.#..#.##.. THE SHORTWAVE RADIO, AND TRANSMIT A BIT #.#.#.#.#.
##.##..#.# MYSELF, SONGS AND POETRY, AND FOUND #.#.#.#.#.
.#..#.##.. SOUNDS FROM THE FOREST. THE OTHERS TELL #.#.#.#.#.
##.##..#.# OF THEIR LIVES, PLAY THE GUITAR FOR ME, #.#.#.#.#.
.#..#.##.. AND TELL TALES OF THE OLD WORLD. I #.#.#.#.#.
##.##..#.# CONSIDER THEM FRIENDS AS WELL. #.#.#.#.#.
.#..#.##.. #.#.#.#.#.
##.##..#.# @ #.#.#.#.#.
.#..#.##.. #.#.#.#.#.
##.##..#.# MOST IMPORTANTLY, THERE'S A TWO SQUARE #.#.#.#.#.
.#..#.##.. METER AREA ON THE FLOOR WHERE I CAN #.#.#.#.#.
##.##..#.# "SAVE" THINGS. WHATEVER I PUT IN HERE #.#.#.#.#.
.#..#.##.. WILL NOT BE AFFECTED BY THE NIGHTLY #.#.#.#.#.
##.##..#.# RESET. EVERYTHING ELSE, HOWEVER, IS #.#.#.#.#.
.#..#.##.. COMPLETELY RESET OVERNIGHT: SYNTH #.#.#.#.#.
##.##..#.# PATCHES REMOVED, FOOD UNEATEN, WOUNDS #.#.#.#.#.
.#..#.##.. HEALED, AND WHEREVER AND WHENEVER I'D #.#.#.#.#.
##.##..#.# FALL ASLEEP I'D ALWAYS WAKE UP FULLY #.#.#.#.#.
.#..#.##.. RESTED IN MY BED. SOMETIMES THERE'S #.#.#.#.#.
##.##..#.# ACCIDENTS WHERE I LOSE STUFF BY #.#.#.#.#.
.#..#.##.. FORGETTING TO PUT THEM IN THE SQUARE. #.#.#.#.#.
##.##..#.# #.#.#.#.#.
.#..#.##.. . #.#.#.#.#.
##.##..#.# #.#.#.#.#.
.#..#.##.. AT NIGHT, I HAVE DEMI-LUCID DREAMS #.#.#.#.#.
##.##..#.# WHERE THE SPIRITS OF THE FOREST AROUND #.#.#.#.#.
.#..#.##.. THE COTTAGE TRIES TO COMMUNICATE. HERE, #.#.#.#.#.
##.##..#.# IT'S NOT ENDLESS BUT CONNECTED TO A #.#.#.#.#.
.#..#.##.. LARGE SPRAWLING CITY, WHERE MY RADIO #.#.#.#.#.
##.##..#.# FRIENDS LIVE. WE GO EXPLORING TOGETHER #.#.#.#.#.
.#..#.##.. - THINGS ARE DEEP AND DARK - BUT UNLIKE #.#.#.#.#.
##.##..#.# ME, THEY NEVER REMEMBER DURING THE DAY. #.#.#.#.#.
.#..#.##.. THIS IS A MYSTERY WE OFTEN DISCUSS. #.#.#.#.#.
##.##..#.# #.#.#.#.#.
.#..#.##.. #.#.#.#.#.
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