¨,¨,:»=§£# #£§=»:,¨,¨
¨-»:$£@@@# #@@@£$:»-¨
.-»^$#@### ###@#$^»-.
,,«:=§@### ###@§=:«,,
¨,~†$&@### ###@&$†~,¨
¨.,¨^-~~†@ statuette @†~~-^¨,.¨
.~~*=%#¶## ##¶#%=*~~.
..~*$&£### $£$§%%%@£$*¤¤*@£»~~~=~~-*@%¤$£$¤¤@@*%%%& ###£&$*~..
¨-«\$&¤¤ ¤¤$%¤£%¤¤ ¤¤#&&$\«-¨
.,«:†*£@ @£#&*†:«,.
,^«†=*#### forests around my childhood home. thick ####*=†«^,
,-»†%§§§§@ pine arcades that were planted and @§§§§%†»-,
¨,,~\:=*$@ forgotten. wild boars roaming @$*=:\~,,¨
¨,,,^,.†§# underneath, sniffing at the ground. it #§†.,^,,,¨
...,.:;§=¤ is dark and moist, the canopy having ¤=§;:.,...
,:=*†¤¤§@¶ already soaked up all the sun. ¶@§¤¤†*=:,
¨:~;=£@@## ##@@£=;~:¨
,-~^†%¤@## there's a river passing by, from east ##@¤%†^~-,
.:~;%*¤#@# to west, getting broader and deeper and #@#¤*%;~:.
,~=:**%&&£ slower as it goes. equisetum grow just £&&%**:=~,
¨.-†*§§### where the pine hands start to let ###§§*†-.¨
¨,..^;†&§£ through light, horsemint on the rocky £§&†;^..,¨
¨¨,..~=@¤& river bed. &¤@=~..,¨¨
.^«†^$§### ###§$^†«^.
¨.-†%*@#@# * #@#@*%†-.¨
.^~;†£¤@## ##@¤£†;~^.
¨^»/§£#### the riverbanks reek of magic. tonight ####£§/»^¨
¨.~;*$&@## they had been a swampworld with sylvan ##@&$*;~.¨
¨^==%%#¶## water, stone rings and floating moss. ##¶#%%==^¨
¨,=/%$§### you could've found me wallowing around ###§$%/=,¨
¨,-;%£@@## on the southern shores until i got ##@@£%;-,¨
.,-†*¤@# bitten. #@#&¤*†-,.
,~-~=:^@§£ £§@^:=~-~,
¨,«*%*†^¤@ but now i'm further back, on solid @¤^†*%*«,¨
.:~==*§£@£ ground, in shoulder-high grass, with an £@£§*==~:.
,:»«-*%££¶ orange tin radio and a translucent ¶££%*-«»:,
.,-†$%£¶## umbrella which i'm sitting on. ##¶£%$†-,.
,,»;*£§@## ##@§£*;»,,
¨,=††¤@### ; ###@¤††=,¨
,,==%@¤@¶# #¶@¤@%==,,
,~»/†¤¤£## somethings moving in the grass. it's ##£¤¤†/»~,
,.»~:†=%=£ invisible to my eyes but i can feel £=%=†:~».,
,~»/$$&@## through the ground just how large it is. ##@&$$/»~,
¨-«/*£&@## ##@&£*/«-¨
¨,«\=%@&§§ the soil is muddy. i slip when trying §§&@%=\«,¨
..,~==:$^& to get up, still looking at the &^$:==~,..
..~†^£@### direction of sound rather than at my ###@£^†~..
¨,«\†£#¶## hands, who are busy putting things in ##¶#£†\«,¨
,~/§£@@@## my pockets. ##@@@£§/~,
¨.«/^*&£## ##£&*^/«.¨
,^»/*$§@## then i run east toward my home. ##@§$*/»^,
.--/$&&@@# #@@&&$/--.
.¨¨.=~§¤¶@ * @¶¤§~=.¨¨.
.~»\%££### ###££%\»~.
..»\†%¤@## i am not followed, and slow down in the ##@¤%†\»..
..-;=££### clearing where you at first can spot ###££=;-..
.,¨,,»\$@# the house, not yet really in the #@$\»,,¨,.
..¨.«~«%%@ backyard. from my pockets i retrieve my @%%«~«.¨..
¨.,,-§*@*# radio (now dented) but also a small #*@*§-,,.¨
,,«\^¤¤¶@# clay figure i've never seen before. it #@¶¤¤^\«,,
,^~†*$#@## must have been laying in the wet dirt, ##@#$*†~^,
.^~^*$£¶@£ and i must've picked it up with my £@¶£$*^~^.
.,~\†$£@## other belongings. ##@£$†\~,.
,,¨¨-†@$@# #@$@†-¨¨,,
.¨,,†=§£@£ it's a statuette of a girl laying naked £@£§=†,,¨.
,,==%£@#@# on her stomach, feet in the air, #@#@£%==,,
¨,.,.,*$&¶ roughly seven centimeters long. it's ¶&$*,.,.,¨
.-=†*$£@## freshly made, not yet completely dried. ##@£$*†=-.
,¨¨.»§*†§@ @§†*§».¨¨,
.^««†=%&¤¤ my mom is here now. i ask her for some ¤¤&%=†««^.
.^~/^@&&@# particle board for it to dry on, but #@&&@^/~^.
..,...,;$£ she is worried and wants me to £$;,...,..
¨,-^=%#@## throw it away. ##@#%=^-,¨
,--=*¤£@## ##@£¤*=--,
¨,=^†@&@#@ @#@&@†^=,¨
,,«^^%@¶## ##¶@%^^«,,
.¨,¨,~/$%£ £%$/~,¨,¨.
.^~†$*@#@# #@#@*$†~^.
,-~,»%*@¶@ @¶@*%»,~-,