.¨,¨,~^§§¤ ¤§§^~,¨,¨.
¨-=^^@#### ####@^^=-¨
,,«=*%#@## ##@#%*=«,,
¨.,.«^§£#& £§^«.,.¨
..-*/^*$ #&$*^/*-..
,...,--/§# statuette #§/--,...,
..,..^:†&¶ ¶&†:^..,..
¨,,.¨~«:%@ %§*$§£*$¤$%¤£%£%---~««««*$£§&@¤¤%$*%$%£% @%:«~¨.,,¨
..-/*$#### ¤*&*$£$£& ####$*/-..
,¨¨.¨,:@§@ @§@:,¨.¨¨,
,~-†$%££@# forests around my childhood home. thick #@££%$†-~,
,.»=*¤## pine arcades that were planted and ###&¤*=».,
¨¨¨,~»$&%£ forgotten. wild boars roaming £%&$»~,¨¨¨
¨.,..,»\*# underneath, sniffing at the ground. it #*\»,..,.¨
,.-==$§@£# is dark and moist, the canopy having #£@§$==-.,
¨..,¨¨,=£# already soaked up all the sun. #£=,¨¨,..¨
,,-*%$@### ###@$%*-,,
,.¨¨«^§§¶# there's a river passing by, from east #¶§§^«¨¨.,
.-«^**#¶@# to west, getting broader and deeper and #@¶#**^«-.
,^~/†*¤@## slower as it goes. equisetum grow just ##@¤*†/~^,
.-»*%*¤@## where the pine hands start to let ##@¤*%*»-.
..~:^$#£## through light, horsemint on the rocky ##£#$^:~..
...-~^=*§# river bed. #§*=^~-...
,,,--:*^@£ £@^*:--,,,
¨~-/*££¶## ^ ##¶££*/-~¨
¨,-*$&@@## ##@@&$*-,¨
,:=*$¤#£## the riverbanks reek of magic. tonight ##£#¤$*=:,
¨,=;$@@### they had been a swampworld with sylvan ###@@$;=,¨
.,~*$£%@£# water, stone rings and floating moss. #£@%£$*~,.
.,,,:*\% you could've found me wallowing around #&%\*:,,,.
.:«\*&@@## on the southern shores until i got ##@@&*\«:.
,-»\§$&@## bitten. ##@&$§\»-,
..,.¨::*%¤ ¤%*::¨.,..
¨.,¨¨:†*§# but now i'm further back, on solid #§*†:¨¨,.¨
..,,,:&@§@ ground, in shoulder-high grass, with an @§@&:,,,..
,^=†§%£§## orange tin radio and a translucent ##§£%§†=^,
,,~=^££### umbrella which i'm sitting on. ###££^=~,,
,~»=^¤¤@£@ @£@¤¤^=»~,
.^-*$%&@@¶ / ¶@@&%$*-^.
..:,.»=*@# #@*=».,:..
,^-\=$§#@# somethings moving in the grass. it's #@#§$=\-^,
.¨.-=^%£#@ invisible to my eyes but i can feel @#£%^=-.¨.
¨-»/$$§¶## through the ground just how large it is. ##¶§$$/»-¨
¨,-†%*£@@# #@@£*%†-,¨
¨,,¨,¨=~*¤ the soil is muddy. i slip when trying ¤*~=¨,¨,,¨
.^~\^§@£## to get up, still looking at the ##£@§^\~^.
..,..,^\$£ direction of sound rather than at my £$\^,..,..
,~»^*&£### hands, who are busy putting things in ###£&*^»~,
,¨,¨,-**£@ my pockets. @£**-,¨,¨,
,,¨.,,^\^# #^\^,,.¨,,
,.¨¨,»»%&¤ then i run east toward my home. ¤&%»»,¨¨.,
..¨,..,~$¤ ¤$~,..,¨..
.,=^†%&@## \ ##@&%†^=,.
,-~=*@&¶## ##¶&@*=~-,
.,»*§£@£@# i am not followed, and slow down in the #@£@£§*»,.
,,...¨,^%# clearing where you at first can spot #%^,¨...,,
,^-††$$%£# the house, not yet really in the #£%$$††-^,
,,«^§%@@@@ backyard. from my pockets i retrieve my @@@@%§^«,,
.,.¨,^==@£ radio (now dented) but also a small £@==^,¨.,.
,~~***@¶## clay figure i've never seen before. it ##¶@***~~,
¨.¨:~=£&££ must have been laying in the wet dirt, ££&£=~:¨.¨
¨,-~=:†*## and i must've picked it up with my ##*†:=~-,¨
¨,-†$¤&£## other belongings. ##£&¤$†-,¨
,,¨..,.«^@ @^«.,..¨,,
¨:~:^%@### it's a statuette of a girl laying naked ###@%^:~:¨
,¨.¨.~†$§@ on her stomach, feet in the air, @§$†~.¨.¨,
..,¨~*==%& roughly seven centimeters long. it's &%==*~¨,..
,^~**¤## freshly made, not yet completely dried. ###&¤**~^,
.:~\%£@@## ##@@£%\~:.
.....,~/$£ my mom is here now. i ask her for some £$/~,.....
¨,-**££¶## particle board for it to dry on, but ##¶££**-,¨
,:~*§$#¶## she is worried and wants me to ##¶#$§*~:,
,,::=*^£#§ throw it away. §#£^*=::,,
.,~\%$#@## ##@#$%\~,.
¨,†*%##@## ##@##%*†,¨
.:~\†%=££& &££=%†\~:.
,.,~»:†¤@£ £@¤†:»~,.,
..-~~«»*£@ @£*»«~~-..
¨¨.¨.../££ ££/...¨.¨¨