..¨~«\\§£@ @£§\\«~¨..
,...,:^%@£ £@%^:,...,
¨,.¨,«*§## ##§*«,¨.,¨
,--^$£#### ####£$^--,
¨.¨,-^$**& &**$^-,¨.¨
.¨¨.~«=£¤@ statuette @¤£=«~.¨¨.
¨,-^*£@¶ ¶@#&£*^-,¨
,.«=*¤¤@## $£&%§£*&££@£§%§£«~~~~-~~&%$$¤£@%£$%§£$££ ##@¤¤*=«.,
,,=;$£@### %£$$*§$%@ ###@£$;=,,
¨¨,..¨«=£# #£=«¨..,¨¨
¨^~;%£§@@# forests around my childhood home. thick #@@§£%;~^¨
¨,«=*§&@## pine arcades that were planted and ##@&§*=«,¨
¨,«\%¤@¶@# forgotten. wild boars roaming #@¶@¤%\«,¨
,~~\†%*£¤§ underneath, sniffing at the ground. it §¤£*%†\~~,
,.-/%$%%£@ is dark and moist, the canopy having @£%%$%/-.,
¨.,.^==&@@ already soaked up all the sun. @@&==^.,.¨
¨-=:%&§### ###§&%:=-¨
¨¨,,-*$££@ there's a river passing by, from east @££$*-,,¨¨
.~«^^¤£@## to west, getting broader and deeper and ##@£¤^^«~.
¨,¨.,.¨«§@ slower as it goes. equisetum grow just @§«¨.,.¨,¨
¨,~;=£££## where the pine hands start to let ##£££=;~,¨
.^~**§£@## through light, horsemint on the rocky ##@£§**~^.
.,¨,~»^=§# river bed. #§=^»~,¨,.
,¨¨^:~^% #&%^~:^¨¨,
,.~\=£§#§@ ; @§#§£=\~.,
.^~=†%*§## ##§*%†=~^.
,:«;%*§#@# the riverbanks reek of magic. tonight #@#§*%;«:,
....¨^~* they had been a swampworld with sylvan #&*~^¨....
.¨¨:~~\$%# water, stone rings and floating moss. #%$\~~:¨¨.
,^«\†%#¶## you could've found me wallowing around ##¶#%†\«^,
.,....-;@@ on the southern shores until i got @@;-....,.
..-\£##@## bitten. ##@##£\-..
¨¨.,¨,;%@£ £@%;,¨,.¨¨
,,¨»~=@#@# but now i'm further back, on solid #@#@=~»¨,,
¨.»^%&§¶@# ground, in shoulder-high grass, with an #@¶§&%^».¨
.~=;$££@@# orange tin radio and a translucent #@@££$;=~.
,:~^=\\/@¶ umbrella which i'm sitting on. ¶@/\\=^~:,
,.,¨,»%&£# #£&%»,¨,.,
,...«»^\¤@ * @¤\^»«...,
,^=^=¤@@## ##@@¤=^=^,
,~~/^@¤### somethings moving in the grass. it's ###¤@^/~~,
.^-^%$@£@# invisible to my eyes but i can feel #@£@$%^-^.
.¨¨.\:*§£§ through the ground just how large it is. §£§*:\.¨¨.
,,«^$##### #####$^«,,
,-~*$*¤#@# the soil is muddy. i slip when trying #@#¤*$*~-,
.¨¨.¨,:§%@ to get up, still looking at the @%§:,¨.¨¨.
¨,~:=§@£## direction of sound rather than at my ##£@§=:~,¨
,..¨.^**¶@ hands, who are busy putting things in @¶**^.¨..,
.,=;†$@@## my pockets. ##@@$†;=,.
,,¨-~;=%§@ @§%=;~-¨,,
,~~==\%£@@ then i run east toward my home. @@£%\==~~,
,,=\§%*$¤@ @¤$*%§\=,,
,^»^^%†* * #&*†%^^»^,
.~«:*$$¤@# #@¤$$*:«~.
.,¨..^,^%# i am not followed, and slow down in the #%^,^..¨,.
.¨,¨,,=:=§ clearing where you at first can spot §=:=,,¨,¨.
¨:»^$£#¶## the house, not yet really in the ##¶#£$^»:¨
.,»†§¤¤@## backyard. from my pockets i retrieve my ##@¤¤§†»,.
¨..¨...=%¤ radio (now dented) but also a small ¤%=...¨..¨
.^=*=§@### clay figure i've never seen before. it ###@§=*=^.
,,»;//$#¶£ must have been laying in the wet dirt, £¶#$//;»,,
¨^.~†=:%¤# and i must've picked it up with my #¤%:=†~.^¨
¨,»/§&@@## other belongings. ##@@&§/»,¨
¨..^-;$£$£ £$£$;-^..¨
,-»:**$£@¤ it's a statuette of a girl laying naked ¤@£$**:»-,
,-~†%%§# on her stomach, feet in the air, #§%%†~-,
.~=;§$##@¶ roughly seven centimeters long. it's ¶@##$§;=~.
.¨.¨»^%@@¶ freshly made, not yet completely dried. ¶@@%^»¨.¨.
,^-†$$£### ###£$$†-^,
¨:=:*&@£## my mom is here now. i ask her for some ##£@&*:=:¨
.:«†*%&@@# particle board for it to dry on, but #@@&%*†«:.
.¨¨¨^^:&§@ she is worried and wants me to @§&:^^¨¨¨.
¨^«^§$£$&£ throw it away. £&$£$§^«^¨
,,~†*@@### ###@@*†~,,
,,-†^*££## ##££*^†-,,
,,-,,«%¤%@ @%¤%«,,-,,
,...,=:=^¤ ¤^=:=,...,
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¨^-†$%££## ##££%$†-^¨