,--;%&@£## ##£@&%;--,
.,¨--~=§§# #§§=~--¨,.
¨~-;=:%&%£ £%&%:=;-~¨
,~=/†@£¶## ##¶£@†/=~,
.:=†=&§### ###§&=†=:.
,,¨¨~†&*§@ statuette @§*&†~¨¨,,
,,-;%¤#£@# #@£#¤%;-,,
.,=/;%¤££# *§£%*%$£¤%§££$%$»=»«~~»~££%%%¤%§$%$@§¤§$ #££¤%;/=,.
¨.»\†@@¶## &$£%££$@£ ##¶@@†\».¨
,,~*%$#### ####$%*~,,
¨,~:§*@@## forests around my childhood home. thick ##@@*§:~,¨
¨:«:**\*£# pine arcades that were planted and #£*\**:«:¨
¨¨^~^*££$& forgotten. wild boars roaming &$££*^~^¨¨
¨^=:†%££@# underneath, sniffing at the ground. it #@££%†:=^¨
,,.¨~**£## is dark and moist, the canopy having ##£**~¨.,,
..¨.¨~$$¤@ already soaked up all the sun. @¤$$~¨.¨..
¨^=**$¤£## ##£¤$**=^¨
..,-,*%£%£ there's a river passing by, from east £%£%*,-,..
.^»;%@@### to west, getting broader and deeper and ###@@%;»^.
,~»*%%¤#@# slower as it goes. equisetum grow just #@#¤%%*»~,
,-=:**&£@# where the pine hands start to let #@£&**:=-,
¨.¨¨,,;=£& through light, horsemint on the rocky &£=;,,¨¨.¨
,¨.,¨~^¤## river bed. ##¤^~¨,.¨,
.--*=%§### ###§%=*--.
,..¨.~«%*£ ^ £*%«~.¨..,
¨,.«=%§££# #££§%=«.,¨
,,¨:-=*££# the riverbanks reek of magic. tonight #££*=-:¨,,
.^~=†£#¶ they had been a swampworld with sylvan ¶#£†=~^.
.,=*$§¶@## water, stone rings and floating moss. ##@¶§$*=,.
¨,«/=&§### you could've found me wallowing around ###§&=/«,¨
¨^-^=%#§¤# on the southern shores until i got #¤§#%=^-^¨
,,¨¨,.~*§§ bitten. §§*~.,¨¨,,
.,»\^&§%*# #*%§&^\»,.
.,-/=%@@## but now i'm further back, on solid ##@@%=/-,.
,~«/%£§#§& ground, in shoulder-high grass, with an &§#§£%/«~,
,.-/%¤£@## orange tin radio and a translucent ##@£¤%/-.,
..,,.,\&&£ umbrella which i'm sitting on. £&&\,.,,..
¨¨.¨-;*¤§# #§¤*;-¨.¨¨
,~-;=%§### ; ###§%=;-~,
¨-~\**§£&¤ ¤&£§**\~-¨
,~«^$&@### somethings moving in the grass. it's ###@&$^«~,
¨,«††\†$¤¤ invisible to my eyes but i can feel ¤¤$†\††«,¨
,,=$£#@### through the ground just how large it is. ###@#£$=,,
¨,»*=%§@## ##@§%=*»,¨
,¨¨..¨,«%@ the soil is muddy. i slip when trying @%«,¨..¨¨,
¨.~\§§#### to get up, still looking at the ####§§\~.¨
..~/*¤&¤## direction of sound rather than at my ##¤&¤*/~..
.,=»«/^;$# hands, who are busy putting things in #$;^/«»=,.
,.,..~»*¤@ my pockets. @¤*»~..,.,
¨.»/%&@@#@ @#@@&%/».¨
,~~*^£¤### then i run east toward my home. ###¤£^*~~,
.-«:†%§### ###§%†:«-.
,:»=†$¶### ^ ###¶$†=»:,
¨^«*¤§£### ###£§¤*«^¨
,,,¨¨¨~^&£ i am not followed, and slow down in the £&^~¨¨¨,,,
.,¨~~~^§££ clearing where you at first can spot ££§^~~~¨,.
¨~»=**## the house, not yet really in the ###&**=»~¨
¨--†%$&@## backyard. from my pockets i retrieve my ##@&$%†--¨
,,,¨¨~\$@¶ radio (now dented) but also a small ¶@$\~¨¨,,,
¨.~/%£@@## clay figure i've never seen before. it ##@@£%/~.¨
..¨,^:=£@# must have been laying in the wet dirt, #@£=:^,¨..
.,,.,-~~%& and i must've picked it up with my &%~~-,.,,.
.¨.¨¨.::£# other belongings. #£::.¨¨.¨.
.,~/=¤@£## ##£@¤=/~,.
,.«\^$&@## it's a statuette of a girl laying naked ##@&$^\«.,
.¨¨,»«»$@@ on her stomach, feet in the air, @@$»«»,¨¨.
¨,~~:%§*%@ roughly seven centimeters long. it's @%*§%:~~,¨
,^~\$$#### freshly made, not yet completely dried. ####$$\~^,
,,=*§$¤£## ##£¤$§*=,,
¨,-††§£@## my mom is here now. i ask her for some ##@£§††-,¨
.~««~*@%£# particle board for it to dry on, but #£%@*~««~.
¨,,¨,\%&¶# she is worried and wants me to #¶&%\,¨,,¨
¨,-*%=¤#£# throw it away. #£#¤=%*-,¨
¨:=^%$## ###&$%^=:¨
,¨¨..»«=*£ £*=«»..¨¨,
.^»†%*£¶## ##¶£*%†»^.
..¨:,*£@¶¶ ¶¶@£*,:¨..
,^«*^@@# #@@#&^*«^,
.:~\=¤#### ####¤=\~:.