.:=*%%¶### ###¶%%*=:.
.,~\%£@¶## ##¶@£%\~,.
¨,~/%%¤### ###¤%%/~,¨
.,~/*%@#¤# #¤#@%*/~,.
,:«*$£§£## ##£§£$*«:,
..«/$$£### statuette ###£$$/«..
,.~/$*#£## ##£#*$/~.,
,:~=^$£¶## $£%£¤§@&§§%*§¤&§-«=~»~~~@*§$$&§&%&&§%%§¤ ##¶£$^=~:,
,,¨,~~;§$# ¤$%¤%£%££ #$§;~~,¨,,
.-=*=£¤@@# #@@¤£=*=-.
,,-†%£@@## forests around my childhood home. thick ##@@£%†-,,
,-~*^§¤£@@ pine arcades that were planted and @@£¤§^*~-,
¨¨,,~%%@$# forgotten. wild boars roaming #$@%%~,,¨¨
..-^$$£¶## underneath, sniffing at the ground. it ##¶£$$^-..
¨,«\%*$=§¶ is dark and moist, the canopy having ¶§=$*%\«,¨
¨^«*^%@£## already soaked up all the sun. ##£@%^*«^¨
,-=/%%¤¶## ##¶¤%%/=-,
,.~^$£#£## there's a river passing by, from east ##£#£$^~.,
¨:==*£§¶## to west, getting broader and deeper and ##¶§£*==:¨
.,~\$§@### slower as it goes. equisetum grow just ###@§$\~,.
,.~;^%$§@& where the pine hands start to let &@§$%^;~.,
,¨.¨.:~§## through light, horsemint on the rocky ##§~:.¨.¨,
,-«**£¤#@# river bed. #@#¤£**«-,
.,,¨-=~$*¶ ¶*$~=-¨,,.
,.~^@&@@## \ ##@@&@^~.,
,..,.,=%$& &$%=,.,..,
,¨,..=~§£# the riverbanks reek of magic. tonight #£§~=..,¨,
,.¨¨~/†\$# they had been a swampworld with sylvan #$\†/~¨¨.,
¨«/†¤&¶@## water, stone rings and floating moss. ##@¶&¤†/«¨
¨:~;%&¤@## you could've found me wallowing around ##@¤&%;~:¨
,,~;^%@@## on the southern shores until i got ##@@%^;~,,
.,,»»~^%£# bitten. #£%^~»»,,.
,¨,,¨,=$§¶ ¶§$=,¨,,¨,
,.,=~§$# but now i'm further back, on solid ##&$§~=,.,
,-«^*&&£## ground, in shoulder-high grass, with an ##£&&*^«-,
,,-/*£§### orange tin radio and a translucent ###§£*/-,,
¨--^*£§@## umbrella which i'm sitting on. ##@§£*^--¨
¨¨¨,~«†^¤@ @¤^†«~,¨¨¨
.,.-~/*§%& / &%§*/~-.,.
.-~^%%#@£¶ ¶£@#%%^~-.
.,,.,..=*¤ somethings moving in the grass. it's ¤*=..,.,,.
,-~\=££##@ invisible to my eyes but i can feel @##££=\~-,
.,~:%%£@§# through the ground just how large it is. #§@£%%:~,.
..¨,,~«;†¤ ¤†;«~,,¨..
,¨¨.~.:%¤£ the soil is muddy. i slip when trying £¤%:.~.¨¨,
.:»/†$&@## to get up, still looking at the ##@&$†/»:.
,:~:%%¤¶@# direction of sound rather than at my #@¶¤%%:~:,
.,~†%&£#@# hands, who are busy putting things in #@#£&%†~,.
¨¨¨¨~^$# my pockets. ##&$^~¨¨¨¨
¨,¨..-:\§@ @§\:-..¨,¨
,--^%%$¤## then i run east toward my home. ##¤$%%^--,
,,-^*$#¶## ##¶#$*^-,,
.,.¨..~:&§ † §&:~..¨.,.
¨:~/†$## ###&$†/~:¨
¨,..¨,=^=# i am not followed, and slow down in the #=^=,¨..,¨
,¨,,.¨,~*& clearing where you at first can spot &*~,¨.,,¨,
,¨.¨.-†### the house, not yet really in the ###†-.¨.¨,
¨,~==§#### backyard. from my pockets i retrieve my ####§==~,¨
¨:=^$%#£@# radio (now dented) but also a small #@£#%$^=:¨
¨,«=$%&¶## clay figure i've never seen before. it ##¶&%$=«,¨
..^-»-~/%¤ must have been laying in the wet dirt, ¤%/~-»-^..
..,,,-$&@@ and i must've picked it up with my @@&$-,,,..
.¨¨~«*%##@ other belongings. @##%*«~¨¨.
,:~^§%#¶## ##¶#%§^~:,
,.,~=/†£§£ it's a statuette of a girl laying naked £§£†/=~,.,
.:~^^@@# on her stomach, feet in the air, #@@#&^^~:.
¨,-:^£¤£## roughly seven centimeters long. it's ##£¤£^:-,¨
¨.,.:^~\%# freshly made, not yet completely dried. #%\~^:.,.¨
,.~^^&@£@# #@£@&^^~.,
¨,~;*£¤£@# my mom is here now. i ask her for some #@£¤£*;~,¨
..¨¨¨,~%%¤ particle board for it to dry on, but ¤%%~,¨¨¨..
,¨:~=^*=£§ she is worried and wants me to §£=*^=~:¨,
,,=:%£@### throw it away. ###@£%:=,,
¨.¨¨,=*§@@ @@§*=,¨¨.¨
,,~:^%§¶@@ @@¶§%^:~,,
,~~;=$¤@#@ @#@¤$=;~~,
.,=*^@§@#@ @#@§@^*=,.
.¨.,,~†%£¶ ¶£%†~,,.¨.
,^«\^££¤£# #£¤££^\«^,