,¨..,¨»^†# #†^»¨,..¨,
,:~;†$&¶## ##¶&$†;~:,
¨.,»~=%%@# #@%%=~»,.¨
,.»\$@£#@# #@#£@$\».,
,:»**&£¶@# #@¶£&**»:,
¨-=\=*£### statuette ###£*=\=-¨
¨^»†%¤&@## ##@&¤%†»^¨
,-«\*@@£## &£$££¤%%$%¤$££$@~~~--~-~&$%%¤&§%££*£*&£$ ##£@@*\«-,
.¨¨-»=^*%@ *%$$@$£$¤ @%*^=»-¨¨.
.,~\=§#@¶@ @¶@#§=\~,.
,,«:=@#### forests around my childhood home. thick ####@=:«,,
.,~^*&§### pine arcades that were planted and ###§&*^~,.
¨,¨.,.¨»^& forgotten. wild boars roaming &^»¨.,.¨,¨
.^»:**@£#@ underneath, sniffing at the ground. it @#£@**:»^.
¨,«**£§##@ is dark and moist, the canopy having @##§£**«,¨
,^=/†%$†%§ already soaked up all the sun. §%†$%†/=^,
,...~,*:§¤ ¤§:*,~...,
¨~-*$@¤@ there's a river passing by, from east @#&¤@$*-~¨
¨:»/*&@# to west, getting broader and deeper and #@#&&*/»:¨
..¨,=:£&£@ slower as it goes. equisetum grow just @£&£:=,¨..
¨^~;^%§£## where the pine hands start to let ##£§%^;~^¨
.,=\*§£¶@# through light, horsemint on the rocky #@¶£§*\=,.
.~«\%£¤### river bed. ###¤£%\«~.
.,-;†§@@## ##@@§†;-,.
,¨..-;¤%¤& * &¤%¤;-..¨,
,^=††%§@## ##@§%††=^,
¨~-/*&£### the riverbanks reek of magic. tonight ###£&*/-~¨
,.,^:=$%¤¶ they had been a swampworld with sylvan ¶¤%$=:^,.,
¨:»†**#@¶@ water, stone rings and floating moss. @¶@#**†»:¨
.--;%¤§¶#@ you could've found me wallowing around @#¶§¤%;--.
¨,-^†¤@¤@# on the southern shores until i got #@¤@¤†^-,¨
.,.,,^†**£ bitten. £**†^,,.,.
-«^†¶@## ##@¶#&†^«-
¨,~†^£&@## but now i'm further back, on solid ##@&£^†~,¨
.¨,.-=«%%£ ground, in shoulder-high grass, with an £%%«=-.,¨.
¨^»=%$&£## orange tin radio and a translucent ##£&$%=»^¨
,,,¨~^†$§@ umbrella which i'm sitting on. @§$†^~¨,,,
¨,~†$&£### ###£&$†~,¨
¨:~^*@£### : ###£@*^~:¨
¨.¨¨¨,=*§£ £§*=,¨¨¨.¨
¨.=/*$@¤@@ somethings moving in the grass. it's @@¤@$*/=.¨
.,,¨¨-~^$# invisible to my eyes but i can feel #$^~-¨¨,,.
.-~:=%## through the ground just how large it is. ###&%=:~-.
.^-^=£££## ##£££=^-^.
¨¨.¨=*§¤## the soil is muddy. i slip when trying ##¤§*=¨.¨¨
,..,,~^*&¶ to get up, still looking at the ¶&*^~,,..,
.-=/%£§£## direction of sound rather than at my ##£§£%/=-.
¨,-\**#§¶¶ hands, who are busy putting things in ¶¶§#**\-,¨
.~/=*&¶@## my pockets. ##@¶&*=/~.
¨¨,,«%$@#@ @#@$%«,,¨¨
¨,~\%%##@# then i run east toward my home. #@##%%\~,¨
.¨,,:†/^$& &$^/†:,,¨.
,,¨¨~»=&¶@ = @¶&=»~¨¨,,
.¨,.~«=*£@ @£*=«~.,¨.
.-»^=&§### i am not followed, and slow down in the ###§&=^»-.
¨~^«»»†$¤# clearing where you at first can spot #¤$†»»«^~¨
¨,»=*%£### the house, not yet really in the ###£%*=»,¨
,,-\§$@£@# backyard. from my pockets i retrieve my #@£@$§\-,,
.~»=*¤&@## radio (now dented) but also a small ##@&¤*=»~.
¨~»/*&£¶## clay figure i've never seen before. it ##¶£&*/»~¨
¨:~*%§^&@@ must have been laying in the wet dirt, @@&^§%*~:¨
.:«:%&§¤ and i must've picked it up with my #&¤§&%:«:.
,,«/§£@£@# other belongings. #@£@£§/«,,
...¨=^%# ##&%^=¨...
,.,-~†*$$¤ it's a statuette of a girl laying naked ¤$$*†~-,.,
,,«^*@@@@# on her stomach, feet in the air, #@@@@*^«,,
¨~-^=¤@### roughly seven centimeters long. it's ###@¤=^-~¨
,¨.¨,-/*%& freshly made, not yet completely dried. &%*/-,¨.¨,
,:-~/;†**¤ ¤**†;/~-:,
¨.=**££@@# my mom is here now. i ask her for some #@@££**=.¨
¨:«^†$@@## particle board for it to dry on, but ##@@$†^«:¨
,¨,¨,-§*#@ she is worried and wants me to @#*§-,¨,¨,
,,-^§£#@## throw it away. ##@#£§^-,,
¨,....~§†# #†§~....,¨
,^»^§§£@## ##@£§§^»^,
¨--\*¤&£&@ @&£&¤*\--¨
.:~*^@£# ##&£@^*~:.
.^«*%£@### ###@£%*«^.
.¨-~=-†¤@# #@¤†-=~-¨.