..--/=§*£# #£*§=/--..
,-=;§@§¶## ##¶§@§;=-,
¨¨¨,¨~=£ #&£=~¨,¨¨¨
,,~*=$¤£## ##£¤$=*~,,
¨,«†%§¤#@# #@#¤§%†«,¨
.,.~^^^^*@ statuette @*^^^^~.,.
¨,,.,=†%&£ £&%†=,.,,¨
¨,~\%££### §£$@@$*§*£$**@&$=«~~-»~»§£¤@$$§*§%*£$*$£ ###££%\~,¨
..,.--\$@# %$£*&¤§$& #@$\--.,..
,.,¨,.«$#¶ ¶#$«.,¨,.,
.-=;$%$&¤£ forests around my childhood home. thick £¤&$%$;=-.
.,=†=%¤### pine arcades that were planted and ###¤%=†=,.
,.,,:,=$§@ forgotten. wild boars roaming @§$=,:,,.,
..«/§£@### underneath, sniffing at the ground. it ###@£§/«..
¨,.^~*†### is dark and moist, the canopy having ###†*~^.,¨
¨¨,,¨:^†%# already soaked up all the sun. #%†^:¨,,¨¨
,^=\*%@### ###@%*\=^,
¨,«^$¤§@@# there's a river passing by, from east #@@§¤$^«,¨
¨,=†=£¤### to west, getting broader and deeper and ###¤£=†=,¨
,,-/†\*@¶# slower as it goes. equisetum grow just #¶@*\†/-,,
.:=**@§¶## where the pine hands start to let ##¶§@**=:.
¨¨¨,,/@£## through light, horsemint on the rocky ##£@/,,¨¨¨
.:«†%£¤¶## river bed. ##¶¤£%†«:.
,,^^»\¤@#@ @#@¤\»^^,,
,~==^%&@@@ : @@@&%^==~,
.:~;=$#@## ##@#$=;~:.
¨.=^§@¤@## the riverbanks reek of magic. tonight ##@¤@§^=.¨
,^~-~-%=#& they had been a swampworld with sylvan =%-~-~^,
.,¨¨.,.~^§ water, stone rings and floating moss. §^~.,.¨¨,.
,-~/*%§@@# you could've found me wallowing around #@@§%*/~-,
.-«*%%§### on the southern shores until i got ###§%%*«-.
.¨.¨.,,=@@ bitten. @@=,,.¨.¨.
,,,.¨-;%#§ §#%;-¨.,,,
,.,,¨.«:§@ but now i'm further back, on solid @§:«.¨,,.,
¨^-^^*&@## ground, in shoulder-high grass, with an ##@&*^^-^¨
.¨.,¨-»;¤@ orange tin radio and a translucent @¤;»-¨,.¨.
.,~^%¤#£@# umbrella which i'm sitting on. #@£#¤%^~,.
.¨¨,./$£&@ @&£$/.,¨¨.
,.¨¨.¨-†£# ^ #£†-¨.¨¨.,
,,«/^§@@## ##@@§^/«,,
,^-†*%## somethings moving in the grass. it's ###&%*†-^,
,,«\%£$#@# invisible to my eyes but i can feel #@#$£%\«,,
¨-~;^£@£## through the ground just how large it is. ##£@£^;~-¨
,,=/†£§@## ##@§£†/=,,
,...¨~§&£@ the soil is muddy. i slip when trying @£&§~¨...,
,-=;=**$## to get up, still looking at the ##$**=;=-,
,¨¨.¨-:=£# direction of sound rather than at my #£=:-¨.¨¨,
¨...,^^^*¤ hands, who are busy putting things in ¤*^^^,...¨
,~~;%$@### my pockets. ###@$%;~~,
.^-/†### ####&†/-^.
,,-,««%*$@ then i run east toward my home. @$*%««,-,,
,,~/=*&@## ##@&*=/~,,
,¨.¨.-»=&& ^ &&=»-.¨.¨,
.¨-.,:^#¶£ £¶#^:,.-¨.
,,«*†§&¶@# i am not followed, and slow down in the #@¶&§†*«,,
¨,»:§£#@## clearing where you at first can spot ##@#£§:»,¨
,,=†§@§#£# the house, not yet really in the #£#§@§†=,,
,^~;†§££## backyard. from my pockets i retrieve my ##££§†;~^,
,^~†§*££## radio (now dented) but also a small ##££*§†~^,
,~=^=$£### clay figure i've never seen before. it ###£$=^=~,
¨,-;$$@¶@# must have been laying in the wet dirt, #@¶@$$;-,¨
¨,«\=££¤§£ and i must've picked it up with my £§¤££=\«,¨
,~==$$¤@@# other belongings. #@@¤$$==~,
,.:~^:%§@§ §@§%:^~:.,
¨.~^%&§@## it's a statuette of a girl laying naked ##@§&%^~.¨
.,-=%¤@### on her stomach, feet in the air, ###@¤%=-,.
¨~-/=@§#@# roughly seven centimeters long. it's #@#§@=/-~¨
..~:^$¤£@# freshly made, not yet completely dried. #@£¤$^:~..
,.=;*§¤@@# #@@¤§*;=.,
¨:«:%$¤### my mom is here now. i ask her for some ###¤$%:«:¨
,-~/^£§£@# particle board for it to dry on, but #@£§£^/~-,
¨¨¨,¨-†*£# she is worried and wants me to #£*†-¨,¨¨¨
.,.,¨^**@@ throw it away. @@**^¨,.,.
..,,»«**¤@ @¤**«»,,..
,:~=%£§### ###§£%=~:,
,-~^$¤£¶@# #@¶£¤$^~-,
.,..,¨^;%# #%;^¨,..,.
.-«*;*%&£# #£&%*;*«-.
.-«††£¶@## ##@¶£††«-.