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.¤..¤¤.¤.¤ ¤..¤..¤.¤¤
.¤.¤.¤.¤.¤ delay delay d.la@ ¤ §a. ^ .# » ^ ¤.¤¤.¤¤..¤
.¤.¤.¤.¤.¤ ¤..¤..¤.¤¤
.¤.¤.¤.¤.¤ ¤.¤¤.¤¤..¤
.¤.¤.¤.¤.¤ ¤..¤..¤.¤¤
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.¤.¤.¤.¤.¤ "delay" means repetiton or likewise, ¤..¤..¤.¤¤
.¤.¤.¤.¤.¤ but it's mainly useless without ¤.¤¤.¤¤..¤
.¤.¤.¤.¤.¤ feedback, ¤..¤..¤.¤¤
.¤.¤.¤.¤.¤ to allow the delay to eat of it's own ¤.¤¤.¤¤..¤
.¤.¤.¤.¤.¤ tail, like one of those eaty serpents. ¤..¤..¤.¤¤
.¤.¤.¤.¤.¤ thus: it's the serpent effect! ¤.¤¤.¤¤..¤
.¤.¤.¤.¤.¤ ¤..¤..¤.¤¤
.¤.¤.¤.¤.¤ it's to be revered as a creator of ¤.¤¤.¤¤..¤
.¤.¤.¤.¤.¤ ambience and of space, if you treat it ¤..¤..¤.¤¤
.¤.¤.¤.¤.¤ right. a somewhat more solid and ¤.¤¤.¤¤..¤
.¤.¤.¤.¤.¤ slippery sibling of reverb. ¤..¤..¤.¤¤
.¤.¤.¤.¤.¤ ¤.¤¤.¤¤..¤
.¤.¤.¤.¤.¤ ¤..¤..¤.¤¤
.¤.¤.¤.¤.¤ ¤.¤¤.¤¤..¤
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