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@@.@.@@.@@ //////////////////////////////////////// @.@.@.@@@@
@@.@..@..@ @.@.@..@@@
@@.@.@@.@@ Mouse girl Likes Shoes @.@.@.@.@@
@@.@..@..@ @.@.@.@..@
@@.@.@@.@@ / / / / @.@.@.@.@.
.@.@..@..@ @.@.@.@.@.
@@.@.@@.@@ In This Dream I Was A Girl Of Maybe @.@.@.@.@.
.@.@..@..@ Sixteen Years, Together With My Dad In @.@.@.@.@.
@@.@.@@.@@ A Huge Bath House / Spa / Hotel / @.@.@.@.@.
.@.@..@..@ Shopping centre. Dad Was Constatly @.@.@.@.@.
@@.@.@@.@@ Pointing Out Hot Girls To Me. "You See @.@.@.@.@.
.@.@..@..@ That Black-Haired Thing Dissapearing @.@.@.@.@.
@@.@.@@.@@ Behind The Clothes Rack? Oof!" He'D @.@.@.@.@.
.@.@..@..@ Say. He Was Always Very Creepy About @.@.@.@.@.
@@.@.@@.@@ This, Going For Girls My Age. @.@.@.@.@.
.@.@..@..@ @.@.@.@.@.
@@.@.@@.@@ This Night He Had Just Tried To Woo A @.@.@.@.@.
.@.@..@..@ Girl He Called A "Mouse" By Buying Her @.@.@.@.@.
@@.@.@@.@@ Shoes, But She Had Accepted Them Only @.@.@.@.@.
.@.@..@..@ To Run Away Immediately Afterward. Dad @.@.@.@.@.
@@.@.@@.@@ Was A Bit Bummed But Dropped It @.@.@.@.@.
.@.@..@..@ Quickly. I Said Goodnight To Him And @.@.@.@.@.
@@.@.@@.@@ Went Looking For The Mouse. @.@.@.@.@.
.@.@..@..@ @.@.@.@.@.
@@.@.@@.@@ The Building Was Enormous And Mazelike. @.@.@.@.@.
.@.@..@..@ Walls, Floors And Pillars Were Set In @.@.@.@.@.
@@.@.@@.@@ Green Marble. Throughout The House Ran @.@.@.@.@.
.@.@..@..@ A Main Boulevard, Wide As A Street, @.@.@.@.@.
@@.@.@@.@@ Framed With Clay Vases Dark As Obsidian @.@.@.@.@.
.@.@..@..@ And Taller Than A Person. In Each Vase @.@.@.@.@.
@@.@.@@.@@ Was Placed Upright A Leaf From A Palm @.@.@.@.@.
.@.@..@..@ Tree Or Giant Fern. The Boulevard Was @.@.@.@.@.
@@.@.@@.@@ Dimly Lit, Which Allowed The Pools That @.@.@.@.@.
.@.@..@..@ Were Generously Sprinkled Throughout @.@.@.@.@.
@@.@.@@.@@ Each Floor Would Reflect Suggestive @.@.@.@.@.
.@.@..@..@ Patterns On The Marble. @.@.@.@.@.
@@.@.@@.@@ @.@.@.@.@.
.@.@..@..@ / / / / @.@.@.@.@.
@@.@.@@.@@ @.@.@.@.@.
.@.@..@..@ Following The Boulevard, Two Floors Up @.@.@.@.@.
@@.@.@@.@@ I Found Her Crying Behind Two Fern @.@.@.@.@.
.@.@..@..@ Vases. She Was Beautiful, And As I @.@.@.@.@.
@@.@.@@.@@ Approached, She Looked Up And Sniveled. @.@.@.@.@.
.@.@..@..@ In The Nearest Vase She Had Stuffed @.@.@.@.@.
@@.@.@@.@@ Both The Shoes. @.@.@.@.@.
.@.@..@..@ @.@.@.@.@.
@@.@.@@.@@ I Told Her To Follow, But She Didn'T @.@.@.@.@.
.@.@..@..@ Move Or Speak. So Instead I Said To @.@.@.@.@.
@@.@.@@.@@ Stay There, And Ran To Get Her A Better @.@.@.@.@.
.@.@..@..@ Pair Of Shoes That She Would Actually @.@.@.@.@.
@@.@.@@.@@ Like. When I Returned, Having Spent @.@.@.@.@.
.@.@..@..@ More Than I Could Really Afford, She @.@.@.@.@.
@@.@.@@.@@ Was Visibly Impressed. I Tried To Sound @.@.@.@.@.
.@.@..@..@ Cool, Saying Something Like "What Do @.@.@.@.@.
@@.@.@@.@@ You Think, Just Because A Girl Has A @.@.@.@.@.
.@.@..@..@ Freaky Dad, She Doesn'T Have Taste?" @.@.@.@.@.
@@.@.@@.@@ But Mouse Girl Just Laughed At Me. @.@.@.@.@.
.@.@..@..@ @.@.@.@.@.
@@.@.@@.@@ She Then Took Me By The Hand And Led Me @.@.@.@.@.
.@.@..@..@ Out A Side Route To A Closed-Off @.@.@.@.@.
@@.@.@@.@@ Rooftop Walking Garden, Full Of Juniper @.@.@.@.@.
.@.@..@..@ And Thuja. It Was A Late Evening, And @.@.@.@.@.
@@.@.@@.@@ The Stars Were Glittering. Being @.@.@.@.@.
.@.@..@..@ Closed, The Garden Had Its Light Turned @.@.@.@.@.
@@.@.@@.@@ Off, But We Could Still See Our Way @.@.@.@.@.
.@.@..@..@ Around By The Light Shining Down From @.@.@.@.@.
@@.@.@@.@@ The Windows Of The Higher Floors. @.@.@.@.@.
.@.@..@..@ @.@.@.@.@.
@@.@.@@.@@ She Lay Down In A Patch Of Grass. I Sat @.@.@.@.@.
.@.@..@..@ Down On My Knees, And Then Crawled @.@.@.@.@.
@@.@.@@.@@ Closer. She Laughed At Me Again, And @.@.@.@.@.
.@.@..@..@ Said - @.@.@.@.@.
@@.@.@@.@@ @.@.@.@.@.
.@.@..@..@ / / / / @.@.@.@.@.
@@.@.@@.@@ @.@.@.@.@.
.@.@..@..@ (Here I Am Awakened By The Morning Crew) @.@.@.@.@.
@@.@.@@.@@ @.@.@.@.@.
.@.@..@..@ //////////////////////////////////////// @.@.@.@.@.
@@.@.@@.@@ @.@.@.@.@.
.@.@..@..@ @.@.@.@.@.
@@.@.@@.@@ @.@.@.@.@.
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